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Monsters, Inc.

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Lovable Sulley and his wisecracking sidekick Mike Wazowski are the top scare team at Monsters, Inc., the scream-processing factory in Monstropolis. When a little girl named Boo wanders into their world, it’s the monsters who are scared silly, and it’s up to Sulley and Mike to keep her out of sight and get her back home.

Credits: TheMovieDb.
Monsters, Inc.
Overview:
Lovable Sulley and his wisecracking sidekick Mike Wazowski are the top scare team at Monsters, Inc., the scream-processing factory in Monstropolis. When a little girl named Boo wanders into their world, it’s the monsters who are scared silly, and it’s up to Sulley and Mike to keep her out of sight and get her back
Cast:

  • Sullivan (voice): John Goodman
  • Mike (voice): Billy Crystal
  • Boo (voice): Mary Gibbs
  • Randall (voice): Steve Buscemi
  • Waternoose (voice): James Coburn
  • Celia (voice): Jennifer Tilly
  • Roz (voice): Bob Peterson
  • Yeti (voice): John Ratzenberger
  • Jeff Fungus (voice): Frank Oz
  • Needleman / Smitty (voice): Daniel Gerson
  • Floor Manager (voice): Steve Susskind
  • Flint (voice): Bonnie Hunt
  • Bile (voice): Jeff Pidgeon
  • George (voice): Samuel Lord Black
  • Additional Voices (voice): Jack Angel
  • Additional Voices (voice): Bob Bergen
  • Additional Voices (voice): Rodger Bumpass
  • Additional Voices (voice): Gino Conforti
  • Additional Voices (voice): Jennifer Darling
  • Additional Voices (voice): Patti Deutsch
  • Additional Voices (voice): Pete Docter
  • Additional Voices (voice): Bobby Edner
  • Additional Voices (voice): Ashley Edner
  • Additional Voices (voice): Katie Scarlett
  • Additional Voices (voice): Paul Eiding
  • Additional Voices (voice): Bill Farmer
  • Additional Voices (voice): Keegan Farrell
  • Additional Voices (voice): Pat Fraley
  • Additional Voices (voice): Teresa Ganzel
  • Additional Voices (voice): Taylor Gifaldi
  • Additional Voices (voice): Marc John Jefferies
  • Additional Voices (voice): Joe Lala
  • Additional Voices (voice): Noah Luke
  • Additional Voices (voice): Sherry Lynn
  • Additional Voices (voice): Danny Mann
  • Additional Voices (voice): Mona Marshall
  • Additional Voices (voice): Mickie McGowan
  • Additional Voices (voice): Laraine Newman
  • Additional Voices (voice): Kay Panabaker
  • Additional Voices (voice): Bret Parker
  • Additional Voices (voice): Phil Proctor
  • Additional Voices (voice): Josh Qualtieri
  • Additional Voices (voice): Guido Quaroni
  • Additional Voices (voice): Jan Rabson
  • Additional Voices (voice): Lisa Raggio
  • Additional Voices (voice): Joe Ranft
  • Additional Voices (voice): Sophia Ranft
  • Additional Voices (voice): Katherine Ringgold
  • Additional Voices (voice): Bob Scott
  • Additional Voices (voice): David Silverman
  • Additional Voices (voice): Jim Thornton
  • Additional Voices (voice): Lee Unkrich
  • Rex (voice) (uncredited): Wallace Shawn

Crew:

