Spider-Man: Far From Home

Peter Parker and his friends go on a summer trip to Europe. However, they will hardly be able to rest – Peter will have to agree to help Nick Fury uncover the mystery of creatures that cause natural disasters and destruction throughout the continent.

Credits: TheMovieDb.
Spider-Man: Far From Home
Overview:
Peter Parker and his friends go on a summer trip to Europe. However, they will hardly be able to rest – Peter will have to agree to help Nick Fury uncover the mystery of creatures that cause natural disasters and destruction throughout the continent.
Cast:

• Peter Parker / Spider-Man: Tom Holland
• Quentin Beck / Mysterio: Jake Gyllenhaal
• Nick Fury: Samuel L. Jackson
• May Parker: Marisa Tomei
• Happy Hogan: Jon Favreau
• MJ: Zendaya
• Ned Leeds: Jacob Batalon
• Flash Thompson: Tony Revolori
• Betty Brant: Angourie Rice
• Brad Davis: Remy Hii
• Mr. Harrington: Martin Starr
• Mr. Dell: JB Smoove
• Jason Ionello: Jorge Lendeborg Jr.
• Maria Hill: Cobie Smulders
• Dimitri: Numan Acar
• Zach: Zach Barack
• Zoha: Zoha Rahman
• Yasmin: Yasmin Mwanza
• Josh: Joshua Sinclair-Evans
• Tyler: Tyler Luke Cunningham
• Sebastian: Sebastián Viveros
• The Seamstress: Toni Garrn
• William Ginter Riva: Peter Billingsley
• Victoria: Clare Dunne
• Guterman: Nicholas Gleaves
• Janice: Claire Rushbrook
• J. Jonah Jameson: J.K. Simmons
• E.D.I.T.H. (voice): Dawn Michelle King
• Dutch Soccer Hooligan: Jeroen van Koningsbrugge
• Dutch Soccer Hooligan: Michael de Roos
• Dutch Soccer Hooligan: Jan-Paul Buijs
• Venetian Glassblower: Sergio Pierattini
• Queens Reporter: Anjana Vasan
• Queens Reporter: Brian Law
• Queens Reporter: Evelyn Mok
• Italian TV Newsreader: Tatiana Lunardon
• Italian Customs Office: Giada Benedetti
• Helpful Dutch Man: Lukáš Bech
• Italian Street Vendor: Alessandro Giuggioli
• Opera Singer: Petr Opava
• Caricaturist: Giuseppe Andriolo
• Pat Kiernan: Pat Kiernan
• High School Reporter (uncredited): Shari Abdul
• Tourist in Venice (uncredited): Mari Alexandrova
• Police Officer (uncredited): Kristen Alminta
• Midtown High Student (uncredited): Vincent Angel
• Airplane Pilot (uncredited): Peter Arpesella
• Salvation Army guest (uncredited): Lasco Atkins
• Dutch Lady (uncredited): Sitara Attaie
• Mob Boss (uncredited): Peter Bankolé
• Queens Reporter (uncredited): Blair Barnette
• Officer Bristow (extended cut): Tuwaine Barrett
• Shop Owner in Venice (uncredited): Anna Benamati
• High School Student (uncredited): Avondre E.D. Beverley
• Mob Boss (uncredited): Bruno Bilotta
• Soren (uncredited): Sharon Blynn
• Italian Builder in Venice (uncredited): Luigi Boccanfuso
• Poliziotto (uncredited): Paolo Braghetto
• High School Student (uncredited): Dante Brattelli
• London Passerby (uncredited): Graham Burton
• Post Office Customer (uncredited): Ken Byrd
• Mob Boss (uncredited): Sokol Cahani
• Victoria’s Crew (uncredited): Darren Lee Campbell
• Austrian Backpacker (uncredited): Hélène Cardona
• American Reporter (uncredited): Dian Cathal
• Airport Traveler (uncredited): Jake Cerny
• Passport Clerk (uncredited): Daphne Cheung
• High School Student (uncredited): Sam Chuck
• Passerby (uncredited): Victoria Coburn
• Charity Event Mom (uncredited): Kimberly Collison
