On a hot summer day in Oslo, the dead mysteriously awaken, and three families are thrown into chaos when their deceased loved ones come back to them. Who are they, and what do they want?
Credits: TheMovieDb.
On a hot summer day in Oslo, the dead mysteriously awaken, and three families are thrown into chaos when their deceased loved ones come back to them. Who are they, and what do they want?
Cast:
- Anna: Renate Reinsve
- David: Anders Danielsen Lie
- Eva: Bahar Pars
- Mahler: Bjørn Sundquist
- Solglimt Colleague: Denise Trankalis
- Tora: Bente Børsum
- Peter: Jan Hrynkiewicz
- Elisabet: Olga Damani
- Undertaker: John Ajvide Lindqvist
- Flora: Inesa Dauksta
- Kian: Kian Hansen
- Elias: Dennis Østby Ruud
- Doctor: Pinelli Hedda Munthe
- Drowned Man: Anders Dybwad
- Solglimt Colleague: Emma Damskau
- Reporter (voice): Monica Csango
- Police Officer (voice): Anders Rønning
- Police Officer (voice): Gunhild Finne Nilsen
Crew:
- Lighting Technician: Ole Ulvik Rokseth
- Sound Re-Recording Mixer: Tormod Ringnes
- Costume Assistant: Zoi Xanthi
- Production Accountant: Katinka Haug
- Electrician: Lene Vaagland
- Visual Effects Producer: Andreas Hylander
- Gaffer: Levi Gawrock Trøite
- Electrician: Nikos Papathanasis
- Foley Artist: David Silverin
- Electrician: David Odstad
- Sound Designer: Andreas Franck
- Foley Recordist: Elin Kristoffersen
- Sound Designer: Nils Aré Viken
- Electrician: Thomas Kristiansen
- Digital Intermediate Colorist: Darren Rae
- Head of Production: John Bush
- Costume Design: Bente Ulvik
- Set Decoration: Victoria Wælgaard
- Screenplay: Thea Hvistendahl
- Producer: Kristin Emblem
- Producer: Guri Neby
- Screenplay: John Ajvide Lindqvist
- Executive Producer: Sveinung Golimo
- Editor: Trude Lirhus
- Editor: Thomas Grotmol
- Director of Photography: Pål Ulvik Rokseth
- Sound Re-Recording Mixer: Bent Holm
- Makeup Effects Designer: Morten Jacobsen
- Loader: Mats Høiby
- Electrician: Spiros Angelopoulos
- Location Scout: Dag Erik Amdam
- Props: Torgrim Forbergskog
- Local Casting: Sofia Dimopoulou
- Assistant Camera: Marte Beck
- Production Design: Linda Janson
- Electrician: Thomas Drange Kristiansen
- Camera Trainee: Christos Vasakakis
- Online Editor: Albin Abrahamsson
- Music Supervisor: Thore Garberg
- Second Assistant Director: Anja Gundersen Gøystdal
- Concept Artist: Nikolai Lockertsen
- Storyboard Artist: Geir Moen
- Script Consultant: Françoise von Roy
- Location Scout: Nicolay Jacobsen
- Third Assistant Director: Thomas Buch
- Grip: Marek Havel
- Location Scout: Marius Hamm
- Still Photographer: Agnete Brun
- Production Coordinator: Even Standal Vesterhus
- Still Photographer: Ihne Pedersen
- Key Grip: Bo Lundgren
- Production Coordinator: Anniken Haugen
- Still Photographer: Morten Brun
- First Assistant Director: Roar Fjørtoft
- Script Consultant: Pierre Hodgson
- Location Scout: Fredrik Havstein
- Additional Editor: Tormod Berge
- Carpenter: Terje Linchausen
- Location Scout: Bror Neby Hilland
- Post Production Supervisor: Vincent Larsson
- Co-Producer: Nick Shumaker
- Co-Producer: Nicholas Alavanos
- Child Wrangler: Luise Nes
- Line Producer: Ola Narum Berg
- Additional Editor: Eirik Sildnes
- Casting: Celine Engebrigtsen
- Executive Producer: Rasmus Krogh
- Co-Producer: Pathi Katsoufi
- Post Producer: Håkan Strandhag
- Film Processor: Andy Hudson
- Film Processor: John Gurney
- Visual Effects Coordinator: Simen Tystad Tunold
- Original Music Composer: Peter Raeburn
