After the devastating events of Avengers: Infinity War, the universe is in ruins due to the efforts of the Mad Titan, Thanos. With the help of remaining allies, the Avengers must assemble once more in order to undo Thanos’ actions and restore order to the universe once and for all, no matter what consequences may be in store.
Credits: TheMovieDb.
Avengers: Endgame
Overview:
After the devastating events of Avengers: Infinity War, the universe is in ruins due to the efforts of the Mad Titan, Thanos. With the help of remaining allies, the Avengers must assemble once more in order to undo Thanos’ actions and restore order to the universe once and for all, no matter what consequences may
Cast:
- Tony Stark / Iron Man: Robert Downey Jr.
- Steve Rogers / Captain America: Chris Evans
- Bruce Banner / Hulk: Mark Ruffalo
- Thor: Chris Hemsworth
- Natasha Romanoff / Black Widow: Scarlett Johansson
- Clint Barton / Hawkeye: Jeremy Renner
- Thanos: Josh Brolin
- James Rhodes / War Machine: Don Cheadle
- Scott Lang / Ant-Man: Paul Rudd
- Doctor Strange: Benedict Cumberbatch
- T’Challa / Black Panther: Chadwick Boseman
- Carol Danvers / Captain Marvel: Brie Larson
- Peter Parker / Spider-Man: Tom Holland
- Nebula: Karen Gillan
- Gamora: Zoe Saldaña
- Hope Van Dyne / Wasp: Evangeline Lilly
- Valkyrie: Tessa Thompson
- Frigga: Rene Russo
- Wanda Maximoff / Scarlet Witch: Elizabeth Olsen
- Sam Wilson / Falcon: Anthony Mackie
- Bucky Barnes / Winter Soldier: Sebastian Stan
- Loki: Tom Hiddleston
- Okoye: Danai Gurira
- Wong: Benedict Wong
- Mantis: Pom Klementieff
- Drax: Dave Bautista
- Shuri: Letitia Wright
- Howard Stark: John Slattery
- The Ancient One: Tilda Swinton
- Happy Hogan: Jon Favreau
- Peggy Carter: Hayley Atwell
- Jane Foster: Natalie Portman
- Aunt May: Marisa Tomei
- Korg (voice): Taika Waititi
- Ramonda: Angela Bassett
- Hank Pym: Michael Douglas
- Janet Van Dyne: Michelle Pfeiffer
- Secretary of State Thaddeus Ross: William Hurt
- Maria Hill: Cobie Smulders
- On-Set Rocket / Kraglin: Sean Gunn
- M’Baku: Winston Duke
- Laura Barton: Linda Cardellini
- Agent Sitwell: Maximiliano Hernández
- Brock Rumlow: Frank Grillo
- Akihiko: Hiroyuki Sanada
- Ebony Maw: Tom Vaughan-Lawlor
- Jarvis: James D’Arcy
- Ned: Jacob Batalon
- Groot (voice): Vin Diesel
- Rocket (voice): Bradley Cooper
- Pepper Potts: Gwyneth Paltrow
- Alexander Pierce: Robert Redford
- Peter Quill / Star-Lord: Chris Pratt
- Nick Fury: Samuel L. Jackson
- Morgan Stark: Lexi Rabe
- Red Skull (Stonekeeper): Ross Marquand
- Grieving Man: Joe Russo
- Cassie Lang: Emma Fuhrmann
- Corvus Glaive: Michael James Shaw
- On-Set Groot / Cull Obsidian: Terry Notary
- Friday (voice): Kerry Condon
- Cooper Barton: Ben Sakamoto
- Lila Barton: Ava Russo
- Nathaniel Barton: Cade Woodward
- Driver: Stan Lee
- S.H.I.E.L.D. Agent: Yvette Nicole Brown
- Jack Rollins: Callan Mulvey
- Lia: Lia Russo
- Julian: Julian Russo
- Taylor: Taylor Patterson
- Augie: Agostino Rosalina
- Security Guard: Ken Jeong
- Harley Keener: Ty Simpkins
- Scott Lang (12 Y.O.): Jackson A. Dunn
- Scott Lang (93 Y.O.): Lee Moore
- Scott Lang (Baby): Bazlo LeClair
- Scott Lang (Baby): Loen LeClair
- S.H.I.E.L.D. Agent: Matthew Berry
- Asgardian Maiden: Joy McAvoy
- Young Hank Pym: John Michael Morris
- Male S.H.I.E.L.D. Agent: Michael A. Cook
- Camp Lehigh Guard: Brent McGee
- Military Police: Brian Schaeffer
- Drill Sergeant: Jamie Wedel
- Young Stan Lee Double: Anthony G Breed
- Car Girl: Erica Ribley
- On-Set Proxima Midnight: Monique Ganderton
- Support Group Man #1: Jim Starlin
- Support Group Man #2: Jimmy Ray Pickens
- Japanese Girl: Hye Jin Jang
- Diner Owner: Russell Bobbitt
- Diner Cook: James Lin
- Kid on Bike: Jack Champion
- New Asgard Truck Driver: Sam Hargrave
- Old Steve Rogers Double: Patrick Gorman
- Doctor Strange Double: Aaron Lazar
- Thanos Reader: Robert Pralgo
- Loki Reader: Tom Wisdom
- Alexander Pierce Reader: John Posey
- Gamora Reader: Ameenah Kaplan
- Teenage Groot Reader: Olaniyan Thurmon
- On Set Reader #1: Jennifer Elmore
- On Set Reader #2: Mike Lutz
- Midtown High Student (uncredited): Eric Patrick Cameron
Crew:
- Second Assistant Director: Paul Schneider
- Executive Producer: Louis D’Esposito
- Thanks: Carlos Pacheco
- Assistant Set Decoration: John David Duncan
- Visual Effects: Christopher Kelly
- Key Set Production Assistant: Riley Flanagan
- Stunt Coordinator: Monique Ganderton
- Stunts: Janene Carleton
- Stunt Double: Shauna Galligan
- Thanks: Don McGregor
- Thanks: Jim Starlin
- Characters: Joe Simon
- Comic Book: Jack Kirby
- Characters: Steve Englehart
- Characters: Steve Gan
- Characters: Bill Mantlo
- Characters: Keith Giffen
- In Memory Of: Stan Lee
- Characters: Larry Lieber
- Characters: Don Heck
- Other: Terry Notary
- Other: Kevin R. Wright
- Stunts: Casey Ann Zeller
- Stunt Double: Daniel Hargrave
- Stunts: Jess Durham
- Stunts: Matt Leonard
- Producer: Kevin Feige
- VFX Artist: Kenneth Koh
- VFX Artist: Florian Boury
- Visual Effects: Oliver Cordwell
- VFX Artist: Alexander T.H. Browne
- Russian Arm Operator: Michael Jordan
- Stunts: Mike Wilson
- Stunts: Dena Sodano
- Stunts: Anthony N.
