Jurassic World Dominion

Four years after Isla Nublar was destroyed, dinosaurs now live—and hunt—alongside humans all over the world. This fragile balance will reshape the future and determine, once and for all, whether human beings are to remain the apex predators ona planet they now share with history’s most fearsome creatures.

Credits: TheMovieDb.
Jurassic World Dominion
Overview:
Four years after Isla Nublar was destroyed, dinosaurs now live—and hunt—alongside humans all over the world. This fragile balance will reshape the future and determine, once and for all, whether human beings are to remain the apex predators ona planet they now share with history’s most fearsome creatures.
Cast:

• Owen Grady: Chris Pratt
• Claire Dearing: Bryce Dallas Howard
• Ellie Sattler: Laura Dern
• Alan Grant: Sam Neill
• Ian Malcolm: Jeff Goldblum
• Kayla Watts: DeWanda Wise
• Ramsay Cole: Mamoudou Athie
• Maisie Lockwood / Young Charlotte Lockwood: Isabella Sermon
• Lewis Dodgson: Campbell Scott
• Henry Wu: BD Wong
• Barry Sembène: Omar Sy
• Franklin Webb: Justice Smith
• Zia Rodriguez: Daniella Pineda
• Rainn Delacourt: Scott Haze
• Soyona Santos: Dichen Lachman
• Wyatt: Kristoffer Polaha
• Jeremy Bernier: Caleb Hearon
• Denise Roberts: Freya Parker
• Angus Hetbury: Alexander Owen
• Sundar Kumar: Ahir Shah
• Adult Charlotte Lockwood: Elva Trill
• Farmer Peréz: Teresa Cendon-Garcia
• Alicia Peréz: Manuela Mora
• Ramon Peréz: Bastian Antonio Fuentes
• Gemma Zhao: Jasmine Chiu
• Shira: Varada Sethu
• Tyler: Ben Ashenden
• Wigi: Enzo Squillino Jr.
• Carolyn O’Hara: Glynis Davies
• Shep Wauneka: Mo Brings Plenty
• Rosa Delgado: Emilie Jumeaux
• Madison: Aisling Sharkey
• Jeffrey: Joel Elferink
• Shop Owner: Elan Ross Gibson
• Hunter: Cokey Falkow
• Maltese Smuggler: Dimitri ‘Vegas’ Thivaios
• EMT: Eleanor Tata
• Rooftop Agent: Joe Azzopardi
• Hog Farmer: Lynn Hunter
• Black Car Driver: Ben Cooke
• Tourist: Cathleen Summers
• Paleontologist: Patrick Loungway
• T-Bone Car Driver: Michael Bendib
• Rescue Chopper Pilot: Yasmine Bouabid
• Washington Pedestrian (uncredited): Ross Donnelly
• Maltese Gangster (uncredited): Metin Hassan
• Foreman: Gjee Wade II

Crew:

