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In the 22nd century, a paraplegic Marine is dispatched to the moon Pandora on a unique mission, but becomes torn between following orders and protecting an alien civilization.

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Overview:
In the 22nd century, a paraplegic Marine is dispatched to the moon Pandora on a unique mission, but becomes torn between following orders and protecting an alien civilization.
Cast:

  • Jake Sully: Sam Worthington
  • Neytiri: Zoe Saldaña
  • Dr. Grace Augustine: Sigourney Weaver
  • Colonel Miles Quaritch: Stephen Lang
  • Trudy Chacon: Michelle Rodriguez
  • Parker Selfridge: Giovanni Ribisi
  • Norm Spellman: Joel David Moore
  • Mo’at: CCH Pounder
  • Eytukan: Wes Studi
  • Tsu’Tey: Laz Alonso
  • Dr. Max Patel: Dileep Rao
  • Corporal Lyle Wainfleet: Matt Gerald
  • Private Fike: Sean Anthony Moran
  • Cryo Vault Med Tech: Jason Whyte
  • Venture Star Crew Chief: Scott Lawrence
  • Lock Up Trooper: Kelly Kilgour
  • Shuttle Pilot: James Patrick Pitt
  • Shuttle Co-Pilot: Sean Patrick Murphy
  • Shuttle Crew Chief: Peter Dillon
  • Tractor Operator: Kevin Dorman
  • Dragon Gunship Pilot: Kelson Henderson
  • Dragon Gunship Gunner: David Van Horn
  • Dragon Gunship Navigator: Jacob Tomuri
  • Suit #1: Michael Blain-Rozgay
  • Suit #2: Jon Curry
  • Ambient Room Tech / Troupe: Julene Renee
  • Ambient Room Tech: Luke Hawker
  • Ambient Room Tech / Troupe: Woody Schultz
  • Horse Clan Leader: Peter Mensah
  • Link Room Tech: Sonia Yee
  • Basketball Avatar / Troupe: Jahnel Curfman
  • Basketball Avatar: Ilram Choi
  • Na’vi Child: Kyla Warren
  • Troupe: Lisa Roumain
  • Troupe: Debra Wilson
  • Troupe: Taylor Kibby
  • Troupe: Jodie Landau
  • Troupe: Chris Mala
  • Troupe: Julie Lamm
  • Troupe: Cullen B. Madden
  • Troupe: Joseph Brady Madden
  • Troupe: Frankie Torres
  • Troupe: Austin Wilson
  • Troupe: Sara Wilson
  • Troupe: Tamica Washington-Miller
  • Op Center Staff: Lucy Briant
  • Op Center Staff: Nathan Meister
  • Op Center Staff: Gerry Blair
  • Op Center Staff: Matthew Chamberlain
  • Op Center Staff: Paul Yates
  • Op Center Duty Officer: Wray Wilson
  • Op Center Staff: James Gaylyn
  • Dancer: Melvin Leno Clark III
  • Dancer: Carvon Futrell
  • Dancer: Brandon Jelkes
  • Dancer: Micah Moch
  • Dancer: Haniyyah Tahirah
  • Dancer: Christopher Nolen
  • Dancer: Christa Oliver
  • Dancer: April Marie Thomas
  • Dancer: Bravita A. Threatt
  • Ikran Clan Leader (uncredited): Alicia Vela-Bailey
  • Crematorium Tech (uncredited): Larry Rew
  • TV Voice Over Announcer (voice) (uncredited): Dina Morrone
  • Trooper (uncredited): Rodney Cook

Crew:

  • Editor: John Refoua
  • Editor: Stephen E. Rivkin
  • Motion Capture Artist: Terry Notary
  • Writer: James Cameron
  • Director of Photography: Mauro Fiore
  • Stunts: Ilram Choi
  • Producer: Jon Landau
  • Stunts: Woody Schultz
  • Casting: Margery Simkin
  • Costume Supervisor: Carolyn M. Fenton
  • Costume Supervisor: Anthony Almaraz
  • Art Direction: Andrew Menzies
  • Production Design: Rick Carter
  • Production Design: Robert Stromberg
  • Art Direction: Andy McLaren
  • Casting: Miranda Rivers
  • Art Direction: Nick Bassett
  • Art Direction: Jill Cormack
  • Supervising Art Director: Kim Sinclair
  • Makeup Department Head: Mike Smithson
  • Art Direction: Simon Bright
  • Casting: Mali Finn
  • Costume Supervisor: Beth Koenigsberg
  • Art Direction: Sean Haworth
  • Art Direction: Robert Bavin
  • Costume Supervisor: Lisa Lovaas
  • Compositor: Ben Turner
  • Set Designer: Joseph Hiura
  • Set Designer: Richard F. Mays
  • Sound Re-Recording Mixer: William Stein
  • Dialect Coach: Carla Meyer
  • Art Department Coordinator: Rebecca Jellie
  • Set Designer: Karl J. Martin
  • Construction Coordinator: John Villarino
  • Sound Designer: Christopher Boyes
  • Set Designer: Jonathan Dyer
  • Set Designer: Scott Herbertson
  • Set Designer: Tex Kadonaga
  • Set Designer: Tammy S. Lee
  • Choreographer: Lula Washington
  • Assistant Art Director: Jeffrey Wisniewski
  • Foley: Dennie Thorpe
  • Foley: Jana Vance
  • Set Designer: David Chow
  • Set Designer: C. Scott Baker
  • Set Designer: Sam Page
  • Assistant Art Director: Mike Stassi
  • Set Designer: Luke Caska
  • Set Designer: Robert Andrew Johnson
  • Supervising Sound Editor: Gwendolyn Yates Whittle
  • Production Assistant: Alex Betuel
  • Sound Effects Editor: Tim Nielsen
  • Visual Effects Supervisor: Edson Williams
  • Lighting Technician: Scott Sprague
  • Post Production Supervisor: Janace Tashjian
  • Special Effects Coordinator: Iain Hutton
  • Visual Effects Supervisor: Stephen Rosenbaum
  • Visual Effects Supervisor: Lucas Salton
  • Animation Director: Jeremy Hollobon
  • Transportation Coordinator: Denny Caira
  • Sound Effects Editor: Ken Fischer
  • Sound Effects Editor: Chris Scarabosio
  • Visual Effects Producer: Joyce Cox
  • Visual Effects Supervisor: Richard Martin
  • Visual Effects Supervisor: Guy Williams
  • Animation Director: Taisuke Tanimura
  • Digital Intermediate: Christine Carr
  • Visual Effects Supervisor: Jonathan Rothbart
  • Steadicam Operator: Roberto De Angelis
  • Supervising Sound Editor: Addison Teague
  • Visual Effects Producer: Jenny Foster
  • Visual Effects Editor: Steve R. Moore
