On a hot summer day in Oslo, the dead mysteriously awaken, and three families are thrown into chaos when their deceased loved ones come back to them. Who are they, and what do they want?
Credits: TheMovieDb.
Håndtering av udøde
Overview:
On a hot summer day in Oslo, the dead mysteriously awaken, and three families are thrown into chaos when their deceased loved ones come back to them. Who are they, and what do they want?
Cast:
- Anna: Renate Reinsve
- David: Anders Danielsen Lie
- Eva: Bahar Pars
- Mahler: Bjørn Sundquist
- Solglimt Colleague: Denise Trankalis
- Tora: Bente Børsum
- Peter: Jan Hrynkiewicz
- Elisabet: Olga Damani
- Flora: Inesa Dauksta
- Kian: Kian Hansen
- Elias: Dennis Østby Ruud
- Doctor: Pinelli Hedda Munthe
- Drowned Man: Anders Dybwad
- Solglimt Colleague: Emma Damskau
- Undertaker: John Ajvide Lindqvist
- Reporter (voice): Monica Csango
- Police Officer (voice): Anders Rønning
- Police Officer (voice): Gunhild Finne Nilsen
Crew:
- Production Accountant: Katinka Haug
- Sound Designer: Nils Aré Viken
- Costume Assistant: Zoi Xanthi
- Electrician: Thomas Kristiansen
- Gaffer: Levi Gawrock Trøite
- Electrician: Nikos Papathanasis
- Sound Designer: Andreas Franck
- Electrician: Lene Vaagland
- Sound Re-Recording Mixer: Tormod Ringnes
- Foley Artist: David Silverin
- Visual Effects Producer: Andreas Hylander
- Lighting Technician: Ole Ulvik Rokseth
- Electrician: David Odstad
- Foley Recordist: Elin Kristoffersen
- Set Decoration: Victoria Wælgaard
- Head of Production: John Bush
- Costume Design: Bente Ulvik
- Digital Intermediate Colorist: Darren Rae
- Producer: Kristin Emblem
- Screenplay: Thea Hvistendahl
- Producer: Guri Neby
- Director of Photography: Pål Ulvik Rokseth
- Executive Producer: Sveinung Golimo
- Novel: John Ajvide Lindqvist
- Editor: Trude Lirhus
- Editor: Thomas Grotmol
- Sound Re-Recording Mixer: Bent Holm
- Makeup Effects Designer: Morten Jacobsen
- Production Design: Linda Janson
- Electrician: Thomas Drange Kristiansen
- Loader: Mats Høiby
- Props: Torgrim Forbergskog
- Camera Trainee: Christos Vasakakis
- Assistant Camera: Marte Beck
- Location Scout: Dag Erik Amdam
- Local Casting: Sofia Dimopoulou
- Electrician: Spiros Angelopoulos
- Music Supervisor: Thore Garberg
- Second Assistant Director: Anja Gundersen Gøystdal
- Online Editor: Albin Abrahamsson
- Production Coordinator: Anniken Haugen
- Location Scout: Nicolay Jacobsen
- Storyboard Artist: Geir Moen
- Still Photographer: Morten Brun
- Third Assistant Director: Thomas Buch
- Key Grip: Bo Lundgren
- Location Scout: Marius Hamm
- Script Consultant: Françoise von Roy
- Script Consultant: Pierre Hodgson
- Production Coordinator: Even Standal Vesterhus
- Still Photographer: Agnete Brun
- Still Photographer: Ihne Pedersen
- Concept Artist: Nikolai Lockertsen
- Location Scout: Fredrik Havstein
- Location Scout: Bror Neby Hilland
- Additional Editor: Tormod Berge
- First Assistant Director: Roar Fjørtoft
- Carpenter: Terje Linchausen
- Grip: Marek Havel
- Executive Producer: Jason Wald
- Executive Producer: Susan Wendt
- Child Wrangler: Luise Nes
- Additional Editor: Jan Arne Storkås
- VFX Supervisor: Otto Thorbjørnsen
- Line Producer: Ola Narum Berg
- Co-Producer: Nick Shumaker
- Executive Producer: Rasmus Krogh
- Additional Editor: Eirik Sildnes
- Casting: Celine Engebrigtsen
- Co-Producer: Nicholas Alavanos
- Post Production Supervisor: Henriette Løberg-Andersen
- Co-Producer: Kristina Börjeson
