Five Nights at Freddy’s

Recently fired and desperate for work, a troubled young man named Mike agrees to take a position as a night security guard at an abandoned theme restaurant: Freddy Fazbear’s Pizzeria. But he soon discovers that nothing at Freddy’s is what it seems.

Credits: TheMovieDb.
Five Nights at Freddy’s
Overview:
Recently fired and desperate for work, a troubled young man named Mike agrees to take a position as a night security guard at an abandoned theme restaurant: Freddy Fazbear’s Pizzeria. But he soon discovers that nothing at Freddy’s is what it seems.
Cast:

• Mike: Josh Hutcherson
• Abby: Piper Rubio
• Vanessa: Elizabeth Lail
• Steve Raglan: Matthew Lillard
• Aunt Jane: Mary Stuart Masterson
• Max: Kat Conner Sterling
• Jeff: David Lind
• Hank: Christian Stokes
• Carl: Joseph Poliquin
• Ghost Kid (Blonde Boy): Grant Feely
• Ghost Kid (With Hook): Asher Colton Spence
• Ghost Kid (With Bunny Ears): David Huston Doty
• Ghost Kid (With Hat): Liam Hendrix
• Ghost Kid (Blue-Eyed Girl): Jophielle Love
• Dr. Lillian: Tadasay Young
• Doug: Michael P. Sullivan
• Young Mike: Wyatt Parker
• Garrett: Lucas Grant
• Mike’s Mom: Jessica Blackmore
• Mike’s Dad: Garrett Hines
• Freddy’s Security Guard: Ryan Reinike
• Jeremiah: Theodus Crane
• Cindy: Julia Belanova
• Ice Cream Lady: Lisa Mackel Smith
• Afraid Young Boy: Xander Mateo
• Sparky’s Diner Waiter: Matthew Patrick
• Kim: Bailey Winston
• Pharmacist: Gralen Bryant Banks
• Cabbie: Cory Kenshin
• Social Worker: Victoria Patenaude
• Foxy (voice) (uncredited): Kellen Goff

Crew:

• Executive Producer: Marc Mostman
• Executive Producer: Christopher H. Warner
• Set Designer: Alexander Klein
• Screenplay: Scott Cawthon
• Makeup Department Head: Ashley Levy
• Production Supervisor: Brian S. Johnston
• Second Second Assistant Director: Danny Gonzalez
• Set Dresser: Gregory T. Geniusz
• Graphic Designer: Alexa Holland
• Set Dresser: Eric Ringbloom
• Prop Maker: Brad Quintana
• ADR Mixer: Jamison Rabbe
• Art Department Coordinator: Jessica Lee
• Boom Operator: Ryan Farris
• Production Sound Mixer: Chris Welcker
• Supervising Sound Editor: P.K. Hooker
• First Assistant Sound Editor: Smokey Cloud
• Compositor: Chris Van Noy-March
• Set Decorating Coordinator: Brad Miller
• CG Artist: Jasper Goodrich
• Compositor: Paul Wicke
• Assistant Set Decoration: Li Yaffe
• Sound Effects Editor: Jessey Drake
• Camera Loader: Neera Chatrath
• Electrician: Joshua Walker
• Assistant Costume Designer: Lindsey Waltonbaugh
• Key Costumer: Lori Castano
• Special Effects Coordinator: Donnie Dean
• Special Effects Supervisor: Matt Kutcher
• Compositing Supervisor: Rick van de Schootbrugge
• Visual Effects Production Manager: Corey Farrell
• Digital Imaging Technician: Paul Rahfield
• Costume Supervisor: Emma Villere
• Dolly Grip: Ted Gregg
• Casting Associate: Matthew Nelson
• Grip: Brian Nault
• Casting Assistant: Hilary Matkovich
• ADR & Dubbing: Susan Boyajian
• Casting Associate: Amelia Chen Miley
• Dolly Grip: Gerald Autin
• Rigging Grip: Scott Calcagno
• Gaffer: Allen Parks
• Lighting Programmer: Darcy Lynne Jamison
• Casting Assistant: Adam Stephenson
• Costume Coordinator: Paris Cocke
• Post Production Assistant: Tyler Ferguson
• Music Supervisor: Andrea von Foerster
• Color Assistant: Jason Maydick
• First Assistant Editor: Andre Monaco
• Assistant Editor: Lara Karamardian
• Location Coordinator: Stacey Gaw
• Picture Car Coordinator: Michael Schlumbrecht
• Script Supervisor: David Bush
• Music Supervisor: Aminé Ramer
• Scoring Mixer: Jonathan Wales
• Assistant Production Coordinator: Lucia Bellanger
• Editor: Andrew Wesman
• Executive Producer: Ryan Turek
• Editor: William Paley
• Screenstory: Chris Lee Hill
• Screenstory: Tyler MacIntyre
• Musician: Taylor Stewart
• Musician: Andrew Grush
• Co-Producer: Jennifer Scudder Trent
• Stunts: Matt Cipro
• Stunts: Jamie Marie Dunn
• Key Grip: Nick Leon
• Rigging Grip: Donald T. Roth
• Truck Costumer: Marie Boensch
• Stunts: Sierra Hawkins
• Property Master: Michael S. Martin
• Location Manager: Ashley Bunge
• Location Assistant: Corey Ellow Sr.
• Stunts: Michael W. Hoban
• Utility Stunts: Chris Monberg
• Assistant Location Manager: Justin Etienne
• Electrician: Quincy Cichosz
• Electrician: Steffan Pitzel
• Costumer: Heidi Bannon
• Second Assistant Director: David Fischer
• Stunts: Taryn Terrell
• Stunts: Karine Mauffrey
• Stunts: Joe Dryden
• Utility Sound: Emily Poulliard
• Utility Stunts: Chris Bryant
• Stunts: Michael Gaines
• Stunt Coordinator: Andy Dylan
• Utility Stunts: Jeff Brockton
• Key Hair Stylist: Carl G. Variste
• Additional Second Assistant Director: Mary Anne Olinsky
• Rigging Gaffer: Russell Beard
• Rigging Grip: Gino Paul Holmes, Sr.
• Studio Teacher: Nick Delgado
• Actor’s Assistant: Brittany Guillot
• Scenic Artist: Pavel Pesta
• On Set Dresser: Joie Todd Kerns
• Location Assistant: Todd Muse
• Travel Coordinator: Erin Murphy
• Set Dresser: Jen Brunjes
• Production Coordinator: Dylan Gravley
• Stunts: Gwendolyn Lastrapes
• Key Makeup Artist: Suzy Beique
• Assistant Location Manager: John Johnston
• Production Assistant: Bryce Toups
• Set Dresser: Teddy Hennessey
• Charge Scenic Artist: Cecile Aymami
• Best Boy Electric: Nick Kramer
• Rigging Grip: Jody D. Honold, Jr.
• Seamstress: Ryn Wilson
• Generator Operator: James Williams
• Special Effects Technician: Santanna Dean
• Assistant Location Manager: Andrea Babineau
• Construction Foreman: Keith Aymami
• Scenic Artist: Tony Sider
