Prey

When danger threatens her camp, the fierce and highly skilled Comanche warrior Naru sets out to protect her people. But the prey she stalks turns out to be a highly evolved alien predator with a technically advanced arsenal.

Credits: TheMovieDb.
Prey
Overview:
When danger threatens her camp, the fierce and highly skilled Comanche warrior Naru sets out to protect her people. But the prey she stalks turns out to be a highly evolved alien predator with a technically advanced arsenal.
Cast:

• Naru: Amber Midthunder
• Taabe: Dakota Beavers
• Aruka: Michelle Thrush
• Wasape: Stormee Kipp
• Chief Kehetu: Julian Black Antelope
• Predator: Dane DiLiegro
• Sumu (Chief Wife): Stefany Mathias
• Raphael: Bennett Taylor
• Big Beard: Mike Paterson
• Waxed Mustache: Nelson Leis
• Huupi: Tymon Carter
• Tabu: Skye Pelletier
• Itsee: Harlan Blayne Kytwayhat
• Paaka: Corvin Mack
• Puhi: Samuel Marty
• Disapproving Woman: Ginger Cattleman
• Young Comanche Woman: Seanna Eagletail
• Young Comanche Girl: Samiyah Crowfoot
• Ania: Cody Big Tobacco
• Spyglass: Troy Mundle
• Comanche Slinger: Curtis Vinish
• Trapper: Stephane Legault
• Rambert: Stephan Schroeder
• Trapper: Eric Beaudoin
• Additional Predator: Kyle Strauts
• Predator Puppeteer (ADI): Tom Woodruff Jr.
• Predator Puppeteer (ADI): Alec Gillis
• Predator Puppeteer (ADI): David Penikas
• Predator Puppeteer (ADI): Jon K. Miller
• Lion: Kirk Caouette
• Bear: Kyle Legere

Crew:

• Characters: Jim Thomas
• Executive Producer: Lawrence Gordon
• Producer: Jhane Myers
• Characters: John Thomas
• Executive Producer: Marc Toberoff
• Casting: Rene Haynes
• Best Boy Grip: Matt Prim
• Hair Designer: Jo-Dee Thomson
• Camera Trainee: Celein Pauk
• Best Boy Grip: Michael Blatz
• Grip: Travis Geib
• Key Grip: Alain Masse
• Camera Trainee: Krystin Prueller
• Production Manager: Jennifer Din
• Assistant Director Trainee: Mia Fortier
• Second Unit Director: Jeremy Marinas
• Second Second Assistant Director: Michael Dris
• Key Rigging Grip: Joe Hirsch
• Editor: Angela M. Catanzaro
• Casting Assistant: Malia Hoff
• Location Manager: Alexander McGregor
• Still Photographer: David Bukach
• Best Boy Electric: Alex Free
• Casting Associate: Elise Buedel
• Location Manager: Jason Nolan
• Script Supervisor: Bronwyn Johansen
• Assistant Location Manager: Grayson Ogle
• Assistant Location Manager: Larie Stoley
• Second Assistant Director: Eddy Santos
• Unit Production Manager: Robert Murdoch
• Associate Producer: Mary Kathryn Nagle
• Original Music Composer: Sarah Schachner
• Visual Effects Supervisor: Ryan Cook
• Thanks: Sydney Freeland
• Camera Trainee: Brett Hall
• Grip: Josh Medak
• Executive Producer: Ben Rosenblatt
• Costume Design: Stephanie Portnoy Porter
• First Assistant Director: Richard Cowan
• Location Manager: Dennis Penney
• Thanks: Martina Minthorn
• Key Hair Stylist: Kristy Smith
• Visual Effects Producer: Jamie Stevenson
• Associate Producer: Tyson Breuer
• Thanks: Steven Judd
• Production Controller: Leslie Maynes
• Stunt Coordinator: Steven McMichael
• In Memory Of: Jim Myers
• Thanks: Blake Pickens
• Thanks: Sunrise Tippeconnie
• Second Assistant Art Director: Spencer Smith
• Location Production Assistant: Lance Royal Smith
• Set Designer: Sheila Millar
• Second Assistant Director: Casey Chipera
• Thanks: Bird Runningwater
• Camera Trainee: Alexis Moar
• Assistant Location Manager: Kevin Larsen
• Unit Production Manager: Marty P. Ewing
• In Memory Of: Cody Midthunder
• Set Designer: Liza Valentine
• Set Decoration: Peter Lando
• Camera Trainee: Umesh Thamotharam
• Thanks: Jason Gavin
• Fight Choreographer: JJ Park
• First Assistant Art Direction: Cathy Cowan
• Set Designer: Luana Ferreira
• “B” Camera Operator: John Bailie
• Camera Trainee: Daysen Christensen
• Screenplay: Patrick Aison
• Director: Dan Trachtenberg
• Set Supervisor: Sharon M. McDonell
• Director of Photography: Jeff Cutter
• Production Design: Kara Lindstrom
• Makeup Department Head: Samantha J. Rumball
• Supervising Art Director: Kendelle Elliott
• Costume Supervisor: Javier Arrieta
• Editor: Claudia Castello
• Art Direction: James Steuart
• Musician: Pedro Eustache
• Producer: John Davis