• Local Venetian (uncredited): Tiziana Coste
• Tourist (uncredited): Jaylen Davis
• Passerby (uncredited): Kristianne-Kaith Domingo
• Courier (uncredited): Andrew Dunkelberger
• Mexican Survivor (uncredited): Charlie Esquér
• Tourist in Venice (uncredited): Ria Fend
• Tourist in Venice (uncredited): Ferroz Fernandez
• Venice Local (uncredited): Vincent Frattini
• Flight Attendant (uncredited): Massi Furlan
• Charity Dinner Guest (uncredited): Cynthia Garbutt
• Tourist in Venice (uncredited): Thomas Goodridge
• Tourist (uncredited): Sonia Goswami
• Saved Londoner (uncredited): Nicholle Hembra
• Hotel Guest (uncredited): Michael Hennessy
• Pretty Tourist (uncredited): Meagan Holder
• Partygoer (uncredited): Patrick Doran
• Tourist (uncredited): Ruth Clarson
• Sneezy Tour Guide (uncredited): Chris Hyacinthe
• Airport Kid Traveler (uncredited): Michael Iacono
• Bar Customer (uncredited): Roman Ibragimov
• Tourist (uncredited): Theo Ip
• High School Student (uncredited): Timothy Christian Jansen
• Flight Attendant (uncredited): Keon Kendrick
• Midtown High School Student (uncredited): Camille Kinloch
• Czech TV News Anchor (uncredited): Michal Kubal
• Student (uncredited): Hannah Kurczeski
• Traffic Warden (uncredited): Géraldine Lamarre
• Mexican Villager (uncredited): Jimena Larraguivel
• Journalist (uncredited): Rich Lawton
• Czech Traditional Dancer (uncredited): Kat Leroy
• Londoner (uncredited): Gavin Lee Lewis
• Airport Passenger (uncredited): Patrick Loh
• Mob Boss (uncredited): Joseph Long
• New Czech Reveler (uncredited): Marian Lorencik
• Berlin Commuter (uncredited): Ketan Majmudar
• Londoner (uncredited): Tony Mardon
• Bellboy (uncredited): Antonín Mašek
• Talos (uncredited): Ben Mendelsohn
• Passerby (uncredited): Bradley Wj Miller
• Tourist (uncredited): Melissa Beth Miller
• Mob Guy (uncredited): Anthony Molinari
• Venice Local (uncredited): Adrian Mozzi
• Police Officer (uncredited): Brendan Murphy
• Carnival Hot Girl (uncredited): Amanda Musso
• Italian Tourist (uncredited): Emily Ng
• Czech Guy (uncredited): Daniel Olson
• British Station Staff (uncredited): Hiten Patel
• Gondolier (uncredited): Luigi Petrazzuolo
• London Passerby (uncredited): Aleksandrs Petukhovs
• Traveler (uncredited): Annie Pisapia
• Pedestrian (uncredited): Jivan Xander Ramesh
• Passerby (uncredited): Mike Ray
• High School Student (uncredited): Sofia Renee
• Victoria’s Crew (uncredited): Cailan Robinson
• Airport Traveler (uncredited): Emmanuel Rodriguez
• TSA Agent (uncredited): Ray Rosario
• Dad Collecting Kids (uncredited): Daniel Ryves
• Party Goer (uncredited): Maurice Sardison
• American Tourist (uncredited): Karen-J Sear
• Venice Tourist (uncredited): Ilya Tank Shilov
• London Tourist (uncredited): Davina Sitaram
• London Tourist (uncredited): Joakim Skarli
• Tourist (uncredited): Lucas Antoine Starrets
• Perfumed Lady (uncredited): Faith Tarby
• Venice Tourist (uncredited): Emily Tebbutt
• Tourist (uncredited): Lesdy Vanessa
• Student (uncredited): Jessica VanOss
• Pawn Shop Owner (uncredited): Joe David Walters
• Armed Security Officer (uncredited): Jo Wheatley
• Peter’s Art Classmate (uncredited): Rocco Wu
• Student (uncredited): Samantha Mishinski
• Italian Boy (uncredited): Aristou Meehan

