Believing they have left behind shadowy figures from their past, newlyweds Christian and Ana fully embrace an inextricable connection and shared life of luxury. But just as she steps into her role as Mrs. Grey and he relaxes into an unfamiliar stability, new threats could jeopardize their happy ending before it even begins.
Credits: TheMovieDb.
Fifty Shades Freed
Overview:
Believing they have left behind shadowy figures from their past, newlyweds Christian and Ana fully embrace an inextricable connection and shared life of luxury. But just as she steps into her role as Mrs. Grey and he relaxes into an unfamiliar stability, new threats could jeopardize their happy ending before it even begins.
Cast:
- Anastasia Steele: Dakota Johnson
- Christian Grey: Jamie Dornan
- Jack Hyde: Eric Johnson
- Kate Kavanagh: Eloise Mumford
- Mia Grey: Rita Ora
- Elliot Grey: Luke Grimes
- José: Victor Rasuk
- Taylor: Max Martini
- Carla: Jennifer Ehle
- Elena Lincoln: Kim Basinger
- Grace Grey: Marcia Gay Harden
- Jerry Roach: Bruce Altman
- Gia Matteo: Arielle Kebbel
- Ray: Callum Keith Rennie
- Ros Bailey: Robinne Lee
- Sawyer: Brant Daugherty
- Carrick Grey: Andrew Airlie
- Liz: Amy Price-Francis
- Mrs. Jones: Fay Masterson
- Hannah: Ashleigh LaThrop
- Boyce Fox: Tyler Hoechlin
- Prescott: Kirsten Alter
- Detective Clark: Hiro Kanagawa
- Dr. Greene: Catherine Lough Haggquist
- Troy Whelan (Bank Manager): John Emmet Tracy
- Sam (Bank Employee): Primo Allon
- ER Nurse: Benita Ha
- Judge: P. Lynn Johnson
- Defense Counsellor: Kwesi Ameyaw
- Forensic Officer: Marci T. House
- Bob: Dylan Neal
- Gwen – Ros’ Partner: Shiraine Haas
- Rhian Flynn: Michelle Harrison
- Willis SIP Editor: Bill Dow
- Gavin (Captain-Fair Lady Yacht): Jean Corso
- Bodyguard Gaston: Nathan Dellemme
- French Father on Beach: Maximilien Fussen
- Reverend Walsh: Paul Duchart
- Christian’s Grandmother: Maxine Miller
- Captain Stephen (Grey Jet): Ben Corns
- Natalia (Stewardess): Anita Brown
- Receptionist: Lea Kovach
- Co-Pilot Beighley (Grey Jet): Brendan Penny
- Aspen Nightclub Waiter: Brad Harder
- Nightclub Lunk: Fraser Aitcheson
- Bank Receptionist: Lisa MacFadden
- Surgeon: Todd Thomson
- Teddy – 2 Yrs: Kai Bokenfohr
- Elena’s Ex-Husband: Gary Hudson
- Grey I.T. Tech: Sachin Sahel
- Grey I.T. Tech: Adil Zaidi
- French Beach Waitress: Julie Roblet
- Young Boy on Beach: Felix Tomas
- Madame Butterfly Performer: Allyson McHardy
- Madame Butterfly Performer: Szu-wen Wang
- Bunker Club Waiter: Tefari Thompson
- Bunker Club Hostess: Tiara Sorensen
- Aspen DJ: Sean Glass
- Wedding DJ: D.J. Kiss
- Ella (uncredited): Jaclyn Jonet
- Grey Receptionist (uncredited): Laura Jacobs
- Townsperson (uncredited): Jordan Gardiner
- French Boy (uncredited): Tenz McCall
Crew:
- Production Coordinator: Sally Potters
- Stunt Coordinator: Owen Walstrom
- Producer: E.L. James
- Screenplay: Niall Leonard
- Director: James Foley
- Stunt Driver: Allan Padelford
- Stunt Coordinator: Doug Coleman
- Stunts: Whitney Coleman
- Music Arranger: Tom Brown
- Editor: Richard Francis-Bruce
- Producer: Michael De Luca
- Editor: Debra Neil-Fisher
- Production Design: Nelson Coates
- Unit Production Manager: Marcus Viscidi
- Editor: David S. Clark
- Producer: Dana Brunetti
- Director of Photography: John Schwartzman
- Original Music Composer: Danny Elfman
- Art Direction: Peter Bodnarus
- Assistant Makeup Artist: Megan Harkness
- First Assistant Director: Paul Barry
- Assistant Property Master: D. Martin Myatt
- Construction Coordinator: Doug Hardwick
- Stunt Coordinator: Scott J. Ateah
- Assistant Director: Michael Collins
- Third Assistant Director: Amanda Petura
- Sound Mixer: Stéphane Bucher
- Set Decoration: Carolyn A. Loucks
- Graphic Designer: Loree Cameron
- Set Designer: Kyle White
- Costume Design: Shay Cunliffe
- Sound Mixer: Mark Noda
- Casting: Laray Mayfield
- Second Unit First Assistant Director: David Arnold
- Assistant Property Master: Spencer Louttit
- Greensman: Adriaan Wagner
- Second Assistant Director: Karin Behrenz
- Casting: Julie Schubert
- Supervising Art Director: Jeremy Stanbridge
- Hair Department Head: Danna Rutherford
- Post Production Supervisor: Graham Stumpf
- Casting: Corinne Renard-Bendjadi
- Assistant Hairstylist: Renee Dombrosky
- Property Master: David Dowling
- Third Assistant Director: Paul Jolliot