- Stunt Double: Corrina Roshea Bobb
- Rotoscoping Artist: Kay Hoddy
- Stunts: Amy Lynn Tuttle
- Stunts: Tamiko Brownlee
- Visual Effects: Christian J Smith
- Executive Producer: Jon Favreau
- Original Music Composer: Alan Silvestri
- Foley Artist: John Roesch
- Casting: Sarah Halley Finn
- Co-Producer: Christopher Markus
- Co-Producer: Stephen McFeely
- Executive Producer: Victoria Alonso
- Costume Design: Judianna Makovsky
- Production Supervisor: Jason Tamez
- Visual Effects: Kristine Nadal
- Gaffer: Jeff Murrell
- Casting Associate: Jason B. Stamey
- Casting Associate: Nicholas A. Mudd
- Costume Supervisor: Nick Scarano
- Orchestrator: Isobel Griffiths
- Transportation Coordinator: Joel Marrow
- Transportation Captain: Jimmy Ray Pickens
- Security: Mitul Patel
- Unit Publicist: John M. Pisani
- Production Assistant: Nick Pepin
- Storyboard Artist: Todd Harris
- Conceptual Illustrator: Andy Park
- Executive Producer: James Gunn
- Art Direction: Kevin Houlihan
- Stunt Double: Heidi Moneymaker
- Stunts: Kelly Bellini
- Stunts: Noon Orsatti
- Stunts: Renae Moneymaker
- Stunts: Gui DaSilva-Greene
- Stunts: Kandis Hargrave
- Stunts: Michelle Rose
- Stunts: Loyd Bateman
- Co-Producer: Mitchell Bell
- Associate Producer: Ari Costa
- Production Design: Charles Wood
- Art Direction: Julian Ashby
- Art Direction: Thomas Brown
- Art Direction: Jordan Crockett
- Art Direction: Mike Stallion
- Set Decoration: Leslie A. Pope
- Makeup Artist: Mary Castor
- Additional Set Dresser: Amber Actaboski
- Key Hair Stylist: Michelle Diamantides
- Hair Designer: Anna Majewski
- Makeup Artist: Valerie Patterson
- Hair Department Head: Janine Rath-Thompson
- Production Manager: Prashant Sharan
- First Assistant Director: Chris Castaldi
- Prop Maker: Nathan Alexander
- Set Designer: Chris Arnold
- Set Dresser: Autumn Atkinson
- Construction Foreman: Mark Bialuski
- Additional Photography: Cameron Blake
- Sculptor: Jonathan Burdeshaw
- Concept Artist: Wesley Burt
- Scenic Artist: Gabe Harrington
- Scenic Artist: Rohan Harris
- Set Decorating Coordinator: Tyrone Anthony Jones
- Sound: Tyler Blythe
- Sound Designer: David Farmer
- Sound Designer: Nia Hansen
- Sound Effects Editor: Samson Neslund
- Sound Mixer: Shelley Roden
- Pyrotechnician: Scott Dwyer
- Pyrotechnic Supervisor: James Sled
- Special Effects Supervisor: Daniel Sudick
- Motion Capture Artist: Breanna Adams
- Motion Capture Artist: Charlotte Adams
- Digital Compositor: Juan Alonso
- Visual Effects Supervisor: Muhammad Junaid Baig
- Visual Effects: Tommy Barry
- Lighting Artist: Shidhyesh Bhogle
- Special Effects Assistant: Simon Butler
- Animation: Michael T. Chen
- Senior Animator: Peter Chen
- Layout Supervisor: Abbie Kennedy
- Data Wrangler: Charlie Lehmer
- Executive Producer: Trinh Tran
- Editor: Jeffrey Ford
- Editor: Matthew Schmidt
- Supervising Art Director: Ray Chan
- Contact Lens Technician: Justin Faith
- Makeup Artist: Derek Garcia
- Special Effects Makeup Artist: Jonah Levy
- Makeup Artist: Briky Stone
- Key Makeup Artist: Vasilios Tanis
- Post Production Supervisor: Adam Cole
- Thanks: Zack Duncan
- Production Supervisor: Lulu Morgan
- Second Assistant Director: Simon Downes
- Third Assistant Director: Mark Johnston
- Art Department Coordinator: Nicola Barnes
- Concept Artist: Tony Bohorquez
- Assistant Set Decoration: Claudia Bonfe
- Set Dresser: Maxwell Britton
- Set Designer: Robert Broadfoot
- Sculptor: Steven Brown
- Set Dresser: Kurtis Campbell
- Graphic Designer: Caleb Cascio
- Concept Artist: Paul Chandler
- Paint Coordinator: Larry Clark
- Painter: Michelle Spreuer
- Concept Artist: Tully Summers
- Set Designer: Brian A. Waits
- Property Master: Lisa Walsh
- Draughtsman: Aoife Warren
- Propmaker: Robert Zavala
- Boom Operator: Matt Aston
- ADR Recordist: Kristin Catuogno
- Foley Supervisor: Christopher Flick
- Executive Producer: Michael Grillo
- Foley Artist: Dan O’Connell
- Sound Mixer: John Pritchett
- Dialogue Editor: Jacob Riehle
- Boom Operator: David M. Roberts
- Sound Mixer: Carl Rohrs
- Pyrotechnician: David J. Barker
- Special Effects Technician: David Boucher