Crew:

• Stunts: Jan Brichcín
• Stunts: Marek Brichcin
• Stunts: Kevin Cassidy
• Stunts: Georgina Armstrong
• Stunts: Liam Coote
• Stunt Double: James Cox
• Stunts: Jason Curle
• Stunts: Paola Altobelli
• Stunts: Nina Armstrong
• Stunts: Petr Bozdech
• Stunts: Brona Chaloupkova
• Stunts: Brycen Counts
• Stunts: Lucky Davis
• Stunts: Matous Brichcin
• Stunts: Massimiliano Catasta
• Stunts: Jim Dowdall
• Stunts: Hayley Ainsley
• Stunts: Jonathan Cohen
• Stunts: Liam Carey
• Stunts: Giampiero Comanducci
• Stunt Double: Kiante Elam
• Second Unit Director: George Cottle
• Stunts: Andrius Davidenas
• Stunts: Nadia Hansell
• Stunts: Paul Heasman
• Stunts: Marek Jelinek
• Stunts: Sarah Lochlan
• Stunts: Petr Kučera
• Stunts: Vaclav Pacal
• Stunts: Rocky Taylor
• Stunts: Dan Griffiths
• Stunts: James Harris
• Stunts: Zuzana Drdacka
• Stunts: Bradley Farmer
• Stunts: Jaroslav Peterka
• Stunts: Josie Forman
• Stunts: Mark Stanton-Kelly
• Fight Choreographer: Marlow Warrington-Mattei
• Stunts: Rocco Maria Franco
• Stunts: Chelsea Mather
• Stunts: Daniele Nguyen
• Stunts: Tomáš Peteráč
• Stunts: Federica Della Martira
• Stunts: James Mitchell-Clyde
• Stunts: Martin Engel
• Stunts: James Embree
• Stunts: Monika Podzimkova
• Stunts: Chris Pollard
• Stunts: Miroslav Valka
• Stunts: Jiří Horký
• Stunts: Akouala Cristel Julien
• Stunts: Theo Morton
• Stunts: Maria Gnecchi
• Stunts: Ellie Keighley
• Stunts: William Morts
• Stunts: Jake Osborn
• Stunts: Chris Barnes
• Stunts: Hana Dvorská
• Stunts: Keone Kim
• Stunts: Venice Smith
• Stunts: Adam Smith
• Stunts: Marie Švecová
• Stunts: Martin Gordon
• Stunts: David R. Grant
• Stunt Coordinator: Madeleine Hance
• Stunts: Gabriella Harman
• Stunts: Maria Hippolyte
• Stunts: Pavel Krátký
• Stunts: Maurice Lee
• Stunts: Michaela Dvorska
• Stunts: Jacob Hugghins
• Stunts: Gary Kane
• Stunt Coordinator: Riccardo Mioni
• Stunts: Catherine Peck
• Stunt Double: Luke Scott
• Stunts: Rachel Holifield
• Stunts: Carly Michaels
• Stunts: Frantisek Stupka
• Stunts: Danny Euston
• Stunts: Sarah Franzl
• Stunts: Romana Hájková
• Stunts: David Matoušek
• Stunts: David Newton
• Stunts: Jiří Kraus
• Stunts: Wilson Peres
• Stunts: Douglas Robson
• Stunts: Tomas Rydval
• Stunts: Marek Simbersky
• Stunts: Elizabeth Donker Curtius
• Stunts: Marta Pinna
• Stunts: Valentina Rossi Stuart
• Stunts: Laura Swift
• Stunt Double: Aja Frary
• Stunts: Jan Vosmik
• Stunts: Jess King
• Stunts: Jade Quon
• Stunts: Federico Regazzo
• Stunts: Karen Teoh
• Stunts: Eddie Yansick
• Stunt Driver: Stephanie Carey
• Stunts: Aaron Vexler
• Stunts: Vittorio Verdirosi
• Stunt Double: Luke Gomes
• Stunts: Emanuele Romano
• Stunts: Michaela Salamounova
• Stunts: Martin Spur
• Stunts: Tamara Tassi
• Stunts: Gavin Barnes
• Stunts: Jiří Vostrovský
• Stunts: Annabel Wood
• Utility Stunts: Tracey Ruggiero
• Stunts: Tilly Powell
• Stunts: Tony Lazzara
• Stunts: Petr Sekanina
• Stunt Double: Greg Townley
• Stunts: Ingrid Kleinig
• Second Assistant Director: Riley Flanagan
• Assistant Editor: Anna Sweeney
• Lighting Artist: Douglas James Smith
• Visual Effects: Hiroshi Mori
• VFX Artist: Jared Hasselbach
• VFX Artist: Florian Boury
• Compositing Supervisor: John Brubaker
• Animation: Aldo Martinez Calzadilla
• Digital Compositor: Ndosi Anyabwile
• Digital Compositor: Richard Fox
• Digital Compositor: Brad Lucas
• Digital Compositor: Daniel Dupre
• Visual Effects Supervisor: Mark LeDoux
• Visual Effects Editor: Andrea Maxwell