  • Production Supervisor: Katherine Sarafian
  • Visual Development: Kevin Hawkes
  • Art Department Coordinator: Jay Ward
  • Sequence Leads: Derek Williams
  • Set Dressing Artist: Phat Phuong
  • Set Dressing Production Assistant: Jessica Hutchison
  • Animation: Robert H. Russ
  • Editorial Production Assistant: Atsuko Yamagishi
  • Shading: James Bancroft
  • Master Lighting Artist: Kim White
  • Visual Development: Jill Culton
  • CG Painter: Laura Phillips
  • Original Story: Ralph Eggleston
  • Animation: Doug Dooley
  • Animation: Wendell Lee
  • Animation: James Ford Murphy
  • Animation: Victor Navone
  • Additional Editorial Assistant: Jack Curtis Dubowsky
  • Shading: Ben Jordan
  • Shading: Anthony A. Apodaca
  • Machinist: Drew Rogge
  • Sound Editor: Brenda Heins
  • Casting: Mary Hidalgo
  • CG Painter: Phaedra Craig
  • Art Department Assistant: Nick Vlahos
  • Animation: Kyle Balda
  • Animation: Brett Pulliam
  • Animation: Ron Zorman
  • Animation Department Coordinator: Jenni Tsoi
  • Animation Production Assistant: Gabrielle Siegel
  • Second Film Editor: Ken Schretzmann
  • Additional Editorial Assistant: Luis Alvarez y Alvarez
  • Modeling: Brian Green
  • Modeling: Jason Bickerstaff
  • Modeling: Bill Sheffler
  • Directing Lighting Artist: Janet Lucroy
  • Lighting Production Assistant: Elizabeth Gonzales-Guerra
  • Supervising Technical Director: Thomas Porter
  • Supervising Animator: Glenn McQueen
  • Production Artist: Bud Thon
  • Set Dressing Artist: Elizabeth Tobit
  • Original Story: Jeff Pidgeon
  • Executive Producer: Andrew Stanton
  • Production Design: Bob Pauley
  • CG Painter: Jamie Frye
  • CG Painter: Robin Cooper
  • Production Artist: Jason Deamer
  • Sculptor: Norm DeCarlo
  • Animation: Brett Coderre
  • Animation: Nancy Kato
  • Animation: Alan Barillaro
  • Animation: Patty Kihm Stevenson
  • Shading: Byron Bashforth
  • CG Painter: Bryn Imagire
  • Production Artist: Lawrence Marvit
  • Animation: Michael Berenstein
  • Animation: Angus MacLane
  • Modeling: Christian Hoffman
  • Shading: Sue Maatouk-Kalache
  • Executive Producer: John Lasseter
  • Shading: Rick Sayre
  • Sound Re-Recording Mixer: Gary Rydstrom
  • CG Painter: Yvonne Herbst
  • Visual Development: Carter Goodrich
  • Visual Development: Lane Smith
  • Set Dressing Artist: Ellen Moon Lee
  • Set Dressing Artist: Dan Sukiennik
  • Animation: Amy McNamara
  • Animation: Jon Mead
  • Co-Director: Lee Unkrich
  • Editorial Production Assistant: Renee Steen
  • Lighting Manager: Mark Nielsen
  • Producer: Darla K. Anderson
  • Production Artist: Paul Mica
  • Production Artist: Randy Berrett
  • Visual Development: Ricky Nierva
  • Visual Development: Chris Ure
  • Sequence Leads: Shawn Brennan
  • Animation: Jimmy Hayward
  • Animation: David DeVan
  • Animation: Stephen Gregory
  • Animation: Peter Nash
  • Animation: Jeff Pratt
  • Animation: Gini Cruz Santos
  • Animation: Ross Stevenson
  • Animation: Michael Venturini
  • Shading: David Batte
  • Production Office Coordinator: Tricia Andres
  • Post Production Supervisor: Paul Cichocki
  • Visual Development: J. Otto Seibold
  • Visual Development: Peter DeSève
  • Animation: Ricardo Curtis
  • Animation: Dave Mullins
  • Animation Fix Coordinator: Kathleen Relyea
  • Additional Editing: Katherine Ringgold
  • Shading: Gina Trbovich-Malewicz
  • Sequence Supervisor: Steve May
  • Visual Development: Nico Marlet
  • Visual Development: Oscar Grillo
  • Art Department Coordinator: Andrea Warren
  • Set Dressing Artist: Mark Sanford
