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The Killer

The Killer
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Zee is a feared contract killer known as “the Queen of the Dead,” but when she refuses to murder a young blind woman, she finds herself hunted both by criminal colleagues and a determined police detective.

Credits: TheMovieDb.

Zee is a feared contract killer known as “the Queen of the Dead,” but when she refuses to murder a young blind woman, she finds herself hunted both by criminal colleagues and a determined police detective.
Cast:

  • Zee: Nathalie Emmanuel
  • Sey: Omar Sy
  • Finn: Sam Worthington
  • Jenn: Diana Silvers
  • Prince Majeb Bin Faheem: Saïd Taghmaoui
  • Chi Mai: Angeles Woo
  • Gobert: Éric Cantona
  • Tessier: Tchéky Karyo
  • Jax: Grégory Montel
  • Coco: Hugo Diego Garcia
  • Serge: Michaël Erpelding
  • Juliet: Aurélia Agel
  • Alves: Guillaume Kerbusch
  • Inspector General: Fabrice Scott
  • The Breton: Kelian Maréchaux
  • Avi: Elie Haddad
  • Jenn’s Mother: Lydie Muller
  • Hallway Policeman: Etienne Guillou-Kervern
  • Magistrate: Vincent Winterhalter
  • Russian Mobster “L’orange”: Igor Skreblin
  • Hostage Boy: Octave Delepaule
  • Hostage Boy: Marius Delepaule
  • Private Room Dj: Kévin Table
  • Carl Staley: David Clark
  • Sidney: Jaz Deol
  • Givenchy Model: Anissa Bakhti
  • IA Cop: Grégory Loffredo
  • IA Cop: Jamel Blissat
  • Young Zee: Intissar Kitsaïs-Rotsen
  • Zee’s Sister: Eesha El Hadj
  • Alain: Yann Brouet
  • Belmont: Gary Cothenet
  • JM: Maxime Coulon
  • Guy: Ahmed Chouikhi
  • Private Room Bartender: Nicolas-Kisito Bata
  • Belanger: Laurent Coin
  • Civil Court Man: Michaël Troude
  • Men’s Room Gangster: Arthur Aspaturian
  • Thug Seedy Bar: Clément Huet
  • Gobert Bodyguard: Vincent Bersoulle
  • Riverbank Pedestrian: Michel Nguyen
  • Heavy: Trevor Morgan
  • Heavy: Quentin D’Hainaut
  • Hallway Policeman: Hugo Bariller
  • Minder: Ben Milord
  • Minder: Iliés Moujane
  • Henchman: Robert ‘Rock’ Galotti
  • Henchman: Staiv Gentis
  • Romeo: Justin Howell
  • Male Café Patron: Renaud Marc
  • Female Café Patron: Lauren Coda
  • Hostage Woman: Clémence Schreiber
  • Nurse: Monia Moula
  • Nurse: Morgane Bujoli
  • Security Guard: Navathipan Rajakumar
  • Detective Dropping Papers: Christophe Dupuis
  • Detective Zee Escape: Rachid Boulaïd
  • Detective Zee Escape: Bryan Vigier
  • Longcoat: Jérémy Margallé
  • Longcoat: Alexandre Lopoka
  • Longcoat: Frédéric Dessains
  • Longcoat: Jonathan Bernard
  • Longcoat: Daren Nop
  • Longcoat: David Nop
  • Longcoat: Eric Cullet
  • Longcoat: Arthur Delapierre
  • Longcoat: Anis Messabis
  • Longcoat: Maurice Chan
  • Longcoat: Amadéo Cazzela
  • Longcoat: Marvin Berrembou
  • Longcoat: Thibault Gassmann
  • Longcoat: Olivier Sa
  • Longcoat: Ibrahima Keita
  • Longcoat: Lucas Dollfus
  • Longcoat: Alexandre Yde

Crew:

  • Original Film Writer: John Woo
  • Producer: Charles Roven
  • Producer: Alex Gartner
  • Second Assistant Director: Michael Pontvert
  • Storyboard Artist: Pierre-Emmanuel Chatiliez
  • Stunts: Alice Naigeon
  • Executive Producer: Luc Etienne
  • Stunts: Yann Brouet
  • Focus Puller: David Foquin
  • Video Assist Operator: Mathilde Nicollet
  • Assistant Set Decoration: Rose Polvé
  • Property Master: François Borgeaud
  • Boom Operator: Leslie Gaborieau
  • Assistant Art Director: Nicolas Brisset
  • Stunt Coordinator: Vincent Bouillon
  • Casting Assistant: Caroline Wormser
  • Editor: Zach Staenberg
  • Second Unit Director: Gregg Smrz
  • Camera Operator: Steve de Rocco
  • Casting Assistant: Steph Tataryn
  • Second Assistant Director: Samuel Payen
  • Stunts: Olivier Fornara
  • First Assistant Director: Bonnie Pirès
  • Stunts: Rosa-Bélinda Sette
  • Stunt Coordinator: Brett Smrz
  • Digital Imaging Technician: Nejib Boubaker
  • Second Assistant “B” Camera: Hugo Ctiborsky
  • Third Assistant Director: Maud Ducre
  • Stunt Double: Jade-Eleena Dregorius
  • Still Photographer: Christine Tamalet
  • Assistant Director: Julien Dara
  • Stunts: Jean Huynh
  • “B” Camera Operator: Eric Bornes
  • Camera Trainee: Kevin Kaiser
  • Visual Effects Production Manager: Marja Maccotta
  • Stunts: Oscar Casellas
  • Stunts: Ahmed Chouikhi
  • Stunts: David Grolleau
  • Stunts: Astou Vedel
  • Stunts: Alexandre Vu
  • Second Assistant “C” Camera: Geoffrey Menardo
  • Executive Producer: Terence Chang
  • Boom Operator: Adèle Le Goff
  • Data Wrangler: Quentin Verbruggen
  • Focus Puller: François Vigon
  • Second Assistant Director: David Biet
  • Boom Operator: Vincent Rochette
  • Key Grip: Pascal Delaunay
  • Costumer: Julian Moeglin
  • Production Executive: Sara Scott
  • Graphic Designer: Jeremie Solomon
  • Props: Roland Toupet
  • Third Assistant Director: Eva Claverie
  • Gaffer: Stéphane Bourgoin
  • Sound Mixer: Vincent Piponnier
  • Utility Stunts: Richard Epper
  • Stunts: Teddy Ponceau
  • Stunts: Florine Silva
  • Weapons Master: Robert ‘Rock’ Galotti
  • Stunts: Alexandra Boisseau
  • Stunt Double: Lucile Perez
  • Costumer: Mathilde Perrussel
  • Producer: Lori Tilkin
  • Assistant Director: Mathis Dujardin
  • Additional Hairstylist: Marion Di Domizio
  • Makeup Artist: Kelly Marazzi
  • Hairstylist: Audrey Tavares
  • Location Production Assistant: Thomas Le Govic
  • Location Production Assistant: Marie-Jeanne Raoux
  • Assistant Makeup Artist: Sarah Daoud
  • Makeup Artist: Aurélie Leupe
  • Assistant Location Manager: Kevin Boubli
  • Production Supervisor: Michèle Maurer
  • Location Production Assistant: Maxence Ravel
  • Assistant Location Manager: Camille Relier
  • Hair Department Head: Shannon Bakeman
  • Production Manager: Arnaud Kaiser
  • Location Production Assistant: Jérôme Beche
  • Location Production Assistant: Hugo Marquetty
  • Assistant Location Manager: Sophie Ohayon
  • Executive Producer: Robin Mulcahy Fisichella
  • Hairstylist: Misiri Patricia Patou
  • Sound Re-Recording Mixer: Paul Massey
  • Makeup Artist: Michaela Daroussi
  • Makeup Artist: Cynthia Scigliuto
  • Makeup Artist: Sandrine Denis
  • Executive In Charge Of Production: Cristen Carr Strubbe
  • Sound Editor: Gael Nicolas
  • Makeup Artist: Brahim Aouchiche
  • Location Production Assistant: Hugo Richard
  • Dialogue Editor: Sean Massey
  • Key Hair Stylist: Ludivine Jahan
  • Additional Hairstylist: Mathilde Oliviero
  • Assistant Location Manager: Édouard Decker
  • Location Manager: Sébastien Quérité
  • Makeup Artist: Margherita Laserpe
  • Stunts: Mélissa Humler
  • Screenplay: Josh Campbell
  • Screenplay: Brian Helgeland
  • Executive Producer: Matt Jackson
  • Storyboard Artist: James Doh
  • Screenplay: Matthew Stuecken
  • Executive Producer: Mark Gordon
  • Associate Producer: Angeles Woo
  • Music: Marco Beltrami
  • Director of Photography: Mauro Fiore
  • Production Design: Aline Bonetto

