Spider-Man: Homecoming

Following the events of Captain America: Civil War, Peter Parker, with the help of his mentor Tony Stark, tries to balance his life as an ordinary high school student in Queens, New York City, with fighting crime as his superhero alter ego Spider-Man as a new threat, the Vulture, emerges.

Credits: TheMovieDb.
Spider-Man: Homecoming
Overview:
Following the events of Captain America: Civil War, Peter Parker, with the help of his mentor Tony Stark, tries to balance his life as an ordinary high school student in Queens, New York City, with fighting crime as his superhero alter ego Spider-Man as a new threat, the Vulture, emerges.
Cast:

• Peter Parker / Spider-Man: Tom Holland
• Adrian Toomes / Vulture: Michael Keaton
• Tony Stark / Iron Man: Robert Downey Jr.
• May Parker: Marisa Tomei
• Happy Hogan: Jon Favreau
• Pepper Potts: Gwyneth Paltrow
• Michelle: Zendaya
• Aaron Davis: Donald Glover
• Ned: Jacob Batalon
• Liz: Laura Harrier
• Flash: Tony Revolori
• Herman Schultz / Shocker #2: Bokeem Woodbine
• Anne Marie Hoag: Tyne Daly
• Abraham: Abraham Attah
• Coach Wilson: Hannibal Buress
• Principal Morita: Kenneth Choi
• Ms. Warren: Selenis Leyva
• Betty: Angourie Rice
• Mr. Harrington: Martin Starr
• Doris Toomes: Garcelle Beauvais
• Phineas Mason / Tinkerer: Michael Chernus
• Mac Gargan: Michael Mando
• Jackson Brice / Shocker #1: Logan Marshall-Green
• Karen / Suit Lady (voice): Jennifer Connelly
• Agent Foster: Gary Weeks
• Randy: Christopher Berry
• Jason: Jorge Lendeborg Jr.
• Mr. Cobbwell: Tunde Adebimpe
• Cindy: Tiffany Espensen
• Sally: Isabella Amara
• Charles: Michael Barbieri
• Seymour: Josie Totah
• Mr. Delmar: Hemky Madera
• Street Vendor: Zach Cherry
• Punk on Street: Kirk R. Thatcher
• Car Jacker: Yu Lew
• Yelling Woman: Sondra James
• Yelling Man: Bob Adrian
• Day Sleeper: Gary Richardson
• Gary: Stan Lee
• Thai Waiter: Joe Hang
• History Teacher: Wayne Pére
• Steve Rogers / Captain America: Chris Evans
• Tent Kid: Alexa Laraki
• Tent Kid: Liza Fagin
• Friday (voice): Kerry Condon
• Mr. Hapgood: John Penick
• Tiny: Ethan Dizon
• Decathlon Moderator: Amy Hill
• Park Ranger: Miles Mussenden
• Tour Guide: Martha Kelly
• Helicopter Pilot: Kevin LaRosa Jr.
• Ferry Kid: Ren Colley
• Ferry Mom: Jennifer Kim
• Ferry Commuter: Ari Groover
• Ferry Commuter: Louis Gonzalez
• Ferry Commuter: Stewart Steinberg
• Ferry Commuter: Andy Powers
• Yeah Spider-Man Guy: Omar Capra
• Dean Crimson: Nitin Nohria
• Stark Tower Technician: Vince Foster
• Stark Tower Employee: Brian Schaeffer
• NYC Pedestrian (uncredited): Chris Adams
• Indian Flower Girl (uncredited): Maiya Boyd
• Drama Club Member (uncredited): Rebeca Donovan
• Rabbi on Subway (uncredited): Elli
• Mascot (uncredited): Nickolas Wolf
• Chemistry Student (uncredited): Jaine Ye
• DC Tourist (uncredited): Gina Cordan
• Skateboarder (uncredited): Friday Chamberlain
• Homecoming Dance Student (uncredited): Dante Brattelli
• New Yorker (uncredited): Melissa Kay Glaze
• Avenger’s Staff Agent (uncredited): Donald K. Overstreet
• DC News Reporter (uncredited): Hallie Ricardo
• Stark VTOL Pilot (uncredited): Doug Scroggins III
• NY Pedestrian (uncredited): Marmee Regine Cosico
• Midtown High Student: Harrison Osterfield
• Helicopter D.C. Metro Sniper (uncredited): Chris Silcox
• Ned Leed’s Dad (uncredited): Clam Sepulveda
• Vulture Weapons Tech (uncredited): Wesley Kuykendoll
• Flash’s Prom Date (uncredited): Cassidy Alexandra Kahler