  • Special Effects Coordinator: Steve Ingram
  • Visual Effects Supervisor: Steven Quale
  • Second Unit Director of Photography: Richard Bluck
  • Visual Effects Producer: Cyndi Ochs
  • Visual Effects Supervisor: Jonathan Fawkner
  • Visual Effects Supervisor: Dan Lemmon
  • Music Editor: Dick Bernstein
  • Visual Effects Producer: Alain Lalanne
  • Visual Effects Supervisor: John Knoll
  • Steadicam Operator: David Emmerichs
  • Set Costumer: Alejandro M. Hernandez
  • Production Manager: Brigitte Yorke
  • Visual Effects Editor: Christopher Marino
  • Visual Effects Editor: Jim Milton
  • Visual Effects Supervisor: Eric Saindon
  • Stunt Coordinator: Garrett Warren
  • Production Supervisor: Jennifer Teves
  • Visual Effects Producer: Jill Brooks
  • Visual Effects Producer: Chris Del Conte
  • Best Boy Electric: Giles Coburn
  • Still Photographer: Mark Fellman
  • Visual Effects Supervisor: Anthony ‘Max’ Ivins
  • Visual Effects Supervisor: Wayne Stables
  • Stunt Coordinator: Stuart Thorp
  • Animation Director: Orlando Meunier
  • Publicist: Judy Alley
  • Visual Effects Editor: Thomas Nittmann
  • Sound Effects Editor: Shannon Mills
  • Visual Effects Editor: Lucas Putnam
  • Visual Effects Supervisor: David Stinnett
  • Visual Effects Supervisor: R. Christopher White
  • Set Costumer: Lilia Mishel Acevedo
  • Digital Intermediate: Marvin Hall
  • Transportation Coordinator: James Waitkus
  • Visual Effects Art Director: Eric Oliver
  • Prop Maker: Erin Palmer
  • Art Department Manager: Paul Tobin
  • Lighting Artist: Arun Ram-Mohan
  • Modeling: Matsune Suzuki
  • Original Music Composer: James Horner
  • Conceptual Design: Seth Engstrom
  • CG Supervisor: Brad Alexander
  • CG Supervisor: Jerry Kung
  • CG Supervisor: Simon Clutterbuck
  • CG Supervisor: Matthias Menz
  • CG Supervisor: Michael Takarangi
  • CG Supervisor: Mitch Gates
  • CG Supervisor: Sergei Nevshupov
  • Makeup Artist: Georgia Lockhart-Adams
  • CG Supervisor: Adrian Fernandes
  • CG Supervisor: Andrew Morley
  • Hairstylist: Linda DeVetta
  • CG Supervisor: Ben White
  • CG Supervisor: Andy Lomas
  • CG Supervisor: Sebastian Marino
  • CG Supervisor: Michael Mulholland
  • CG Supervisor: Mike Perry
  • CG Supervisor: Shadi Almassizadeh
  • CG Supervisor: Graeme Demmocks
  • CG Supervisor: Thrain Shadbolt
  • CG Supervisor: David Weitzberg
  • Makeup Artist: Frankie Karena
  • Conceptual Design: Richard Taylor
  • Executive Producer: Laeta Kalogridis
  • Supervising Art Director: Kevin Ishioka
  • Supervising Art Director: Todd Cherniawsky
  • Supervising Art Director: Stefan Dechant
  • Stunts: Min Windle
  • Concept Artist: Wayne D. Barlowe
  • Costume Designer: Mayes C. Rubeo
  • Costume Designer: Deborah L. Scott
  • Stunts: Jacob Tomuri
  • Executive Producer: Colin Wilson
  • Stunts: J.J. Perry
  • Script Supervisor: Luca Kouimelis
  • ADR Editor: Stuart McCowan
  • Script Supervisor: Ana Maria Quintana
  • Dialogue Editor: Marshall Winn
  • Sound Recordist: Tim Gomillion
  • Sound Recordist: Ryan Cole
  • ADR Editor: Richard Hymns
  • Dialogue Editor: Cheryl Nardi
  • Dialogue Editor: Kim Foscato
  • Script Supervisor: Sarah Hinch
  • Foley Editor: Jim Likowski
  • ADR Editor: Steve Slanec
  • Visual Effects Supervisor: Philippe Rebours
  • Visual Effects Supervisor: John Bruno
  • Property Buyer: Phred Palmer
  • Lighting Technician: William Alexander
  • Animation: Patrick Kalyn
  • First Assistant Director: Josh McLaglen
  • Prop Maker: Richard Matthews
  • Second Assistant Director: Stephanie Weststrate
  • Post-Production Manager: Dawn Higginbotham
  • Hair Supervisor: Rick Findlater
  • Second Second Assistant Director: Darren Mackie
  • Assistant Set Dresser: Andrew Driver
  • Assistant Set Dresser: Anthony Russell
  • Co-Producer: Brooke Breton
  • Makeup Artist: Richard Alonzo
  • Assistant Art Director: Vanessa Cole
  • Assistant Set Dresser: Ruben Allen
  • Conceptual Illustrator: Dorian Bustamante
  • Conceptual Illustrator: Victor James Martinez
  • Executive In Charge Of Production: Geoff Burdick
  • Assistant Art Director: Jacqui Allen
  • Line Producer: Peter M. Tobyansen
  • Casting: Liz Mullane
  • Production Supervisor: Mika Saito
  • Assistant Set Dresser: Darryn Sigley
  • Construction Buyer: Norman Willerton
  • Unit Manager: Boris Kunac
  • Conceptual Illustrator: Ryan Church
  • Makeup Department Head: Tegan Taylor
  • Assistant Set Dresser: Shaun Bolton
  • Third Assistant Director: Del Chatterton
  • Third Assistant Director: Jacqui Pryor
  • Third Assistant Director: Judith Wayers
  • Conceptual Illustrator: Steven Messing
  • Makeup Artist: Angela Mooar
  • Unit Manager: Chris Walker
  • Assistant Set Dresser: Dean Hudson
  • Conceptual Illustrator: Barry Howell
  • Conceptual Illustrator: James Clyne
  • Third Assistant Director: Bryon Darling
  • Additional Second Assistant Director: Michael Musteric
  • Conceptual Illustrator: Craig Shoji
  • Second Assistant Director: Maria Battle Campbell
  • Art Department Coordinator: Andrea Carter
  • Art Department Production Assistant: Dan Horton
  • Makeup Artist: Michal Bigger
  • Makeup Artist: Michele Barber
  • 3D Modeller: Rupert Grobben
  • Conceptual Illustrator: Daphne Yap
  • Construction Manager: Nik Novis
  • Set Dresser: Daniel Birt
  • Set Dresser: Eliza Meldrum
  • Standby Painter: Anthony ‘AJ’ Leonardi Jr.
