Wisecracking mercenary Deadpool battles the evil and powerful Cable and other bad guys to save a boy’s life.
Credits: TheMovieDb.
Deadpool 2
Overview:
Wisecracking mercenary Deadpool battles the evil and powerful Cable and other bad guys to save a boy’s life.
Cast:
- Wade Wilson / Deadpool / Juggernaut (voice): Ryan Reynolds
- Cable: Josh Brolin
- Vanessa: Morena Baccarin
- Firefist: Julian Dennison
- Domino: Zazie Beetz
- Weasel: T.J. Miller
- Blind Al: Leslie Uggams
- Dopinder: Karan Soni
- Negasonic Teenage Warhead: Brianna Hildebrand
- Black Tom: Jack Kesy
- Headmaster: Eddie Marsan
- Yukio: Shioli Kutsuna
- Colossus (voice): Stefan Kapicic
- Buck: Randal Reeder
- Head Orderly Frye: Nikolai Witschl
- Sergei Valishnikov: Thayr Harris
- Peter: Rob Delaney
- Shatterstar: Lewis Tan
- Zeitgeist: Bill Skarsgård
- Bedlam: Terry Crews
- Vanisher: Brad Pitt
- Hong Kong Boss: Paul Wu
- Sluggo: Robert Maillet
- Luke – Redneck #1: Alan Tudyk
- Redneck #2: Matt Damon
- Swat Captain (School): Michasha Armstrong
- Bus Driver: Joe Doserro
- Cable’s Wife: Hayley Sales
- Cable’s Daughter: Islie Hirvonen
- Tree Trimmer #1: Jagua Arneja
- Tree Trimmer #2: Gerry South
- Prison Guard: Mike Dopud
- Cereal Kid: Luke Roessler
- Neighbor #1: Andy Canete
- Neighbor #2: Tanis Dolman
- Neighbor #3: Eleanor Walker
- Branding Boy: Hunter Dillon
- Older Firefist: Sala Baker
- News Reporter (Irene): Sonia Sunger
- News Cameraman: Paul Wernick
- News Helicopter Pilot: Rhett Reese
- Chinook Pilot: Abiola Uthman
- Black Tom Gang Member: Tony Bailey
- Priest: David Cook
- Park Bench Couple: Alex Kliner
- Park Bench Couple: Elaine Kliner
- Ground Chuck Mutant: David Leitch
- Zoo Kid: Valencia Budijanto
- Bystander: Stefania Indelicato
- Strip Club Dancer: Myfanwy Williams
- Strip Club Dancer: Sam Armstrong
- Strip Club Dancer: Alison Pickford
- Strip Club Baddie: Danny Ocean
- Strip Club Baddie: Paul Lazenby
- Strip Club Baddie: Noah Beggs
- Strip Club Baddie: Andrei Kovski
- Vocalist on ‘Tomorrow’ (voice): Alicia Morton
- On-Set Colossus (uncredited): Andre Tricoteux
- Child Protection Worker (uncredited): Lisa Bunting
- Waving Prisoner (uncredited): Miles Ellis
- Prison Guard 96S (uncredited): Lars Grant
- DMC Guard (uncredited): Sam Hargrave
- Beast (uncredited): Nicholas Hoult
- Business Passerby (uncredited): Simon MacIntyre
- Charles Xavier (uncredited): James McAvoy
- Quicksilver (uncredited): Evan Peters
- Cyclops (uncredited): Tye Sheridan
- Storm (uncredited): Alexandra Shipp
- Nightcrawler (uncredited): Kodi Smit-McPhee
- Thug (uncredited): Scott Vickaryous
- Mutant Prisoner (uncredited): Dan Zachary
Crew:
- Executive Producer: Kelly McCormick
- Editor: Michael McCusker
- Executive Producer: Ethan Smith
- Executive Producer: Jonathon Komack Martin
- Utility Stunts: Joe Ross
- Thanks: Joe Kelly
- Thanks: George Dewey
- Executive Producer: Paul Wernick
- Thanks: Cynthia Pett-Dante
- Producer: Ryan Reynolds
- Thanks: Louise Simonson
- Thanks: Ed McGuinness
- Executive Producer: Rhett Reese
- Comic Book: Rob Liefeld
- Thanks: Hugh Jackman
- Thanks: James Mangold
- Thanks: Fabian Nicieza
- First Assistant Hairstylist: Marie Clancy
- First Assistant Makeup Artist: Darah Wyant
- First Assistant Makeup Artist: Davina Faye
- Assistant Makeup Artist: Sven Granlund
- Makeup Designer: Andy Clement
- First Assistant Hairstylist: Lynnea Board
