The youngest of King Triton’s daughters, and the most defiant, Ariel longs to find out more about the world beyond the sea, and while visiting the surface, falls for the dashing Prince Eric. With mermaids forbidden to interact with humans, Ariel makes a deal with the evil sea witch, Ursula, which gives her a chance to experience life on land, but ultimately places her life – and her father’s crown – in jeopardy.
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The Little Mermaid
Overview:
The youngest of King Triton’s daughters, and the most defiant, Ariel longs to find out more about the world beyond the sea, and while visiting the surface, falls for the dashing Prince Eric. With mermaids forbidden to interact with humans, Ariel makes a deal with the evil sea witch, Ursula, which gives her a chance
Cast:
- Ariel: Halle Bailey
- Prince Eric: Jonah Hauer-King
- Sebastian (voice): Daveed Diggs
- Scuttle (voice): Awkwafina
- Flounder (voice): Jacob Tremblay
- Queen Selina: Noma Dumezweni
- King Triton: Javier Bardem
- Ursula: Melissa McCarthy
- Sir Grimsby: Art Malik
- Vanessa: Jessica Alexander
- Rosa: Emily Coates
- Joshua: Jude Akuwudike
- Triton Guard #1: Russell Balogh
- Triton Guard #2: Adrian Christopher
- Indira: Simone Ashley
- Lashana: Martina Laird
- Mulligan: John Dagleish
- Tamika: Sienna King
- Mala: Karolina Conchet
- Perla: Lorena Andrea
- Karina: Kajsa Mohammar
- Caspia: Nathalie Sorrell
- Market Vendor: Jodi Benson
- Hawkins: Christopher Fairbank
- Cabin Boy: Matthew Carver
- Hat Vendor: Julz West
- Coconut Seller / Dancer: Shay Barclay
- Flower Vendor: Arina Li
- Core Dancer: Leon Cooke
- Core Dancer: Tarik Frimpong
- Core Dancer: Chris George
- Core Dancer: Yasmin Harrison
- Core Dancer: Erica Stubbs
- Core Dancer: Kate Thompson
- Dancer: Jonathan Bishop
- Dancer: Aaron Bryan
- Dancer: Sophie Carmen-Jones
- Dancer: Jon-Scott Clark
- Dancer: Cameron Valentina
- Dancer: Austyn Farrell
- Dancer: Cecil Jee
- Dancer: Ben Hukin
- Dancer: Andrew Lyle-Pinnock
- Dancer: Chanel Mian
- Dancer: Ebony Molina
- Dancer: Ian Oswald
- Dancer: Oliver Ravelin
- Dancer: Charles Ruhrmund
- Dancer: Nicole Valverde
- Dancer: Craig Stein
- Dancer: Sasha Watson Lobo
- Dancer: Johnny White
- Dancer: Charlotte Wilmott
- Dancer: Bobby Windebank
- Merfolk: Marcus Hodson
- Max: Gary the Labradoodle
- Merkid: Taitum Pitfield
- Stallholder (uncredited): Ayo Hana
Crew:
- Visual Effects: Daniel Hazeltine
- Original Film Writer: Ron Clements
- Original Story: Hans Christian Andersen
- Original Film Writer: John Musker
- VFX Artist: Alexander T.H. Browne
- Property Master: Kevin Day
- Visual Effects Producer: Christoph Roth
- Lyricist: Howard Ashman
- Producer: Lin-Manuel Miranda
- Music Producer: Michael Higham
- VFX Artist: Prakash Goyal
- Animation Supervisor: Ferran Domenech
- 3D Artist: Reetu Aggarwal
- Choreographer: Joey Pizzi
- Production Sound Mixer: Simon Hayes
- Pre-Visualization Supervisor: Martin Bell
- Editor: Wyatt Smith
- Studio Teacher: Suzy Strawn Scott
- Second Unit Director: John Sorapure
- Sound Supervisor: Renée Tondelli
- Makeup Artist: Louise Young
- Hairstylist: Camille Friend
- Sound Designer: Lee Salevan
- Set Costumer: Carole Louise Machin
- Art Direction: Vicki Stevenson
- Foley Mixer: Chelsea Body
- Sound Re-Recording Mixer: Mike Prestwood Smith
- Set Decoration: Diana Samuila
- Art Direction: Lauren Briggs-Miller
- Art Direction: Elaine Kusmishko
- Second Unit Director: Adam Kirley
- Foley Supervisor: Sarah Gibble
- ADR Mixer: Michael Miller
- Set Costumer: Katie Jones
- Art Direction: Kevin Timon Hill
- ADR Mixer: James Hyde
- Sound Re-Recording Mixer: Gilbert Lake
- Costume Supervisor: Sheena Wichary
- Makeup Artist: Natalie Abizadeh
- Makeup Artist: Kat Ali
- Makeup Artist: Chloe Dixon
- First Assistant Director: Ben Howarth
- ADR Mixer: Aidan Dykes
- Hairstylist: Anita Burger
- Makeup Artist: Tilly Calder
- Makeup Artist: Sophie Slotover
- Art Direction: Simon Elsley
- Supervising Art Director: Niall Moroney
- Additional Music: Aaron Kenny
- Producer: Marc Platt
- Costume Illustrator: Darrell Warner
- Director: Rob Marshall
- Executive Producer: Jeffrey Silver
- Set Decoration: Gordon Sim
- Costume Design: Colleen Atwood
- Producer: John DeLuca
- Visual Effects Producer: Daniel Barrow
- Production Design: John Myhre
- Visual Effects Supervisor: Tim Burke
- Director of Photography: Dion Beebe
- Songs: Alan Menken
- Screenplay: David Magee
Catogories:
Adventure,Family,Fantasy,Romance
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Language:
English
Production:
United States of America
Company:
Walt Disney Pictures,Lucamar Productions,Marc Platt Productions
Popularity:
114.134
Date:
2023-05-18
Year:
2023
- adolfohumano: Halle Bailey served a very good performance with a lot of charisma and passion, she also has an impressive voice. In some parts people were clapping from excitement and I shed a tear since I saw her performing her first song.