Crew:

• Co-Producer: Mitchell Bell
• Executive Producer: Patricia Whitcher
• Executive Producer: Louis D’Esposito
• Executive Producer: Jeremy Latcham
• Executive Producer: Victoria Alonso
• Set Production Assistant: Riley Flanagan
• Stunts: Shawnna Thibodeau
• Stunts: Casey Ann Zeller
• Producer: Kevin Feige
• Producer: Amy Pascal
• Stunts: Paul E. Short
• Stunt Double: Chris Silcox
• Co-Producer: Rachel O’Connor
• Stunts: Peter Epstein
• Comic Book: Stan Lee
• Casting: Sarah Halley Finn
• Stunts: Anthony N.
• Stunts: Duffy Gaver
• Stunts: Alice Rietveld
• Co-Producer: Eric Hauserman Carroll
• Art Direction: Lauren Abiouness
• Art Direction: Beat Frutiger
• Set Decoration: Gene Serdena
• Production Design: Oliver Scholl
• Costume Design: Louise Frogley
• Comic Book: Steve Ditko
• Thanks: Jack Kirby
• Characters: Joe Simon
• Unit Production Manager: Nadia Paine
• Sound Effects Editor: Joe Lemola
• Editor: Debbie Berman
• Sound Effects Editor: Luis Galdames
• Sound Effects Editor: Bob Kellough
• Sound Effects Editor: Chris Diebold
• Makeup Artist: Kellie Robinson
• Unit Production Manager: Leeann Stonebreaker
• Assistant Art Director: Rachel Block
• Sound Mixer: Felipe Borrero
• Stunts: Nancy Thurston
• Production Supervisor: Don J. Hug
• Hair Department Head: Cynthia L. Chapman
• Makeup Artist: Ashley McGuire
• Hairstylist: Enrique Vega
• Key Makeup Artist: Greg Funk
• Makeup Department Head: Heba Thorisdottir
• Hairstylist: Suzanna Boykin
• Hair Department Head: Kat Percy
• Hair Department Head: Jeri Baker
• Set Decoration: Lauri Gaffin
• Screenplay: John Francis Daley
• Art Direction: Audra Avery
• Makeup Department Head: Lucy O’Reilly
• Hair Department Head: Janine Rath-Thompson
• Makeup Artist: Seidah Nichols
• Key Hair Stylist: Robert Wilson
• Key Hair Stylist: Suzy Mazzarese-Allison
• Makeup Artist: Jack Lazzaro
• Supervising Art Director: Brad Ricker
• Hairstylist: Michelle Diamantides
• Makeup Artist: Denise Pugh-Ruiz
• Screenplay: Jonathan Goldstein
• Editor: Dan Lebental
• Makeup Department Head: Jillian Erickson
• Production Supervisor: Kyle David Crosby
• Art Direction: Drew Monahan
• Hairstylist: Joseph Negrete
• Executive Producer: Matt Tolmach
• Ager/Dyer: Julia Gombert
• Aerial Director of Photography: Brian Heller
• Rigging Grip: Raul J. Marin
• Costume Coordinator: Deb Downing
• Camera Operator: Bruce MacCallum
• Second Unit Director of Photography: Brad Shield
• Director of Photography: Salvatore Totino
• Ager/Dyer: Ian Churchill
• Key Costumer: Lisa Halperin
• Key Costumer: Branden Marks
• Rigging Grip: Gary Blair
• Rigging Grip: Berrian ‘Scarecrow’ Hobby IV
• Still Photographer: Chuck Zlotnick
• Key Costumer: Steve Constancio
• Rigging Grip: Joseph Kendrick
• Pilot: Al Cerullo
• Set Costumer: Lawrence Tarzy
• Steadicam Operator: Bela Trutz
• Gaffer: Dan Cornwall
• Script Supervisor: Kerry Lyn McKissick
• Costume Supervisor: Carlane Passman
• Conceptual Illustrator: Rodney Fuentebella
• Set Costumer: Bob Moore Jr.
• Steadicam Operator: Will Arnot
• Costume Illustrator: Christian Cordella
• Costume Supervisor: Susan J. Wright
• Key Grip: John D. Miller
• Conceptual Design: Ed Natividad
• Set Designer: Justin Trudeau
• Casting Associate: Jason B. Stamey
• Camera Operator: Peter Gulla
• Steadicam Operator: Pyare Fortunato
• Set Designer: Cameron Beasley
• Gaffer: Jason Velez
• Art Department Coordinator: Heather Elwell
• Construction Coordinator: John Hoskins
• Property Master: Kirk Corwin
• Key Costumer: Garet Reilly
• Aerial Camera: Jared Slater
• Key Costumer: David Butler
• Rigging Grip: Kevin Jackson
• Rigging Gaffer: Adam Harrison
• Underwater Director of Photography: Peter Zuccarini
• Art Department Coordinator: Bianca Siu Davies
• Key Set Costumer: Tom Cummins
• Key Grip: Rick Marroquin
• Conceptual Illustrator: Henrik Tamm
• Still Photographer: Jaimie Trueblood
• Set Designer: Dean Wolcott
• Assistant Art Director: Jeffrey D. Simon
• Set Designer: Yu Kil-won
• Visual Effects Supervisor: Doug Spilatro
• Visual Effects Technical Director: Viktor Lundqvist
• Pre-Visualization Supervisor: Javier Lopez-Duprey
• Software Engineer: Taisuke Tanimura
• Visual Effects Producer: Eric Kimelton
• CG Supervisor: Chris Smallfield
• VFX Editor: Jan Reichmann
• Visual Effects Producer: Maricel Pagulayan
• Digital Effects Supervisor: Justin Johnson