  • Animation: Andrew Gordon
  • Animation: Bobby Podesta
  • Animation: Adam Wood
  • Software Team Lead: Brad Andalman
  • Software Engineer: Brad West
  • Sound Editor: Doc Kane
  • Foley: Jana Vance
  • Art Direction: Dominique Louis
  • Production Artist: Albert Lozano
  • Additional Storyboarding: Geefwee Boedoe
  • Visual Development: Lou Romano
  • Animation Director: Doug Sweetland
  • Animation: Shawn Krause
  • Editor: Jim Stewart
  • Production Artist: Glenn Kim
  • Production Artist: Mark Cordell Holmes
  • Character Designer: Bud Luckey
  • Set Dressing Manager: Trish Carney
  • Animation: Tim Crawfurd
  • Animation: Daniel Mason
  • Fix Animator: Paul Mendoza
  • First Assistant Editor: Torbin Xan Bullock
  • Directing Lighting Artist: Joyce Powell
  • Supervising Animator: Rich Quade
  • Set Dressing Supervisor: Sophie Vincelette
  • Production Artist: Gary Schultz
  • Modeling: Deirdre Warin
  • Modeling: Paul Aichele
  • Software Engineer: Tom Duff
  • Production Accountant: Catherine Roehl
  • Music Editor: Bruno Coon
  • Production Artist: Nathaniel McLaughlin
  • Animation: Ike Feldman
  • Animation: Billy Merritt
  • Animation: John Kahrs
  • Animation: Bret Parker
  • Animation: J. Warren Trezevant
  • Modeling: Andrew Schmidt
  • Master Lighting Artist: Lauren Alpert
  • Documentation & Support: Tom Deering
  • Information Systems Manager: Erik Forman
  • Sound Effects Editor: Shannon Mills
  • Camera Supervisor: Louis Rivera
  • Production Design: Harley Jessup
  • Lighting Supervisor: Jean-Claude Kalache
  • Casting: Ruth Lambert
  • Sculptor: Jerome Ranft
  • Set Dressing Artist: David Eisenmann
  • Animation Manager: Sarah Jo Helton
  • Animation: Stephen Barnes
  • Animation: Bobby Beck
  • Animation: Karen Kiser
  • Animation: Sanjay Patel
  • Editorial Coordinator: Hoon H. Kim
  • Lighting Artist: Chad Belteau
  • Documentation & Support: Ian Buono
  • Production Office Assistant: Arik Ehle
  • Finance: Robert Taylor
  • Art Direction: Tia W. Kratter
  • Art Department Manager: Jonas Rivera
  • Production Artist: David Hong
  • Sequence Leads: Gregg Olsson
  • Animation Director: Scott Clark
  • Animation: Alan Sperling
  • Story Manager: Marcia Gwendolyn Jones
  • Modeling: Mark Adams
  • Master Lighting Artist: Scott Clifford
  • Software Engineer: Ronen Barzel
  • Projection: John Hazelton
  • Animation: Andrew L. Schmidt
  • Animation: David Tart
  • Animation: Tasha Wedeen
  • Animation: Kureha Yokoo
  • Modeling: Eliot Smyrl
  • Modeling: Christine Waggoner
  • Shading: Daniel McCoy
  • Software Team Lead: Rob Cook
  • Photoscience Manager: David DiFrancesco
  • Post Production Assistant: Courtney Bergin
  • Software Engineer: John Alex
  • Camera Department Manager: Perrin Cutting
  • Supervising Sound Editor: Michael Silvers
  • Software Team Lead: Bena Currin
  • Camera Technician: Don Conway
  • Department Administrator: Beth Sullivan
  • Animation: Michael Parks
  • Lighting Artist: Tim Best
  • Software Team Lead: Thomas Hahn
  • Sound Design Assistant: Dee Selby
  • Sound Re-Recording Mixer: Brian Magerkurth
  • Original Story: Pete Docter
  • Screenplay: Daniel Gerson
  • Casting: Matthew Jon Beck
  • Co-Producer: Karen Dufilho-Rosen
  • Music Producer: Randy Newman
  • Associate Producer: Kori Rae
  • Additional Writing: David Silverman
  • Animation: Dylan Brown
  • Animation: Patrick Lin
  • Stereoscopic Supervisor: Bob Whitehill
  • Simulation & Effects Artist: Nicole Paradis Grindle
  • Music Supervisor: Tom MacDougall
  • Security: Tony Basso