  • Additional Visual Effects: Sarah Reese-Edwards
  • Animation: Austin Eddy
  • Lead Creature Designer: Neville Page
  • Additional Visual Effects: Arthur Vail
  • Additional Visual Effects: Toni Pace Carstensen
  • Lead Set Dresser: Tanea Chapman
  • Prop Maker: Paul Hambleton
  • Sound Re-Recording Mixer: Gary Summers
  • Negative Cutter: Gary Burritt
  • Set Designer: Andrew Reeder
  • Set Designer: Darryl Longstaffe
  • Set Dresser: Gillian West-Walker
  • Prop Maker: Timothy Oakley
  • Set Dresser: David Kolff
  • Set Designer: Paul Ozzimo
  • Production Assistant: Tasha Lang
  • Set Dresser: Ben Whale
  • Animation: James Bennett
  • Lead Character Designer: Jordu Schell
  • Modeling: Gregory Jein
  • Set Dresser: Amber Richards
  • Additional Sound Re-Recording Mixer: Juan Peralta
  • Prop Maker: Andrew Gillespie
  • Set Designer: Andrew Chan
  • Property Master: Andrew M. Siegel
  • Prop Maker: Jack Cornelius
  • Prop Maker: Gareth J. Jensen
  • Sound Mix Technician: Tony Sereno
  • Orchestrator: Jon Kull
  • Location Manager: Jock Fyfe
  • I/O Manager: Steve Danhieux
  • Assistant Editor: Dawn Marquette
  • Modeling: Jason Mahakian
  • Construction Manager: Ed Mulholand
  • Production Assistant: Francie McGirr
  • Prop Maker: Darren A. Mosher
  • Set Designer: John Lott
  • Set Designer: Michael Smale
  • Set Dresser: Milton Candish
  • Production Assistant: Sally Ford
  • 3D Generalist: Jonathan Reynolds
  • Music Arranger: Simon Franglen
  • Assistant Editor: Kristen Young
  • I/O Manager: Eduardo Cisneros
  • Animation: Ambre Maurin
  • Animation: Chris Starwalt
  • Supervising Music Editor: Jim Henrikson
  • Assistant Editor: Claudia Huerta
  • I/O Manager: Rene Clark
  • Extras Casting Assistant: Yvette Reid
  • Machinist: Lorraine Willis
  • Costume Assistant: Zoe Fox
  • Foley Recordist: Sean England
  • Sound Recordist: James Spencer
  • Orchestrator: Nicholas Dodd
  • Digital Intermediate Producer: Zara Park
  • Post Production Coordinator: Wendy Chesebrough Lowe
  • Animation: Paul Claessens
  • Animation Coordinator: Luis F. Pazos
  • Electrician: Edward Tyrie
  • Generator Operator: Hansel Verkerk
  • Animation: Toby Haruno
  • CG Artist: Gavyn Thompson
  • CG Supervisor: Allen Hemberger
  • Costume Assistant: Yvonne Autridge
  • First Assistant “A” Camera: Larry Nielsen
  • Gaffer: Chris Culliton
  • Animation: Greg Towner
  • Additional Colorist: Eric Bidinger
  • First Assistant Editor: Jason Gaudio
  • I/O Manager: Carl Jacobson
  • Animation Technical Director: Regina Cachuela
  • Animation: Tim Stevenson
  • Dolly Grip: Kayne Asher
  • Electrician: Ryan O’Donnell
  • Animation: Jonathan Paquin
  • Animation: Lina Kouznetsova
  • Animation: Marchand Jooste
  • Foley Mixer: Frank Rinella
  • Sound Re-Recording Mixer: Andy Nelson
  • Scoring Mixer: Simon Rhodes
  • Assistant Editor: James Meikle
  • I/O Manager: Peter Moc
  • ADR Voice Casting: Johnny Gidcomb
  • Animation Department Coordinator: Jarom Sidwell
  • CG Artist: Fred Haro
  • CG Supervisor: Albert Hastings
  • Machinist: Sheree Roud
  • Electrician: Chris Chandler
  • Electrician: Chris Smailes
  • Animation: Michael Aerni
  • Camera Supervisor: Lee Bramwell
  • CG Artist: Jonathan Mitchell
  • CG Artist: Robert Ward
  • Best Boy Grip: Huw Griffiths
  • Production Sound Mixer: Tony Johnson
  • Production Sound Mixer: William B. Kaplan
  • Sound Editor: Noah Katz
  • Casting Associate: Justine Hempe
  • Casting Assistant: Ashley Slater
  • Machinist: Alice Paton
  • Costume Assistant: Kerstin Kary
  • Costume Assistant: Rachel Callinan
  • Electrician: Taipua Adams
  • Animation: Jance Rubinchik
  • I/O Manager: Daniel Hawley
  • CG Artist: John Lindstein
  • CG Artist: Nick Damico
  • Electrician: Anthony Waterhouse
  • Additional Visual Effects: Geronimo Moralez
  • Additional Visual Effects: William Morrison
  • Additional Visual Effects: Nickolas Stevens
  • Animation: Laurent Laban
  • Animation: Steve Rawlins
  • Animation Technical Director: Taylor Carrasco
  • CG Artist: Nathan Millsap
  • CG Artist: Anselm Seherr-Thoss
  • CG Artist: Mike Jahnke
  • Animation: Mark Stanger
  • Animation Technical Director: Derrick Auyoung
  • Animation Technical Director: Juan Antonio Amblés