• Lead Animator: Arda Uysal
• Software Engineer: Valerie Bernard
• Visual Effects Editor: Francisco Ramirez
• CG Supervisor: Andrew Zink
• Lead Animator: Ellen Hoffmann
• Pre-Visualization Supervisor: Brad Alexander
• Software Engineer: Xinling Chen
• Visual Effects Supervisor: Dominik Zimmerle
• Animation Supervisor: Richard Smith
• Visual Effects Producer: John Clinton
• Visual Effects Supervisor: Dan Bethell
• Visual Effects Editor: Joel Thompson
• Visual Effects Supervisor: Janek Sirrs
• Visual Effects Supervisor: Kenneth Au
• 3D Modeller: Aaron Colman-Hayes
• Animation Supervisor: Tim Ranck
• Animation Supervisor: Pimentel A. Raphael
• Lead Animator: Lisa Wang
• VFX Editor: Kenton Hulme
• Visual Effects Technical Director: Kevin Kitchel
• CG Supervisor: Roy Malhi
• Visual Effects Editor: Anik Seguin
• Visual Effects Producer: Marie Rheinschild-Jordan
• First Assistant Editor: Matt Sweat
• Visual Effects Supervisor: Brendan Seals
• Visual Effects Technical Director: Scott Seungpil Jung
• CG Supervisor: Carlos-Christian Nickel
• Software Engineer: Mariatta Wijaya
• Stereoscopic Coordinator: Steph Lynn Robinson
• Visual Effects Producer: Diana Giorgiutti
• CG Supervisor: Alexandre Cancado
• CG Supervisor: Joosten Kuypers
• Digital Effects Supervisor: Jep Hill
• Digital Effects Supervisor: Nikos Kalaitzidis
• Digital Effects Supervisor: Chris Waegner
• Lead Animator: Julius Kwan
• Visual Effects Supervisor: Megan Flood
• Visual Effects Supervisor: Immanuel Morris
• Visual Effects Supervisor: Mike F. Hedayati
• Animation Supervisor: Simone Kraus Townsend
• Visual Effects Editor: Elaine C. Andrianos
• Digital Intermediate: Elizabeth Hitt
• First Assistant Editor: Dawn Michelle King
• Lead Animator: Kevin Culhane
• Pre-Visualization Supervisor: Patrick Haskew
• Software Engineer: Scott Englert
• Visual Effects Editor: Todd Busch
• Visual Effects Producer: Kilou Picard
• Visual Effects Supervisor: Theo Bialek
• Visual Effects Supervisor: Lou Pecora
• Lead Animator: Liz Bernard
• Stereoscopic Coordinator: Andy Yamada
• Digital Intermediate: Barry Goch
• Stunts: Caroline Vexler
• Stunts: Cassidy Alexandra Kahler
• Gaffer: Orlando Hernandez
• Screenplay: Chris McKenna
• Storyboard Artist: Jay Oliva
• Screenplay: Erik Sommers
• Director: Jon Watts
• Screenplay: Christopher Ford
• Second Unit Director: James Gunn
• Executive Producer: Avi Arad
• Supervising Dialogue Editor: Vanessa Lapato
• Dialogue Editor: Cameron Steenhagen
• Dialogue Editor: James Morioka
• Original Music Composer: Michael Giacchino
• Thanks: Jake Schreier
• Thanks: Brian Michael Bendis
• Thanks: Christopher Russell
• Thanks: Ernie Colon
• Thanks: Don Heck
• Animation: Mario Richard
• Stunts: Noon Orsatti
• Lyricist: Andrea Datzman
• Stunts: Kandis Hargrave
• Stunts: Christopher ‘Critter’ Antonucci
• Stunts: Jared Burke
• Stunts: Kevin Cassidy
• Stunts: Thomas DuPont
• Stunt Double: David Elson
• Stunts: Sarah Reagin Clemmensen
• Stunts: Stephen Conroy
• Stunt Driver: Allan Padelford
• Stunt Double: Amadei Weiland
• Stunts: Dan Brown
• Stunts: Marc Canonizado
• Utility Stunts: Sean Christopher
• Stunts: Kevin Dyer
• Stunt Coordinator: George Cottle
• Stunts: Keith Splinter Davis
• Stunt Double: Danny Downey
• Stunt Driver: Richard Marrero
• Fight Choreographer: Ilram Choi
• Utility Stunts: Chelsea Bruland
• Stunts: Alvin Chong
• Stunts: Elizabeth Davidovich
• Utility Stunts: Joe Dryden
• Stunts: Charles Barden
• Stunts: Kate Boyer
• Stunts: Jwaundace Candece
• Stunt Driver: Dean Bailey
• Stunts: Nitasha Bhambree
• Stunts: Gianni Biasetti Jr.
• Stunts: Chris Cenatiempo
• Stunt Driver: Jared Losano
• Stunt Double: Evan Dane Taylor
• Stunts: Cody Banta
• Stunts: Sebastiano Cartier
• Stunt Coordinator: Florian Hotz
• Stunts: Kelly Bellini
• Stunts: Marcelle Coletti
• Stunts: Blaise Corrigan
• Stunt Double: Floyd Anthony Johns Jr.
• Stunts: Elizabeth Classen
• Stunts: Niko Dalman
• Stunts: Shane Daniels
• Stunt Double: Hamid-Reza Benjamin Thompson
• Stunt Double: Trampas Thompson
• Stunts: Adrienne Ballenger
• Stunt Double: Holland Diaz
• Stunt Double: Katie Kramer
• Stunt Double: Brittini London
• Stunt Double: Donald K. Overstreet
• Stunts: Tye Claybrook Jr.
• Stunt Driver: Scott Dale
• Stunt Double: Alrik Kreemke
• Matte Painter: Davide Binello
• Actor’s Assistant: Harrison Osterfield
• Animation Director: Jan Philip Cramer

