Monkey Man

Kid is an anonymous young man who ekes out a meager living in an underground fight club where, night after night, wearing a gorilla mask, he is beaten bloody by more popular fighters for cash. After years of suppressed rage, Kid discovers a way to infiltrate the enclave of the city’s sinister elite. As his childhood trauma boils over, his mysteriously scarred hands unleash an explosive campaign of retribution to settle the score with the men who took everything from him.

Credits: TheMovieDb.
Monkey Man
Overview:
Kid is an anonymous young man who ekes out a meager living in an underground fight club where, night after night, wearing a gorilla mask, he is beaten bloody by more popular fighters for cash. After years of suppressed rage, Kid discovers a way to infiltrate the enclave of the city’s sinister elite. As his
Cast:

• Kid: Dev Patel
• Rana: Sikandar Kher
• Alphonso: Pitobash
• Neela: Adithi Kalkunte
• Young Kid: Jatin Malik
• Baba Shakti: Makrand Deshpande
• Queenie: Ashwini Kalsekar
• Alpha: Vipin Sharma
• Sita: Sobhita Dhulipala
• Tiger: Sharlto Copley
• King Kobra / Sher Khan: Brahim Achabbakhe
• Mirza: Jomon Thomas
• Lakshmi: Pehan Abdul
• Sheru: Suhaimi
• Adesh Joshi: Vijay Kumar
• Nishit: Jino A. Samuel
• Cop: Kalih Dewantoro
• Cop: Alan Jiraiya
• Dimple: Baby Tamba
• Junior Officer (Flashback): Abhiram Reddam
• Lucky: Harshit Mahawar
• Pimp: Winai Wiangyangkung
• Hijra (Priya): Dayangku Zyana
• Hijra: Christopher Oba Warella
• Hijra: Fahad Scale
• Hijra: Reva Marchellin
• Hijra: Teddy Khannayan
• Hijra: Renren Subramany
• Tabla Maestro: Zakir Hussain
• Hijra: Agus Mulana
• Hijra: Quraish Aattamimi
• Gerrard (Australian Businessman): Joseph J.U. Taylor
• Sanjay: Mathi Alagan

Crew:

• Producer: Anjay Nagpal
• Executive Producer: Steven Thibault
• Executive Producer: Jason Cloth
• Executive Producer: Aaron L. Gilbert
• Executive Producer: Natalya Pavchinskaya
• Executive Producer: Jonathan Fuhrman
• Producer: Erica Lee
• Producer: Christine Haebler
• Producer: Jordan Peele
• Screenplay: Paul Angunawela
• Producer: Dev Patel
• Screenplay: John Collee
• Production Design: Pawas Sawatchaiyamet
• Executive Producer: Andria Spring
• Script Supervisor: Lim Khai Sim
• Second Assistant Director: Apoorva Tripathi
• Grip: Dana Rismawan
• Production Manager: Brenda Lai Yee Lee
• Supervising Sound Editor: Michael Darren
• Post Production Supervisor: Stella Do
• Second Assistant Director: Mohit Silswal
• Key Grip: Rinto Ambar Krisnanto
• Grip: Choliq Satria
• Script Supervisor: Lelly Anggrainy Siwalette
• Third Assistant Director: Melarissa Sjarief
• Animal Wrangler: Rio Ahmad Sofyan
• Sound Effects Editor: Tom Heuzenroeder
• Production Coordinator: Gita Sudjirman
• Sound Re-Recording Mixer: Frank A. Montaño
• Local Casting: Tess Joseph
• First Assistant Director: Dondy Adrian
• Supervising Sound Editor: Sandra Portman
• Grip: Berliyonda
• Post Production Supervisor: Steve Bocsi
• Second Assistant Director: Mario Kartawinatta
• Post Production Supervisor: David Birrell
• Travel Coordinator: Mayasari Supriyanto
• Production Supervisor: John Radel
• Post Production Supervisor: Scott Watson
• Sound Effects Editor: Lachlan Harris
• Post Production Supervisor: Daphne Lambrinou
• Sound Re-Recording Mixer: Jon Taylor
• Production Manager: Anita Sandrayanti
• Third Assistant Director: Wylie Wiratanu Ningrat
• ADR Supervisor: Leah McKeown
• Sound Effects Editor: Duncan Campbell
• Assistant Sound Editor: Hamish Keen
• Sound Editor: Mark P. Stoeckinger
• Dialogue Editor: Sang Jun Kim
• Sound Effects Editor: Chris Baker
• Dialogue Editor: Pete Smith
• Foley Artist: Adrian Medhurst
• Sound Effects Editor: Jay Cheetham
• Dialogue Editor: Arielle McGrail
• ADR Editor: Eric Mouawad
• Sound Designer: Jack Whittaker
• ADR Editor: Christrina Sahni
• ADR Supervisor: Jason W. Freeman
• Dialogue Editor: Micah Loken
• ADR Editor: Troy Reimer
• Sound Designer: Gregorio Gómez
• Assistant Sound Editor: Tony Rooney
• Sound Designer: Nolan McNaughton
• Mix Technician: Kevin Morales
• Dialogue Editor: Eryne Prine
• Foley Artist: Tapio Liukkonen
• Assistant Sound Editor: Joselyn Hernandez
• Assistant Sound Editor: Mark Coffey
• Sound Effects Editor: Frédéric Dubois
• Assistant Sound Editor: Effie Pashidis
• ADR Editor: Katrina Castillou
• Sound Editor: Paul P. Soucek
• Foley Artist: John Simpson
• Sound Designer: Stephen P. Robinson
• Original Music Composer: Jed Kurzel
• Stunts: Stephen Renney
• Casting Associate: Rahul Batra
• Second Unit Cinematographer: Dimas Imam Subhono
• Focus Puller: Adhitya Rachman
• Gaffer: Rubb Bhungdawala
• Fight Choreographer: Brahim Achabbakhe
• Main Title Designer: Aaron Becker
• Set Dresser: Raveena Singh
• Stunt Coordinator: Udeh Nans
• Casting Associate: Arpit Purohit
• Gaffer: Solanki Lalit
• Title Designer: Richie Adams
• Stunt Double: Wut Kulawat
• Producer: Win Rosenfeld
• Producer: Ian Cooper
• Associate Producer: Daniel Larson
• Costume Designer: Divvya Gambhir
• Additional Director of Photography: Simon Temple
• Editor: Chris Gill
• Casting Director: Yunita Chun
• Editor: Tim Murrell
• Producer: Bavand Karim
• Executive Producer: Suraj Maraboyina
• Co-Producer: Mike Wiluan
• Art Direction: Ahmad Zulkarnaen
• Executive Producer: Alison-Jane Roney
• Co-Producer: Raghuvir Joshi
• Executive Producer: Adam Somer
• Set Decoration: Yasmin Sethi
• Costume Designer: Nidhi Gambhir
• Director of Photography: Sharone Meir
• Editor: Kasra Rassoulzadegan
• Executive Producer: Cheryl Leib
• Co-Executive Producer: Joseph Leib
• 3D Artist: Matthew Sato-Smith
• Producer: Samarth Sahni
• Producer: Jomon Thomas
• Producer: Basil Iwanyk

Catogories:
Action,Thriller
This is another elegant addon!!

One small ember can burn down everything.
Language:
हिन्दी,English
Production:
Canada,Singapore,United States of America
Company:
Thunder Road,Bron Studios,Monkeypaw Productions,Minor Realm,Creative Wealth Media Finance,S’YA Concept
Popularity:
93.174
Date:
2024-04-03
Year:
2024

• r96sk: Slightly too long, but pretty much every other element of ‘Monkey Man’ is more than enough to compensate.

  I had a very good time watching what is Dev Patel’s directorial debut. He himself is outstanding, having portrayed the role of the titular character perfectly. I had only seen the guy in two films (‘Slumdog Millionaire’ & ‘The Last Airbender’) prior to this, so very much happy to see him act further. An excellent job from him on and off screen, I’m happy that he managed to get this made in the end.

  As noted, I do think the run time could’ve been trimmed a little. It’s not a major issue of mine, at all, but at a few moments I did feel my interest wane a bit. The story itself is a good one though, one that is entwined with a lot of fight (literally) but a lot of feeling too. Visually, it’s a beauty. As for those behind Patel, Pitobash and Vipin Sharma are positives; Ashwini Kalsekar does well too.

  Most definitely worth a watch, especially on the big screen! I enjoyed myself, all in all.

• Manuel São Bento: FULL SPOILER-FREE REVIEW @ https://talkingfilms.net/monkey-man-review-an-imperfect-yet-compelling-directorial-debut-from-dev-patel/

  “Monkey Man shows that Dev Patel still has much to learn when it comes to directing and writing, but his unwavering commitment to a culturally and thematically rich story deserves countless praises.

  A revenge arc with some pacing issues narrative-wise, but with action sequences loaded with energy and adrenaline, even when chaotically choreographed and shot. Predictably dedicated performance from Patel that avoids some genre formulas while paying homage to some of the classics that inspired him.