• Key Production Assistant: Sam Nation
• Set Dresser: Remy Laan
• VFX Editor: Drew Sacks
• ADR & Dubbing: Wolfie Trausch
• Payroll Accountant: Melissa Perret
• Painter: Greg White
• ADR & Dubbing: Olivia van Doornewaard
• Production Office Assistant: Maverick Schmit
• Second Assistant Accountant: Cynthia Nguyen
• Production Assistant: Kandace Braud
• Production Accountant: Todd Crockett
• Leadman: Pat A. O’Connor
• Construction Buyer: Nick Martemucci
• Scenic Artist: Joaquin Sanchez
• ADR & Dubbing: Juan Pope
• ADR & Dubbing: Amad Jackson
• ADR Mixer: Mehrnaz Mohabati
• ADR & Dubbing: Jakari Fraser
• ADR Mixer: Michael Rivera
• Production Assistant: Brady Lewis
• Painter: Kirk Bordelon
• Scenic Artist: Brad Benischeck
• Scenic Artist: Wendy Guerrera
• Production Office Assistant: Harrison Costello
• Production Assistant: Miles Gullett
• Set Dresser: Caleb Rimmer
• Painter: Melanie Burck
• ADR & Dubbing: Peyton Goodrum
• Production Office Assistant: Danielle Broussard
• Construction Coordinator: Steve Martemucci
• Art Department Production Assistant: Rebecca McGirney
• Set Decoration Buyer: Madi Turin
• Assistant Accountant: ThuyVi Nguyen
• Production Assistant: Simone Amos
• Executive Producer’s Assistant: Jeremy Marshall
• Scenic Artist: Cecil Bowers
• ADR & Dubbing: Scott Whyte
• Finishing Producer: Vanessa Galvez
• ADR & Dubbing: Alana Webster
• ADR & Dubbing: Kendrick White
• Other: Celeste Chada
• Sound Mix Technician: Max Serwitz
• Colorist: Mitch Paulson
• Dialogue Editor: Sang Kim
• ADR & Dubbing: Elizabeth Bartley
• ADR & Dubbing: Ben Pronsky
• ADR & Dubbing: Amari Grace
• ADR & Dubbing: Jackie Cowgill
• ADR & Dubbing: Thomas Debone
• Music Editor: Brett Pierce
• Scenic Artist: Alexander ‘Sasha’ Stolin
• ADR Mixer: Aidan Dykes
• CG Artist: James Bleakley
• ADR & Dubbing: Chrystee Pharris
• ADR & Dubbing: Esme Ellis
• Additional Music: Lily Marlovits
• Musician: Devon Taylor
• Musician: Stewart Cole
• Additional Music: Saun Santipreecha
• Conductor: Joaquim Badia
• Sound Recordist: Dragisa Stojanov
• Music: Ilija Grkocski
• Post Production Supervisor: Anthony Brandonisio
• Local Casting: Elizabeth Coulon
• Extras Casting: Celena Rose
• Set Designer: Jonathan House
• Visual Effects Supervisor: Jonathan Dearing
• Foley Artist: Bogdan Zavarzin
• Visual Effects Supervisor: Melissa Brockman
• Assistant Property Master: Ashley Clements
• Visual Effects Coordinator: Natasha Tscharanyan
• Conceptual Design: Landon Lott
• Assistant Editor: Andrea McLaughlin
• Sound Effects Editor: Andrew Twite
• Foley Mixer: Rustam Himadiiev
• Sound Re-Recording Mixer: Joel Dougherty
• ADR Editor: Paul Timothy Carden
• CG Supervisor: Qazi Hamza Javed
• Extras Casting: Toni Avalos
• Sound Effects Editor: Ryan A. Sullivan
• Assistant Editor: Melanie Kuan
• Set Designer: Jessica Johnston
• Sound Re-Recording Mixer: Jason Gaya
• Visual Effects Producer: Emily Fay Higgins
• “A” Camera Operator: Chris Flurry
• Grip: Mark Koziorowski
• “B” Camera Operator: Austin Alward
• Animatronics Supervisor: John Criswell
• Best Boy Grip: Richard Elias
• First Assistant “A” Camera: Zachary Blosser
• First Assistant “B” Camera: Bryce Marshall
• Grip: Andy O’Brien
• Second Assistant “B” Camera: Jack Khorram
• Thanks: Gregory Plotkin
• Grip: Ronnie Renshaw
• Second Assistant “A” Camera: Chad Taylor
• VFX Supervisor: Jeffrey Kalmus
• Screenplay: Emma Tammi
• Executive Producer: Russell Binder
• Producer: Jason Blum
• Visual Effects Producer: Bryan Binder
• Executive Producer: Beatriz Sequeira
• Utility Stunts: Eric Stratemeier
• Costume Design: Natalie O’Brien
• Stunts: Sean Paul Braud
• Casting: Sarah Domeier Lindo
• Director of Photography: Lyn Moncrief
• Set Decoration: Claire Sanchez
• Hair Department Head: Amy Wood
• Casting: Terri Taylor
• Production Design: Marc Fisichella
• Art Direction: Mark A. Terry
• First Assistant Director: Woodrow Travers
• Screenplay: Seth Cuddeback
• Still Photographer: Patti Perret