Catogories:
Action,Adventure,Science Fiction,Drama
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Homework can wait. The city can’t.
Language:
English
Production:
United States of America
Company:
Marvel Studios,Pascal Pictures,LStar Capital,Columbia Pictures
Popularity:
95.426
Date:
2017-07-05
Year:
2017

• Gimly: There’s now officially (not at all officially, more like just-my-opinion-ally) twice as many good Spider-Man movies as there is bad ones. But _Homecoming_ is my favourite of the bunch. 2017 has been a great year for the Superhero genre, and _Spider-Man: Homecoming_ does nothing to buck that trend. It’s got everything a Spider-Man movie should have: Heart, humour, action, spectacle, a grounded school life, coming-of-age themes, and all this while firmly rooting itself in the Marvel Cinematic Universe — without relying on the framework of the past to hold it up. _Spider-Man: Homecoming_ is spectacular, and it stands up both on its own, and as a part of the larger universe.

  _Final rating:★★★½ – I really liked it. Would strongly recommend you give it your time._

• AJGibbs: Disappointing return for the webslinger. After the dramatic introduction in Civil War this film feels like an excercise in keeping the coffers full.
  Unlike the Toby Maguire films this incarnation feels flat. It never manages to really put our superhero in any real peril…it just goes through the motions and ticks boxes. Granted it is mostly enjoyable, but did we need it??
  No.