  • Assistant Director: Marc Ashton
  • CG Artist: Tharyn Valavanis
  • CG Artist: Tong Tran
  • Machinist: Lachlan Mayclair
  • Costume Assistant: Hannah Goldblatt
  • Costume Assistant: Sheila Horton
  • Costume Standby: Chantelle Bowkett
  • Dolly Grip: David Shaw
  • CG Artist: Andrew Roberts
  • Casting Assistant: Kimberly Graham
  • Assistant Costume Designer: Jeannie Flynn
  • Electrician: Matthew Sharp
  • Animation: Andy Wong
  • Boom Operator: Sam Spicer
  • Production Sound Mixer: Davis Lee
  • CG Artist: Aymeric Aute
  • CG Artist: Conrad Dueck
  • Costume Coordinator: Wanda Lepionka
  • Electrician: Byron Sparrow
  • Electrician: Jamie Couper
  • Animation: Andrea Castagnoli
  • Animation: Daniel Zettl
  • Animation: Erik Morgansen
  • Animation: John Zdankiewicz
  • I/O Manager: Kris Gregg
  • ADR Voice Casting: Holly Dorff
  • CG Artist: Charley Carlat
  • Extras Casting Assistant: Gillian Davies
  • Costume Standby: Andrea Plested
  • Additional Visual Effects: Brian Taber
  • Additional Visual Effects: Jody Echegaray
  • Animation: Jeremy Cantor
  • Score Engineer: Denis St. Amand
  • Machinist: Amy Jansen-Leen
  • Costume Coordinator: Cilla Leckie
  • Electrician: Alan Wilson
  • Animation: Liam Russell
  • Orchestrator: J.A.C. Redford
  • Digital Imaging Technician: Ryan Sheridan
  • Animation: Tim Waddy
  • Animation Supervisor: Andrew R. Jones
  • CG Artist: Brett McLaughlin
  • Machinist: Melissa Mundt
  • Costume Assistant: Sally Gray
  • Electrician: Antony Farrell
  • Animation: Alexander K. Lee
  • Production Sound Mixer: James M. Tanenbaum
  • Location Assistant: Kevin Magill
  • Assistant Editor: Justin Shaw
  • Assistant Editor: Mark Hawthorne
  • Assistant Editor: Roxanne Dorman
  • Post Production Assistant: Daniel Mei-Tal
  • Senior Digital Intermediate Colorist: Skip Kimball
  • Animation: Samy Fecih
  • Animation Technical Director: Lori Smallwood
  • Camera Department Manager: Sandy Taylor
  • Gaffer: John Buckley
  • Compositor: Adam Ghering
  • Key Grip: Richard Mall
  • Compositing Supervisor: Thierry Delattre
  • Compositor: Alberto Montañés
  • Compositor: Bobby Silman
  • Key Grip: Paul Farley
  • Video Assist Operator: Daniel Hernández Alea
  • Stunts: David Schultz
  • Compositing Supervisor: Christian Kaestner
  • Rigging Grip: Michael Braid
  • Stunts: Alicia Vela-Bailey
  • Compositor: Giuseppe Tagliavini
  • CG Supervisor: Philippe Theroux
  • Compositing Lead: Nathan Hopkins
  • Compositing Lead: Tim Hey
  • Lighting Coordinator: Peter Mansell
  • Stunts: Colin Follenweider
  • Stunts: Jeffrey J. Dashnaw
  • Compositing Supervisor: Eddie Pasquarello
  • Compositor: Christopher Ivins
  • Rigging Grip: Keith Watkins
  • Rigging Gaffer: Matt Andrews
  • Stunts: Stella Angelova
  • Stunts: Siosa Fonua
  • Driver: Cody Flemming
  • Compositor: Michael Ralla
  • Compositor: Sarah Blank
  • Compositor: Tatjana Bozinovski
  • CG Supervisor: Roger Shortt
  • CG Supervisor: Adrian Ferrnandes
  • Compositing Lead: Jan Dubberke
  • Video Assist Operator: Jason Naran
  • Stunts: Frank Torres
  • Stunts: Hank Amos
  • Compositor: Ed Hawkins
  • CG Supervisor: Kevin Andrew Smith
  • CG Supervisor: Keith Miller
  • Key Grip: Dennis Hoerter
  • Stunts: Mark Ginther
  • Stunts: Nito Larioza
  • Stunts: Ryan Carey
  • Stunts: Steve Upton
  • Driver: Kosta Vatselias
  • Compositing Lead: Christoph Salzmann
  • Compositing Lead: Paul Redican
  • Compositing Lead: Steve McGee
  • Compositor: Aaron Singer
  • Compositor: Aurore de Blois
  • Stunts: Jahnel Curfman
  • CG Supervisor: Eric Fernandes
  • CG Supervisor: Lafleche Dumais
  • Compositing Lead: Areito Echevarria
  • Still Photographer: Steve Unwin
  • Stunts: Reuben Langdon
  • Stunts: Richard Epper
  • Driver: Chris Alviani
  • CG Supervisor: Joseph Kasparian
  • CG Supervisor: Nicolas-Alexandre Noel
  • Compositing Lead: Matt Holland
  • Compositing Lead: Robin Hollander
  • Compositing Supervisor: Jane Sharvina
  • Compositing Supervisor: Michel Barrière
  • Compositor: Adam Azmy
  • Compositor: Angelo Perrotta
  • Rigging Grip: Jason Rei
  • Stunt Coordinator: Allan Poppleton
  • Compositing Lead: Caterina Schiffers
  • Compositor: Brian Fisher
  • Key Grip: Donald Reynolds Jr.