Catogories:
Horror,Mystery
These addons are clever!!

Can you survive five nights?
Language:
English
Production:
United States of America
Company:
Blumhouse Productions,Scott Cawthon Productions
Popularity:
143.509
Date:
2023-10-25
Year:
2023

• bradley: FNAF was great, Kinda wish it had blood, Every kill was offscreen or really dark and you cant really see the kill.
• MustachedMovieMan: I don’t really get what all the negative reviews are about.
  It’s not the best movie ever or that I’ve seen this year, but I still had a good time watching it. The story was interesting, it had some scary parts, some humorous parts, lots of tension, was well-acted, well-shot, and the effects (both practical and CGI) were well-done. Also, the production design and creature design was great.

  A movie doesn’t have to be restricted to either being “the best” or “horrible.” The theater I saw it in was packed, the audience was responsive and seemed to be loving it, and I myself enjoyed it.

  I didn’t really play the games, but I was definitely engaged in the lore of some of the MatPat Game Theory videos I saw. And I could tell from audience reactions that there were some cool things in the movie if you knew the games. That’s not a negative, to be clear. It’s always really cool when filmmakers put things in movies that true fans would catch and geek-out about.

  As far as being a viewer who didn’t really play the games, I enjoyed the movie. And while I think knowing the games/lore would have definitely enhanced my enjoyment and enthusiasm, I wouldn’t say it lacks as a movie or that the games are “required viewing” for those who haven’t played them. Everything’s explained pretty well.

  As far as the horror aspect goes, it is PG-13; I saw some reviews complaining about the lack of gore… It’s PG-13. C’mon guys.
  But, that being said, I thought they still did a good job with the horror elements that were present.

  I also really liked the trio of main characters. I thought Josh Hutcherson, Piper Rubio, and Elizabeth Lail all did a good job.
  Also, I’m glad Josh Hutcherson is back. I hope he’ll continue to be in more movies.