- First Assistant Hairstylist: Lilia Afsahi
- Key Makeup Artist: Richard Alonzo
- Special Effects Makeup Artist: Rebeccah Delchambre
- Special Effects Makeup Artist: Mike Fields
- ADR Mixer: David Betancourt
- Key Makeup Artist: Pepe Mora
- Special Effects Makeup Artist: Holland Miller
- ADR Mixer: Jerrell Suelto
- ADR Mixer: Jon Vogl
- Special Effects Makeup Artist: Felix Fox
- Makeup Designer: Bill Corso
- Special Effects Makeup Artist: Cayley Giene
- ADR Recordist: Aidan Dykes
- ADR Supervisor: Paul Timothy Carden
- Makeup Artist: Mike Smithson
- Sound Designer: Martyn Zub
- Second Unit First Assistant Director: Jayson Merrill
- ADR Supervisor: Gina Mueller
- Second Assistant Director: Brad Medhurst
- Foley Artist: John T. Cucci
- Third Assistant Director: Amanda Petura
- First Assistant Sound Editor: Smokey Cloud
- Sound Mixer: Ian Tarasoff
- Key Makeup Artist: Akihito Ikeda
- Foley Editor: Matthew Harrison
- Second Assistant Director: Matthew D. Smith
- Second Assistant Director: Scott Kukurudz
- Foley Artist: Dan O’Connell
- Foley Editor: Mark Pappas
- Stunt Coordinator: Jonathan Eusebio
- Third Assistant Director: Regan Kosior
- Sound Mixer: Scott Jason Farr
- Second Assistant Director: Robert S. Weber
- Second Unit Director: Darrin Prescott
- Foley Mixer: Jack Cucci
- Production Manager: Prashant Sharan
- CG Supervisor: Benjamín Magaña
- Compositing Lead: Gregory Chalenko
- Compositing Supervisor: Dan Breckwoldt
- Animation Supervisor: Alex Poei
- Animation Supervisor: Bernd Angerer
- Compositing Supervisor: Ryan Leonard
- Rotoscoping Artist: Sebinsaji
- VFX Artist: Jean Bennamias
- CG Artist: Yuliia Kondratova
- Compositing Supervisor: Leslie Chung
- Modeling: Manmath Matondkar
- Compositing Supervisor: Shivesh Gehlot
- Compositing Supervisor: Florian Schroeder
- Compositing Lead: Victor Norberg
- VFX Lighting Artist: Khushroo Surveyor
- Rotoscoping Artist: Sagar Khorasia
- VFX Artist: Nikki Snider
- VFX Artist: Melvin Polayah
- Visual Effects Coordinator: Zach Groves
- Visual Effects Coordinator: Andrew Van Midde
- Visual Effects Producer: Martin Wiseman
- Visual Effects Production Manager: Arwen Munro
- Visual Effects Technical Director: Murali Krishna Chintapalli
- Visual Effects Technical Director: Harsh Mistry
- VFX Lighting Artist: Helga Victoria
- Visual Effects Coordinator: Emily C. Moye
- Visual Effects Coordinator: Mohamed Aït Ouyahia
- Visual Effects Producer: Matthew Dravitzki
- Visual Effects Supervisor: Gong Myung Lee
- Layout Supervisor: Kristin Pratt
- Rotoscoping Artist: Ratnesh Patel
- Senior Animator: Shajo John
- VFX Editor: Matt Blouin
- Visual Effects Production Assistant: Bryant Mudd
- CG Artist: Hideki Okano
- Compositing Lead: Tiago Santos
- VFX Lighting Artist: Jamshid Sadat
- Production Manager: Ashish Kukian
- CG Supervisor: Ivan Andres Guerrero
- Digital Effects Supervisor: Sean Schur
- Compositing Lead: Miguel Diaz Cachero
- VFX Lighting Artist: Paul Wojdylo
- Matte Painter: Laura Macfadyen
- VFX Editor: Jonathan D. Martin
- VFX Artist: Irshad Patel
- Visual Effects Coordinator: Tesa Kubicek
- Visual Effects Producer: Nelson Dsouza
- Animation Supervisor: Eric Bates
- Compositing Lead: Kunal Chindarkar
- Senior Animator: Matthew Hackett
- Visual Effects Production Manager: Rachel Hannah Cohen
- Animation Supervisor: Eric Guaglione