- Special Effects Technician: Marshall T. Broyles
- Visual Effects: Bailey Eller
- Modeling: Jonathan Faber
- Special Effects: Steven Carlton Ficke
- Layout Supervisor: Hayley Adams
- Paint Coordinator: Jayaraman Adhikesavan
- Matchmove Supervisor: Rohit Agarwal
- Compositor: Atyeb Ahmed
- Visual Effects Supervisor: Matt Aitken
- Senior Modeller: Daniil Alikov
- Compositor: Terence Alvares
- Compositing Lead: Pedro Andrade
- CG Supervisor: Rob Andrews
- VFX Supervisor: Doug Appleton
- Visual Effects: Louise Aubertin
- VFX Production Coordinator: Alessandra Aucello
- Camera Technician: Dan Ayling
- Concept Artist: Adam Baines
- Senior Animator: Magali Barbé
- Head of Animation: Kris Barone
- Compositing Artist: Eric M. Beaver
- Motion Capture Artist: Mikael G. Betru
- Software Team Lead: Dheeraj Bhadani
- VFX Production Coordinator: Richard Binnington
- Rigging Supervisor: Jamie Blyth
- Lighting Artist: Fabrizia Bonaventura
- Compositing Lead: Sudeepto Bose
- Digital Effects Supervisor: Jason Lanier Brown
- Matchmove Supervisor: Alexander Bucknell
- Animation: Luca Cantani
- Property Master: Russell Bobbitt
- Camera Department Manager: Andy Campion
- Technical Advisor: Dan Carney
- Props: Amy Carpenter
- Layout: Edward Catley
- Senior Modeller: Tristan Connors
- Modeling: Silvia Colonna Romano
- Motion Capture Artist: Vernessa Cook
- Visual Effects: Ben Cowell-Thomas
- Stereoscopic Editor: Richard Edwards
- Special Effects: Elmar Bragi Einarsson
- Runner Art Department: Charlotte Fearn
- Libra Head Technician: Rick Harris
- Stunts: Gee Alexander
- Stunts: Nate Andrade
- Stunts: Christopher ‘Critter’ Antonucci
- Stunts: Ben Aycrigg
- Stunt Double: Jennifer Badger
- Stunt Double: Riley Barnes
- Stunts: Carrie Bernans
- Utility Stunts: Gianni Biasetti Jr.
- Stunts: Stephane Feruch
- Utility Stunts: Mark Fisher
- Stunts: Ryan Green
- Stunts: Carlos Guity
- Stunt Double: Akihiro Haga
- Stunts: Lydia Hand
- Stunts: Maria Hippolyte
- Stunt Driver: Jason Charles Hill
- Grip: Chris Adkins
- Grip Production Assistant: Amanda L. Akins
- Lighting Technician: Nolan Aldridge
- Electrician: Reid Andrews
- Lighting Programmer: Scott Barnes
- Key Grip: Stacy Barnhill
- Drone Pilot: Dacoda Bartels
- Dolly Grip: Beau Bellanich
- Grip: Zavier Bolton
- Rigging Supervisor: Jesse Cooper
- Camera Production Assistant: Sara Daily
- Lighting Technician: Thomas M. Dangcil
- Electrician: Bradley C. Ferm
- Playback Coordinator: Storm Flejter
- Aerial Camera: Michael-Ryan Fletchall
- Camera Operator: John Garrett
- Aerial Director of Photography: Dylan Goss
- Grip: Jordan Hager
- Assistant Chief Lighting Technician: James Hatridge
- Rigging Grip: Sam Haynes
- Drone Operator: Jason Kay
- Electrician: Abbie Knights
- Grip: Ryan L. Lizardi
- Camera Technician: Nick Masters
- Steadicam Operator: Quinn McMillan
- Lighting Technician: Scott Medcalf
- Lighting Technician: Justin Memovich
- Gaffer: Annabelle Nutt
- Camera Operator: Nikhil Paniz
- Grip: K.C. Roballo
- Dolly Grip: Brian Rosso
- Techno Crane Operator: Devon Stinson
- Lighting Technician: Jerry Wheat
- Lead Animator: Terence Bannon
- Senior Animator: Stephen A. Buckley
- Animation: Manjoe Chan
- Animation: Javier Cimentada
- Animation: Cecile Dubois-Herry
- Senior Animator: Camilo Duarte Franco
- Animation: Isaac Marcos Gonzalez
- Lead Animator: Marco La Torre
- Senior Animator: Bradley J. Lincoln
- Animation: Juan Sebastian Niño Florez
- Animation: Martin Rossi
- Senior Animator: Edwina Ting
- Lead Animator: Ellen Hoffmann
- Animation: Seckin Yalin
- Additional Photography: Brad Bittner
- Casting Associate: Alex Cody
- Casting: Molly Doyle
- ADR Voice Casting: Johnny Gidcomb
- Casting: Chase Paris
- Costumer: Craig Anthony
- Costume Designer: Heather Armstrong
- Key Costumer: Javier Arrieta
- Costumer: Valentina Aulisi
- Set Costumer: Jason Blackman
- Set Costumer: Charelle Bronson
- Costume Assistant: Samantha Burpee
- Costumer: MacKenzie Cleveland
- Costume Design: Joseph Richard Collins
- Costume Supervisor: Wendy M. Craig
- Costume Assistant: Kassia Dombroski
- Costume Design: Myra N. Foy
- Key Costumer: Michelle Liu
