Terrifier 3

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Five years after surviving Art the Clown’s Halloween massacre, Sienna and Jonathan are still struggling to rebuild their shattered lives. As the holiday season approaches, they try to embrace the Christmas spirit and leave the horrors of the past behind. But just when they think they’re safe, Art returns, determined to turn their holiday cheer into a new nightmare. The festive season quickly unravels as Art unleashes his twisted brand of terror, proving that no holiday is safe.

Credits: TheMovieDb.

Sienna Shaw: Lauren LaVera
Art the Clown: David Howard Thornton
Victoria Heyes: Samantha Scaffidi
Jonathan Shaw: Elliott Fullam
Jessica: Margaret Anne Florence
Greg: Bryce Johnson
Mia: Alexa Blair Robertson
Gabby: Antonella Rose
Cole: Mason Mecartea
Jennifer: Krsy Fox
Juliet: Luciana VanDette
Smokey: Clint Howard
Eddie: Bradley Stryker
Charlie Johnson / Santa Claus: Daniel Roebuck
Burke: Chris Irvine
Bystander: Tom Savini
Michael: Jason Patric
Mark: Alex Ross
Brooke: Kailey Hyman
Timmy: Kellen Raffaelo
Dennis: Jon Abrahams
Jackson: Michael Genet
Young Sienna Shaw: Luciana Elisa Quiñonez
Dispatch: Lisamarie Falcone
Officer Evans: Stephen Cofield Jr.
Dean: Joe Falcone
Cosplayer: Peter Mitchell
Receptionist: Marie Maser
Armor Clad Demon: Michel Vidal
The Virgin Mary: Juliana Lamia
Stacy Bar Girl #1: Sienna Hubert-Ross
Stacy Bar Girl #2: Charlotte McKee
Dept Store Santa: Chip Carriere
Elf: Andrew Hollinger
Photographer: Robert Catalano
Mother: Lauren Sowa
Carol Anne: Nariyah Simpson
Little Boy #1: Banks Quinney
Little Girl #2: Evelyn Lee
Security Guard: Israel Acevedo
Little Mall Girl: Samantha Schwartz
Angry Parent: Jennifer C. Johnson
Angry Parent #2: Katie Curri
Angry Parent #3: Preston Christopher Lawrence
Angry Parent #4: Tom White
Little Boy #2: Ryan Usui
Graven Image Co-Host: Annie Lederman
Rowdy Beta #2: Michael Loverde
Rowdy Beta #1: Ilia Krisulas
Rowdy Beta #3: Dominick Muschello
News Anchor: Beethovan Oden

Crew:

Executive Producer: Chris McGurk
Producer: Phil Falcone
Executive Producer: G. Brandon Hill
Executive Producer: Brad Miska
Characters: Damien Leone
Stunt Coordinator: Drew Leary
Assistant Director: Michael Leavy
Co-Producer: Steven Della Salla
Additional Casting: Jason Leavy
Casting: Matthew Maisto
“B” Camera Operator: Fay Emmolo-Johnson
Stunt Double: A.J. Paratore
Assistant Accountant: Deanna Gallucio Young
Songs: Ryan Morris
Costume Design: Olga Turka
Executive Producer: Priscilla Ross Smith
Executive Producer: Lisa Falcone
Executive Producer: Matthew Helderman
Executive Producer: Yolanda Macias
Executive Producer: Erick Opeka
Executive Producer: Luke Taylor
Co-Producer: George Steuber
Assistant Makeup Artist: Brianna Loydgren
Assistant Director: Jamie Root
Script Supervisor: Marcus Slabine
Songs: Al Kaplan
Songs: Jon Kaplan
Extras Casting: Guy Wernick
Visual Effects: Declan Boyle
Visual Effects: Chris Diaz
Co-Producer: Jason Milstein
Visual Effects Supervisor: Joshua Petrino
Senior Visual Effects Supervisor: Lincoln Smith
Special Effects Makeup Artist: Jason Baker
Special Effects Makeup Artist: Kyle Roberts
Makeup Effects Designer: John Caglione Jr.
Set Dresser: John Harrold
Dialogue Editor: Omar Blanco
Foley Recordist: Beatriz Castañeda
Foley Artist: Mauricio Castañeda
Additional Sound Re-Recording Mixer: Paul Hackner
Sound Designer: Martín Hernández
Foley Editor: Nathaly Martinez
Sound Effects Editor: Charles Maynes
Sound Effects Editor: John Nathans
Sound Effects Editor: Roland N. Thai
Additional Sound Re-Recording Mixer: Matt Vowles
Foley Recordist: Cora Álvarez
Music Supervisor: Phil Anastasia
Stunts: Travis Staton-Marrero
Stunt Double: Bobby McFarlane
Stunt Double: Ariana Maria McCue
Stunt Double: Jenna Hellmuth
Location Manager: Rafael Rivera
Pyrotechnician: Bohdan Bushell
Special Effects: Antonio Grassano
Still Photographer: Jesse Korman
Gaffer: Dan Peck
“A” Camera Operator: Christopher Ragozzino
Steadicam Operator: Cole Vallis
Original Music Composer: Paul Wiley