  An imperfect yet compelling debut.”

  Rating: B

• CinemaSerf: Dev Patel has spoken a lot about him not wanting to be “James Bond” but it looks like those stories have inspired quite a bit of this pretty derivative revenge thriller that actually reminded me a bit of his “Hotel Mumbai” (2018) outing too. We know that he (“Kid”) routinely dons a monkey mask for some wrestling and he duly gets a pasting – but that this all has purpose. That purpose starts to come together when he manages to organise a subtle sting operation on “Queenie” (Ashwini Kalsekar) who runs an high-end gentleman’s club. His reward here is a job. In the kitchens, bleaching the toilets and washing the pots. A means to an end though as he befriends the drug-pusher “Alphonso” (Pitobash) – who has a nifty, turbo-charged, tuk-tuk, and is soon elevated to the rank of waiter to the corrupt and profligate of city society who frequent the place. Interspersed with his burgeoning career, we begin to see flashbacks of his childhood – and of the brutality that reduced him to his present, vengeful, circumstances. The story is set against a backdrop of political turmoil and with an election looming, he becomes aware that there are wheels within wheels and that his principle antagonist is firmly amongst the secular and religious plotters. He also finds himself being cared for by a sagely monk “Alpha” (Vipin Sharma) who helps him to focus both his mind and his body as we build to a denouement that can be seen from space by anyone who’s ever seen a “John Wick” film. Patel is a charismatic man but that’s not what’s needed here. That’s something just a little more original to keep this over-long two hours from becoming just a bit dull and procedural. It’s not terrible, but it’s not really up to much either.
• cinefetch: This movie is a boring John Wick wannabe (they literally mention John Wick in the movie). The action sucks, the cinematography is nauseating, the story is boring. There’s nothing good about this movie. I’m convinced the high reviews are probably from Indians, as they like to rate shit movies highly. If you’re not Indian, don’t waste your time on this crap.
• cleverashu: There’s a recurrent metaphor throughout the film, of Hanuman trying to eat the sun leaping towards it Icarus-like and being stopped by the gods eventually. Maybe Dev Patel was aware of how well this metaphor would encapsulate his brave directorial debut too, all throughout the film he’s trying to reach the narrative he wants to tell but he eventually pulls his own punches. Only if he knew his film would eventually not release in Indian theaters at all, howmuchever he restrains himself.

  Don’t get me wrong, this is a highly enjoyable film. But the commentary on the current Indian society and what is plaguing it and all the classist and casteist divides we have setup within ourselves — all of that comes out a tad bit feeble and a bit too watered-down.

  You can see Dev touching majorly on religious blind-faith intermingling with politics, but also offhandedly on caste and patriarchy too — there’s even a montage of real-life videos of a few of these evils thrown in for good measure — but everything is a bit too sanitised and it doesn’t jolt you. Not for a single moment did the film drown me in itself with these thoughts, always swimming on the surface. Water and fire are another recurrent tropes which occur throughout, another piece of foresight by Dev on how his fire would eventually be watered and we would just swim on the surface of it.

  Having said that all out, I completely dig the film for its action and how it tries to mix Indian music and instruments throughout. **There’s Zakir Hussain in it ffs, now THAT is what true cameos should be like, completely unexpected and swooping you in.** I’ve always liked Dev’s performance and here he proves he’s as good behind the camera as he is on it. It was great to see familiar Indian faces as well. There’s also one homage to _Ghajini_ in there which I feel was a great nod.

  One last piece of critique and then I would leave: the fictional cities and villages all feel lived-in and real, but at the same time a little bit Westernised too to be uniquely identified as Indian.

• TheSceneSnobs: When I saw the trailer for Monkey Man, I was unsure of what to expect. It seemed like a standard revenge tale with a horror twist. However, what I got was one of my favorite films of the year. Dev Patel shines not only in his acting but also in his directing. This film is much more than another John Wick type of movie; it delves into deep themes and presents a complex narrative that I thoroughly enjoyed.

  Initially, the trailer gave the impression of a conventional revenge story with some horror elements. However, the film exceeds these expectations by offering a richer, more nuanced narrative. The themes explored are profound, touching on revenge, justice, and the human condition.

  Dev Patel’s dual role as actor and director is impressive. His performance is both intense and layered, bringing depth to his character’s journey. Additionally, his direction is sharp, balancing action with moments of introspection.