- Set Costumer: Mike Lutz
- Costume Coordinator: Keith Muessigmann
- Costume Coordinator: Jenny Reyes
- Set Costumer: Valerie Rudolph
- First Assistant Editor: Robin Buday
- First Assistant Editor: Dave Cory
- First Assistant Editor: Cassie Dixon
- First Assistant Editor: Paul Ensby
- Colorist: Scott Fox
- Assistant Editor: Hector Padilla
- Stereoscopic Editor: Wayan Blue Palmieri
- Dailies Operator: Dylan Suchesk
- Additional Editor: Craig Tanner
- Location Manager: Ted Alvarez
- Assistant Location Manager: Chris Cloud
- Location Assistant: David Crigler
- Location Manager: James Lin
- Location Assistant: Justin Christopher Ray
- Location Assistant: Jorge Saumell
- Location Assistant: Antony Scott
- Location Manager: Nancy Wong
- Score Engineer: John Barrett
- Recording Supervision: Peter Cobbin
- Musician: Jonathan Connaught
- Sound: Dave Foster
- Music Editor: Tom Kramer
- Music Supervisor: Dave Jordan
- Music Coordinator: Shannon Murphy
- Music Editor: Nashia Wachsman
- Score Engineer: Kirsty Whalley
- Music Programmer: Joe Zimmerman
- Vehicles Coordinator: Chris Basso
- Driver: Sheri B. Burton
- Transportation Captain: Tyson Weatherford
- Thanks: Nolan Ekberg
- Musician: Dorina Markoff-McNulty
- Musician: Victor Pesavento
- Director of Photography: Trent Opaloch
- Additional Director of Photography: James McMillan
- Stunts: Lloyd Pitts
- Visual Effects Supervisor: Dan DeLeeuw
- Visual Effects Supervisor: Russell Earl
- Actor’s Assistant: Harrison Osterfield
- Animation: Ronan Binding
- Stunts: Jackson Spidell
- Director: Anthony Russo
- Director: Joe Russo
- Production Secretary: Alex R. Wagner
- Concept Artist: Jerad Marantz
- Visual Effects: Joe Howes
- 3D Artist: Indrit Zabzuni
- 3D Generalist: Jun Wei Puah
- 3D Modeller: Gaurav Singh
- 3D Modeller: Akshay Madansure
- 3D Modeller: Vishnu Simha
- Animation Director: Jan Philip Cramer
- Animation Supervisor: Robert Hemmings
- Animation Supervisor: Sidney Kombo
- Animation Supervisor: Michael Lum
- Animation Supervisor: Eamonn Butler
- Animation Supervisor: Thomas Ward
- Animation Supervisor: Ben Wiggs
- Animation Supervisor: Kevin Martel
- CG Artist: Tonio Freitag
- CG Artist: Joshua Koilpillai
- CG Artist: Jenny Leupold
- CG Artist: Werner Reifberger
- CG Artist: Jan Roth
- CG Artist: Merten Tremer
- CG Artist: Mona Wiemer
- CG Artist: Cristiano Cesolari
- CG Supervisor: Robert Allman
- CG Supervisor: David Michaels
- CG Supervisor: Glen Sharah
- CG Supervisor: Chris Petts
- CG Supervisor: Martin Johansson
- CG Supervisor: Jeremy Bloch
- CG Supervisor: Steve Sauers
- CG Supervisor: Matthias Winkler
- Compositing Supervisor: Wasim Ali
- Compositing Supervisor: Aleksei Chernogorod
- Compositing Supervisor: Michael Melchiorre
- Compositing Supervisor: David Scott
- Compositing Supervisor: Matthew Twyford
- Compositing Supervisor: Zave Jackson
- Compositing Supervisor: Michelangelo Neri Orliani
- Compositing Supervisor: Eric Kasanowski
- Compositing Supervisor: Sameer Malik
- Compositing Supervisor: Enrik Pavdeja
- Compositing Supervisor: Scott Pritchard
- Compositing Supervisor: Erik Schneider
- Compositing Supervisor: Tim Walker
- Compositing Supervisor: Blake Winder
- Creature Technical Director: Joan Buhigas
- Creature Technical Director: Felix Menguy
- Creature Technical Director: Sushant Kadam
- Creature Technical Director: Giulia Dell’Armi
- Creature Technical Director: Fabio Siino
- Creature Technical Director: Emanuele Pescatori
- Creature Technical Director: Jarrod Anderson
- Creature Technical Director: Chay Johansson
- Creature Technical Director: Benjamin Soh
- Creature Technical Director: Jonathan Dysart
- Digital Effects Supervisor: Mike Stillwell
- Lead Animator: Shawn Kelly
- Lead Animator: Simon Wottge
- Lead Animator: Justin Molush
- Lead Animator: Darren Rodriguez
- Lighting Artist: Joseph Hayden
- Lighting Artist: Shoichi Matsubara
- Lighting Artist: Naveen Sabesan
- Lighting Supervisor: Roberto Clochiatti
- Lighting Supervisor: Nikos Gatos
- Lighting Supervisor: Alison Wortman
- Matchmove Supervisor: Matt Boyer
- Matchmove Supervisor: Sujay Kumar G.