- Compositing Supervisor: Stephen James
- Digital Effects Supervisor: Chris McLaughlin
- VFX Lighting Artist: Marcello P. Carvalho
- VFX Lighting Artist: Tim Palgut
- Visual Effects Coordinator: Bastien Rivas
- Visual Effects Producer: Chris Anderson
- VFX Lighting Artist: Subhash Dalke
- Senior Animator: Goran Ognjanovic
- VFX Artist: Yogendra Bundela
- Visual Effects Coordinator: Anne-Marie Ouellet
- Production Manager: Sainath Shinde
- VFX Lighting Artist: Sean Dsouza
- Matte Painter: Daniel St-Amant
- Matte Painter: Morgan Lang
- Matte Painter: Rodgers Paul
- Rotoscoping Artist: Jesse Forsey
- Compositing Supervisor: Romain Rico
- VFX Lighting Artist: Gaeun Lee
- Visual Effects Coordinator: Bradley D. Jordan
- Visual Effects Producer: Adam Pere
- Visual Effects Technical Director: Amir Manavi
- Visual Effects Technical Director: Tangi Vaillant
- VFX Lighting Artist: Jose L. De Juan
- Modeling: Menard Jordane
- Rotoscoping Artist: Simon J. Taua’i
- VFX Artist: Prerana Jaiswal
- Concept Artist: Christopher Brändström
- Production Supervisor: Vickie M. Hsieh
- VFX Editor: Brock Shekelton
- VFX Editor: Dhuha Isa
- VFX Artist: David Ertsinian
- VFX Artist: Pharoah Barrett
- Visual Effects Production Manager: Jatin Bhavsar
- Visual Effects Coordinator: Nick Ghizas
- Modeling: Nilesh Pobatti
- VFX Artist: Shiv Kumar Vishwakarma
- Visual Effects Producer: Kelly McCarthy
- Visual Effects Technical Director: Jordan Cario
- Animation Supervisor: Nadav Ehrlich
- Compositing Supervisor: Andrew Brooks
- Digital Effects Supervisor: Ben Cowell-Thomas
- Rotoscoping Artist: Ashutosh Surawshi
- Visual Effects Coordinator: Hakyung Chang
- Visual Effects Coordinator: Tabitha Woodman
- VFX Artist: Rusty Ippolito
- Visual Effects Coordinator: Julia Llanos
- Visual Effects Production Manager: Monifa Andrew
- Concept Artist: Eduardo Pena
- Graphic Designer: Sasha Odesse
- Concept Artist: Fred Palacio
- Set Decoration Buyer: Ester Bovard
- Set Decorating Coordinator: Sophie Graham
- Conceptual Illustrator: Ray Lai
- Set Designer: Cristian Arizaga
- Assistant Property Master: Clayton Flagg
- Concept Artist: Marc Bitz
- Property Master: Jerry Staar
- Concept Artist: Wolfgang Metschan
- Props: Jake Warren
- Set Decoration Buyer: Amber Boorman
- Graphic Designer: Melina Humphries
- Set Dresser: Darian Deering
- Concept Artist: Kelton Cram
- Concept Artist: Marcos Weiss
- Storyboard Artist: Marcus Endean
- Storyboard Artist: Andrew Garcia-Price
- Art Department Assistant: Uzair Merchant
- Construction Foreman: Chad Calder
- Construction Foreman: David R. Murray
- Construction Buyer: Natalie Michalchyshyn
- Assistant Property Master: Aaron Alexander
- Props: Fiorino Corsi
- Props: Sanford Worth
- Set Decoration Buyer: Jennifer Abrams
- Set Dresser: Robert Murphy
- Head of Story: Doug Lefler
- Set Decoration Buyer: Eliza Hooker
- Props: Heather Murray
- Set Decoration Buyer: Jocelyne Lous
- Art Department Assistant: Kayla Meadows
- Art Department Coordinator: Katharina Nimmervoll
- Concept Artist: Christopher Lee Zammit
- Conceptual Design: Jadrien Cousens
- Aerial Camera Technician: Dane Bjerno
- Electrician: Geoff Knight
- Lighting Technician: William Cash
- Second Assistant “B” Camera: Mighty Dan Robinson
- Editorial Production Assistant: Cole Doran
- First Assistant “A” Camera: Jimmy E. Jensen
- First Assistant Camera: Justin Bergler