• Compositing Artist: Eric Timm
• Digital Compositor: Jasper M. Baltzersen
• Digital Compositor: Daniel J. Pastor
• Digital Compositor: Paul Song
• Visual Effects: Andy Martinez Calzadilla
• Digital Compositor: Christian Wood
• Comic Book: Joe Simon
• Comic Book: Jack Kirby
• Storyboard Artist: Todd Harris
• Stunt Double: Timothy Eulich
• Stunts: Amy Johnston
• Still Photographer: Jay Maidment
• Actor’s Assistant: Darnell Appling
• Original Music Composer: Michael Giacchino
• Stunts: Joe Watts
• 3D Artist: William Alexander
• Stunts: Luci Romberg
• Writer: Chris McKenna
• Executive Producer: Stan Lee
• Comic Book: Steve Ditko
• Director: Jon Watts
• Screenplay: Erik Sommers
• Editor: Dan Lebental
• Producer: Kevin Feige
• Editor: Leigh Folsom Boyd
• Producer: Amy Pascal
• Executive Producer: Eric Hauserman Carroll
• Co-Producer: Matthew Stillman
• Executive Producer: Avi Arad
• Executive Producer: Thomas M. Hammel
• Co-Producer: David Minkowski
• Executive Producer: Matt Tolmach
• Executive Producer: Louis D’Esposito
• Executive Producer: Victoria Alonso
• Set Decoration: Tina Jones
• Art Direction: Matthew Kerly
• Production Design: Claude Paré
• Makeup Artist: Adrian Rigby
• Art Direction: Livia Borgognoni
• Art Direction: Jiri Matura
• Art Direction: Nigel Evans
• Makeup Artist: Rachael Speke
• Makeup & Hair: Roseanna Larner
• Makeup Artist: Rachel Lennon
• Costume Design: Anna B. Sheppard
• Makeup Artist: Donald Mowat
• Makeup Artist: Daniel McGraw
• Supervising Art Director: Jann K. Engel
• Makeup & Hair: Madlen Mierzwiak
• Art Direction: Renate Nicolaisen
• Art Direction: Charley Beal
• Makeup Artist: Jake Garber
• Makeup Artist: Vasilios Tanis
• Makeup Artist: Nicola Pope
• Art Direction: Gary Jopling
• Makeup & Hair: Tamsin Dorling
• Art Direction: Joe Howard
• Art Direction: James Lewis
• Supervising Art Director: Grant Armstrong
• Set Costumer: Mike Lutz
• Visual Effects Supervisor: Janek Sirrs
• Visual Effects Supervisor: Theo Bialek
• Visual Effects Supervisor: Jörn Großhans
• Assistant Art Director: Oliver Benson
• Director of Photography: Matthew J. Lloyd
• Makeup Department Head: Heba Thorisdottir
• Camera Operator: Quinn McMillan
• Gaffer: Stefano Marino
• Rigging Grip: Brian McCafferty
• Key Hair Stylist: Paula Price
• Camera Operator: Iain Mackay
• Steadicam Operator: Shaun Cobley
• Steadicam Operator: Jonathan Beattie
• Key Hair Stylist: Linda Eisenhamerová
• Key Makeup Artist: Seana Gorlick
• Key Grip: Alfonso Lujan Jr.
• Rigging Gaffer: Hanoi De La Paz
• Russian Arm Operator: Andy Thomson
• Hair Department Head: Michelle Johnson
• Key Makeup Artist: Blair Aycock
• Drone Pilot: Dani Rose
• Camera Operator: Rodrigo Gutierrez
• Key Grip: Robert Stile
• Second Unit Director of Photography: Daniel Aranyó
• Key Grip: Eddie Flores
• Lighting Technician: James Nesbitt
• Camera Operator: Richard Philpott
• Camera Operator: Andrea Arnone
• Camera Operator: Mark Mitchell
• Drone Pilot: Alan Perrin
• Rigging Gaffer: Robert B. Dechellis
• Steadicam Operator: Pete Cavaciuti
• Script Supervisor: Jo Beckett
• Key Makeup Artist: Gabriela Poláková
• Key Hair Stylist: Layna Roberts
• Aerial Camera: Adam Sculthorp
• Aerial Director of Photography: Jeremy Braben
• Drone Cinematographer: Xavier Guillen
• Key Grip: Simon Muir
• Makeup Department Head: Matiki Anoff
• Still Photographer: JoJo Whilden
• Epk Camera Operator: Sean Ricigliano
• Gaffer: Annabelle Nutt