- Executive Producer: Emily Thomas
- Film Processor: Ryan Liddle
- Executive Producer: Sarah Colvin
- Additional Editor: Jan Arne Storkås
- Executive Producer: Jason Wald
- Orchestrator: Paul Campbell
- VFX Supervisor: Otto Thorbjørnsen
- Post Production Supervisor: Henriette Løberg-Andersen
- Executive Producer: Susan Wendt
- Co-Producer: Leif Holst Jensen
- Co-Producer: Kristina Börjeson
- Steadicam Operator: Michael Tsimperopoulos
- Makeup Artist: Dimitra Giatrakou
- Script Supervisor: Aslaug Konradsdottir
- Art Direction: Mirjam Veske
- Co-Producer: Dimitris Logiadis
- Co-Producer: Lizette Jonjic
- Key Makeup Artist: Terje Rødsjø
- First Assistant Camera: Sindri Týr Högnason
- Digital Compositor: Alan Banis
- Dialogue Editor: Andreas Mellkvist
- Sound Recordist: Helge Bodøgaard
- Boom Operator: Henrik Natvig Holst
- Graphic Designer: Eleni Valsamaki
Catogories:
Horror,Drama,Mystery
My huge grandpa says this plugin is huge.
Language:
Norsk,svenska
Production:
Greece,Norway,Sweden
Company:
Einar Film,Filmiki Etairia,Zentropa International Sweden,Film i Väst,Greek Film Centre
Popularity:
109.753
Date:
2024-02-09
Year:
2024
- JJ Gonzalez: A bleak and somewhat beautiful piece, “Handling the Undead” had my curiosity the moment it was announced. The first act was great though, with a haunting and mesmerizing score, which is consistent throughout the film. The ending is BIZARRE though, and is haunting as well. Unfortunately, it drags throughout the middle, and the protagonists act about as human as the zombies. Have no idea how they managed to waste Renate.
- MovieGuys: Given how much I enjoyed Let the Right one In, I had high hopes for Norwegian production, Handling the Undead. Hopes that were slowly eroded, over the course of this film.
Yes, I could talk about this being haunting and meaningful, on a vague and nebulous level but I wont. In reality, this essentially is a slow burn zombie film with an outcome no different from any other zombie flick. The key departure is this film is maudlin, lacks pace, an underlying meaning and is generally, downright depressing.
I could have rated this down further but there is nothing wrong with the quality of the acting, cinematography, etc, its the underlying script, for me, that doesn’t work.
In summary, whilst Let the Right One in was amazing, I felt this is its antithesis. Without beating around the bush, trying to unearth some hidden meaning, in this reviewers opinion, its simply crummy. My advice, if you like zombie flicks, most are better than this.
- Horseface: Even at four times speed (MX Player won’t play faster), it’s excruciatingly slow. At least you get a few laughs, because a two-minute shot of an old guy walking looks hilarious in quadruple speed, or a three-minute trumpet solo or weeping session for the camera sounds tear-inducingly funny.
I like slow movies with long shots when there’s a script and a point to it, but this is just toe-cringingly pathetic and pretentious with zero talent or story to back it up.
What a boring clown show. It also looks like poop. 90% of scenes have grays instead of blacks (even a scene where the entire power grid is down, and it’s supposed to be pitch dark), and it looks like someone made an analog copy of a copy of a copy, dragged it through mud, and then scanned it.
On the upside, it’s time for bed, I’ve been having trouble falling asleep lately, but right now I’m almost nodding off while writing this.