  • Compositor: Geoff Hadfield
  • CG Supervisor: Pat Conran
  • Compositing Lead: Tom Baskaya
  • Compositing Supervisor: Jean-Pierre Flayeux
  • Compositing Lead: David Houghton-Williams
  • Compositing Lead: Lloyd Lee Barnett
  • Compositing Lead: Norman Cates
  • Compositing Lead: Theodor Groeneboom
  • Key Grip: Tony Keddy
  • Rigging Grip: Ben Vere Jones
  • CG Supervisor: Mark Tait Lewis
  • Compositing Lead: David Phillips
  • Compositing Lead: David Shere
  • Rigging Gaffer: David Brown
  • Video Assist Operator: Rohan Satyanand
  • Stunts: Jason Rodriguez
  • Compositor: Dan Blank
  • Compositor: Erich Eder
  • Compositor: Foad Shah
  • Driver: Victor Ybiernas
  • Driver: Vaughn Bladen
  • Compositing Lead: Karim Sahai
  • Compositing Lead: Mark Richardson
  • Compositing Lead: Steve McGillen
  • Compositor: Aled Prosser
  • Rigging Grip: Ross Jones
  • Compositor: Gemma Cooper
  • Compositor: Julian Bryant
  • Compositor: Tim Young
  • Stand In: Luke Hawker
  • Creature Technical Director: Marco Vidaurre
  • Creature Technical Director: Radford Hurn
  • Stunts: Ryan Brown
  • Stunts: Shane Dawson
  • Stunts: Tony Marsh
  • Driver: Bruce Bartley
  • Compositor: Sergio Ayrosa
  • Creature Technical Director: Ron E.J. Miller
  • Creature Technical Director: Vincent Yan
  • Compositor: Salima Needham
  • Compositor: Tom Pegg
  • Compositor: Brett Stapleton-French
  • Compositor: Kory Juul
  • Compositor: Lori C. Miller
  • Compositor: Travis Wade Ivy
  • Transportation Captain: Glenn Shaw
  • Stand In: Carly Neemia
  • Producer’s Assistant: Kristin Berbae
  • Compositor: Jarnail Bhachu
  • Compositor: Jesse Parkhill
  • Compositor: Venti Hristova
  • Compositor: Mark van den Bergen
  • Compositor: Ryan T. Smolarek
  • Travel Coordinator: Inge Rademeyer
  • Creature Technical Director: Lorenzo Basurto
  • Creature Technical Director: Malcolm Thomas-Gustave
  • Stunts: Rodney Cook
  • Stunts: Simone Bargetze
  • Stunts: Justin B. Carter
  • Compositor: Patrick Murphy
  • Compositor: Rony Soussan
  • Compositor: Steve Parsons
  • Stunts: Vincent Roxburgh
  • Compositor: Michael Lanzensberger
  • Compositor: Nicha Kumkeaw
  • Compositor: Rebecca Manning
  • Compositor: Rudi Holzapfel
  • Compositor: Tim Christensen
  • Compositor: Giuliano Dionisio Vigano
  • Creature Technical Director: Laura Lumpuy Nicolas
  • Creature Technical Director: Lonnie Kraatz
  • Systems Administrators & Support: Joshua Owens
  • Stand In: Laurel Devenie
  • Creature Technical Director: Sunny Teich
  • Creature Technical Director: Jay Gambell
  • Compositor: Rajat Roy
  • Compositor: Juan Salazar
  • Creature Technical Director: Marco Barbati
  • Compositor: Holly Acton
  • Compositor: Richard McBride
  • Compositor: Ricky Leach
  • Driver: Tim Harris
  • Compositor: Ean Carr
  • Compositor: Gareth Dinneen
  • Compositor: Scott Chambers
  • Creature Technical Director: Rufus Blow
  • Producer’s Assistant: Terri Depaolo
  • Producer’s Assistant: Grant Roa
  • Assistant Accountant: Michael Ling
  • Assistant Accountant: Troy McGatlin
  • Assistant Accountant: Valerie Suarez
  • Production Accountant: Averil Mawhinney
  • Production Coordinator: Susan Dukow
  • Compositor: James D. Fleming
  • Compositor: Todd Carson
  • Creature Technical Director: Eduardo Graña
  • VFX Supervisor: Kevin Romond
  • Stunts: Rayner Jahnke
  • Technical Supervisor: Dan Neufeldt
  • Creature Technical Director: Gios Johnston
  • Creature Technical Director: Johann Francois Coetzee
  • Creature Technical Director: Oleg Magrisso
  • Creature Technical Director: René van De Poel
  • Compositor: Jerry Whitaker
  • Compositor: Niki Bern
  • Compositor: Peter Demarest
  • Compositor: Sonia Calvert
  • Creature Technical Director: Eli Tucker
  • Compositor: Howard Protheroe
  • Compositor: Jiwoon Kim
  • Creature Technical Director: Adam Cobabe
  • Creature Technical Director: David Feuillatre
  • Stand In: Jaime Harrison
  • Producer’s Assistant: Ted Cahn
  • Creature Technical Director: Matthias Zeller
  • Actor’s Assistant: Alexis Alexander
  • First Assistant Accountant: Linus Murphy
  • Animation: Jean-Denis Haas
  • 3D Modeller: Haley May
  • Production Manager: Annette Wullems
  • Actor’s Assistant: Nicole Pitesa
  • Production Assistant: Jenna Pitula
  • Production Assistant: Michael Elko Weaver
  • Animation: Danny Testani
  • Painter: Jonathon Brough
  • Creature Technical Director: Jon Lemmon
  • Production Assistant: Jamie Landau
  • Production Assistant: Sara Docksey
  • Production Controller: Nour Dardari
  • Creature Technical Director: Peter Megow
  • Assistant Production Coordinator: Helene Takacs
  • 3D Modeller: Tira O’Daly
  • Special Effects Technician: Karl Chisholm
  • Assistant Accountant: Annette Encinas
  • Assistant Production Coordinator: Thea Govorko
  • Craft Service: Nick Mestrundrea
  • Craft Service: Stacey Jelin
  • Production Assistant: Michael Urbanski
  • Production Coordinator: Andrew Cochrane
  • Production Coordinator: Jamie Robinson
  • Production Office Assistant: Georgia Mahaffie
  • Animation: Anthony McIndoe
  • 3D Modeller: Cathy Harris
  • 3D Modeller: Michael Grealish
  • Production Assistant: Emily Sturrock
  • Stand In: Francis Biggs
  • Production Assistant: Morgan Elam
  • 3D Modeller: Jasmin Van Lith
  • Production Manager: Grant Bensley
  • Catering: Chris Boswell
  • Production Assistant: Sarah Goller
  • Production Office Assistant: Cale Hetariki
  • Production Secretary: Edith Viramontes
  • Second Assistant Accountant: Anne Davenport
  • 3D Modeller: Gabrielle Bertogg
  • Special Effects Technician: Douglas Falconer
  • Special Effects Technician: Sarah-Bailey Harper
  • Special Effects Technician: Rodney Ford
  • Creature Technical Director: Christoph Meyer
  • Production Assistant: Alexander Hamilton Westmore
  • Animation: Andrew Silke
  • Animation: Robert McIntosh
  • Special Effects Technician: Amy Ingram