• Hair Department Head: Janine Rath-Thompson
• Gaffer: Jonathan Spencer
• Lighting Technician: Joshua Dempsey
• Script Supervisor: Norina Mackey
• Still Photographer: Petr Stuna
• Key Grip: Tommaso Mele
• Lighting Technician: Gary Nagle
• Rigging Gaffer: Michael Gallart
• Rigging Gaffer: Jason Martin
• Still Photographer: Kevin Baker
• Script Supervisor: Deirdre Horgan
• Gaffer: Alan Martin
• Key Grip: Ricky Loncaric
• Key Grip: Brad Goss
• Second Unit Cinematographer: James McMillan
• Script Supervisor: Holly Johnson
• Assistant Costume Designer: Jane Gooday
• Wardrobe Supervisor: Anna Maria Genuise
• Assistant Costume Designer: Peter Paul
• Assistant Costume Designer: Meghan Corea
• Key Costumer: Stacey Clare Richards
• Costumer: Askia Won-Ling Jacob
• Seamstress: Jacqueline Mulligan
• Costume Supervisor: Daryl Bristow
• Casting Assistant: Molly Doyle
• Costume Coordinator: Birgitta Fredlund
• Casting Assistant: Georgia Fleury Reynolds
• Wardrobe Supervisor: Moira Shaughnessy
• Assistant Costume Designer: Eilish Zebrasky
• Costumer: Michaela Dejmalova
• Set Costumer: Jonathan Richards
• Textile Artist: Kaniez Braganza
• Key Costumer: Max Brennan
• Casting Associate: Jason B. Stamey
• Casting: Sarah Halley Finn
• Costumer: Anthony Drewett
• Key Costumer: Barbara Sweryda
• Textile Artist: Nicola Belton
• Costume Illustrator: Darrell Warner
• Costumer: Lisa D. Quercioli
• Key Costumer: Helen Felstead
• Assistant Costume Designer: Nina Jagersbacher
• Assistant Costume Designer: Marina Ray
• Costume Supervisor: Dagmar Pomajbikova
• Casting Associate: Olivia Brittain
• Extras Casting: Shannon Avalos
• Casting Assistant: Eliza Heslop
• Extras Casting: Brad Bittner
• Extras Casting: Jirí Hrstka
• Supervising Sound Editor: Steven Ticknor
• ADR Mixer: Michael Miller
• Property Master: Daniel Boxer
• Sound Effects Editor: Dan Kenyon
• Boom Operator: Paul E. Miller
• Sound Effects Editor: Ken McGill
• Leadman: Petr Mazura
• Art Department Coordinator: Xuria Cristobal
• Art Department Coordinator: Cindy M. Ichikawa
• Property Master: Rodrigo Busto
• Set Designer: Robert Broadfoot
• Set Designer: Jim Hewitt
• Set Designer: Karl J. Martin
• ADR Mixer: Milos Stojanovic
• Art Direction: Bárbara Pérez-Solero
• Graphic Designer: Lisa Williams
• ADR Mixer: Dicken Berglund
• ADR Mixer: Nick Roberts
• Production Sound Mixer: Julian Townsend
• Sound Designer: Chris Diebold
• Sound Mixer: Lloyd Dudley
• Leadman: Anthony Carlino
• Dialogue Editor: James Morioka
• Production Sound Mixer: Petr Čechák
• Sound Editor: Karen Vassar Triest
• Property Master: Graeme Purdy
• Construction Manager: Colin H. Fraser
• Boom Operator: Gabriel Sanders
• Production Sound Mixer: Chris Munro
• Production Sound Mixer: Sean Byrnes
• Foley Mixer: Kyle Rochlin
• Sound Designer: Andy Sisul
• Sound Re-Recording Mixer: Kevin O’Connell
• Supervising Sound Editor: Tony Lamberti
• Graphic Designer: Mimi Violette
• Property Master: James Eubank
• Sound Effects Editor: Casey Genton
• Sound Mixer: Andrew Sissons
• Art Department Coordinator: Katerina van Gemundova
• Boom Operator: Martin Švojger
• Foley Artist: Rick Owens
• Foley Supervisor: Alec Rubay
• ADR Mixer: Hunter Berk
• ADR Recordist: Mario De Socio
• Sound Mixer: Lee Orloff
• Art Department Coordinator: Katherine Pearl
• Swing: Mirko von Berner
• Actor’s Assistant: Harrison Osterfield
• Additional Photography: Larkin Seiple
• Concept Artist: Jerad Marantz
• Executive Producer: Rachel O’Connor