  • Production Manager: Bruce Nachbar
  • Key Hair Stylist: LeighAnna Frostad
  • Script Coordinator: Jessica Donohoe
  • Orchestrator: Jonathan Sacks
  • Visual Effects: Dan Lee
  • Scoring Mixer: Frank Wolf
  • Finance: Nils Erdmann
  • Color Timer: Chris DeLaGuardia
  • Production Coordinator: Bahram Hooshmand
  • Layout: Jeremy Lasky
  • Assistant Editor: Mark Yeager
  • Assistant Editor: Greg Snyder
  • Assistant Editor: Chris Vallance
  • Editor: Robert Grahamjones
  • Production Coordinator: Ethan Owen
  • Foley Editor: Lindakay Brown
  • Musician: George Doering
  • Set Dresser: Jon Childress Farmer
  • ADR Editor: Morten Folmer Nielsen
  • Title Designer: Susan Bradley
  • Negative Cutter: Mary Beth Smith
  • Script Supervisor: Bob Peterson
  • Additional Writing: Rhett Reese
  • Lighting Artist: Patrick Wilson
  • Temp Sound Editor: Kent Brown
  • Simulation & Effects Production Assistant: Jenna Capozzi
  • Additional Writing: Joe Ranft
  • Additional Writing: Robert L. Baird
  • Additional Writing: Jonathan Roberts
  • Sound Effects Editor: Stephen Kearney
  • Shading: Michael Fu
  • Modeling: Lisa Kim
  • Simulation & Effects Artist: Thomas Jordan
  • Master Lighting Artist: John Warren
  • ADR Engineer: Derek Casari
  • Modeling: Stephen King
  • Lighting Artist: Onny P. Carr
  • Shading: Lars R. Damerow
  • Modeling: Cynthia Dueltgen
  • Lighting Artist: Steven James
  • Shading: Michael R. King
  • Sound Re-Recording Mixer: Gary Summers
  • Simulation & Effects Production Assistant: Michael Fong
  • Systems Administrators & Support: Patrick Guenette
  • Modeling: Sangwoo Hong
  • Foley Editor: Karen G. Wilson
  • Digital Intermediate: John Countryman
  • Additional Effects Development: Daniel Herman
  • Software Engineer: Michael Kass
  • Lighting Artist: Jae Hong Kim
  • Additional Effects Development: Ken Lao
  • Software Engineer: Josh Minor
  • Modeling: Kelly O’Connell
  • Shading: Brandon Onstott
  • Lighting Artist: Seth Piezas
  • Shading: Mitch Prater
  • Shading: Brian M. Rosen
  • Modeling: Sonoko Konishi
  • Simulation & Effects Production Assistant: Galyn Susman
  • Simulation & Effects Artist: Michael Kilgore
  • Modeling: Dale Ruffolo
  • Lighting Artist: Thane Hawkins
  • Layout: Jongo
  • Shading: Ana Lacaze
  • Simulation & Effects Artist: Martin Nguyen
  • Sequence Supervisor: Guido Quaroni
  • Layout: Yun Shin
  • Systems Administrators & Support: Jerome Strach
  • Chief Lighting Technician: Nousha Emami
  • Lighting Artist: Christina Haaser
  • Lighting Artist: Cindy Hong
  • Master Lighting Artist: Brian Boyd
  • Modeling: Larry Cutler
  • Lighting Artist: Jay Faulkner
  • Lighting Artist: Ivo Kos
  • Lighting Artist: Amy Moran
  • Simulation & Effects Production Assistant: David Orecklin
  • Simulation & Effects Artist: Keith Stichweh
  • Sequence Supervisor: Michael Lorenzen
  • Lighting Artist: Felix Mendoza
  • Master Lighting Artist: Eileen O’Neill
  • Character Modelling Supervisor: Eben Ostby
  • CG Painter: Belinda van Valkenburg
  • Shading: Mirjana Nikolic
  • Chief Lighting Technician: Kristifir Klein
  • Shading: Tom Miller
  • Shading: Keith Olenick
  • Modeling: Joshua Reiss
  • Lighting Artist: Peter Sumanaseni
  • Simulation & Effects Artist: Tim Swec
  • Simulation & Effects Artist: Richard S.G. Thompson
  • Modeling: John Singh Pottebaum
  • Sequence Supervisor: Jack Paulus
  • Simulation & Effects Artist: Allison Torres
  • Lighting Artist: Carmen Ngai
  • Software Engineer: Tim Milliron
  • Shading: Bill Wise
  • Software Engineer: Matthew Martin