  The film is more than just an action-packed revenge story; it explores deeper themes that resonate on multiple levels. The narrative examines the nature of revenge and its impact on the individual and society. For example, the protagonist’s quest isn’t just about personal vendetta but also about addressing the broader corruption and injustice in the city. This thematic depth sets the film apart from more straightforward action movies.

  My biggest gripe is that the story could benefit from a longer runtime (which I NEVER say). The film occasionally feels rushed, particularly in the latter half when the protagonist begins his hunt. More time to build tension and develop interactions would enhance the overall impact.

  Despite this minor flaw, the movie is fantastic. It stands out for its strong performances, thoughtful direction, and complex narrative. Dev Patel has proven himself as a talented filmmaker capable of delivering both action and substance. I look forward to seeing more from him in the future and hope he continues to explore and expand on these rich themes.

• Louisa Moore – Screen Zealots: Fans of elevated revenge action films are going to be flat-out dazzled by “Monkey Man,” the directorial debut of Dev Patel (who also co-wrote and stars as the titular character). Many actors are unsuccessful when attempting to make the transition from in front of the camera to behind it, but Patel has the talent to back it up tenfold. This story of vengeance is done so well that I have very few criticisms. It exceeds expectations in all respects.

  The anonymous Kid (Patel) makes a living by sparring for cash in a seedy underground fight club. His gimmick includes wearing a gorilla mask and agreeing to take the fall to his more popular opponents. After enduring bloody beatings for years while carrying with him a terrible childhood trauma, Kid’s rage has grown to astronomical levels. When he discovers a way to infiltrate the city’s elaborate network of corrupt leaders who are responsible for his mother’s death, Kid makes it his personal mission to exact revenge. In the process, he becomes a savior of the people, an underdog who helps the powerless settle the score and right the wrongs that they’ve all endured at the hands of the elite.

  It’s a simple story that works well for a revenge film, as Kid has a great motivation for unleashing his violent retribution. This makes him a hero you want to root for. He’s a murderer, but the people he kills most certainly had it coming. Patel (along with co-writers Paul Angunawela and John Collee) include culturally-appropriate thematic elements that make a statement on the current political climate in India, which lends a depth to the story that makes it as meaningful as it is entertaining.

  Heavily influenced by “The Raid,” “John Wick,” and Korean cinema, eagle-eyed viewers will catch many references and homages to these films. Thankfully, Patel’s approach doesn’t feel like a sad imitation of similar revenge action movies. The production values are fantastic, and every element falls into place. Patel has a great visual style that feels like he’s approaching his direction as a fan who understands the language of cinema (particularly action). There is some really creative stuff here, from the inventive kills to the exciting stunts.

  The fight choreography is nothing short of excellent, and the realistic makeup and stunt coordination combine to make the hand-to-hand brawls feel so authentic The sets and creative duels are absolutely terrific, and fans of the genre will not be disappointed.

  The film has its share of violent, bloody mayhem, but it’s not as action-packed as you may be led to believe. There is a lot of story, but it’s a strong one. The fighting doesn’t start until a good 40 minutes into the film, so it’s a good thing that the dramatic elements work so well (the narrative lags briefly about halfway through, however).

  The biggest surprise to come out of the film is that Patel actually has the talent to back up everything he attempts, from the stunt work (which resulted in multiple personal injuries), writing, direction, and acting. Lanky and thin, he’s an atypical action star, but he sells it here as a scrappy yet powerful fighter who is dismissed as “a kid from the gutter.” You will cheer when Kid embarks on his savage rampage of revenge, especially when this nobody eventually becomes a somebody. Turns out, Patel is a badass action star with an undeniable charm, which makes for a magic combination.

  “Monkey Man” strikes the right balance between meaningful political commentary and full-speed fun, and Patel does both equally well. Topped off with its stylish, gritty atmosphere and high-energy action, this is the type of film that will get you energized about the genre.

  By: Louisa Moore / SCREEN ZEALOTS

• Chandler Danier: Cool but somewhat sloppy, like the first half of this story doesn’t need to happen. I’d have liked to see more of Monkey’s journey to the city, or his establishment as kind slum overlord. More adventure than scenes of him getting beat up. How’d he build up to such an elaborate purse snatching? Seems more lucrative than his night job. Rigged, zero-stakes fights of our guy wearing a mask. I suppose it couldn’t have been called Monkey Man without.

  Engaging look into a side of India that seems to be ignored by many films. I liked the grit. Kept me engaged. Good scenes, unbelievable story elements. Our lead doesn’t seem overly religious, his mission isn’t one of a god fearing man…yet the focus of all the mother scenes is preaching the one true god.

  Monkey Man’s got something to say: God good. Yoga bad.