- Modelling Supervisor: Chris Radcliffe
- Senior Animator: Florent Limouzin
- Senior Animator: Matteo Sanna
- Senior Animator: Graham Binding
- Senior Animator: Marc Calvelo
- Senior Animator: Ryan Cronin
- Senior Animator: Vincent Désilets
- Senior Animator: Victor Huang
- Stereoscopic Supervisor: Simon D. Kern
- VFX Supervisor: Paul Ghezzo
- Visual Effects Coordinator: Stephen Bassett
- Visual Effects Coordinator: Julie Brown
- Visual Effects Coordinator: Dan Curry
- Visual Effects Coordinator: Lisa Theresa Downey-Dent
- Visual Effects Coordinator: Rebecca Fair-Lien
- Visual Effects Coordinator: Christopher Finley
- Visual Effects Coordinator: Julie Gauthier
- Visual Effects Coordinator: Bonnie Gosnell
- Visual Effects Coordinator: Yasmine Hausler
- Visual Effects Coordinator: Djordje Jugovic
- Visual Effects Coordinator: Hiro Kamegaya
- Visual Effects Coordinator: Lew Lewington-Pearce
- Visual Effects Coordinator: Victoria Liu
- Visual Effects Coordinator: Liam McCartin
- Visual Effects Coordinator: Shrijeet Modi
- Visual Effects Coordinator: Ryan Musante
- Visual Effects Coordinator: Daniel Paul Newman
- Visual Effects Coordinator: Lucas John Ng
- Visual Effects Coordinator: Sophie Olive-Calver
- Visual Effects Coordinator: Allison Paul
- Visual Effects Coordinator: Chaz Pizani
- Visual Effects Coordinator: Manasa Raghavan
- Visual Effects Coordinator: Leah Sargent
- Visual Effects Coordinator: Tamar Shaham
- Visual Effects Coordinator: Christian Smith
- Visual Effects Coordinator: Sarah Stauffer
- Visual Effects Coordinator: Ellis Trespalacios
- Visual Effects Coordinator: Kat Turner
- Visual Effects Coordinator: Mallika Worboys
- Visual Effects Editor: Tom Barrett
- Visual Effects Editor: Steve Bobertz
- Visual Effects Editor: Michael Harden
- Visual Effects Editor: Hannah Long
- Visual Effects Editor: Francisco Ramirez
- Visual Effects Editor: Lars Vinther
- Visual Effects Editor: Christopher Learmonth
- Visual Effects Editor: Andy Stevens
- Visual Effects Editor: Joe Frataccia
- Visual Effects Editor: Lorelei David
- Visual Effects Editor: Erik Pampel
- Visual Effects Editor: Mark S. Wright
- Visual Effects Editor: John Polyson
- Visual Effects Editor: Damien di Toro
- Visual Effects Producer: Anwei Chen
- Visual Effects Producer: Katherine Farrar
- Visual Effects Producer: Praveen Kilaru
- Visual Effects Producer: Alex Knudsen
- Visual Effects Producer: Lisa Marra
- Visual Effects Producer: Georgina Street
- Visual Effects Producer: Jen Underdahl
- Visual Effects Producer: Grace Hendley
- Visual Effects Producer: Lara Lom
- Visual Effects Producer: Carlos Ciudad
- Visual Effects Producer: Jenny Basen
- Visual Effects Producer: Ken Dailey
- Visual Effects Producer: Danielle Legovich
- Visual Effects Producer: Kacy McDonald
- Visual Effects Producer: Allison Glennon
- Visual Effects Producer: Katrin Arndt
- Visual Effects Producer: Matthew Dravitzki
- Visual Effects Production Assistant: James Abunawass
- Visual Effects Production Assistant: Tiffany Herzog
- Visual Effects Production Assistant: Storm Nylen
- Visual Effects Production Assistant: LaNeisha Watson
- Visual Effects Production Manager: Beverly Abbott
- Visual Effects Production Manager: David Masure-Bosco
- Visual Effects Production Manager: David McPhail
- Visual Effects Production Manager: Nick Thompson
- Visual Effects Production Manager: David Cordon
- Visual Effects Production Manager: Balendu Kurup
- Visual Effects Production Manager: Zelda Tinska
- Visual Effects Production Manager: Donna Smith
- Visual Effects Production Manager: Adrian Steel
- Visual Effects Supervisor: Mårten Larsson
- Visual Effects Supervisor: Phillip Leonhardt
- Visual Effects Supervisor: Kelly Port
- Visual Effects Supervisor: Sean Noel Walker
- Visual Effects Supervisor: Jamie Hallett
- Visual Effects Supervisor: Simon Stanley-Clamp
- Visual Effects Supervisor: Graham Page
- Visual Effects Supervisor: Josh Dagg
- Visual Effects Supervisor: Stuart Penn
- Visual Effects Supervisor: Dan Snape
- Visual Effects Supervisor: Trent Claus
- Visual Effects Supervisor: Darwin Go
- Visual Effects Supervisor: Jonathan Weber
- Visual Effects Supervisor: Stephane Ceretti
- Visual Effects Technical Director: Aleksandar Chalyovski
- Aerial Camera Technician: Eric Dvorsky
- Aerial Director of Photography: Jeremy Braben
- Camera Loader: Sagar Desai
- Camera Operator: Christopher Duskin
- Camera Operator: Maurice K. McGuire
- Camera Operator: Mark Mitchell
- Camera Operator: Cory Brandon Clay
- Camera Production Assistant: Lexi Guenard
- Camera Production Assistant: Jamey Russell
- Camera Production Assistant: Alexander Talley
- Camera Production Assistant: Kerry Goodrum
- Dolly Grip: Darryl Humber
- Dolly Grip: Kenneth Bolton
- Dolly Grip: Sean Devine
- Drone Cinematographer: Jeffrey Steven Brink
- Drone Pilot: Peter Ayriss
- Drone Pilot: Alan Perrin
- Electrician: Vareck Gober
- Electrician: Dan Lewis
- Electrician: Beaux Petit
- Electrician: Cameron Woodall
- Epk Camera Operator: Sean Ricigliano
- First Assistant “A” Camera: Taylor Matheson
- First Assistant “A” Camera: Richard Masino
- First Assistant “B” Camera: Sean Hunter Moe
- First Assistant “B” Camera: Alessandro Di Meo
- First Assistant “C” Camera: Adam Castro
- Gaffer: Zach Steele
- Gaffer: George Selden
- Gaffer: Dan Riffel
- Gaffer: Pat Sweeney
- Generator Operator: Davey Mayes
- Key Grip: Michael J. Coo
- Key Grip: Mitchell Andrew Lillian
- Key Grip: Brendon Phillips
- Lighting Technician: Henry Cantor
- Lighting Technician: Jonathan Irizarry
- Lighting Technician: Brad Irvin
- Lighting Technician: Lorne MacDougall
- Lighting Technician: Jonny Mackenzie
- Lighting Technician: David Oliveros
- Lighting Technician: Garry Thomson
- Lighting Technician: Jeff LaBaume
- Lighting Technician: Louis Rendemonti
- Lighting Technician: Jonathan Terpstra
- Lighting Technician: Ross Grimshaw
- Second Assistant “A” Camera: Matthew Haskins
- Second Assistant “B” Camera: Trey Twitty
- Second Assistant “B” Camera: Daniel Wurschl
- Second Assistant “C” Camera: Alexandra Matheson
- Second Unit Director of Photography: Paul Hughen
- Steadicam Operator: Geoffrey Haley
- Steadicam Operator: Tim Fabrizio
- Conceptual Illustrator: Maciej Kuciara
- Stunts: Sarah Irwin
- Stunts: Elena Sanchez
Catogories:
Adventure,Science Fiction,Action
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Avenge the fallen.