Catogories:
Action,Adventure,Science Fiction
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Language:
Český,Nederlands,English,Deutsch,Italiano
Production:
United States of America
Company:
Marvel Studios,Pascal Pictures,Columbia Pictures
Popularity:
104.911
Date:
2019-06-28
Year:
2019

• SWITCH.: The whole film is a relentless flurry of action and adventure from the get-go, with the man himself sporting no less than four different spider suits (for all the mega fans out there). Maria Hill (Cobie Smulders) gets a look-in once again after her very disappointing absence from 99.99% of ‘Endgame’, but she’s wasted on screen, serving little to no purpose. And while this film finally gives us a Peter/MJ love story, it’s all too familiar territory – not because of the characters involved but because we saw Peter pursue a crush in ‘Homecoming’. We also saw him try to balance the student/hero sides of his life then too. This is THIS Peter Parker’s fifth time on the rollercoaster. We’ve seen him and fell in love with him as the sweet, innocent kid who had greatness thrust upon him and his thirst to be a superhero. He had his shot in the ring – several times in fact – and now we need to see him grow, but they’ve just given us much of the same. We need to know where this is going, not just watch a kid play dress-ups time and time again.
  – Jess Fenton

  Read Jess’ full article…
  https://www.maketheswitch.com.au/article/review-spider-man-far-from-home-in-a-post-iron-man-world-spideys-still-the-same-insecure-kid

• ZHidayaturahman: Amazing movie!!
• Manuel São Bento: If you enjoy reading my Spoiler-Free reviews, please follow my blog 🙂

  First of all, this is a spoiler-free review of Far From Home, but NOT of Avengers: Endgame! So, if you still didn’t watch the latter or heard what happens in it (by some inexplicable reason), this is a SPOILER WARNING for the events of that era-ending film. Moving on to the web-slinger, this sequel is everything it should be and a bit more. It beautifully encapsulates how everyone’s feeling about the central death of Endgame, especially Peter Parker. I wished Jon Watts would put a lot of focus into Spider-Man’s grief and I hoped that a big part of the plot would be him just having to deal with the fact that his mentor/father figure is gone. He can’t continue to just be the friendly neighborhood Spider-Man. He needs to grow up and become what everyone expects of him: to be the best of them all.

  Watts does all of it. There are so many emotionally powerful dialogues featuring Nick Fury or Happy (Jon Favreau) or even just moments with Tom Holland just standing alone and having to breathe through the pain of losing someone you love. The pressure that everyone is putting on his shoulders is immense, maybe too much for a simple teenager, but he’s everything but simple. I love every single bit of story dedicated to Peter and Tony Stark’s (Robert Downey Jr.) relationship. Chris McKenna and Erik Sommers wrote a wonderful screenplay, and Jon Watts executed it seamlessly. However, the reason why all of this works is due to Tom Holland’s performance.

  He said in an interview he would play Spider-Man until he can and until producers let him. I hope he stays around for years without end. He’s not only my favorite on-screen Spider-Man but my favorite on-screen Peter Parker as well. I love how he spends most of the movie holding on to his feelings, and in the last act, he just lashes out because he can’t take it anymore. He left my eyes close to tearing up in probably the best dialogue of the film with Happy. As a superhero, he perfectly embodies what Spidey is all about, and Holland has the plus of doing most of his action stunts. As a teenager, he’s incredibly funny, innocent, and he still doesn’t know how to deal with falling in love or having a crush, which leads me to the second of the three main storylines of this movie: his relationship with MJ.

  Zendaya did get some criticism from fans who, well, don’t like the fact that MJ is not the same one as in Sam Raimi’s original trilogy (physically and psychologically). Same for Holland and the fact that this Spider-Man has a lot more “gadgets” than Tobey Maguire’s. For those people, I only have one advice: understand that this is a distinct universe with different takes on characters we know and with other stories to tell which are, in fact, the closest we had to the comics so far. The sooner you accept this, the easier will be for you to enjoy these films. Having that in mind, MJ didn’t have much to do in Homecoming. Actually, she was even played as a post-credits twist so that the sequel could focus more on her … and it did.

  Their relationship gradually evolves throughout the movie smoothly and realistically. They’re teenagers! Having their first crush, trying to come up with a good time and place to tell the other they like them, being nervous when they’re together and being anxious when they’re separated … Watts handled this subplot very well. It didn’t feel forced (rom-coms should take some tips), Zendaya and Holland’s chemistry is palpable, and I love this new MJ. Most of the superhero’s lovers are the cliche damsel in distress, always needing saving and making dumb decisions. Zendaya’s MJ not only can handle herself, but she has an unique personality that makes her stand out.