- Construction Foreman: Mike McLeod
- Assistant Art Director: Craig Humphries
- Foley Artist: Christopher Moriana
- Assistant Hairstylist: Amber Kemper
- Foley Editor: Christopher Alba
- First Assistant Sound Editor: Matthew W. Kielkopf
- Boom Operator: Lawrence L. Commans
- Storyboard Artist: Jim Magdaleno
- Second Assistant Director: Philip Nee Nee
- Greensman: Dylan Dowd
- Set Dresser: Scott Holburn
- Construction Buyer: Jan Holmsten
- Stunt Driver: Janene Carleton
- Special Effects Coordinator: Charles-Axel Vollard
- Foley Artist: Alyson Dee Moore
- Steadicam Operator: Sasha Proctor
- Aerial Camera: François Vigon
- First Assistant Editor: Julian Andraus
- First Assistant Editor: Jennifer Spenelli
- Sound Re-Recording Mixer: Frank A. Montaño
- Music Editor: Bill Abbott
- Pilot: Luc Poullain
- Rigging Gaffer: Todd Turner
- Sound Re-Recording Mixer: Jon Taylor
- Lighting Technician: Randy A. Jablonka
- Best Boy Electric: Tom Mitaux
- First Assistant “B” Camera: Tyler Woeste
- Music Coordinator: Hillary Holmes
- Assistant Chief Lighting Technician: James M. Jackson
- Assistant Sound Editor: Jessie Pariseau
- Special Effects Supervisor: Georges Demétrau
- Stunt Driver: Michael Hilow
- Gaffer: Jean-François Drigeard
- Underwater Director of Photography: Denis Lagrange
- Script Supervisor: Anna Rane
- Still Photographer: Doane Gregory
- First Assistant “A” Camera: Taylor Matheson
- Extras Casting: Andrea Brown
- Post Production Coordinator: Sorta Lim
- Key Grip: Kim Olsen
- Unit Publicist: Guy Adan
- Aerial Director of Photography: Steven Desbrow
- Electrician: Antonin Drigeard
- Camera Loader: Adriene Wyse
- Foley Mixer: John Sanacore
- Special Effects Supervisor: Alex Burdett
- Stunt Coordinator: Mickey Giacomazzi
- Best Boy Grip: Dan Gorval
- Costume Supervisor: Janice MacIsaac
- Art Department Coordinator: Melina Neufeld
- Supervising Sound Editor: Stephanie Flack
- Stunt Driver: Bret Kiene
- Second Assistant “A” Camera: Rodrigo Carcamo Parga
- ADR Mixer: Adam Sharpe
- Lighting Technician: Jesse Deacon
- Key Rigging Grip: Bryce Munro
- Finishing Producer: Stephen F. Newnam
- ADR Mixer: Chris Navarro
- ADR Coordinator: Mhairi Wyles-Lang
- Additional Director of Photography: Alar Kivilo
- Rigging Grip: Scott Andrew Armstrong
- Camera Operator: Ian Fox
- Costume Coordinator: Ren Boggio
- Music Editor: Angie Rubin
- Music Supervisor: Dana Sano
- Rigging Grip: Alex Reno
- Lighting Technician: Jeff Zwicker
- Title Designer: Yuanchen Jiang
- Production Coordinator: Kathleen Whelan
- Title Designer: Garson Yu
- Production Controller: Donna Glasser-Hancock
- Dialogue Coach: Michael Buster
Catogories:
Drama,Romance
My grandpa says this plugin is awesome.
Don’t Miss the Climax
Language:
English
Production:
United States of America
Company:
Universal Pictures,Michael De Luca Productions,Perfect World Pictures
Popularity:
90.965
Date:
2018-01-17
Year:
2018
- ehabsalah: Nice Movie ♥
- GenerationofSwine: OK, I gave the first one 10 out of 10 stars…because I am easy and, honestly, the original didn’t claim to be anything more than what it delivered. To me that earns all 10 stars.
Darker I gave 1 out of 10, because the plot line that it bills itself as following takes all of 5 minutes, gets resolved in the middle of the film, never comes up again, and has little sex (which is the reason why people see these things).
This one I am giving 1 of 10 stars.
There is actually less sex than in the sequel and far less than in the original…but look at the picture up here on IMDB, look at all the posters…it was marketed as a film about sex and there really wasn’t that much. You see more in a single episode of an HBO series.
And the plot, again quoting IMDB:
“Anastasia and Christian get married, but Jack Hyde continues to threaten their relationship”
Like with Darker, that all happens in the blink of an eye. You sneeze and you’ll miss the bulk of the plot. And the sex (the reason why people actually watch this film) doesn’t even serve as filler.
So what you are left with is Anastasia and Christian sitting around, not having sex, trying to figure out how to fill the rest of the film. It’s like watching linoleum curl on a hot day.
We aren’t watching it for the plot anyway, just give us the cream filling we are actually buying the ticket for, otherwise give us an actual plot.
you gave us neither.