• Production Design: Kevin Jenkins
• Editor: Mark Sanger
• Visual Effects: Daniel Hazeltine
• Stand In: Nina Jalava
• Main Title Theme Composer: John Williams
• Screenplay: Colin Trevorrow
• Accounting Trainee: Deanna Marshall
• Military Consultant: Paul Biddiss
• Executive Visual Effects Producer: Jeanie King
• Sound Effects Designer: Fenilconic
• Special Effects Technician: Laurie Pellard
• Sculptor: Davide Losi
• Sculptor: Anna Henderson
• Stunt Double: Cassandra Ebner
• Costume Design: Joanna Johnston
• Stunts: Catalin Bindiu
• Stunts: Charles O’Neill
• Stunts: Jonathan Pandolfino
• Stunts: Norbert Coleiro
• Stunts: Albert Dibben
• Stunts: Sean Zerafa
• Art Direction: Tom Whitehead
• Stunts: Ryan Busuttil
• Stunts: Clint Camilleri
• Stunts: Peppijna Dalli
• Stunts: Aaron Sammut
• Stunts: Andrew Cachia
• Stunts: Daniel Camilleri
• Stunts: Matthew Camilleri
• Stunts: Ryan Saliba Gazzano
• Art Direction: Rhys Ifan
• Assistant Art Director: Alex Bowens
• Art Department Assistant: Grace Westwood
• Art Department Assistant: Tessa Flanagan
• Stunts: Clive Camilleri
• Stunts: Dexter Schembri
• Stunts: Bradley Mifsud
• Stunts: Jesmond Said
• Art Department Assistant: Melissa Wood
• Stunts: Audrey Chetcuti
• Stunts: Steffan Debattista
• Assistant Art Director: Dominique Law
• Second Assistant “B” Camera: Sam Irwin
• Camera Trainee: Beth Trinder
• Gaffer: Lee Walters
• Stunts: Abigail Borg
• Stunts: Mikela Borg
• Stunts: Kevin-Briffa
• Standby Art Director: Peter James
• Stunts: Mark Mallia
• Art Direction: Rod McLean
• Assistant Set Decoration: Roxy Stapleton
• Assistant Art Director: Keely Lanigan-Atkins
• Property Master: David Balfour
• Visual Effects Coordinator: Natalie Cooke
• Stunts: Adam El Saghir
• Stunts: Luciano Ellul
• Assistant Art Director: Petra Balogh
• Digital Imaging Technician: Andrea Michelon
• Rigging Gaffer: Liam McGill
• Art Direction: Jim Barr
• Assistant Set Decoration: Marie Isabel
• Property Master: John Wells
• “A” Camera Operator: Ian Fox
• Assistant Art Director: Sonia Kasparian
• Assistant Art Director: Luke Sanders
• Set Decoration: Richard Roberts
• Property Builder: Annie Gilhooly
• Steadicam Operator: Pete Cavaciuti
• Art Direction: Liam Georgensen
• Art Direction: Sarah Ginn
• Art Department Coordinator: Louise Dobson
• First Assistant “B” Camera: Tobias Eedy
• Assistant Set Decoration: Mickaela Trodden
• Camera Trainee: Dean Southan
• Key Grip: Alex Coverley
• Special Effects Technician: Luke Marcel
• Art Direction: Quinn Robinson
• Stunts: Ben Collins
• Second Assistant “A” Camera: Simon Dunn
• Assistant Grip: Joe Thomson
• Special Effects Technician: Karol Stachowicz
• Special Effects Technician: William Brett
• Special Effects Technician: Noah Meddings
• Special Effects Technician: Paul Knowles
• Dolly Grip: Simon Fogg
• Dolly Grip: Simon Muir
• Special Effects Technician: Charlie Pedersen
• Special Effects Technician: Mark Evans
• Special Effects Technician: Dan Williams
• Art Direction: Chris Peters
• Assistant Art Director: Hugh McClelland
• First Assistant “A” Camera: Ryan Taggart
• Digital Imaging Technician: Lincoln Benjamin
• Special Effects Technician: Chris Clarke
• Best Boy Grip: Kirk Thornton
• Special Effects Supervisor: Paul Corbould
• Special Effects Technician: Nigel Sinclair
• Special Effects Technician: Adam Banks
• Special Effects Technician: Frederick Buhagiar
• Special Effects Technician: Garth Gutteridge
• Special Effects Technician: Adam Stanton
• Special Effects Technician: Andy Homan
• Special Effects Technician: Sean Clarke
• Special Effects Technician: Max Burslem
• Hair Designer: Sian Grigg
• Special Effects Technician: Phoebe Tait
• Assistant Costume Designer: Frank Gallacher
• Special Effects Technician: Darrell Guyon
• Special Effects Technician: John Van Der Pool
• Hairstylist: Charlotte Rogers
• Special Effects Technician: Matthew G. Armstrong
• Assistant Costume Designer: Jeremy Turner
• Special Effects Technician: Jason Reed
• Special Effects Technician: Neil McKelvey
• Special Effects Technician: Sam Perez
• Special Effects Technician: Jonathan Oram
• Special Effects Technician: Simon Paraskevas
• Special Effects Technician: Pete Windle
• Special Effects Assistant: Kyle Conder
• Assistant Costume Designer: Jane Gooday
• Special Effects Technician: Luke Turner