  • Animation: Simeon Duncombe
  • 3D Modeller: Pranee McKinlay
  • Special Effects Technician: Phil McLaren
  • Special Effects Technician: Jonathan Roy Grindlay
  • Production Assistant: Megan Fischer
  • Production Assistant: Tim Patterson
  • Production Assistant: Andrew Emilio DeCesare
  • Special Effects Technician: Scott Harens
  • 3D Modeller: Samantha Morley
  • Painter: Les Nairn
  • Production Manager: Michelle Turner
  • Post Production Accountant: Maureen ‘Mo’ Crutchfield
  • Production Assistant: Barbara Szeman
  • Production Assistant: Bill Whirity
  • Production Assistant: Sherryn Hunt
  • 3D Modeller: Darin Gordine
  • Painter: Dordi Moen
  • Production Assistant: Melissa Dodds
  • Special Effects Technician: Paul Davenport
  • Production Assistant: Edward R. Apodaca
  • Special Effects Technician: Dean Bushby
  • Payroll Accountant: Sebastian Marr
  • Animation: Ben Sanders
  • Animation Supervisor: Richard Baneham
  • 3D Modeller: Nadine Jaggi
  • Special Effects Technician: Sven Harens
  • Animation: Gerald Clevy
  • Animation: Neil Glasbey
  • Animation: Brett Purmal
  • 3D Modeller: Claire Prebble
  • Special Effects Technician: Pete Zivkovic
  • Data Wrangler: Layne Small
  • Layout: Simon Carlile
  • Layout Supervisor: John M. Levin
  • Lead Animator: Robyn Luckham
  • Matte Painter: Elias Gonzalez
  • Modeling: Kaori Miyazawa
  • Modeling: Kurt Butler
  • Pipeline Technical Director: Felipe Bohórquez
  • Matte Painter: Michael Lloyd
  • Modeling: Daniel Moy
  • Layout: Daniel Buhigas
  • Layout: Keir Longden
  • Modeling: Brook Kievit
  • Modeling: Gershom Sissing
  • Modeling: Myles Asseter
  • Digital Effects Supervisor: Nolan Murtha
  • Data Wrangler: Kris Bieringa
  • Layout: Melvin Polayah
  • Lead Animator: Jan Philip Cramer
  • Matte Painter: Jean-Luc Azzis
  • Executive Visual Effects Producer: Gretchen Libby
  • Lead Animator: Alex Burt
  • Matte Painter: Mannix Bennett
  • Modeling: Adrian Chan
  • Modeling: Andreja Vuckovic
  • Data Wrangler: Stephen Smart
  • Layout: Stephen Painter
  • Lead Animator: Daniel Barrett
  • Modeling: Cajun Hylton
  • Modeling: Matt Beale
  • Data Wrangler: Renton McNeill
  • Data Wrangler: Rob Sclater
  • Lead Animator: Ben Forster
  • Matte Painter: Heather Abels
  • Modeling: Andrei Coval
  • Modeling: Cedric Enriquez Canlas
  • Modeling: Djordje Cakovan
  • Data Wrangler: Brett Wilkins
  • Data Wrangler: Samuel Duncan
  • Digital Effects Supervisor: David Carriker
  • Matte Painter: Belinda Allen
  • Digital Effects Producer: Marvyn Young
  • Executive Visual Effects Producer: Tim Keene
  • Lead Animator: Aldo Gagliardi
  • Modeling: Jay Renner
  • Modeling: Nathan Farquhar
  • Pipeline Technical Director: Leo Hills
  • Layout: James Harmer
  • Lead Animator: Michael Cozens
  • Graphic Designer: Bee Jin Tan
  • Matte Painter: Lyse Beck
  • Modeling: Atanas Atanasov
  • Data Wrangler: Navin Sk
  • Executive Visual Effects Producer: Sean Cushing
  • Matte Painter: Adam J. Ely
  • Data Wrangler: Abhishek Pandian
  • Data Wrangler: Richard McKenzie
  • Layout: Steve Hardy
  • Matte Painter: Federico Bozzano
  • Matte Painter: Kristi Valk
  • Modeling: Bo Mosley
  • Modeling: Eung Ho Lo
  • Data Wrangler: Filippo Paganoni
  • Data Wrangler: Stephen Allison
  • Graphic Designer: Mark Christiansen
  • Layout: Brad Blackbourn
  • Layout: Jorge Pimentel
  • Modeling: Andreas Nehls
  • Modeling: Clare Woodford-Robinson
  • Modeling: Jose Samson
  • Modeling: Stuart Penn
  • VFX Production Coordinator: Schuyler Pappas
  • Prop Maker: David Tremont
  • Prop Maker: Don Brooker
  • Head of Layout: Shawn Dunn
  • Layout: Rob Zohrab
  • Matte Painter: Nicole Mather
  • Modeling: Matteo Stirati
  • Production Assistant: Charlotte Laney
  • Prop Maker: Alex Falkner
  • Prop Maker: Bryce Curtis
  • Prop Maker: Charlotte Bowie
  • Modeling: James Sutton
  • Modeling: Makiko Handa
  • Modeling: Nicholas Wilson
  • Modeling: Pär Tingström
  • Modeling: Thomas Sing Wai Lo
  • Production Assistant: Lee Briggs
  • VFX Production Coordinator: N’Cee Van Heerden
  • Modeling: Hamza Butt
  • Modeling: Mary Swinnerton
  • Modelling Supervisor: Ben Lambert
  • Production Assistant: Clint Spillers
  • Production Assistant: Poppy Sinclair-Lockhart
  • VFX Production Coordinator: Peti Nohotima
  • VFX Production Coordinator: Stacy Bissell
  • Prop Maker: Ben Hawker
  • Modeling: Jeremy Berruel
  • Modeling: Matt Fitzgerald
  • Modeling: Pablo Ángeles
  • Prop Maker: Bill Hunt
  • Prop Maker: Colin Jackman
  • Prop Maker: Daniel Bennett
  • Prop Maker: David Meng
  • Prop Maker: Eden Small
  • Prop Maker: Eric Bon
  • Prop Maker: Frances Richardson
  • Visual Effects Supervisor: Jaz Rongokea
  • Senior Modeller: Nicholas Gaul
  • Modeling: Niklas Preston
  • Modeling: Sam Sharplin
  • Pipeline Technical Director: Joao Montenegro
  • Production Assistant: Scott Bachert
  • Production Assistant: Tom Greene
  • Prop Maker: Chris Covich
  • Prop Maker: Gary Hunt
  • Modeling: James Willingham III
  • Modeling: Matthew Bullock
  • Modeling: Shannon Thomas
  • Modeling: Yasmin Khudari
  • Pipeline Technical Director: Vaughn Cato
  • Prop Maker: Andrew Moyes
  • Prop Maker: Kane Lockhead
  • Prop Maker: Wayne Dawson
  • Sequence Supervisor: Jay Cooper
  • Modeling: Romain Bivar Segurado
  • Modeling: Sun Jin Lee
  • Pipeline Technical Director: Lorenzo Angeli
  • Prop Maker: Billie-Jo Thomson
  • Prop Maker: Dallas Poll
  • Prop Maker: Greg Tozer
  • Modeling: Leslie Chan
  • Modelling Supervisor: Marco Revelant
  • VFX Production Coordinator: Marissa Gomes
  • Modeling: Justin Steel
  • Pipeline Technical Director: Andreas Rohr
  • Pipeline Technical Director: Karl Erlandsen
  • VFX Production Coordinator: Sam Buys
  • Prop Maker: Claire Middleton
  • Prop Maker: Daniel Cockersell
  • Modeling: Jakob Kousholt
  • Pipeline Technical Director: James Liu
  • Production Assistant: Georgia Lovering
  • Production Assistant: Seb Abante