Catogories:
Thriller,Action,Science Fiction
My nice sister says this plugin is nice.

They hunt to live. It lives to hunt.
Language:
English,Français
Production:
United States of America
Company:
20th Century Studios,Davis Entertainment,Lawrence Gordon Productions
Popularity:
115.587
Date:
2022-08-02
Year:
2022

• garethmb: The latest film in the Predator film series has arrived and the first
  under Disney ownership since their purchase of 20th Century Fox. “Prey”
  takes a look back in order to move the franchise forward and it does
  this by setting in amongst the Comanche community roughly three hundred
  years in the past.

  The film follows a young girl named Naru (Amber Midthunder) who looks to
  become a warrior but in a male-dominated setting, only her brother is
  relatively supportive of her ambition and talks about when she will face
  a trial which she must endure to show her worth.

  At the same time, a Predator has arrived and begins to hunt the local
  wildlife. Naru sees evidence of his work and tries to convince the tribe
  that the carnage they are finding is not the work of a bear or a
  mountain lion as the community believes.

  When the nature of the threat manifests itself, Naru must find the
  courage and skills to track and face the enemy who threatens to destroy
  her tribe.

  The film is directed by Dan Trachtenberg and he mixes a good amount of
  action along with a very interesting setting and characters to create an
  engaging tale.

  There are some moments that the FX was not as sharp as one might expect
  but the sequences with the Predator are filled with action and suspense
  and should make fans of the franchise very happy. The film at times does
  require some leaps of faith from the audience but in the end, “Prey” is
  a satisfying film that is superior to “The Predator” and rates as one of
  the stronger entries in the series and that the franchise is in good
  hands for the future.

  It will be interesting to see where the franchise goes next as there is lots of material for the franchise to explore, but for now, “Prey” is a refreshing take on the series and one fans should enjoy.

  4 stars out of 5

• Manuel São Bento: FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/prey-spoiler-free-review

  “Prey lives up to high expectations, being the first movie in the Predator saga to come close to or even surpass the original.

  Dan Trachtenberg is able to restore the franchise by focusing on a compelling protagonist and the motivational essence of the primary creature, as well as creating one of the most dazzling films of 2022.

  Both the cinematography and the score take advantage of the on-location filmmaking to create an almost epic atmosphere, whether through gorgeous wide shots that will leave every viewer amazed or through violent, macabre, exceptionally choreographed action sequences in conjunction with long takes.

  Amber Midthunder delivers one of the best performances of her career.

  For fans of the saga, horror, and/or action, it’s not easy to find something better this year.”

  Rating: A-

• MovieGuys: Sometimes it’s best to let the dead rest in peace and such is the case, with the much exhumed, Predator franchise. The original has, quite deservedly,become a cult classic. What came after ranges from passable to truly awful acts of grave robbing.

  Prey is not awful. It has wonderful cinematic’s and a superficially believable, 18th century world. A world on the cusp of modernisation and change but one that still holds on to, the fading reality embraced by its native inhabitants.