- Lighting Technician: Cat Kitellis
- Dolly Grip: Darin Wong
- Rigging Grip: Brian Bjerkness
- Rigging Grip: Alex Reno
- Second Assistant “A” Camera: Amie Gibbins
- Digital Imaging Technician: Ryan McGregor
- Grip: Adrian Wilcocks
- Second Assistant Camera: Frankie Sharpe
- First Assistant Camera: Scott Antifave
- Extras Casting Assistant: Natalie Sutcliffe
- Grip: Sam Stoessiger
- Second Assistant “A” Camera: Spencer Ennis
- Second Assistant Camera: Borislav Penchev
- Best Boy Grip: Leon Serginson
- Drone Pilot: Patrick Weir
- Lighting Technician: Phillip Chadwick
- Digital Imaging Technician: Simon Jori
- Grip: Virgile Dean
- Lighting Technician: Todd Martin
- Rigging Grip: Ken Gurney
- Rigging Grip: Jason Misewich
- Digital Intermediate Editor: Tashi Trieu
- Location Production Assistant: Bret Jolliffe
- Location Production Assistant: Boris Detvaj
- Storyboard Artist: William Groebe
- Grip: Lawrence Ogden
- Dailies Operator: Chris Van Duyn
- Digital Intermediate Colorist: Skip Kimball
- Gaffer: Yves Bernadet
- Grip: Marco Correia
- Grip: Keyon Slowly
- Casting Assistant: Rebecca Davidson
- Camera Trainee: Jared Nickel
- Rigging Grip: Daniel Pierce
- Editorial Production Assistant: A.R. Björklund
- Casting Assistant: Lory Shaye
- First Assistant “A” Camera: Aaron Haesler
- Libra Head Technician: Cary Cooper
- Rigging Grip: Andrew Kearney
- Storyboard Artist: Jeremy Simser
- Camera Trainee: Tatiana Hopcraft
- Dolly Grip: Björn Hermannes
- Grip: Colin Robson
- Lighting Technician: Maria Aceves Varela
- Lighting Technician: Chris Unsworth
- Colorist: Sam Gilling
- First Assistant Editor: Tyler Ruocco
- Online Editor: Nathan Hurlburt
- Assistant Camera: Obedi Daniel
- Assistant Editor: Rob Grant
- Extras Casting: Andrea Brown
- Grip: Denis Marcotte
- Colorist: John St. Laurent
- Location Manager: Ann Goobie
- Digital Imaging Technician: Mitch Bax
- First Assistant “B” Camera: Joshua Kjorven
- Assistant Editor: Adam Michna
- Location Production Assistant: Geshe Mancini
- Stunt Driver: Janene Carleton
- Costume Design: Kurt Swanson
- Costume Design: Bart Mueller
- Stunt Double: Andre Tricoteux
- Stunts: Daniel Hargrave
- VFX Artist: Christoph Westphal
- Post Production Coordinator: Matthew Wells
- Stunts: Clint Carleton
- Stunts: Lauro David Chartrand-DelValle
- Stunts: Nesta Chapman
- Stunts: Breanna Watkins
- Producer: Simon Kinberg
- Executive Producer: Stan Lee
- Director: David Leitch
- Stunts: Tony Bailey
- Stunts: Pete Antico
- Stunts: Matt Berberi
- Stunts: Jason Calder
- Stunts: Rob ‘Sluggo’ Boyce
- Stunts: Fraser Corbett
- Stunts: Marcus Aurelio
- Stunts: Raymond Chan
- Stunts: Ed Anders
- Stunts: Mig Buenacruz
- Stunts: Fraser Aitcheson
- Stunt Driver: Krista Bell
- Stunts: Alex Chiang
- Stunts: Eric Brown
- Stunt Driver: Garvin Cross
- Stunt Driver: Zandara Kennedy
- Stunt Double: Alex Kyshkovych
- Stunt Double: Leif Havdale
- Stunts: Carl Fortin
- Stunts: Adrian Persad
- Stunts: Darryl Scheelar
- Stunt Double: Lloyd Cunningham
- Stunts: Larry Lam
- Stunts: Paul Lazenby
- Stunts: Keanu Lam
- Stunts: Jaeson Lee
- Stunts: Tony Lazzara
- Stunt Double: Tom McComas
- Stunt Driver: Owen Walstrom
- Stunts: Andrei Kovski
- Stunts: Maya Macatumpag
- Stunt Double: Tammy Nera
- Stunt Double: Louise Hradsky
- Utility Stunts: Thayr Harris
- Stunts: Brian Ho
- Stunts: Sean Kohnke