  The suit and inclusion of Iron Man takes away from what is great about Spiderman. The fact he has to juggle school, work, realationships is what kept him grounded…
  He does not need Iron Man’s suit or him flying in to save the day!!

  Also, why does he not have a spidey-sense?!? He gets nailed left, right and centre!

  * To conclude; disappointing, Yes, as Spiderman just became another member of Tony’s team…when he should stand alone.

• Per Gunnar Jonsson: I guess I should not be too surprised given the Spider Man character we saw in the latest Captain America but I have to say that I was, well, hoping for something else, as in something better.

  If the producer/writer intended to make a Spider Man movie for kids, and I mean kids, not young adults but kids, then this movie is hitting the spot. It is an excellent action/adventure movie for kids. Unfortunately I am not really in that viewer segment and for me this movie was pretty bad.

  The movie is childish. There is no other way to describe it. My memory of spider man is a quite serious young man with a sharp and witty tongue. Not the fumbling and childish Spider Man in this movie. His best friend may be a good computer geek but otherwise he is dumb as a door nail and just tiring to watch. His, supposedly adult handler is a screw up who, surprise surprise, is hanging up the phone because he cannot be bothered to listen to kids.

  The FX may be good as FX goes visually but it was also the typical, nonsensical Hollywood rubbish like boats that stays afloat forever despite being split in half etc. etc. The talking Spider Man suit appears to be programmed by the same guy who wrote the childish script.

  The main bad guy pretty much has zero charisma and is nothing but a simple thief. Same goes for his buddies.

  The SJW crap spread out here and there in the movie, especially in the Washington Monument scenes, was unwanted and just pissed me off.

  I am afraid that this movie missed its mark for me by a wide margin. I do not understand why it seems to be so bloody difficult for Hollywood to make a good Spider Man movie. I like Spider Man, the comics character that is, so I find the slew of substandard movies really disappointing.

  The only reason it doesn’t get less than two out of three stars from me is because, as a kids movie, it is not at all bad (except for the SJW crap). It wasn’t what I was looking for though.

• Reno: **Young & hungry to fight crimes!**

  No doubt, Tobey Maguire Spider-man is the best. It was also the first modern superhero of the millennium. The visual effects and entertainment wise, the second live-action Spider-man was good too, but this one is so different. This is about a teenage superhero. Just a kid. Having possessed such superpower, how he manages it alongside his normal life was nicely told.

  This story begins straight away, because the introduction was done in the previous Marvel film, which are part of Avengers universe. Peter Parker assisted by Tony Stark, is very keen to fight small crimes compared to what Avengers fighting for. He feels, he’s held back by Iron Man, so he wanted to make independent decisions. At one stage he succeeds in that, but things get more severe. Fighting bad guys, and the other side of his life, a romance, how the remaining story turns out are revealed with a twist.

  Tom Holland was good. The story was simple, more like one liner. But the visuals and each scene forged nicely. Having seen all the five previous Spider-man films, this was quite predictable. Particularly the characters and their connections. Seeing how it had ended, it is possible that the daughter of the villain could take-over her father’s place. That would be very interesting, because of the linkage between the film characters.

  After seeing the first look, I was afraid that this young Spider-man might be overshadowed by Iron Man, but those parts really well done. Comparing it with the 15 years ago Spider-man, the technology has been the biggest change. That’s why I still love Tobey Maguire film. Very simple and down to the earth without cell phones, computers. But the current superhero films are all alien oriented/connected theme, and of course digital technology a big leap. Hoping the next film too would impress us with the same intensity. So lets wait for summer 2019.

  _7/10_

• A Fan of Many Things: After the failure that was ‘The Amazing Spider-man 2’ Sony made a drastic decision in lending the character back to Marvel, and did it pay off? Absolutely!

  Unlike the Sam Raimi trilogy where Toby Maguire was a better Peter Parker than Spider-man and the Mark Webb duology where Andrew Garfield was a better Spider-man than a Peter, Tom Holland encapsulates both characters perfectly.
  Of course there were a negatives, especially in the second act which drops off a bit but the movies does such a wonderful job of recapturing our attention that you just can’t help but forgive the movie for it!