• Special Effects Technician: Frank Guiney
• Special Effects Technician: Craig Tilbury
• Special Effects Assistant: James Green
• Special Effects Technician: Sean Leeson
• Costume Supervisor: Brendan Handscombe
• Special Effects Technician: Stuart Kerr
• Assistant Costume Designer: Joanne Lees
• Hairstylist: Fríða Aradóttir
• Special Effects Technician: Jaydan Smith
• Special Effects Technician: Rupert Morency
• Special Effects Technician: Colin Nicholson
• Special Effects Assistant: Kyle Jerichow
• Key Hair Stylist: Samantha Denyer
• Makeup & Hair: Nuria Mbomio
• Makeup Artist: Vivian Baker
• Makeup Supervisor: Karen Cohen
• Hairstylist: David Cox
• Makeup Artist: Sallie Jaye
• Key Makeup Artist: Jessica O’Shea
• Makeup Artist: Jane Galli
• Makeup Artist: Polly Earnshaw
• Key Makeup Artist: Zoey Stones
• Set Decorating Coordinator: Sarah Sanderson
• Set Decoration Buyer: Desiree Azzopardi
• Hairstylist: Andrew Simonin
• Makeup Artist: Charlotte Hayward
• Hairstylist: Ziggy Golden
• Set Decorating Coordinator: Robert Martin
• Sound Re-Recording Mixer: Christopher Boyes
• Stunt Coordinator: Marlow Warrington-Mattei
• In Memory Of: Wojciech Modrzewski
• Stunt Double: Alistair Whitton
• Stunts: Nick Chopping
• Producer: Patrick Crowley
• Supervising Sound Editor: Gwendolyn Yates Whittle
• Associate Producer: Tim Wellspring
• Stunts: Paul Harford
• Stunts: Jody Keys
• Stunts: Mauro Calo
• Stunt Coordinator: Ben Cooke
• Stunts: Andrew Burford
• Stunt Coordinator: Dan Bradley
• Sound Designer: Al Nelson
• Stunt Coordinator: Clare Glass
• Stunt Double: Jesse Thomson
• Stunt Double: David Grant
• Stunts: Martin Craven
• First Assistant Director: Charlie Endean
• Associate Producer: Annys Hamilton
• Stunts: Jamie Dobb
• Stunts: Dom Dumaresq
• Stunts: Lyndon S. Hellewell
• Stunts: Ellie Keighley
• Stunts: Patrick Chiv Tang
• Stunts: Andy Wareham
• Stunts: Stephen Dalli
• Stunts: James Bomalick
• Stunt Double: Sarah Lochlan
• Stunts: George Harris
• Stunts: Paul Heasman
• Stunts: Rory Mulroe
• Stunts: Jessica Hawkins
• Stunts: Paul Joseph
• Stunts: Georgia Munroe
• Stunts: Matthew Stirling
• Stunts: Mark Higgins
• Stunts: Bogdan Kumšackij
• Stunts: Douglas Robson
• Stunts: Hayley Saywell
• Stunts: Jamie Stanley
• Stunts: Karen Teoh
• Stunts: Maxine Whittaker
• Visual Effects Producer: Ann Podlozny
• Sound Re-Recording Mixer: Pete Horner
• Stunts: Naomi Schiff
• Stunts: Mark Archer
• Stunts: James Harris
• Stunts: Kim McGarrity
• Stunts: Andy Merchant
• Stunts: Rashid Phoenix
• Stunts: Quentin Schneider
• Stunts: Damien Walters
• Stunt Coordinator: Danny Virtue
• Stunts: Clint Elvy
• Stunts: Kevin Lyons
• Stunts: Chelsea Mather
• Stunts: Tony van Silva
• Stunts: Simon Whyman
• Stunt Driver: Ryan Ennis
• Stunt Double: Chris Romrell
• Stunts: Oliver Gough
• Stunts: Niall McShea
• Stunts: Elmo Walker
• Stunts: Francesca Cozier
• Stunts: Jason Curle
• Stunts: Adam Kirley
• Stunts: Marie Marolle
• Stunts: Luke Tumber
• Stunts: Vincent Wang
• Stunts: Charmaine Aquilina
• Stunts: Martin Ivanov
• Stunts: Russell Balogh
• Stunts: Jonathan Cohen
• Stunts: Tina Maskell
• Stunts: Sam Trimming
• Stunts: Guiomar Alonso
• Stunts: Bradley Farmer
• Stunts: Tom Hatt
• Stunts: Lukaz Leong
• Stunts: Freddie Mason
• Stunts: Tilly Powell
• Stunts: Calvin Warrington-Heasman
• Stunts: Victor Aquilina
• Stunts: Kai Martin
• Stunts: Chris Morrison
• Stunts: Daz Parker
• Stunts: Laurent Plancel
• Stunts: Morgan Chetcuti
• Stunts: Nicholas Daines
• Stunts: Mens-Sana Tamakloe
• Stunts: Sarah Michelle Attard
• Stunts: Audrick Plum
• Stunts: Matthew Galea
• ADR Recordist: Chris Navarro
• ADR Mixer: Fionán Higgins
• ADR Mixer: Scott Cannizzaro
• ADR Mixer: Roland Heap
• Casting: Nina Gold
• Sound Effects Editor: Benjamin A. Burtt
• Sound Effects Editor: Scott Guitteau
• Sound Effects Editor: Stuart McCowan
• Casting: Jennifer Page
• Casting: Corinne Clark
• Foley Artist: Jana Vance
• Foley Artist: Ronni Brown
• Production Sound Mixer: John Casali
• Foley Editor: Coya Elliott
• Screenplay: Emily Carmichael
• Producer: Frank Marshall
• Original Music Composer: Michael Giacchino
• Executive Producer: Steven Spielberg
• Executive Producer: Alexandra Ferguson
• Director of Photography: John Schwartzman
• Story: Derek Connolly
• Characters: Michael Crichton
• Digital Intermediate Colorist: Stefan Sonnenfeld