- Utility Stunts: Shahaub Roudbari
- Stunts: Shawn Robidoux
- Stunt Driver: Jeff Sanca
- Stunt Driver: Mark Aaron Wagner
- Stunt Double: Irma Leong
- Stunt Double: Joel McGowan
- Stunts: Darryl Quon
- Stunts: Matt Reimer
- Stunts: Brad Kelly
- Stunts: Greg Rementer
- Fight Choreographer: Nuo Sun
- Utility Stunts: Taylor Tai
- Stunts: Dimitry Tsoy
- Stunts: Mathew Yanagiya
- Stunts: Jean Frenette
- Stunts: Don Lew
- Stunts: John Stoneham Jr.
- Stunts: Robert Zen Humpage
- Stunts: Lars Grant
- Stunts: Megan Hui
- Stunts: Nick Longhurst
- Stunts: Kyle Mclean
- Stunts: Hugo Steele
- Stunt Double: Atlin Mitchell
- Stunts: Cale Schultz
- Stunt Driver: Brennan Walstrom
- Additional Photography: Ronald Hersey
- Stunts: Angela Uyeda
- Stunts: Clay Virtue
- Stunts: Emerson Wong
- Stunt Driver: Kimani Ray Smith
- Stunt Driver: Marshall Virtue
- Additional Photography: Shaun Stander
- Lighting Technician: Yared Gebrekidan
- Stunts: Dan Redford
- Stunts: Sharlene Royer
- Stunt Driver: Kye Walstrom
- Stunts: Tim Garris
- Stunts: Micah Karns
- Stunts: Steven John Brown
- Stunts: Jimmy Chhiu
- Stunts: Eric Linden
- Stunts: Bryce Branagan
- Stunt Coordinator: Wayne Dalglish
- Stunts: Roel Failma
- Producer: Lauren Shuler Donner
- Executive Producer: Aditya Sood
- Stunts: Lateef Crowder
- Stunt Coordinator: Jayson Dumenigo
- Stunt Coordinator: Philip J. Silvera
- Stunts: Thekla Hutyra
- Stunts: Amy Johnston
- Stunts: Thekla Hutyrova
- Stunts: Chad Stahelski
- Stunts: Daniel Bernhardt
- Director of Photography: Jonathan Sela
- Stunt Coordinator: Scott J. Ateah
- Stunts: Cassandra Ebner
- Editor: Craig Alpert
- Art Direction: Roger Fires
- Set Dresser: Kevin Kasper
- Tattoo Designer: Howard Lau
- Supervising Art Director: Dan Hermansen
- Set Dresser: Katharina Brand
- Makeup Department Head: Monica Huppert
- Editor: Elísabet Ronaldsdóttir
- Set Decoration: Sandy Walker
- Set Designer: Houman Eshraghi
- Casting: Mary Vernieu
- Set Designer: Jennifer Yee
- Boom Operator: Donald D. Brown
- Supervising Dialogue Editor: Sean Massey
- Casting: Marisol Roncali
- Property Master: Dan Sissons
- Boom Operator: Allen Yang
- Sound Re-Recording Mixer: Paul Massey
- Production Design: David Scheunemann
- Assistant Art Director: Kris Bergthorson
- Set Designer: Beatrix Schalk
- Construction Coordinator: Glenn Woodruff
- Boom Operator: Allister Mann
- Art Direction: Peter Ochotta
- Set Designer: Peter Rzazewski
- Tattoo Designer: Lee Gren
- Rigging Gaffer: Keith Woods
- Key Grip: Kevin Black
- Still Photographer: David Dolsen
- Lighting Technician: Andrew Wunder
- Lighting Technician: Clyde Harrelson
- Rigging Grip: Herb DeWaal
- Still Photographer: Joseph Lederer
- Matchmove Supervisor: Amit Narwani
- Visual Effects Coordinator: Lesly Cazares
- Camera Operator: Łukasz Bielan
- Key Grip: Mark Hyde
- Lighting Technician: Christopher Hingston
- Rigging Grip: Scott Kozak
- Camera Operator: Tommy Douglas
- Camera Operator: Sasha Proctor
- Gaffer: Andrew W. Davidson
- Lighting Technician: Jason Tidsbury
- Creature Technical Director: Yogesh Bhavsar
- Visual Effects Supervisor: Daniel Macarin
- Lighting Technician: T. Michael Morris
- Visual Effects Coordinator: Kotamraju Karthik
- Visual Effects Producer: Anton Agerbo
- Visual Effects Technical Director: Phoenix Woung-Bi Lee
- Assistant Costume Designer: Gwendolyn Stukely
- Lighting Technician: Tess Bukowsky