Catogories:

These items are nice!

You better not shout, you better not cry.
Language:
English
Production:
United States of America
Company:
Cineverse,Bloody Disgusting,Dark Age Cinema,Fuzz on the Lens Productions,The Coven,BondIt Media Capital
Popularity:
1934.36
Date:
2024-10-09
Year:
2024

CinemaSerf: This maybe hit the cinemas a month too early as there’s a distinctly festive feel to this latest outing for the menacing “Art” the clown. He descends upon the townsfolk with blood-thirsty enthusiasm causing some brutal carnage but then he and his equally heinous pal “Vicky” (Samantha Scaffidi) go for a long nap. It’s a pair of unfortunate demolition guys who provide their wake up entertainment and rejuvenated, they set out in search of “Sienna” (Lauren LaVera) and brother “Jonathan” (Elliott Fulham) – and woe betides anyone who gets in the way – even if you are dressed as Santa Claus. This is by far the best of the three so far, I think. There’s much less repetition with the standard slashing-fayre and a bit more, dare I say, intimacy from our “Terrifier” as David Howard Thornton imbues his character with more akin to an emotional and quirky mime artist. There’s more sadness, mischief and playfulness as he wields everything from an axe to a chain-saw. Shower sex might never be the same again! It’s really the last half hour that gets it moving and though that scenario is largely predictable and I have to say that none of the speaking-part acting here is really very good, the tension mounts nicely and there’s an entertaining degree of shock mixed with dark humour and Christmas gifts to raise a smile and maybe the one hair on the back of your neck towards the denouement. Sure, it’s formulaic and there aren’t so many surprises, but they are getting better and moving away from the Hammer style of ketchup gore and annoying, hysterical, frat-style characters that we’ve seen before. It’s entirely forgettable, and far too long, but I did quite enjoy it.
r96sk: Just as violent, just not as entertaining.
It’s better than ‘Terrifier’, though falls slightly below ‘Terrifier 2’. ‘Terrifier 3’ is thankfully a little shorter than the prior installment, though the story isn’t quite as watchable as before. It does have some good moments though, while Lauren LaVera and David Howard Thornton again bring strong onscreen showings.
VicSur: **How “Terrifier 3” Redefines Horror Cinema and Mirrors Societal Anxieties**
**Introduction**
In a cinematic landscape often dominated by high-budget blockbusters and familiar franchises, “Terrifier 3” emerges as a remarkable exception. Directed by Damien Leone, this low-budget horror film has defied industry expectations by grossing over $82 million worldwide against a modest $2 million budget. Beyond its financial success, the film offers a profound exploration of psychological fears, societal tensions, and subtle political commentary, redefining the potential of horror cinema in the 21st century.

**A Subversion of Holiday Traditions**
Set against the ironically cheerful backdrop of Christmas Eve, “Terrifier 3” subverts traditional holiday themes by delving into the darkest corners of human fear. The malevolent antagonist, Art the Clown – portrayed with chilling intensity by David Howard Thornton – embodies unpredictability and chaos. His reign of terror over Miles County isn’t just a series of gruesome events; it’s a relentless assault on the notions of safety, normalcy, and the comfort typically associated with the holiday season.