I’m not a big fan of the growing wave of remakes and live-actions but this movie is something that I couldn’t miss, they revisited one of my favorite classics and the result is striking, extravagant, funny, exciting, it has everything I love. I had my doubts since I saw the cast and the character designs (not to mention Ursula’s makeup) but these actors have a lot of charisma, the final result is solid and entertaining.
I love Alan Menken and Howard Ashman compositions, The Little Mermaid and Little Shop Of Horrors are my favorite works from them, their lyrics and arrangements give me goosebumps.
- CinemaSerf: “Ariel” (Halle Bailey) has longed for a chance to meet with humans but her sagely father “Triton” (Javier Bardem) has prohibited this. Undeterred, she witnesses a terrible storm that washes the young prince “Eric” (Jonah Hauer-King) overboard. She races to his rescue and leaves him to his people on the beach – both are already in love! On hearing of her latest transgression, dad is now truly furious and loses his temper driving his daughter into the manipulative tentacles of the evil sea witch “Ursula” (Melissa McCarthy) who offers her a bargain – three days on land to obtain true love’s kiss or a lifetime in her service. Snag? Well, she will not have her beautiful voice, she will be a mute. A combination of magic, duplicity and serendipity plays it’s hand now and she ends up close to the prince, having adventures with him and falling even deeper in love – but can she get her kiss? Will the wicked “Ursula” let her? First things first – this isn’t a patch on the 1989 version. It has a clunky, over-produced, musical theatre feel to it that consists of mediocre acting and some serious over-scoring. The delicacy and charm of the characterisations and songs has been subjected to grand orchestrations and whilst Bailey can certainly sing, the delivery is more about her ability to belt out the songs rather to than imbue them with any emotions relevant to the charm of the story. McCarthy is quite effective – if only she would stay still for five seconds and that leads to the other disappointment with this film. It works perfectly as an animation – why introduce elements of live-action to it? Neither the story nor the film benefit from the cluttering mix of CGI and real visuals. As with the recent remake of “The Lion King”, the song lyrics, for reasons that don’t seem clear to me, have been reworked – this time by the always over-rated Lin-Manuel Miranda whose “Scuttlebutt” song is just plain annoying. It wasn’t broke – why fix it? At times there is a little engaging chemistry between Bailey and Hauer-King, but for the most part this is an unnecessary, and overly long, rehash of a fairy tale that seems to me to have been made because it could be, not because it should have been. Disappointing.
- Manuel São Bento: FULL SPOILER-FREE REVIEW @ https://www.firstshowing.net/2023/review-rob-marshalls-the-little-mermaid-enriches-the-original/
“The Little Mermaid enriches virtually every narrative aspect compared to the original, deepening Ariel and Eric’s arcs while exploring the same core themes without losing any of its predecessor’s essence. The relationship between the protagonists is unquestionably more complex and emotionally compelling, while the secondary characters – namely Sebastian and Scuttle – remain genuinely hilarious. Halle Bailey is VERY impressive and the cast accompanies her excellently.
However, it’s not without its problems: the new songs are, for the most part, forgettable; the visuals are better than anticipated, but the feeling of being surrounded by fake walls never quite disappears; and Ursula was left with unexplored potential.
That said, it’s one of Disney’s best live-action remakes of recent times and deserves to be seen by every child in the world in need of some inspiration – as we once were.”