- Visual Effects Producer: Sabrina Gagnon
- Camera Operator: Brad McGregor
- Dolly Grip: Nicholas Dent
- Lighting Technician: Rob Brady
- Aerial Director of Photography: Hans Bjerno
- Underwater Director of Photography: Ian Seabrook
- Rigging Grip: Rod Haney
- Second Unit Director of Photography: Patrick Loungway
- Visual Effects Technical Director: Damiano Moltisanti
- Costume Supervisor: Janice MacIsaac
- Casting Associate: Riva Cahn Thompson
- Casting Associate: Raylin Sabo
- Armorer: Rob Fournier
- Creature Technical Director: Avijit Das
- Creature Technical Director: Eric Moliner
- Set Costumer: Cat Mudryk
- Casting Consultant: Yumi Takada
- Script Supervisor: Ana Oparnica Sebal
- Pre-Visualization Supervisor: C. Michael Neely
- Visual Effects Technical Director: Thomas Dotheij
- Assistant Costume Designer: Beverlee June Fix
- Assistant Costume Designer: Monique McRae
- Casting: Corinne Clark
- Lead Animator: Andrew Park
- Set Costumer: Farrahlyn Owen
- Creature Technical Director: Mischa Kolbe
- Modeling: James Galen Clark
- ADR Voice Casting: Johnny Gidcomb
- Set Costumer: Nicola Ryall
- Creature Technical Director: Fazil Ahmed
- Pre-Visualization Supervisor: Steve Yamamoto
- Lead Animator: Sianoosh Nasiriziba
- VFX Editor: Barnes Wheeler
- Visual Effects Coordinator: Connor Smith
- Visual Effects Producer: Thomas Elder-Groebe
- Armorer: Ric Walkington
- Unit Publicist: Lorraine Jamison
- Modeling: K.G. Ginu
- Motion Capture Artist: Daniel Kwon
- Visual Effects Coordinator: Rasghania Bharat
- Visual Effects Coordinator: Sammy Shikaze
- Visual Effects Supervisor: Michael Brazelton
- Visual Effects Supervisor: Dan Glass
- Visual Effects Supervisor: Sean Konrad
- Costume Coordinator: Lana S. Krause
- Casting: Jennifer Page
- Choreographer: Paul Becker
- Set Costumer: Carolyn Bentley
- Casting Consultant: Ko Iwagami
- Armorer: Jeremy Muir
- Stunts: Sala Baker
- Editor: Dirk Westervelt
- Original Music Composer: Tyler Bates
- Stunt Driver: Joe Doserro
- Hair Department Head: Anne Carroll
- First Assistant Director: Paul Barry
- Prop Designer: Daniel Columbie
- Sound Recordist: Tim Gomillion
- Concept Artist: Stian Dahlslett
- Painter: Jason Claridge
- Carpenter: Joel Hansen
- Sound Effects Editor: David Grimaldi
- Sound Mixer: Mark Noda
- Hairstylist: Richard Kohlen
- Storyboard Artist: Todd Harris
- Concept Artist: Benjamin Last
- Foley Supervisor: John Morris
- Special Effects Makeup Artist: Katie Goett
- Special Effects Makeup Artist: Geoff Redknap
- Concept Artist: Kouji Tajima
- Supervising Sound Editor: Mark P. Stoeckinger
- Special Effects Makeup Artist: Harlow MacFarlane
- Sound Designer: Chuck Michael
- Special Effects Makeup Artist: Bronwyne Sloley
- Painter: Niki Charalambopoulos
- Concept Artist: Aaron McBride
- Dialogue Editor: Ronald Eng
- Special Effects Supervisor: Mike Vézina
- Lead Set Dresser: Paul Jenkinson
- First Assistant Editor: Matt Absher
- In Memory Of: Joi Harris
- Rigging Grip: Matt Bonin
- Music Editor: Ted Caplan
- First Assistant Editor: Jim Carretta
- Music Supervisor: John Houlihan
- First Assistant Editor: Daniel M. Nussbaum
- Orchestrator: Drew Krassowski
- Stunt Double: Jackson Spidell
- Stunts: Natasha Denis
- Costume Illustrator: Jerad Marantz
- Stunts: Becky Ferguson
Catogories:
Action,Comedy,Adventure
This is another clever WordPress plugin.