- Orchestrator: Paul Campbell
- Post Producer: Håkan Strandhag
- Original Music Composer: Peter Raeburn
- Visual Effects Coordinator: Simen Tystad Tunold
- Executive Producer: Emily Thomas
- Executive Producer: Sarah Colvin
- Post Production Supervisor: Vincent Larsson
- Film Processor: Ryan Liddle
- Co-Producer: Pathi Katsoufi
- Co-Producer: Leif Holst Jensen
- Film Processor: Andy Hudson
- Film Processor: John Gurney
- Steadicam Operator: Michael Tsimperopoulos
- Script Supervisor: Aslaug Konradsdottir
- Makeup Artist: Dimitra Giatrakou
- Art Direction: Mirjam Veske
- Co-Producer: Dimitris Logiadis
- Co-Producer: Lizette Jonjic
- First Assistant Camera: Sindri Týr Högnason
- Key Makeup Artist: Terje Rødsjø
- Digital Compositor: Alan Banis
- Sound Recordist: Helge Bodøgaard
- Dialogue Editor: Andreas Mellkvist
- Boom Operator: Henrik Natvig Holst
- Graphic Designer: Eleni Valsamaki
Catogories:
Horror,Drama,Mystery
I like addons, because they are fancy.
Language:
svenska,Norsk
Production:
Greece,Norway,Sweden
Company:
Einar Film,Filmiki Etairia,Zentropa International Sweden,Film i Väst,Greek Film Centre
Popularity:
104.3
Date:
2024-02-09
Year:
2024
- JJ Gonzalez: A bleak and somewhat beautiful piece, “Handling the Undead” had my curiosity the moment it was announced. The first act was great though, with a haunting and mesmerizing score, which is consistent throughout the film. The ending is BIZARRE though, and is haunting as well. Unfortunately, it drags throughout the middle, and the protagonists act about as human as the zombies. Have no idea how they managed to waste Renate.
- MovieGuys: Given how much I enjoyed Let the Right one In, I had high hopes for Norwegian production, Handling the Undead. Hopes that were slowly eroded, over the course of this film.
Yes, I could talk about this being haunting and meaningful, on a vague and nebulous level but I wont. In reality, this essentially is a slow burn zombie film with an outcome no different from any other zombie flick. The key departure is this film is maudlin, lacks pace, an underlying meaning and is generally, downright depressing.
I could have rated this down further but there is nothing wrong with the quality of the acting, cinematography, etc, its the underlying script, for me, that doesn’t work.
In summary, whilst Let the Right One in was amazing, I felt this is its antithesis. Without beating around the bush, trying to unearth some hidden meaning, in this reviewers opinion, its simply crummy. My advice, if you like zombie flicks, most are better than this.
- Horseface: Even at four times speed (MX Player won’t play faster), it’s excruciatingly slow. At least you get a few laughs, because a two-minute shot of an old guy walking looks hilarious in quadruple speed, or a three-minute trumpet solo or weeping session for the camera sounds tear-inducingly funny.
I like slow movies with long shots when there’s a script and a point to it, but this is just toe-cringingly pathetic and pretentious with zero talent or story to back it up.
What a boring clown show. It also looks like poop. 90% of scenes have grays instead of blacks (even a scene where the entire power grid is down, and it’s supposed to be pitch dark), and it looks like someone made an analog copy of a copy of a copy, dragged it through mud, and then scanned it.
On the upside, it’s time for bed, I’ve been having trouble falling asleep lately, but right now I’m almost nodding off while writing this.