• skembry: AMAZING!!
• Andrew Gentry: My expectations were extremely low before this one released. Can’t argue that the Amazing Spider-Man movies are very bad, yet there is always a room for a getting worse. But seriously, Homecoming has completely changed my experience from movies by Marvel x Sony Pictures. It was entertaining and moving. Furthermore, it’s as good for re-watch as well, what is a completely new experience for me.
• tmdb44006625: Spider-Man: Homecoming can’t even hold a candle next to Sam Raimi’s first two Spider-Man films, not to mention Spider-Man: Into the Spiderverse. Homecoming is simply Marvel’s integration of Spider-Man into the MCU. It works on that level. Tom Holland is a good Peter Parker; finally an actor that looks like a high school student! Marisa Tomei does a really cool, sexy Aunt May, which I never thought I’d ever see. Michael Keaton is excellent as Vulture, one of the more interesting villains in the MCU.

  The relationship between Tony Stark and Peter Parker is good but should have been better. It’s clear that they half-assed the development of these two characters. The high-tech Spidey suit is neat but gives off the sense that the movie is trying to be too much like Iron Man.

• Myles: I personally thought all hope was lost, there’s no way ANOTHER Spider-Man reboot could be successful. Yet this movie is colourful, fun, and fitting movie for the MCU
• r96sk: A lot of fun!

  ‘Spider-Man: Homecoming’ is entertaining, as I had expected in truth. The plot is possibly not as great as it could’ve been, but it is still one that is enjoyable to see. The effects are excellent, as is the humour.

  Tom Holland is the star of this though. He kills it as the titular character, he adds a tremendous amount to the film. Michael Keaton plays his role well enough, while it’s cool to see ‘Iron Man’ duo Robert Downey Jr. and Jon Favreau involved.

  Jacob Batalon is good, while it’s noteworthy to have Zendaya and Donald Glover appear; even if they are underused/unimportant, at least for now for the former, I assume. I found the whole cast enjoyable, to be fair.

  This narrowly misses the next rating up from me, but I still had a very pleasant time watching – and await the follow-up with much eagerness!

• CinemaSerf: Once again, Marvel have succeeded in reinventing this franchise – and again, they have alighted on a Brit. Tom Holland is a super choice as our hero – he has oodles of on-screen charisma; he genuinely looks like he can’t believe he is there half the time, and that all helps to make for an enjoyable fantasy adventure film. This time, he has to learn to master his spidey-senses (with a bit of help from “Tony Stark” (Robert Downey Jnr.) and the very rarely “Happy Hogan” (John Favreau)) before Michael Keaton – equipped with wings and a seriously powerful ray gun destroys all in his path. The performances are top drawer; the script is quickly paced with plenty of action, determination, humour and the slightest hint of menace, and the cleverly designed effects blend seamlessly into the action creating a thoroughly entertaining film. It is a bit too long, to be honest – but the casting is good, the direction tight and the whole thing a good family watch with a little bit for everyone.
• GenerationofSwine: I won’t complain about the continuity error within the MCU…because no one really cares least of all myself.

  Well, how do we do this. I mean, it is refreshing that Garfield is gone and with him the Spider-Bully. For Marvel comics fans, it really hurt watching Garfield bully and taunt his victims.

  Now we have a Spidey that is, well, nice. Holland is able to be funny and wise-cracking without seeming like a, well, a Flash Thompson. With that it beings us back to the source material.

  In other words Holland puts the “friendly” back in “your friendly neighborhood Spider-Man.” And I think the MCU was well aware of this, given the time they took to make sure everyone knew Holland was going to be the hero that everyone loves.

  And then Keaton does a great vulture from his origin to his demise he seemed to do everything he could to really become the character.

  My only complaints were the supporting cast. Aunt May I can accept with a moderate grudge because she is a great actress…

  But Tony Revolori doesn’t seem….built enough to be Flash. He’s more the bully of the Millennial generation that uses words and little more and…when it comes down to it, even those are vapid.

  What’s that old adage, “sticks and stones will break my bones but words will never harm me.” Millennials I guess have never heard that.

  Flash is supposed to be that big bully jock that hits his prime in high school and, a decade later, delivers the pizza when you go home to visit your folks…this Flash has a future.

  And the MJ tease at the end…it went a little too far away from the character in looks and personality to sit well.

  Still, on the whole the movie is a breath of fresh air in its distance from Garfield’s rendition and at times, Holland was even able to pull off almost a James Bond quality while still portraying a kid over his head.

  Like all MCU movies, however, the pay off is the humor.