  Regrettably, that’s far as we get. What comes after is a revisionist construct, that does not reflect life, as it was, in this era. Instead we get feminism, at a time when its presence would have been akin, to finding an automatic wrist watch, in an Egyptian tomb.

  If by some miracle you can overlook this nonsensical plot turn, it doesn’t get any better. Our hero, a slim young girl, apparently has the wherewithal to take on and defeat, a savage interplanetary killer. A killer, as we can recall from the first film, who chewed through all but one member, of a hardcore team, of special forces mercenaries.

  Sure, Arnie’s character did use old style tactics, in the end, to defeat the beast. That said, he’s a huge, profoundly physical man, cast as someone with no end of combat training and even then he barely made it out alive.

  No matter, old world patriarchy defying girl, who has to run like stink from a simple bear the predator easily dispatches, magically gets the job done.

  Do I need say more? If utter suspension of disbelief is your thing this just might work for you. My advice, watch or re-watch the original and suspend your disbelief that the spin offs that came after, were ever made.

  4/10.

• Per Gunnar Jonsson: I guess I have to start by saying that this movie was a lot better than some of the latest entries in the Predator franchise but then, that is not really difficult so it does not say that much. Personally, I think this movie is rather mediocre.

  Cinematically it is not a bad movie. I liked the footage for the most part. Story wise, well, for the first half of the movie I found it rather boring actually.

  There was some brief scenes with a wolf and later a bear that had some action in it but for the most part the main protagonist ran around moping and whining and trying to pretend to be worthy of being a great warrior. Somewhat unrealistic of course since Hollywood, of course, had cast a woman in the role. Not that I have anything against it per see but at the time this movie is supposed to happen a women, native Indian or not, stayed at home doing the chores whether Hollywood tries to pretend otherwise or not.

  As I said, I m still okay with that but she spends most of the time fumbling, stumbling and when a threat comes around she runs and looks scared. Not the kind of great warrior charisma that I was hoping for in the main protagonist.

  When it finally starts to get interesting she stumbles into a bloody animal trap and gets caught by a hunting party. The latter which of course is portrayed as the typical Hollywood stereotype of “white man bad”. Minor details like, having your foot caught in that kind of steel trap would render you useless for the rest of the movie, is of course ignored.

  The later half of the movie has some action in it at least which is dragged down by the main protagonists moping and the fact that, when she finally has the chance of taking a shot, she just stares stupidly for half a minute and voila, the chance is gone.

  On the good side is that the actors are doing a pretty decent job of the not so great script they were given and, as I mentioned, cinematically it is a quite good movie. The action, when it happens, is pretty good if one ignores the Hollywood stupidities and the not so kick-behind main protagonist.

  Overall the movie is watchable and, as I wrote, better than previous instalments in the franchise but that is about it.

• CinemaSerf: OK. Please explain. Is this just supposed to be “Pocahontas” meets “Predator”? Just because it calls itself an “origin” story doesn’t mean it needed to be made – and I’m sorry, but I just didn’t understand whom this is for. It has none of the suspense or tension of the original Arnie film from 1987, and I kept expecting Peabo Bryson to burst into song at some point as these hopelessly out-gunned/arrowed/tomahawked Commanche – and, to be fair, most of their critter counterparts, seem to be on the menu of this visiting alien creature who has invisibility, enduring strength and some pretty whizzy weapons at his disposal. It is a little bit gory, but no more so that you might see on your latest Blumhouse effort, and to be fair it doesn’t hang about – there is plenty of action once it gets started. The acting, however, is really neither here nor there and of course, there isn’t the slightest degree of jeopardy as the whole thing sort of lurches along to a quirkily silly ending that made me smile. The effects are pretty old hat and though the human characters are tenacious and courageous enough, the story has just too much of the ridiculous David and Goliath to it. I did wonder why it didn’t get a cinema release, but now I have seen it, I reckon I know why. It’s watchable enough, but I can’t say it’s much good or the least memorable.
• The Movie Mob: **Overall : Prey brings new life to the Predator series, and I hope there is more to come.**

  The Predator franchise has been all over the map when it comes to quality, settings, and story. With entries ranging from the incredible 1987 Predator to the awful 2018 attempt, The Predator. Thankfully, Prey shines as the best film in the Predator series since the original. This prequel takes a while to get going as it establishes character motivations and the dangers of the Great Plains. But once it gets going, it just gets better and better! Prey remains faithful to the original, blending horror and action with the elusive alien killer eliminating its prey one by one. But this time, the improved effects and primitive setting make the action more visceral and scary. I could go on and on about how brilliantly the time period raised the stakes, how excellent Amber Midthunder’s heroine was, or how fantastic Dan Trachtenberg’s directing was. Prey returns the Predator franchise to its best form by avoiding the cheese and focusing on the horror of the hunt.