Catogories:
Adventure,Action,Science Fiction
These add-ons are interesting.

The epic conclusion of the Jurassic era.
Language:
English
Production:
United States of America
Company:
Amblin Entertainment,Universal Pictures
Popularity:
125.757
Date:
2022-06-01
Year:
2022

• CinemaSerf: “Owen” (Chris Pratt) and “Claire” (Bryce Dallas Howard) are living in the remote wilderness with “Maisie” (Isabella Sermon), whom they are desperate to protect. From what? Well it turns out she is a bit of a miraculous conception from the “Lockwood” dynasty that co-founded the original park with “Hammond” and is very much on the radar of corporate megalomanic “Dodgson” (Campbell Scott) whose company is devising super-engineered locusts to devour great swathes of crops across the United States that are not grown from their own brand of seed. This is where “Sattler” (Laura Dern) comes in. She is convinced of this dastardly plan, but must compare the DNA of one from his lab with one they secured in the wild so she can prove it. Her plan enlists the help of old pal “Grant” (Sam Neill) and with the help of their intellectual nemesis “Malcolm” (a suitably contrarian effort from Jeff Goldblum) they secure an invitation to the company’s sanctuary in the Italian Dolomites. Meantime, the young girl is abducted from her wintry home, as is the baby of velociraptor “Blue” and so Pratt and Howard have to track them down, and that takes them on some quickly paced, but hardly original, set piece adventures where they meet pilot “Kayla” (DeWanda Wise). She chips in to help them in what now reminded me of aspects of the Brendan Fraser “Mummy” films, before they also end up in the Italian mountains. Can they team up and thwart the cunning plan? The problem with this, is that there are just way too many characters and too many weakly constructed threads to the story going on. It’s all too diffuse and serendipity in the last hour or so just takes far too great a hand in the way the narrative combines and develops. The dinosaur effects are still amazing, but oddly enough I felt them less effective than in previous iterations – there just aren’t enough scenes that feature them and when they do, they are just under-used. Pratt is always good value for me, but here he looks out of sorts and hardly features at all; Scott just doesn’t cut it as the malevolent baddie (though could his character be the same guy who tried to buy the specimens in the first film?) and Sam Neill relies too much on his bemused facial expressions – indeed his best work on this is pretty much all included in the trailers. It looks great on big screen, includes a few bars now and again from John Williams masterful 1993 score, but for the main part this is a pretty mediocre conclusion to a great franchise with an ending that is rushed and entirely predictable.
• Manuel São Bento: FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/jurassic-world-dominion-spoiler-free-review

  “Jurassic World Dominion is a massive disappointment on virtually every level. With an incredibly captivating premise, Colin Trevorrow ignores the fascinating years of mankind trying to deal with the chaos of dinosaurs repopulating Earth, opting instead to write a generic, formulaic, surprisingly tedious screenplay.

  In addition to the lousy character treatment, the cast is divided into two storylines focused on nonsensical, bland rescue and espionage missions, placing dinosaurs on the back burner during the excessively long runtime.

  Action sequences reach drastically low entertainment levels, sometimes imperceptible due to erratic camera work and choppy editing.

  The cast, visuals, and score might save this from being a complete trainwreck, but not from miserably failing to deliver an epic conclusion to a saga that deserved nothing less than that.”