Prepare for the Second Coming.
Language:
广州话 / 廣州話,English,Pусский,Español
Production:
United States of America
Company:
Maximum Effort,Genre Films,20th Century Fox,Marvel Entertainment
Popularity:
121.931
Date:
2018-05-10
Year:
2018
- garethmb: The Mercenary with a mouth is back with the eagerly awaited arrival of “Deadpool 2”. The films sees the generally well-meaning but highly dysfunctional Deadpool (Ryan Reynolds), back to taking out bad guys as a contract player but also managing his relationship with Vanessa (Morena Baccarin). When an unexpected event sends his life into a freefall, Deadpool tries to find a new purpose with the help of his X-Men associates from the last film who attempt to recruit him into their organization.
His first mission is to defuse an angry and destructive young mutant named Russell (Julian Dennison), which takes an unexpected turn and lands them both in serious trouble.One would think that would be enough to cause some major life changes for Deadpool but thanks to the arrival of Cable (Josh Brolin), a cyborg soldier from the future; things are about to get much more complicated and intense.
Undaunted, Deadpool opts to form his own league of heroes and aside from Domino (Zazie Beetz); they seem to be as unlucky or dysfunctional as their leader which makes for some very hysterical consequences.What follows is an action and laugh-laden adventure which brings even more of what made the first film such a success to the audience as the film takes the bawdy action of the first and ups the ante thanks in large part to an expanded budget and cast.
My biggest concern for the film was that with an expanded budget there would be too many characters and an attempt to do far too much with the film. That did play out at times in the beginning as for me, the first film worked so well as they had to let the characters rather than the action and effects carry it and the rapid-fire arrival of so many jokes and creative profanity made repeat viewing of the film necessary to catch everything.This time out we get elaborate action and chase sequences as well as a much larger cast. At times it seemed as if this would possibly overshadow the characters and story but Reynolds and Director David Leith never let it cross that line.
They also go back to the core elements in the final third of the film which really allows the film to fully connect with the tone of the original film and brings the film home to a satisfying conclusion. What really sold the film for me was the brilliant and very inspired extended scene during the credits which allows Deadpool to “fix” various issues which perfectly captures the irreverent character and the best aspects of the series where the cast is willing to make fun of themselves as well as the larger universe in which their characters exist.I cannot wait to see what comes next as “DeadPool 2” is another fun outing for the character and something very different from most comic based movies.
4 stars out of 5
- TobyBenson: An utterly hilarious movie, with hundreds of pop culture references. A movie that doesn’t take itself seriously, creating a silly, yet sensible dynamic. A must watch!
- tmdb76295109: All in all, I prefer a Marvel movie that doesn’t take itself seriously, but the nonstop unseriousness of Deadpool 2 can wear you down, too.
- Mark Rushow: Terminator + Adam Sandler = Deadpool 2. Anyone else notice that? Even Deadpool calls Cable Jon Connor but the whole movie is structured like a Terminator movie. Cable is like a combination of Jon Connor and a Terminator. All the comedy is styled just like an Adam Sandler movie. And that is it. Works pretty good oddly. It is the Terminator movie that never was. Though the director of the first Deadpool wasn’t directing this movie he is actually directing the next Terminator film.