Language:
English,日本語
Production:
United States of America
Company:
Marvel Studios
Popularity:
112.69
Date:
2019-04-24
Year:
2019
- garethmb: The epic Marvel Saga that started over ten years ago has been building up to the inevitable clash with the powerful tyrant Thanos (Josh Brolin). Last year’s “Avengers: Infinity War” set the stage for the highly-anticipated conclusion; “Avengers: End Game” and at long last it has arrived.
Picking up shortly after the events of the last film, the Avengers must deal with the aftermath of what Thanos has done. The team is naturally divided between wanting revenge, wanting to set things right, and just wanting to take what they have and go on.
As time passes and they struggle to accept the reality of their situation; an unexpected individual returns and with them comes the seeds of a new plan to make things right. Naturally Tony Stark (Robert Downey Jr.) is skeptical but eventually warms to the possibilities of the idea thanks to a new scientific breakthrough that makes it possible.
Inspired, Tony sets out to put an elaborate plan in motion that will allow the team to try to fix things and to stop Thanos once and for all.
What follows is an extended and at times nostalgic heist where various members of the team work to assemble the pieces needed for the plan as they believe they only have one chance to make things right.
The film is essentially three acts in one. The first deals with the recap and expansion of their situation and the planning. The second act is basically a heist where action and comedy are blended with some touching moments.
This all leads to the final act which is the FX laden set piece where the ensemble cast gathers to fight the forces of evil in a battle to save the Universe.
The film is epic in scale and length as it clocks in at over three hours but the movie is filled with so much content that the time goes by quickly and you have a hard time believing three hours have elapsed.It is also a difficult film to review as you cannot recap elements of the film in any great detail without giving away elements that are sure to delight the fans. Suffice it to say that my only real issue with the fil and it was minor; was that it took a while to get to the action but at least there was plenty to keep you entertained along the way.
As this phase of the Marvel Film Universe winds down and plans are put in place for the next five years; “Avengers: End Game” is a satisfying conclusion to the epic saga that was started many years ago and weaves elements of many of the past Marvel films into an entertaining tale which features all of the best elements that have made the series of films such big hits.
4.5 stars out of 5
- Gimly: Hey, so, just some really quick thoughts I wanna get down, ’cause it’s after 1 o’clock in the morning, and I wanna get some sleep so I can wake up well rested to see _Endgame_ again.
Putting it out there right from the get-go, _Avengers: Endgame_ is my favourite MCU movie. It’s my favourite movie of the year too, but I’ve only seen like ten or so 2019 releases, and this is the 22nd Marvel Cinematic Universe film, so that seems far and away the bigger deal. I can’t say it’s perfect, there’s some conflicting stuff within its own runtime that really doesn’t seem to gel (though a re-watch may prove me wrong on that), and it’s not like every moment was the no-holds-barred-zero-exception best version of that moment from start to end. But God I loved this thing.
I will say this though, the reason that I loved it, is this thing is fan service galore. If you do not care for the franchise’s 21 movies preceding this point, then _Endgame_ is not the movie to turn you around on that. That may come in a future installment, but this one is a culmination. It’s the end of _Infinity War_ but also Phase 3, but also a wrap-up and genuine ode to/send off for everything that Marvel has done over the past 11 years. That to me was incredible, and I am eternally greatful, but I cannot imagine it working for people who have no vested interest in these characters.
To me though? My first 9 out of 10 rating in **three years**.
_Final rating:★★★★½ – Ridiculously strong appeal. I can’t stop thinking about it._
- Manuel São Bento: If you enjoy reading my Spoiler-Free reviews, please follow my blog 🙂
Don’t worry. This is going to be a pretty vague review. Right now, as I’m writing this sentence, I’m still processing what I saw and how am I going to explain how I felt without spoiling a single tiny thing. First of all, it’s such a mix of feelings. On one hand, I’m extremely happy that I was lucky to be alive during this epic time and that I was able to follow these characters that I love and care about so much. On the other hand, I’m obviously sad that it finally reached the end of this (hopefully) first incredible saga. There are no perfect films and one with so many heroes will always have struggles balancing it all (Infinity War already had this issue).
However, the Russo brothers did everything they could to deliver a phenomenal story, and they did. I don’t think this could have been any better. Its last hour exceeds any expectations. It’s epic, emotional, action-heavy, and it has one of my favorite shots in the entire history of cinema. It’s pure magic, and the VFX team will surely get an Oscar for it. The action reminded me of the biggest Lord of the Rings’ battles, and it was impeccably filmed, filled with riveting and chill-inducing sequences. Nevertheless, don’t expect this high-intensity feeling throughout the whole runtime. The other two acts are a slow-burn build-up to a payoff that’s going to make you pretty much either “love” or “like” this movie. I absolutely love it!
This is easily one of the best MCU films, if not my new number one. I can’t deny that the 3-hour runtime has some unnecessary scenes, but even if they don’t have a significant impact on the plot or even in the characters, they still contribute to the enormous build-up. Seeing this family that we grew up with just talking with each other or having lunch, at the same time that they deal with the consequences of Thanos’ snap, is inexplicably captivating and heartwarming. Characters like Natasha (Scarlett Johansson) and Steve (Chris Evans) supporting each other is simply beautiful. Their comradery and chemistry are worthy of some tears here and there.