  Rating: D

• Chris Sawin: With _Jurassic World Dominion_, a _Jurassic World_ film where dinosaurs are now free and interacting with the modern world shouldn’t feel this long-winded or this tiresome. There are a few action sequences that are worthwhile and Jeff Goldblum has a few great one-liners (“You made a promise to a dinosaur?”), but the film is a monumental disappointment overall.

  The film has already made over $415 million at the worldwide box office, so the interest in the franchise is still there. But the chemistry between the cast is almost non-existent and it feels like the film is running on fumes as it tries to offer something new from what is otherwise dried up fossil fuel. If the _Jurassic Park/Jurassic World_ franchise is to continue, it desperately needs to go in a refreshing and unseen direction. Now that all of the nostalgia is out of the way, fans deserve a refreshing and unique adventure over what is otherwise a glorified rehash.

  **Full review:** https://hubpages.com/entertainment/Jurassic-World-Dominion-2022-Review-You-Cant-Squeeze-Fun-From-a-Fossil

• r96sk: ‘Jurassic World Dominion’ is far from perfect, if just about entertaining to watch… kinda.

  I’m not fully convinced by it but I do think there’s enough in there that’s worth watching. There are too many characters, even main characters with the original trio and the newer duo both involved equally. With that said, I do like ’em. It’s pleasant to see Sam Neill, Laura Dern and Jeff Goldblum, while Chris Pratt and Bryce Dallas Howard are a good pairing.

  Still, I wouldn’t say any one character stands out here. They all make their presence known, though I’m struggling to remember any great moments individually – that’s due to the aforementioned surplus. The rest of the cast, fwiw, are all fine – Mamoudou Athie sticks out most in that regard.

  The run time is overlong, in my opinion. I personally could’ve done without 30 or so minutes and I wouldn’t have felt it was missing anything. The story itself isn’t all that fresh, as in I feel like I’ve seen this sorta thing before (I mean, Biosyn… how creative!), but the barrage of dinosaur-centric action probably just abouts tips it over into a positive rating for yours truly. Could easily be lower, though.

  I’d love for this to be the end of the Jurassic franchise (is there much more to tell?) but there ain’t no way Amblin/Universal are leaving this IP to collect dust, let’s be honest.

• Peter McGinn: So after watching the first four movies in this franchise (three of which I had seen more than once, I finally watched this most recent effort. There are similarities and differences between Dominion and the earlier ones.

  It held some of the usual elements: a child for us to care when they placed her in danger; the ability of the heroes (even the child) to outrun dinosaurs under a blind panic; walking dinosaur food, also known as bad guys; and references to the original theme park that started it all. They outdid themselves this time – keep an eye out for the Barbasol shaving cream canister.

  Of course, there are plenty of differences also. Parts of it weren’t even recognizable as part of the franchise. They juggle plot lines around the dinosaurs, the ethics of genetic engineering, a child clone kidnapping, industrial malfeasance, and what for me was the most interesting subplot and most closely tied to the original film: the struggle for humans and dinosaurs to co-exist under the new planetary paradigm.

  Another difference is that there are two romances developing throughout the film.

  An improvement is the return of characters we know well: Ellie Sattler and Alan Grant are back, and Ian Malcolm is present long enough to get in a few of his witticisms, unlike in the last movie.

  So ultimately I found Dominion to be entertaining enough to stick with it, though the aspects that might have been intended to make me think just sort of got in the way.

• The Movie Mob: **Not as bad as reviews say, but go in with reasonable expectations.**

  As the conclusion of the Jurassic World trilogy, it, unfortunately, had similarities to Rise of Skywalker. A lot of things were going on. Some fun moments. Great nostalgia with the legacy cast. Lots of dino action. But it also felt like they had so much going on that they ran out of time to highlight characters and make us care. I will always love Jurassic Park, so this movie got a little boost in rating because of nostalgia from me.

• JPV852: Wow. Genetically modified locusts. I hope Universal got a discount on the screenwriters… On the plus side, some of the effects were okay. The hero shots of the two franchises (Jurassic Park and Jurassic World) looked good. Otherwise this was a slug to get through and felt like the old guard and new guard were phoning it in. I didn’t like Lost Kingdom very much but at least it was entertainingly dumb. **1.25/5**
• Per Gunnar Jonsson: Well, the dinosaur special effects are quite decent. Unfortunately that is more or less the only reason to watch this movie.

  I really do not understand how the Hollywood idiots can decide to spend loads of money on special effects but not bother to get a decent story/script writer? I mean come on, the story of this movie is just another thirteen on a dozen “big companies are bad” story with dinosaurs thrown in.