  • Prop Maker: Daniel Kelly
  • Prop Maker: Dorothy Hsu
  • Prop Maker: Duncan Brown
  • VFX Production Coordinator: Helen Clare
  • Prop Maker: Alex Keegan
  • Prop Maker: Greg Allison
  • Prop Maker: Hiroshi Tange
  • Prop Maker: Tristan McCallum
  • Sequence Supervisor: Gregory Salter
  • Prop Maker: Carlos Slater
  • Senior Modeller: Richard Raimbault
  • Senior Modeller: Simon Cheung
  • Sequence Supervisor: Mark Nettleton
  • Modeling: Robert Vignone
  • Pipeline Technical Director: Robin Reyer
  • Production Assistant: Nicole Bossier
  • VFX Production Coordinator: Jessica Ponte
  • Prop Maker: Daniel Wickham
  • Prop Maker: David Macclure
  • Prop Maker: Jobeen Tse
  • Sequence Supervisor: Tory Mercer
  • VFX Editor: Darryl Doherty
  • Prop Maker: Neil Marname
  • Roto Supervisor: Tammy Sutton
  • Senior Modeller: Chang Jung-min
  • Sequence Supervisor: Jen Howard
  • Software Engineer: Jade Mansueto
  • Software Engineer: Kiyoyuki Nakagaki
  • Software Engineer: Pravin Bhatt
  • Systems Administrators & Support: Matt Nelson
  • Visual Effects Producer: Eileen Moran
  • Visual Effects: Andrew M. Collins
  • Visual Effects: Chris Payne
  • Prop Maker: Richard Thurston
  • Prop Maker: Shari Finn
  • Software Engineer: Jack Elder
  • Software Engineer: Marcus Schoo
  • VFX Editor: Allen Tracy
  • Visual Effects: Jarrod Avalos
  • Prop Maker: Marc Dutilloy
  • Prop Maker: Peter Lyon
  • Prop Maker: Vibol Moeung
  • Prop Maker: Callum Linegard
  • Software Engineer: Michael Tandecki
  • Prop Maker: Kristos Focas
  • Prop Maker: Wayne Thomas
  • Publicist: Robyn Isaacs
  • Software Engineer: Kim Slattery
  • Stereoscopic Supervisor: Michael Lester
  • Prop Maker: Ian Ruxton
  • Visual Effects: Cameron Coombs
  • Prop Maker: Joe Paice
  • Prop Maker: Nicholas Antunovic
  • Prop Maker: Paul Wickham
  • Prop Maker: Robert Irons
  • Software Engineer: Bill Lorton
  • Visual Effects: Chris Haney
  • Software Engineer: Xian Xiao
  • Visual Effects: Bruno Parenti
  • VFX Production Coordinator: Jennah Rasmussen
  • Software Engineer: Daniel Lond
  • Software Engineer: Kevin Atkinson
  • Prop Maker: Lindsey Crummett
  • Prop Maker: Stephen Edwards
  • Sequence Supervisor: Tom Fejes
  • Software Engineer: Jon Hertzig
  • Prop Maker: Jamie Beswarick
  • Prop Maker: Johnny Fraser Allen
  • Prop Maker: Niko Kaye
  • Prop Maker: Neil Schrader
  • Roto Supervisor: Sandy Houston
  • Senior Modeller: John Stevenson-Galvin
  • Sequence Supervisor: Robert Weaver
  • Software Engineer: Carla Morris
  • VFX Editor: Tyler Hockett
  • Visual Effects: Chris Fregoso
  • Prop Maker: James French
  • Prop Maker: Peter Osborne
  • Prop Maker: Robert Ju
  • Prop Maker: Ryk Fortuna
  • Publicist: Hannah Clarke
  • Visual Effects: Billy-Vu Lam
  • Software Engineer: Eric Soulvie
  • Software Engineer: Wendy Lloyd
  • Software Engineer: Antoine Bouthors
  • Software Engineer: Paul-George H. Roberts
  • Software Engineer: Jacopo Pantaleoni
  • Software Engineer: Boon Hean Low
  • Software Engineer: Paolo Emilio Selva
  • Visual Effects: C. Jerome Williams
  • Visual Effects: Daniel Chavez
  • Visual Effects: Leonardo Martinez
  • Visual Effects: Loeng Wong-Savun
  • Visual Effects: Peng Ke
  • Visual Effects Coordinator: Bryan Searing
  • Visual Effects: Kenneth Quinn Brown
  • Visual Effects: T.J. Burke
  • Visual Effects: York N. Schueller
  • Visual Effects Coordinator: Crystal Choo
  • Visual Effects: Shigeharu Tomotoshi
  • Visual Effects Technical Director: John A. Patterson
  • Visual Effects Technical Director: Ronnie Menahem
  • Visual Effects Technical Director: Thomas P. Bolt
  • Visual Effects: Gizmo Rivera
  • Visual Effects Coordinator: Louise Bertrand
  • Visual Effects Supervisor: Pierre Buffin
  • Visual Effects: Joshua Cordes
  • Visual Effects: Laura Sevilla
  • Visual Effects Coordinator: Chris McClintock
  • Visual Effects: Tony Meagher
  • Visual Effects: Greg Strause
  • Visual Effects Coordinator: Nancy Lamontagne
  • Visual Effects Producer: Laura Zentil
  • VFX Supervisor: Daniel Leduc
  • Visual Effects: Marcus Erbar
  • Visual Effects Coordinator: Charlyn Go
  • Executive Visual Effects Producer: Robin Prybil
  • Visual Effects Technical Director: Adrien Toupet
  • Visual Effects: Chun Seong Ng
  • Visual Effects: Colin Strause
  • Visual Effects: Tamer Eldib
  • Visual Effects Coordinator: Myléne Guérin
  • Visual Effects Producer: Maricel Pagulayan
  • Visual Effects Supervisor: Mathilde Tollec
  • Visual Effects Technical Director: Jayandera Danappal
  • Visual Effects: Kim LeBrane
  • Visual Effects: Miguel A. Guerrero
  • Visual Effects Coordinator: Anouk L’Heureux
  • Visual Effects Coordinator: Brice Liesveld
  • Visual Effects Coordinator: Matthew Sabourin
  • Visual Effects Technical Director: Ben Frost
  • Visual Effects Technical Director: Will Elsdale
  • Visual Effects Coordinator: Laia Alomar
  • Visual Effects Supervisor: Tim Webber
  • Visual Effects Technical Director: Guillaume Fradin
  • Visual Effects Technical Director: Gunnar Radeloff
  • Visual Effects Coordinator: Molly Pabian
  • Visual Effects Supervisor: Erik Winquist
  • Visual Effects Technical Director: Andreas Vrhovsek
  • Visual Effects Technical Director: Kawaldeep Singh
  • Visual Effects Technical Director: Mariano Blanc
  • Visual Effects Technical Director: Pierre Grage
  • Visual Effects: Marco Capparelli
  • Visual Effects Coordinator: Cara Tallulha Davies
  • Visual Effects Coordinator: Mikael Jaeger Jensen
  • Visual Effects Supervisor: Antoine Deschamps
  • Visual Effects Technical Director: Florian Hu
  • Visual Effects: Chris Radcliffe
  • Visual Effects: David Michaels
  • Visual Effects: Joe Harkins
  • Visual Effects: Krystal Sae Eua
  • Visual Effects: Tulio Hernandez
  • Visual Effects Producer: Tripp Hudson
  • Visual Effects Technical Director: David Caeiro Cebrián
  • Visual Effects Coordinator: Steve Riera