**Psychological Exploration**
At its core, the film is a psychological study of fear and human responses to extreme situations. It taps into Carl Jung’s concept of the “shadow self,” compelling both characters and viewers to confront the darker aspects of their psyche. Art the Clown is not merely a villain; he represents repressed anxieties and the chaotic potential within society. The notably subdued reactions of audiences – such as the silent screening experiences I experienced in CinemaCity in Romania – highlight the film’s ability to reach deep into the subconscious, evoking a primal response that transcends typical cinematic experiences.

**Social Commentary and Contemporary Relevance**
“Terrifier 3” serves as a mirror reflecting contemporary societal fears. In an era marked by global uncertainties and the erosion of traditional safety nets, the film’s disruption of the holiday idyll resonates powerfully. It challenges the illusion of security in familiar settings, suggesting that chaos can intrude upon life without warning. This theme is particularly poignant given current global anxieties related to political polarization, social unrest, and the fragility of societal structures.

**Subtle Political Undertones**
The movie subtly weaves in commentary on the divisiveness and unpredictability that have characterized recent political landscapes, particularly echoing sentiments reminiscent of calls to “make it great again.” Even it might be a bit of a stretch interpretation it lands very well and align in reality we are today. Art the Clown’s embodiment of chaos and his assault on societal norms can be interpreted as an allegory for the breakdown of traditional structures and the rise of polarizing forces. His relentless terror reflects the disruption of established conventions, forcing communities to grapple with unprecedented challenges – a parallel to the societal upheavals experienced during turbulent political times.

The narrative also examines leadership and authority. The inability of societal institutions within the film to contain or comprehend the terror inflicted by Art the Clown mirrors real-world frustrations with ineffective governance in the face of crises. This reflection invites contemplation on how societies become vulnerable when trust in leadership erodes.

_Note: The interpretations presented regarding the political undertones, are my personal opinions and reflections. Don’t get to excited! :)_

**David Howard Thornton’s Masterful Performance**
Thornton’s portrayal of Art the Clown elevates the character from a mere slasher antagonist to a symbol of deeper psychological, social, and political fears. His ability to convey menace without dialogue relies on physicality and expressive nuance, creating a sinister charisma that is both repulsive and captivating. This performance is instrumental in making the film’s thematic explorations resonate so profoundly with audiences.

**The Appeal of Extreme Horror**
The film’s financial success, despite – or perhaps because of – its extreme gore and brutality, speaks to a cultural fascination with boundary-pushing content. “Terrifier 3” taps into the audience’s desire for cathartic experiences, offering a space to explore intense emotions and confront the darker facets of humanity. This attraction to extreme horror can be seen as a form of collective processing of fear and uncertainty, providing both an escape from and a reflection of real-world tensions.

**Implications for the Film Industry**
“Terrifier 3” challenges conventional wisdom in the film industry regarding the profitability and impact of low-budget productions. Its success demonstrates that audiences are hungry for content that is innovative, thought-provoking, and willing to push boundaries. The film exemplifies how strategic storytelling and thematic depth can overcome financial limitations, suggesting a shift in how success can be achieved in cinema.

For filmmakers and industry professionals, “Terrifier 3” serves as a case study in leveraging genre conventions to explore complex themes while engaging audiences on multiple levels. It highlights the potential for horror films to transcend entertainment, becoming vehicles for social commentary and philosophical inquiry.

**Conclusion**
“Terrifier 3” is more than a horror film; it’s a bold artistic statement that challenges viewers psychologically, socially, and potentially politically . Damien Leone has crafted a work that is unflinching in its depiction of terror yet rich with depth and relevance. The movie invites audiences not only to experience fear but to question its origins and implications within the context of contemporary society.
As the film continues to captivate and unsettle viewers worldwide, it redefines the potential of horror cinema in the 21st century. “Terrifier 3″ stands as a testament to the power of storytelling that is unafraid to delve into the complexities of existence, reflecting and challenging the societal and political currents of our times.

**”Terrifier 4” is just inevitable!**
DWP: The weakest Terrifier. Strong performances but the pacing could be better. The shorter run time is a plus when the story is not as engaging as in the previous ones.

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