- Gimly: Takes some pretty hardcore departures from the first movie in terms of characters, but _Deadpool 2_ is still funny as Hell (maybe not quite as funny as it thinks but still, very very humorous) and Ryan Reynolds once again absolutely nails the titular role. I never loved either of these movies as much as it seems people did by and large, but I do **like** them, and that’s not nothin’.
_Final rating:★★★ – I liked it. Would personally recommend you give it a go._
- Per Gunnar Jonsson: I have to say that I quite enjoyed this movie. Was there a lot of juvenile jokes? Oh yes. Was the characters sometimes over the top and silly? Yes again. Was the script and story anything to write home about? Of course not! Was there a lot of gratuitous violence? Hell yes! But then, this was pretty much what could be expected. Anyone offended or surprised by this should not really have picked this movie in the first place.
Despite the fairly juvenile jokes, the sometime illogical script and the way over the top chop-chop-and-chop-some-more violence I had great fun watching this movie. I really enjoyed the action sequences a’la Kill Bill, the special effects and yes, the jokes. Most of the time at least)
Everything was so silly and over the top that it actually became funny. Each scene, taken by itself, would probably have been considered silly, or even bad, by me but stringed together in the context of the movie as a whole it just worked. For me at least.
The action sequences, CGI and everything that should be in a superhero movie was, in my mind, quite good. Also, despite not really being anything to write home about the story was quite adequate. Simple, straightforward and a lot better than the crap that a lot of the stuff that social and political correctness preaching writers at Marvel are spewing out these days.
I definitely liked Cable as the hard hitting ass-kicking cyborg. When Domino was first introduced I was not impressed, even though she’s hot. I mean, luck as a superpower? However, when she started to pull all these hilarious stunts with these incredibly unbelievable chains of events I quickly changed my mind. Oh, and I did like Deadpool of course. That goes without saying. If you do not like the main protagonist it is difficult to like the movie itself is it not?
Most of the other characters were between okay and so so. The one character I never really liked was Firefist. He was never funny, just incredibly stupid and childish.
The team of fellow mutant “warriors” that Deadpool pulled together? Well let’s say that I am not that disappointed that they were somewhat “expendable” but it looks like that was the whole point of it. When the first of them whammed into that bus I thought “What the f…?” and then it just continued with one gory event following another. Nice touch with the blue blood by the way. I guess the guy was an alien after all.
To sum it up, a lot of the movie was pretty much what I expected but altogether I think I was positively surprised. Two hours of great fun actually.
- GenerationofSwine: Really I felt the jokes landed a heck of a lot more in this one than they did in Deadpool, and for a movie like this it counts for a lot.
It seemed to hit all ends of the political spectrum in the humor, and that too worked, especially as the character is satirical and prone to break the 4th wall…which also applies to our society as a whole. And it worked very well for this film.
The blood, the sex, the vulgarity all actually added to the plot as a whole, it fit like a glove and accented the humor as a whole to make the film darkly funny, especially with a plot that at times was intentionally inane and pointless and, at times, deeper than you’d expect for a self-deprecating super hero film.
It’s worth watching twice at least, even if, the second time around, you see all the best laughs coming.
- The Movie Mob: **Deadpool 2 adds awesome new characters and tones down the extreme crudeness to make a sequel that is more enjoyable than the original.**
I’m not much of a Deadpool fan. The humor was much too crude and nonsensical for me to enjoy the first outing, but the sequel toned it down to a PG-13 rating for the sequel, and as a result, I had a much better experience! One of the significant improvements over the first movie was the exciting additions of Cable and Domino to the cast. Josh Brolin was a fantastic choice for Cable, and the design and grittiness of the character were amazing to see on the screen. I also liked the way Deadpool 2 depicted Domino’s powers in a more tangible way than even the comics can show (and Zazie Beats was fantastic in the role too). Even Brad Pitt was fun in his brief role. I love the X-Men, and this movie ventured further into that world than its predecessor. The fun time travel scene of Reynolds correcting all of his career and Deadpool mistakes was comedic gold! Deadpool 2 was a much better outing to me, but that’s probably due to the very same reasons that so many traditional Deadpool fans didn’t like it.
- Andre Gonzales: Not as good as the first. Still good though. Also my favorite x-men of all time juggernaut is in this.