• d54.pod: Full review: open.spotify.com/episode/3MS52tXr7jHbZxxWsx62tO?si=1554552c2fb542cd

  I came into this movie with some apprehension due to how much I enjoyed the original Predator movie from 1987. My biggest concern was would they ruin the legacy left by the original movie, mostly due to the fact that this is a prequel, unlike the other’s in the franchise. However, I was pleasantly surprised.

  There is so much to like about this movie, from its beautiful scenery, the highly entertaining action sequences, the stellar acting (led by Amber Midthunder) and how it actually paid homage to the original. The story, much like the original was simple and got straight to the point, and it didn’t overcomplicate anything with lengthy or unnecessary dialogue. It also didn’t do overboard with the easter eggs and references. I really cant excuse movies which make you pause to show off references to previous instalments of the franchise, even at times when they dont make sense. This movie did none of that which was refreshing.

  I highly recommend this movie. If the younger generation was to watch movie first and follow up with the original from 1987, it would not be a disservice at all. Looking forward to the sequel to this and seeing how they tie in more of the predator lore.

• Robert Grawey: Pretty gnarly and also pretty great!
  Sad I didn’t get to see it in a theater 🙁
• Peter McGinn: I didn’t have a frame of reference for this movie, never having watched a predator movie, or indeed hardly any movies in the thriller-action-adventure genre. But it sounded intriguing so I gave it a try. It was okay for what it was. The body count rose as it does io thrillers it seems, Nikki it was alien Mano on woman’s, as one might have predicted from the start. I am not sure why people in her village thought she wasn’t able to hunt when she seemed to have Batman like strength and dexteriity. I guess she never practiced or trained in front of anyone.

  So it was fine, though it won’t motivate me to seek out more movies in the predator franchise or indeed the genre. I will quit while I am ahead, at least until the next one in an unliked genre inexplicably draws me in.

• Horgh: Best thing about this movie was the trained pup. Movie was boring and the acting was horrible . DONT WASTE YOUR TIME ON THIS TRASH
• GenerationofSwine: So this is a movie about Strong Female Lead, and though Strong Female Lead isn’t a hunter and it seems like she hasn’t really gone out hunting before, she is the bestest of the bestiest hunters ever. And the village is wrong for not letting her be the hunter and the lead of the hunting party because not recognizing her untested bestiest is wrong.

  And then she goes out and puts everyone at risk to prove that she is the bestest hunter ever… and she is, effortlessly, because she is a Strong Female Lead.

  And then Strong Female Lead encounters the Predator, and does something that was actually cool and pretty unique for the series. But then the Predator has to go kill off the rest of the hunters in her tribe for not recognizing that she is the bestest hunter ever.

  Only this is a politically correct movie, you can tell by Strong Female Lead, so the Predator can’t be the bad guy, there has to be more of a political message.

  And because of that the plot adds in white people, who are the real evil, the evilist of the evil. The bestest of being evil. And they have to show that even when an alien is out there hunting people, white people are worse.

  And Strong Female Lead has to prove that she can be even better than them too without trying, and then proves it without expending any real effort.

  And out of the blue one of her hunting party (who are now not as evil because there are white men who are eviler) is allowed to do something actually sort of heroic because he doesn’t have to be bad at everything now because they white people can be.

  And them ‘Member Berries.

  And at the end Strong Female Lead proves to everyone that she is the bestest at everything, without needing to try, by virtue of just being the bestest of the bestest at everything without even needing to know what she’s doing.

  yeah… you get the point, you’ve seen a thousand other movies just like this one since 2016.