• CinemaSerf: Didn’t Josh Hutcherson used to be famous? Well here he is reduced to the role of the struggling brother of “Abby” (Piper Rubio). Their aunt (Mary Stuart Masterson) is determined that this hapless bag of bones isn’t fit to look after the young girl – after he takes out a visiting father in the fountain of a shopping mall and gets fired; so “Mike” has to get another job! Opportunities are thin on the ground, but there is a vacancy doing the security night shift and an old, derelict, pizza parlour. How hard can it be? Well a meeting with the enigmatic police officer “Vanessa” (Elizabeth Lail) should have rung alarm bells, and when he has to take “Abby” there for one overnight shift – well it’s soon clear that this place has secrets to keep and that it knows how to manipulate the hopes and fears of “Mike” and his sister. Can they stay sane and focussed long enough to survive this maze of malevolent mechanical bunnies? I’m afraid the presence of Matthew Lillard never helps a film, and here is no different – this is just a rather nonsensical attempt at a spooky mystery that certainly has nothing to make you jump. Rubio is actually quite decent, but there’s isn’t enough else happening to compensate for the very slow build up, surfeit of dialogue and frankly rather silly underlying premiss. I suppose as Halloween gets bigger and bigger, we are going to get more and more of these mediocre offerings – but despite it’s more prominent cast, this just belongs on the Horror channel at 2am.
• biancarockr: Good for scaring little kids.
• LegendGamerXZ: I’ve been waiting for this movie for 8.5 years and they delivered. This movie had everything I asked for the only issues I have with this film is that they should make it more scary, I am only giving it a 5 star is because I am bias and loved this franchise ever since I was a kid! I wished this movie had a little bit more blood!
• LegendGamerXZ: I loved the FNAF Movie, I’ve been waiting for this movie for 8 years and they delivered on my expectations on a Five Nights At Freddy’s Movie! My only gripe on this film just wishing it had more blood
• cooldude1983: as a person who never played any fnaf games a really enjoyed this movie the acting was great the robots looked amazing but the story wasn’t scary but I will say it was dark.
• tmdb47940942: I have been a fan of the Five Nights at Freddy’s franchise for 9 years, and I can say that this was a good adaptation for the video game. I give it 3.5 stars or 7/10 because I have watched many interviews with Emma Tammi and some YouTubers were able to release BTS footage a week or so early. Those interviews and BTS videos really helped me understand the love and care Blumhouse, Scott Cawthon Productions, and Jim Henson’s put into the world that they all knew so many loved. But I wouldn’t go any higher than 3.5 or 7/10 because there were not that many jump scares or good scares. It got me a few times, but not as many as I wished for. and they didn’t show much of William or the Spring Bonnie suit. William Afton is the villain of this franchise. In every universe FNaF has, there is a William, and he kills, and I feel like they swung and missed the ball with William a little. If they are able to make a second film, I hope they explore William more. This is a fun watch, good for fans of the franchise, and a good beginner movie for people who get too scared watching horror movies.
• ViolettSmith: Five Nights at Freddy’s is a fun bad film. I personally loved it. I’ve waited years for it to hit the big screen, and I can’t believe the day came. To get this out of the way, Jim Henson’s company did a fantastic job bringing the animatronic horrors to life. All the animatronic suits look phenomenal; it looks like they ripped them straight from the game. The Easter egg characters also looked really good. Jim Henson’s done an awesome job! The actors for the film were great as well: Josh Hutcherson, Elizabeth Lail, and Matthew Lillard. All great actors that fit their roles perfectly. I am a little sad that Matthew Lillard’s role, William Afton, didn’t have that much screen time. For being the main villain of the whole film, he only had a big twist at the end. Speaking of the big twist, Matthew Lillard played William Afton perfectly; I can’t imagine someone else playing the role. He tuned into who William Afton was so well. The line “I always come back” didn’t really fit; at that moment, how does he know he will come back? The lack of scares in the film and the fact that Mr. Cupcake gets the most kills in the whole film are insane to me. FNaF is a jumpscare game, and this film focused more on the human story, which is fine; I would’ve liked more than a few jumpscares. I also don’t care for the animatronics being all friendly; their kids are trapped in robots. Unless those kids were born killing, I can’t see how people can be mad at the animatronics for being friendly.
• r96sk: Serviceable.

  I feel like more could’ve been done with the mascots via the animatronics as well as giving them each some sorta creepy voice, though this is of course based on a video game so if that’s how they are in the game (which I’ve never played nor heard of) then I guess this is not a valid ‘criticism’. Just as a film, I think that would’ve made it more lively.

  ‘Five Nights at Freddy’s’, as it is, is a passable supernatural horror. Josh Hutcherson does an acceptable job as lead, as Elizabeth Lail and youngster Piper Rubio do well too. More could’ve perhaps been done with Matthew Lillard’s character, though Lillard is himself is alright.

  Evidently, the reception to this 2023 movie has been mixed, I can tell that from both the average rating chart and from those that I follow. It worked for me, that’s all there really is for me to say.