  • Layout: Gabriel Schlumberger
  • Lighting Production Assistant: Elizabeth Del Sol
  • Color Timer: Terry Claborn
  • Character Designer: Steven Clay Hunter
  • Layout: Tom Kim
  • Conductor: Joey Newman
  • Software Engineer: Lisa Forssell
  • Scoring Mixer: Mark Eshelman
  • ADR Voice Casting: Mickie McGowan
  • Post-Production Manager: Bill Kinder
  • Musician: Don Williams
  • Software Engineer: Kitt Hirasaki
  • Assistant Editor: Jason Hudak
  • Software Engineer: Chris King
  • Music: Andrew Page
  • Systems Administrators & Support: Edward Escueta
  • Systems Administrators & Support: Jason Topolski
  • Animation: Jesse Hollander
  • Musician: Tom Boyd
  • Music Editor: Charles Paley
  • Musician: James Thatcher
  • Software Engineer: Douglas Epps
  • Layout: Victoria Jaschob
  • Software Engineer: Jon Shlens
  • Animation Production Assistant: Chris DiGiovanni
  • Layout: Adam Schnitzer
  • Software Engineer: David Baraff
  • Systems Administrators & Support: Jennifer Becker
  • Additional Effects Development: Adam Woodbury
  • Photoscience Manager: James Burgess
  • Systems Administrators & Support: Cory Knox
  • Orchestrator: Isobel Griffiths
  • Script Consultant: Will Csaklos
  • Systems Administrators & Support: Bethany Jane Hanson
  • Musician: Bruce White
  • Software Engineer: F. Sebastian Grassia
  • Software Engineer: Gary Monheit
  • Scoring Mixer: Jason Lloyd
  • Software Team Lead: Kurt Fleischer
  • Systems Administrators & Support: Terry Lee Moseley
  • Software Engineer: Michael Shantzis
  • Software Engineer: Brian Smits
  • Systems Administrators & Support: Christopher C. Walker
  • Software Engineer: Wayne Wooten
  • Post Production Supervisor: Timothy Sorensen
  • Additional Music: Marc Bonilla
  • Systems Administrators & Support: Gabriel Benveniste
  • Systems Administrators & Support: Ling Hsu
  • Software Engineer: Manny Ko
  • Software Engineer: David Laur
  • Finance: Kristina Ruud
  • Systems Administrators & Support: Elle Yoko Suzuki
  • Shading: David Munier
  • Software Engineer: Sudeep Rangaswamy
  • Systems Administrators & Support: Manny Ponce
  • Software Engineer: Don Schreiter
  • Software Engineer: Audrey Wong
  • Software Engineer: Tien Truong
  • Systems Administrators & Support: Jay Weiland
  • Sequence Supervisor: Brad Winemiller
  • Systems Administrators & Support: Grant Gatzke
  • Software Engineer: Heidi Stettner
  • Production Accountant: Kirsten Ames Staubli
  • Systems Administrators & Support: Jason ‘Jayfish’ Hull
  • Software Engineer: Craig Kolb
  • Production Coordinator: Graham Moloy
  • Software Team Lead: Peter Nye
  • Title Graphics: Patrick Siemer
  • Software Team Lead: Andy Witkin
  • Software Engineer: Jisup Hong
  • Systems Administrators & Support: Nelson Siu
  • Systems Administrators & Support: Andy Thomas
  • Software Engineer: Mark T. VandeWettering
  • Software Engineer: Eric Veach
  • Software Engineer: David Yu
  • Production Accountant: Sean C. Alvarez
  • Software Team Lead: Dirk Van Gelder
  • Script Coordinator: Shannon Wood
  • Animation: Roger Rose
  • Sound Designer: Tom Myers
  • Software Engineer: Michael B. Johnson
  • Sound Mix Technician: Juan Peralta
  • Layout: Louis Gonzales
  • Layout Supervisor: Ewan Johnson
  • Foley Artist: Dennie Thorpe
  • Additional Dialogue: Vince Caro
  • Production Assistant: Shane M. Thomas
  • Additional Set Dresser: Robert Anderson
  • CG Animator: Keith Kolder
  • Human Resources: Kimberly Adair Clark
  • Story Artist: Maxwell Brace IV
  • Foley Mixer: Tony Eckert