Some people didn’t really enjoy Infinity War so much due to the lack of screentime that some characters had. This time around, there are fewer characters to work with, so the balance is better. Everyone gets an important role, from Captain America to Ant-Man (Paul Rudd) to Nebula (Karen Gillan), and even Rocket (Bradley Cooper). Every single character has a major moment. If you take one out of the movie, it just doesn’t work anymore. This is not only great work from the directors, but also from the writers.
Christopher Markus and Stephen McFeely are not even going to be remembered because fans will always think of the cast first. Most of them will also remember the directors. But the writers?! If I stand at the door of the theater at the end of the film and question everyone about who are the writers, I strongly believe most of the audience won’t know. Every dialogue, every sentence, every word carries so much impact on the narrative. Literally, I cried and got chills just by hearing two freaking words with the perfect timing in between. The amount of grief that the words of the ones who’ve lost everyone and everything carry is palpable and, for me, those are the most emotional moments of the movie: seeing how everyone is suffering from their own losses, not the deaths themselves.
The humor is mostly on-point, but it’s still connected to my only real issue with the film, which is the second act’s tone. From the moment the team decides what to do, we already know that this is a 1 in 14 million chance of success like Dr. Strange (Benedict Cumberbatch) said, so the stakes and pressure are massive! With this level of tension, I didn’t expect such an “easygoing” and “funny” vibe throughout, except for one particular sequence. They do a great job once again of pairing up certain Avengers together, but most of them go through these too comedic plot points for such a crucial and serious mission. Fortunately, this act carries enough action and emotional drive to make this problem not that big of an issue.
Visually, this is arguably the best-looking superhero film ever. From the mind-blowing visual effects to the gorgeous cinematography, everything is perfect. The costumes are gritty and muddy when our heroes are in a battle, their faces are all filled with blood, and I have no words to describe how jaw-dropping that last act is. I can’t wait to change my desktop wallpaper once THAT shot is available. I dropped a single tear just by looking at it. No one talks, no one does anything. It’s just an amazingly beautiful image. The score is epic as hell. So much that I’m listening to it right now as I’m writing this review, and I’m getting chills all over my body.
I can’t really write much more, to be honest. I will acknowledge the cast because they are brilliant. Each and every single member delivers an outstanding performance, but if I had to choose the ones that both surprised me and had the most impact on me, they would be Johansson’s, Evans’, and Robert Downey Jr’s (Tony Stark / Iron Man). “New” characters like Captain Marvel (Brie Larson) blend seamlessly, and the payoff is unbelievably satisfying. In terms of predictability, it goes more or less as I expected, but it still carries a few surprises throughout. Nothing is ever like we imagine or theorize about, so expect the unexpected, and don’t judge a movie by if it fits your crazy, unrealistic theories that never crossed the producers and directors’ minds in the first place!
All in all, I don’t know what to do now. The only thing I’m sure of is that I want to see it again, as soon as possible. The last hour is f*cking insane. I couldn’t fall asleep properly because I couldn’t stop thinking about it. Endgame surpasses all expectations. It’s everything I wished for and so much more. I could easily spend a whole day at the movie theater and watch three sessions in a row. It’s that good. One of the best comic-book films of all-time, without a single doubt. Thank you to Kevin Feige and everyone who worked hard to bring the MCU to where it stands now. I can’t even think of how are they going to produce something at the level of Infinity Saga. Maybe they never will. Maybe we’ll have to wait another decade or two for something like this. Until then, see you at the next Endgame screening! Enjoy! Oh and #DontSpoilTheEndgame!
PS: it’s not a perfect movie, I know. It doesn’t exist one. Yes, Endgame has some issues regarding its pacing and tone, but I would be lying to myself if this isn’t everything I dreamed of. I felt the same way with Civil War, regarding the rating to give, and I ended up giving it an A after a first viewing. As soon as I watched the second time, I changed it to an A+. I don’t need to wait for that second viewing with Endgame … And thank you to my audience for being incredibly respectful. No yelling, no crazy laughs, no stupid people doing stupid stuff. Thank you so much for not ruining one of the best cinematic experiences of my life!
Rating: A+
- heroman: okay so if your like me you questioned this movie due to the fact that i personally thought nothing could beat infinity war well after seeing it i can honestly say we have a new champion this was absolutley excelent so hilarious action packed the 3 hrs passes extremily fast my only thing is the use of god…. bothered me and i suggest if your offended by that wait till dvd so you can mute the parts also a reminder to parents ‘no matter how bad you want to see the movie dont do like people in my theater did and bring your 3 year old ‘but besides that awesome movie
- courtlynn: We waited till day 5 of release in theaters. There was a slow start to the movie so i don’t recommend taking little ones under the age of 10. After all the anticipation and hype,Avengers Endgame did not disappoint. Waa a perfect “ending’ to the series. Very well done
- Per Gunnar Jonsson: These kind of movies are among the few movies that I can be bothered to go to an actual theater to watch nowadays. For most movies I just wait until they come out on disk (preferably Ultra HD Blu-ray if it’s available) and watch them on my home theater rig. So this weekend me and the kids went to the theater to watch Avengers: Endgame.
I have to say that it was better, even much better, than I feared. I really feared that the SJW retards at Marvel would take this opportunity to completely re-organize the Marvel universe to their liking. Like how they completely ruined both professor Xavier and Wolverine in that abysmal Logan movie. Luckily, this did not really happen. Maybe the financial reality of their failing SJW comics and Disney doing a bit of culling of the most extreme of the Marvel retards, the ones who fail to understand that super hero movies are meant to entertain and not be their personal agenda channel, are starting to take effect.
It was actually a quite good movie with plenty of action, some humor and, of course, lots and lots of special effects. Even the story made somewhat sense, at least in the context of a Marvel movie, even though the writers resorted to time travel.
The movie starts of somewhat dark and grim but I guess that was to be suspected. It cheered up as it moved along and then ending … well to me at least it was mostly satisfactory.