Rating: B+
- Louisa Moore – Screen Zealots: When they get the notion to remake an animated classic into a live action film, Disney is a well-oiled machine. They’ve found varying degrees of success and failure (“The Lion King,” “Cinderella,” “Pinocchio”) along the way, and their latest cartoon-to-real-life adventure “The Little Mermaid” lands somewhere on the better-than-average scale. There are things that work (a scene-stealing Melissa McCarthy as Ursula the Sea Witch), things that don’t (a painfully lengthy run time), and things I never want to see again (the truly dreadful “Under the Sea” number), but the film’s reimagined storytelling delivers just enough magic to weather the storm overall.
The film tells the classic story of Ariel (Halle Bailey), a curious and spirited young mermaid who yearns for adventure on land. Ariel is the youngest of King Triton’s (Javier Bardem) daughters, and also the most defiant. She spends her days exploring shipwrecks and avoiding dangerous sharks (and humans) with her crustacean pal Sebastian (voice of Daveed Diggs) and her loyal fish friend, Flounder (voice of Jacob Tremblay). On her quest to find out more about the world beyond the sea, Ariel makes a deal with evil sea witch Ursula (Melissa McCarthy) to cast a spell and give her human legs in exchange for her voice. She must find true love’s kiss from the dashing Prince Eric (Jonah Hauer-King) within a few days or the consequences will be dire.
The film sticks to the original story, and the fairytale seems outdated. The idea of marrying a handsome prince in a few days is icky, even if it is a fantasy film. It’s interesting how much of the action feels a lot more dire in a live action setting versus in an animated film, with scary eels getting blown to bits and a shipwreck that’s set ablaze as sailors swim for their lives. The worst part of the cartoon to live action translation has to be Sebastian and Flounder, however. It’s startling to see Ariel’s buddies look like a realistic talking fish and crab, and it’s one of the most jarring and unpleasant things about the movie. It takes a lot of willpower to go with the flow, if you can get over the initial shock.
The cinematography is dark and drab (although it does look as if it’s really filmed underwater), and Rob Marshall‘s direction is barely adequate. The film is choppy, slow, and long, and its biggest failure is the uneven pacing. Some of the better parts of the story are hurried along in favor of what should be show-stopping action, but the film is so dark that it’s hard to tell what’s going on in what should be the most exciting moments. Why rush the more compelling elements of the narrative in favor for a poorly executed final battle between Ursula and our heroine? It really strips away a lot of the undersea magic.
The cast helps keep things afloat, and the performances are all solid. McCarthy is the standout with her robust turn as one of Disney’s greatest screen villains, and Diggs breathes a fresh, new life into loyal crab Sebastian. Casting Awkwafina as the voice of know-it-all seagull Scuttle is inspired, and she creates an updated version of the character that’s the perfect fit for the film. Perhaps the greatest strength comes from the irresistible chemistry between Hauer-King and Bailey, two actors who comfortably step into their lead roles with plenty of charm. She makes a great Ariel, finding a terrific balance of innocence, curiosity, and stubbornness, and he is the perfect non-threatening Prince Charming that is the stuff of many young girls’ dreams.
The biggest thing the film does right is keeping the original arrangements of Alan Menken and Howard Ashman’s most beloved songs (the updated verses, which removed some problematic and antiquated lyrics, are done well and hardly noticeable). Cherished ballads like “Part of Your World” and “Kiss the Girl” have a stirring emotional power that immediately helps audience form a strong connection with the material, even if the movie is just so/so. The soundtrack probably makes the movie seem a lot better than it actually is. The new tunes, including a kid-friendly number called “The Scuttlebutt” (featuring lyrics by Lin-Manuel Miranda), sound too contemporary to really fit in, but they’re fun and bring a bit of spirited pep when the film becomes draggy.
“The Little Mermaid” isn’t a great movie, but it’s one of the better Disney live action remakes because it stays true to the source material. There’s just enough magic, adventure, and romance to make this a satisfying experience for the whole family.
- r96sk: ‘The Little Mermaid’ is one of the better Disney live-action remakes.
I’d personally even put it on the same level as the 1989 animated movie, though admittedly I am not someone with any sort of connection to that original flick. Halle Bailey makes for a good Ariel. Daveed Diggs, Javier Bardem and Melissa McCarthy are solid in their respective roles, I’m not wholly convinced by the latter as Ursula but she is still a decent watch. Awkwafina as Scuttle is probably the character I enjoyed most.
Visually things look nice, I like both the underwater and on firmer ground stuff. Musically it’s as good as you’d probably expect, “Under the Sea” and, of course, Ariel’s songs are solid, while “The Scuttlebutt” somehow works more than it probably should. I do think the run time could’ve been trimmed a touch, but that’s not a big deal.