Catogories:
Animation,Comedy,Family
This is another smart addon!
image
We scare because we care.
Language:
English
Production:
United States of America
Company:
Pixar
Popularity:
124.523
Date:
2001-11-01
Year:
2001

  • r96sk: Always a pleasure to revisit this. ‘Monsters, Inc.’ is one of my favourite Disney animated films.

    The cast and characters are what sets this above the majority of the studio’s other work, with so many memorable ones involved. John Goodman (Sully) and Billy Crystal (Mike) make for an outstanding duo in the lead roles, they are truly perfect for their respective roles.

    Elsewhere, you have the excellent Steve Buscemi portraying Randall to terrific effect. There are also memorable roles for James Coburn (Waternoose), Jennifer Tilly (Celia) and Bob Peterson (Roz). You, of course, also have Boo (Mary Gibbs) who is simply adorable.

    Everything else from the plot to the animation is fantastic, too – I have no faults with this film. Funny, wholesome, entertaining and touching. I see they’re creating a television series, ‘Monsters at Work’, which could be good given it will have the same cast.

    A must-watch!

  • CinemaSerf: Talk about renewable energy! An entire city can be powered by the racket make by children when they scream… To that end an whole industry exists providing scary monsters to get the youngsters to bellow. A security breach sees their factory overrun by toddlers and boss “Waternoose” is terrified it will ruin the business. They all have to be rounded up by the pest controllers and returned home. Well, of course one “Boo” manages to avoid capture and she is soon befriended by the big wooly “Sully”. His roar is terrifying, but his bark is certainly worse than his bite and together with his green cyclops pal “Mike” they have loads of fun adventures trying to keep the child safe from the hands of the nasty “Randall” and get her back to her own bed! This is a very simple story and it works really well. The animation is enjoyable to watch, the writing is quickly-paced and quite wittily observational at times and the characters – especially “Sully”, are creatively personified and engaging. Luckily, the yelling brats are kept to a minimum and what we end up with is a sort of, well, love story. It has all the usual Pixar/Disney messages of loyalty and teamwork – only this is depicted with much more playfulness and we’ve even got a yeti with a never-ending supply of snow-cones!

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