  The story is convoluted to say the least and there is as much logic in it as you would expect from a Hollywood writer hack. Things more or less just happen and the “heroes” fight off one dinosaur attack after another on their way to the bad gay without ever tiring. And why the hell can Hollywood never produce a movie where the “heroes” doesn’t just stare like idiots at something until they are screwed?

  Idiotic nonsens like being able to train a dinosaur to home in on someone like a heat seeking missile and chase them forever after having pointed a laser marker on them for a couple of seconds is also the usual unintelligent Hollywood nonsense that just ruins a movie for anyone with anything like average intelligence.

  They brough back some of the old characters but they do not really help. The mostly act like they cannot wait to get paid and get out of there. Jeff Goldblum is his usual climate cult procelyte. I did not really like him in the first movie and he is even worse in this one. The bad guy totally lacks charisma. The only character I really liked was DeWanda Wise as Kyle Watts.

  It is really a shame to see another franchise destroyed by today’s Hollywood morons. I’ve been a dinosaur fan since I was a kid and when the first Jurassic Parc came out with real, life like dinosaurs it was just wow. But now, not even the special effects can save this movie. It is not a good movie, plain and simple.

• Wuchak: **_The Jurassic Park protagonists come together in Marvel’s Savage Land, minus Ka-Zar_**

  As dinosaurs freely roam the Earth, Owen & Claire (Chris Pratt and Bryce Dallas Howard) seek to find their kidnapped adopted daughter (Isabella Sermon), which takes them to Malta and then a remote dinosaur preserve in the Dolomite Mountains of northeastern Italy. Meanwhile Ellie Sattler and Alan Grant (Laura Dern and Sam Neill) have serious concerns about the remote facility wherein they reunite with Ian Malcolm (Jeff Goldblum).

  “Jurassic World: Dominion” (2022) isn’t great like the previous “Fallen Kingdom” (2018) and is arguably the least of the second trilogy. There are some Indiana Jones elements in the Malta segment and James Bond bits at the technologically advanced lair in the mountains, both of which I appreciate.

  Yet I strangely never bought the characters as real people. They always struck me as actors performing according to a contrived script, which tries too hard to check the diversity boxes. Still, there’s certainly enough here to entertain if you’re interested in a dinosaur-oriented sci-fi adventure.

  The film runs 2 hours, 27 minutes, with the Extended Version running just over 12 minutes longer (I viewed the latter). The primary shooting locations include British Columbia, Malta, Hawaii and the UK (Pinewood Studios).

  GRADE: B-/C+

• Axel: Jurassic World Dominion fails to impress as a dinosaur movie, as the plot seems to be a poor choice. The dinosaurs are present but not the main focus, giving the impression that they are only there to extend the franchise. Even the inclusion of Alan Grant seems to be more for nostalgic purposes than contributing to the story. Chris Pratt’s character also appears to be underutilized and serves more as a prop rather than a leading character.

  The camera work in the movie is particularly shoddy, with cuts from one angle to another creating confusion, especially in fast-paced scenes like the one in Malta. The depiction of Malta in the movie is also disappointing, with the country portrayed as a dirty, third-world Arabic nation covered in desert sand, which is not an accurate representation of the country. The use of Arabic style music in the background also seems out of place and unnecessary.

  Overall, Jurassic World Dominion seems to be a movie that was made to extend the franchise rather than being a well-planned and executed story. It is disappointing that a franchise that should have stopped by the third installment continues to churn out mediocre movies. Although the movie is not a complete disaster, it falls short of being an enjoyable watch.

  Additionally, the length of the movie seems to be excessive, and the dragging plot does not help in holding the audience’s attention. The story’s predictability adds to the monotony, leaving little to surprise or engage the viewers.

  As if to acknowledge the franchise’s overreliance on gimmicks and sequels, Ian Malcolm’s line, “Jurassic World? Not a fan,” serves as a meta-commentary on the movie itself. It is a nod to the fans who have been disappointed by the franchise’s recent offerings, and unfortunately, Jurassic World Dominion does little to change that sentiment. 5/10

• Ahmetaslan27: The course of the modern series of Jurassic Park films has become completely different from the old series, lost in the wind and far from the path of success. The story has become weak and lacks events that attract the viewer, and illogical imagination has been introduced excessively, which we are not used to in the old series.