  • Visual Effects Editor: Craig Tanner
  • VFX Production Coordinator: Fenella Stratton
  • Visual Effects Technical Director: Francois Sugny
  • Visual Effects Technical Director: Martin Halle
  • VFX Production Coordinator: Marcus Goodwin
  • Executive Visual Effects Producer: Pierre Raymond
  • Visual Effects Technical Director: Garry Runke
  • Senior Visual Effects Supervisor: Joe Letteri
  • Sound Mixer: David Lee
  • Senior Animator: Graham Binding
  • Character Designer: Jerad Marantz
  • Sculptor: Daniel Falconer
  • Hair Department Head: Roxane Griffin
  • Visual Effects Production Manager: Bruce Franklin
  • Visual Effects: Robert Hubbard
  • Art Department Assistant: Holly Jeter
  • CG Supervisor: Dan Cox

Catogories:
Action,Adventure,Fantasy,Science Fiction
These plug-ins are unbelievable!

Enter the world of Pandora.
Language:
English,Español
Production:
United States of America,United Kingdom
Company:
Dune Entertainment,Lightstorm Entertainment,20th Century Fox,Ingenious Media
Popularity:
101.76
Date:
2009-12-15
Year:
2009

  • daisyrowley: Avatar is an overwhelming, immersive spectacle. The state-of-the-art 3D technology draws us in, but it is the vivid weirdness of Cameron’s luridly imagined tropical other world that keeps us fascinated. I like this film and I have written many review for essay writing service. The special effects are so good here that you don’t even notice them. It is eerie how Cameron has made it look and feel like he is just pointing a camera at the action.
  • John Chard: It’s cinema Jim, but not as we know it.

    So here it is then, what has been in gestation in James Cameron’s mind for over 12 years finally hit the silver screen towards the back end of 2009. Made for gazillions amount of cash, Avatar went on to make a billion trillion in Worldwide receipts-and this before the rush rush release of DVD/BLU RAY sales are factored into the equation. The film, and all its technical wizardry, is quite simply a gargantuan piece of cinematic history. Released in 2d and 3d, and probably some other format that I’m forgetting, every advanced tool of the trade has been utilised by Cameron and his team to create what is now the ultimate popcorn blockbuster. Shame then, that away from the visual extravaganza the film is as shallow as this review will ultimately end up being.

    No doubt about it, this is a joy for the eyes and ears, the minuscule details are wonderful and the colour positively pings from every frame. But in the eagerness to create such splendour they forgot to put any substance into the writing. This is plot simplicity. And even its messages, as Cameron smugly preaches his sermon from the pulpit, now seem old hat. Do we really need another boink over the head about eco invasion? Or a curt reminder of American infiltration into some land where motives are suspicious at best? No we don’t really do we? Worse still is some of the dialogue, which quite frankly could have come from some playground encounter as the kiddies play kiss chase or bang bang your dead army. There’s also a sense of familiarity with other better scripted film’s, Dances *cough* With *cough* Wolves *cough* It’s as if Cameron just knew that narrative structure wasn’t as important as having the expensive gimmicks. He’s like a modern day William Castle-only with considerably more readies at his disposal.

    The cast are OK, Zoe Saldana puts a sexy feistiness to her blue alien Neytiri, Sam Worthington keeps the humanistic elements just about above water, while Sigourney Weaver is as ever the consummate professional. But ironically, in a film shimmering bright in 2d & 3d, the characters are all one dimensional. None more so than Stephen “The Party Crasher” Lang’s Colonel. A man so gruff and gung-ho menacing he really ought to be in Sly Stallone’s upcoming testo movie The Expendables. Nominated for nine Academy Awards, including Best Picture and Best Director, it won three, for Best Cinematography, Best Visual Effects, and Best Art Direction. Those were richly deserved. They also tell us all we need to now about Cameron’s Behemoth. 5/10

  • Manuel São Bento: Rewatching Avatar confirmed my love for Pandora. Exquisite world-building by James Cameron, memorable score by James Horner & jaw-dropping, innovative visuals that complement wonderful storytelling.

    How can people not remember these characters?! Super excited about tomorrow’s IMAX screening of Avatar: The Way of Water!

  • tomasfv: **Excellent!!! **
  • Yuva_Kumar: Technically its a very good film
  • CinemaSerf: This is another of these films for which I didn’t get the memo. It undoubtedly has parallels with the ecological ravaging of Earth by mankind, but for the most part it is just a fairly standard action romance that owes much of it’s significance to it being an outstanding technical production. Sam Worthington is “Jake”, a paraplegic solider who is tasked with assisting on a mission on a distant planet. By way of a bribe, the authorities offer him surgery to restore his mobility if he uses an avatar machine to infiltrate the folks inhabiting the planet “Pandora”. The more he explores this bright new world, the more he begins to integrate with the people and their beautiful and colourful environment. His affection for “Neytiri” (Zoe Saldana) and his gradually developing appreciation of just what his mission is about, sets him up for a serious conflict with the gung-ho militaristic “Quaritch” (Stephen Lang). This film is all about corporate greed and an horrendous disregard not just for nature, but for an indigenous population that is though frequently touching, let down by a really mediocre cast, some slightly pontificating dialogue and yes, it is really too long. It is great to look at, the standards of the production mixing reality with animation are outstanding; it’s just that the story is just all a bit lightweight.

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