I was not too thrilled about the “new” Hulk although I warmed up to him a bit during the film. Thor? The less that is said about him the better actually. The rest of the merry bunch was in pretty good shape and I am quite happy that we did not get to see to much of Quill’s usual shenanigans. I really hate that character.
I was quite positively surprised at the huge and quite cool battle towards the end. I was thinking, or rather hoping, that at some time they were just going to reverse Thanos’ crap and that would be it but instead we get to watch another huge confrontation with pretty much everyone involved at the end. Very cool action and FX indeed.
There were some silly plot holes of course. As always when writers resort to time travel. An obvious one would of course be that, when they knew they only had enough Pym particles to complete one trip for each person why did they just not go back in time to get more the first thing they did? Especially since they later did exactly that. Also, Captain Marvel (in her new SJW hairdo) flies through a barrage of fire, smashes through Thanos’ ship like it was nothing and then struggles to combat Thanos himself? There were a bit of this silliness spread around but not too much for me to be bothered by it.
There were a few casualties of which I am saddened by two of them. I think at least one of them was unnecessary and probably agenda based. I also strongly disliked the rubbish with Captain America at the end. He has never been one of my favorite characters so I do not really care much about him being around or not but that rubbish sob-scene where he hands over his shield to a “politically correct” person was really unnecessary. I guess it must have been put there to appease the Marvel SJW retards.
Anyway, my bottom line is that I was greatly entertained by this movie. It had all the good stuff, real super heroes, action, special effects and not too much of the crap that has been spewing out of Marvel the last years.
- swapnake: Awesome!
- Wuchak: ***How can they possibly save half of all living beings in the Universe?***
How are the surviving Avengers & Co. possibly going to save half of the Universe that died? My wife & I had this discussion before viewing. It basically comes down to two options (assuming the events in “Infinity War” weren’t just a dream): magic or time travel. All I’ll say is: What they came up with was in ways reminiscent of the plot convolutions of “Back to the Future II” (1989).
“Endgame” (2019) begins strong with the devastating reality of half of all living beings in the Universe suddenly vanishing. It starts to get lethargic about an hour in, but perks up with the three teams trying to apprehend the Infinity Stones so they can maybe reverse what happened at the end of the previous film.
Everything naturally leads to a huge battle in the last hour that I found boring, not to mention that the epilogue tended to drag on with too much of it being tedious. Still, there are lots of worthy bits throughout, like the opening, the unpredictable first encounter with Thanos, Thor getting flabby, the moving match between Black Widow and Hawkeye at the cliff’s edge, and much more.
Unfortunately, the myriad protagonists work against the film because it can’t concentrate on any one or two characters for very long. Captain Marvel is short shifted and decidedly dull. Plus the movie’s overlong at 3 hours, 1 minute.
GRADE: B/B-
- Justin Lopez: The amazing fight scenes and CGI aren’t enough to mask the fact that the overall plot of going back in time to change reality is just plain stupid and lazy – and this is addressed to the writers. I did know that there was gonna be some time travel involved, but the way Marvel explained and executed it didn’t too well for me. They can’t get away with just putting it all in “Quantum.”
- LoganWright: Sure the final fight with Thanos is more than epic, but I expected more than that. I wanted substance and a plot that didn’t rely on “quantum” for all the questions and explanations.
- BradleyStewart: Sadly, I didn’t enjoy this one as much as I did with the first “Avengers” movies.
- Jane Hall: Honestly, it felt like it was too much of a set-up for me. Having Antman isolated in the Quantum realm was just too convenient and it felt like Marvel was just looking for a foundation for the script they had for this movie that wasn’t even as good as the previous ones.
- JessieCollins: Needed more Dr. Strange action! Felt like the final fight scene with Thanos could’ve been choreographed a lot better especially when you have a magic caster who could dish out different spells like Dr. Strange. But alas, he was instead given the duty of holding off the impending doom from crashing down on his team.
- John Smith: Not a big fan of the ending. But I guess when you have only 0.000000000001% chance of winning you can’t expect it to be the best ending there is.
- gwengww: First of all, good popcorn movie, if you are hardcore fan of marvel or visual effect in general, this is a movie for you.
However, it is clear that imagination of Marvel studio keeps deteriorating. The process and ending is clear about 10% into the movie. Zero development of character. Amateur plot twist. All cliche and low class humor. It is 21st century and they still cling on adult fairy tale and plain visual stimulation. The whole purpose is to let fans know what happens to the character. Good business investment but great shame to the art of movie industry. It is a blatant exploitation of grandpa IP with zero innovation.
Hero fantasy lived in half a century ago. Time to learn from modern Japanese manga and anime (I am not talking about One Piece or Naruto). Stop stitching up individuals from different background and call it a universe, it’s laughable at best.
- Justin Lopez: The amazing fight scenes and CGI aren’t enough to mask the fact that the overall plot of going back in time to change reality is just plain stupid and lazy – and this is addressed to the writers. I did know that there was gonna be some time travel involved, but the way Marvel explained and executed it didn’t too well for me. They can’t get away with just putting it all in “Quantum.”
- 1RobertJohnson1: Great ending but I still can’t get over the fact that the writers had to kill my all-time favorite Avenger, Iron Man. Still, it was a sacrifice that must be taken for the greater good. I love the movie!
- MichaelWilliams: I kind of expected Tony Stark to be the one to take the fall but what caught me off guard was Cap’s decision to return to his original timeline. Man, I can take losing one main Avenger but two? It was just heartbreaking.
- WilliamJones: That final fight with Thanos was epic! Great idea by the writers to have everybody be teleported back when Cap needed them the most. Officially the greatest superhero movie of all time!
- DavidBrown1: With all the hype surrounding this film before its release, it was hard not to have high expectations once it finally went out.I myself am one of those people. Fortunately, it did pretty well and didn’t disappoint. To me, it would’ve been better if all their time traveling somehow created ripple effects in the present to make it more realistic but I guess you can only fit so much content in a film.