  Finally, the third and last storyline relies on Mysterio (Jake Gyllenhaal). I can’t really get in-depth about this character because he has a massive impact on the narrative, but I can guarantee that Gyllenhaal makes this character work. I like how they approached Mysterio, but if it wasn’t for the outstanding actor that Gyllenhaal is, Far From Home would have suffered a bit. The relationship between him and Spider-Man is well-developed, but the character of Mysterio lacked better treatment. There’s an exposition dump midway through the runtime that’s just horrible. Really, really bad. However, the film moves on and gets better until it reaches the last 45 minutes, which are unbelievable.

  I will always prefer a slow start and a fantastic finish than the other way around. Far From Home struggles with the first two acts’ pacing, but the last one compensates that with some of the best action a Spider-Man movie ever had! There are so many sequences where our superheroes are just going at it, flying and swinging across buildings, bridges, and rivers like we’ve seen before, only better. The CGI looked like it could be excessive in the trailers, but instead, it’s some of the best Marvel has shown us. Nevertheless, the jaw-dropping scenes are some that involve illusions, very much like Dr. Strange (Benedict Cumberbatch) had in his origin flick. Spider-Man has two memorable sequences (the VFX here are mind-blowing), one of which incorporates a certain superpower not seen in the MCU so far (officially, at least). The kid in me was smiling with pure joy, let’s write that.

  It’s on par with Homecoming. One is better than the other in various areas, but they’re extremely different, so comparing them might be unfair. The first had the goal of introducing a “new” character to the MCU, so the focus relied solely on Peter Parker having to deal with his powers and being the friendly neighborhood Spider-Man. This sequel is set so far away from the origin story and so much happened between these two that if people chose to watch them back-to-back, they wouldn’t understand much of what’s going on. Nevertheless, Far From Home still has its own issues.

  Like I wrote above, the first two acts struggle with its pacing. While it’s refreshing to watch Spider-Man in other cities besides New York, the transitions between them are ridiculously fast, especially one that takes Peter Parker to another country in such an illogical way. The film tries to play off these less rational moments with comedy bits quite often and sometimes it just doesn’t work, affecting both the tone and pacing. I liked Ned in Homecoming, and I also enjoyed his presence here, but this time he almost felt like just a comic relief guy instead of that essential “sidekick” to Spider-Man. Michael Giacchino’s score is good, but for some reason, I couldn’t really connect with it, which I think it’s the first time I don’t exactly love Giacchino’s themes. Finally, the comedy skits could be better, they don’t land that many times and the one supposedly funny scene I remember is the absolute worst.

  All in all, I still had a blast! I think I prefer Far From Home to Homecoming since the latter deals with a much more complex and emotionally compelling story than the origin flick. The action is some of the MCU’s best and definitely as great as Spider-Man’s action ever was, featuring some mind-bending, astonishing sequences. The cast is brilliant, especially Tom Holland who cements his spot as the best on-screen web-slinger ever. Zendaya and Jon Favreau are also amazing, but I have to praise Jake Gyllenhaal’s performance because he’s just awesome every single time. It’s the movie the MCU needed after the tragic events of Endgame. It works because we feel what Peter Parker’s feeling and we can deal with our grief with the help of Spider-Man’s journey in this film. Aside from some minor problems with pacing, comedy, and exposition, the last act plus the two post-credits scenes, which have a tremendous impact on the movie and on what’s to come on Phase Four, are more than enough for you to go see this film at the theater. Don’t miss it!

  Rating: B+

• Rodney Wollam: Problems: I thought the Gyllenhaal character was corny, Spidey taking selfies too out of character for a selfless hero, and the Fury twist throughout the movie really unnecessary.

  What I liked: Tom Holland continues to be a charming actor.

• Gimly: There’s a some things in _Spider-Man: Far From Home_ that I personally didn’t love. But I got **exactly** what I wanted from Mysterio, and that was so important to me. It’s pretty amazing that the MCU is twenty three films deep, and they’re still bringing out this sort of quality. I know this series is not for everyone. But until they start making movies I don’t like, I’m gonna keep showing up.

  _Final rating:★★★½ – I really liked it. Would strongly recommend you give it your time._

• Per Gunnar Jonsson: I just came home with the kids from the cinema where we had watched Spider-Man: Far From Home so I thought I would write a few lines while it was still fresh in my mind.

  I have to say that it was a decent enough movie. I didn’t exactly regret having forked out the money to watch it in the cinema but that’s about it. It’s far from a great movie and the end scene…well it’s a typical really crappy Hollywood ending where the writer cannot be bothered to spend time creating something intelligent so he just goes for the usual sensationalist cliffhanger bullshit.