Catogories:
Action,Thriller,Crime
These modules are interesting!
image
Some alliances form. Others will crumble.
Language:
Français,English
Production:
Canada,United States of America
Company:
Universal Pictures,Atlas Entertainment,A Better Tomorrow Films,Entertainment One
Popularity:
155.387
Date:
2024-08-22
Year:
2024

  • Sejian: This movie is laughably bad. Oh my goodness.

    It’s nice to see Nathalie Emmanuel outside of the Furiously Fast series and it’s nice seeing Omar Sy and Sam Worthington again but this movie just steadily gets more campy and more cringe and more stupid as it progresses. The best scene is probably the club hit early on, and it gives you a false sense that the movie is going to be better than the poster – it isn’t. In that respect, The Killer (2024) reminds me of Smile (2022). Folks went crazy for Smile. Smile went downhill after the opening scene and never recovered.

    I watched Silent Night (2023). It wasn’t horrible, but maybe John Woo should’ve stopped with that.

    I don’t care that the story isn’t original, I care that the script is poorly written and the direction is lackluster. Zee is poorly written, Sey is poorly written, Jenn is poorly written, and Finn says “Kushala Daora” one-two many times. Jax is probably the best written character and he’s on-screen for like 5 minutes total.

    I got the impression early on that they were going for a Killing Eve (2018-2022) vibe, but yeah, no. It’s just sad.

    Can someone competent take this cast, this concept – this “Queen of the Dead” idea, and do it properly?

    If you’re looking for some female-led assassin action, check out The Protégé (2021) which wasn’t a masterpiece but it was more entertaining than this, Anna (2019), Salt (2010), Red Sparrow (2018), or Atomic Blonde (2017).

  • MovieGuys: Yes, we all needed another “girl boss” flick to spark our inner woke, didn’t we?

    What’s that you say, “hell no”, well then, read on. The Killer starts off with a main character, an assassin no less, who comes across as being about as tough and intimidating, as a bowl of warm mashed potato. But hey, she has a punch bag in her bohemian bedsit. Not to mention a handler who looks like he can, in fact, handle himself.

    Indeed, the underlying strategy seems to be to use visually gritty characters and cues, to drown out the entirely non-threatening nature of the lead character. Its a bit like sitting a potted rose down with pots of cacti, in the hope people will inexplicably mistake one, for the other.

    As you might expect, the results another absurdly unconvincing, predominantly exposition driven, affair, that would, I feel have only worked if re-imagined as a satirical comedy.

    That’s not to say this is the fault of the actors. Its a decent cast, who have found themselves mis-cast, no doubt, I’m guessing, so the script can play gender politics. Suffice to say, the quality acting, is one of the limited upsides, of this flick.

    In summary, no amount of suspension of disbelief, will make this work.I personally wonder why they persist, when everything I see, seems to suggest the viewing public have thoroughly rejected, the DEI agenda, in favour of a return to traditional, sensible, entertainment.