  As with the previous movie, Spider-Man: Homecoming, this is a Spider-Man for kids, or at least younger people, movie which perhaps is part of why I am somewhat lukewarm towards it. This one did not feel as childish as the previous one but there is still a lot of teenage angst and rubbish in it. The plot is of course highly predictable as well.

  The special effects on the other hand are quite good and essentially what makes the movie worth watching. At least to me. The end fight with hundreds of those drones flying around intermixed with Mysterio’s illusions where quite cool. A bit over the top perhaps but cool nonetheless.

• JPV852: I liked it okay, I guess. Tom Holland was good and shared good chemistry with Zendaya and some of the action was okay, but the so-called plot was rather weak and how it forced into the Iron Man movies fell flat, as did Gyllenhaal post-turn including an awkwardly written exposition scene. Definitely not as good as Homecoming and really reminded me why Marvel proper (mostly) is better at this than Sony-Marvel.
• dylaneamusic: Great film!
• belemo: Great family movie. Has enough comedy, action, and drama to keep you entertained. Love how the villain played on poor old Spideys naiveness. Underwhelming ending though.
• Peter89Spencer: Spider-Man: Far From Home is the first of a new chapter in the MCU.
  Sad though, because it’s all the first one with the late Stan Lee.

  Still, this was not a bad film. And I am glad they showed that twist where Mysterio was the real bad guy (a nod to the mainstream comics) – I would not have enjoyed the film if they had altered the background of the character.
  And that mid-credit scene – I can’t wait for the third film! Maybe they’ll finally introduce the Sinister Six, and maybe Matt Murdcock/Daredevil.

• r96sk: A good end to Phase Three of the Marvel Cinematic Universe.

  In short, I like ‘Spider-Man: Far from Home’. I do think it’s someway off its predecessor, but I still had a suitably fun time watching this. Tom Holland remains top notch in the main role, with Jake Gyllenhaal, Samuel L. Jackson and Zendaya supporting strongly.

  The story is a solid one, I like the concept of it; especially with Gyllenhaal’s character. Some of the special effects do look a little questionable, but only in relation to how great the effects usually are in the MCU. Compared to an ‘average’ film, they still look good.

  By sheer process of the elimination, it probably is one of my least favourite films from this universe. That’s not a negative though, as I very much like it and keenly await the currently unnamed sequel.

• Dineth Hansana Karunarathna: My favourite Movie.movie villain,costume was great.
  Great and Amazing Movie.Must Watch.
• Dineth Hansana Karunarathna: The Best Spider-Man Movie of All time.
• M.A.DinethHansanaKarunarathna: This movie is great. It is better than **Spider-Man: Homecoming** and must watch.
• GenerationofSwine: I’ll be honest upfront and say that I am still not a fan of MJ. She is supposed to be a redhead, she is supposed to be a sexpot, and she is supposed to both know she’s hot and have no issues telling other people that. She’s supposed to be well out of Parker’s league. This is a bit too far from the source material for me.

  And the same goes with Flash. He’s really supposed to be that guy that burns out the moment he graduates from high school. All muscle and no brain. And this Flash has a future. He’s not going to deliver your pizza when you go visit your parents.

  But, beyond that, it’s still a fun movie, but one that didn’t have as many laughs as the first outing. Although Holland still delivers, this has a more somber and serious tone and, really, Jake Gyllenhaal is not at all as good of a villain as Michael Keaton was. He’s kind of irritating to watch and, really he always has been.

  The plot twist, if took my wife by surprise, but honestly it was something that absolutely everyone familiar with the source material could see coming from the trailers. It didn’t come as a surprise for those of us that read the comic books.

  Still, it was fun and sentimental and paid a respect to the Avengers that I suspect certain movies in the franchise will not. That being said it’s not going to have the laughs of Homecoming, it couldn’t and still feel appropriate.

• CinemaSerf: The “Spider-man” franchise seems to be the one that is bucking the recent, repetitive, trend with the films actually getting better each time. The dynamic between Tom Holland’s webbed-wonder and Jake Gyllenhaal’s “Peck” in this is great and now that we don’t have to pretend we don’t know the identity pf “Spidey”, we can develop the character much more fully so the relationship with MJ (Marisa Tomei) is also taking better shape too. It’s fast-moving, entertaining and the plot is fun. For a change, the CGI is complementary to the production rather than the sole reason for it. Good stuff, this, more please!