Immaculate

An American nun embarks on a new journey when she joins a remote convent in the Italian countryside. However, her warm welcome quickly turns into a living nightmare when she discovers her new home harbours a sinister secret and unspeakable horrors.

Credits: TheMovieDb.
Immaculate
Overview:
An American nun embarks on a new journey when she joins a remote convent in the Italian countryside. However, her warm welcome quickly turns into a living nightmare when she discovers her new home harbours a sinister secret and unspeakable horrors.
Cast:

• Sister Cecilia: Sydney Sweeney
• Father Sal Tedeschi: Álvaro Morte
• Sister Mary: Simona Tabasco
• Sister Gwen: Benedetta Porcaroli
• Cardinal Franco Merola: Giorgio Colangeli
• Mother Superior: Dora Romano
• Sister Isabelle: Giulia Heathfield Di Renzi
• Doctor Gallo: Giampiero Judica
• Sister Francesca: Betti Pedrazzi
• Deacon Enzo: Giuseppe Lo Piccolo
• Sister Friede: Cristina Chinaglia
• Customs Official: Niccolò Senni
• Young Cecilia: Isabel Desantis
• Sister Sally: Viviane Florentine Nicolai
• Sister Joan: Marisa Regina
• Young Novice: Laura Camassa
• Red Veiled Nun: Cinzia Fantauzzi
• Weary Customs Official: Tiziano Ferracci

Crew:

• Director: Michael Mohan
• Producer: Sydney Sweeney
• Producer: Teddy Schwarzman
• Executive Producer: Christopher Casanova
• Producer: Michael Heimler
• Screenplay: Andrew Lobel
• Executive Producer: John Friedberg
• Producer: David Bernad
• Producer: Jonathan Davino
• Unit Production Manager: Will Greenfield
• Co-Producer: Ben Shafer
• Second Unit Director of Photography: Lowell A. Meyer
• Supervising Sound Editor: Bryan Parker
• Gaffer: Elvis Pasqual
• Makeup Artist: Francesca Antonetti
• Sound Re-Recording Mixer: Zack Goldsborough
• Sound Re-Recording Mixer: Christian P. Minkler
• Visual Effects Producer: Casey Roberts
• Makeup Department Head: Federica Emidi
• Makeup Artist: Chiara Fulli
• Sound Engineer: Gianpaolo Catanzaro
• Hairstylist: Elena Fabbiani
• Second Unit Director of Photography: Antonello Emidi
• Director of Photography: Elisha Christian
• Colorist: Andrea Chlebak
• Sound Effects Editor: Joshua Adeniji
• VFX Artist: Dani Horbiak
• Special Effects Coordinator: Elena Gentile
• Visual Effects Supervisor: John Brubaker
• Special Effects Coordinator: Laura La Fauci
• Hair Department Head: Luca Vannella
• Second Assistant Director: Alessandro Specchio
• Set Production Assistant: Edoardo Brunatelli
• Property Buyer: Ginevra Fusari
• Art Direction: Francesco Scandale
• Casting: Francesco Vedovati
• Casting: Barbara Giordani
• Set Decoration: Veronica Lopez
• Set Production Assistant: Giulia Sardelli
• Assistant Director: Annamarie Dicesare
• Special Effects Technician: Enrico Toscano
• Editor: Christian Masini
• Set Production Assistant: Roberto Scuro
• Stunt Coordinator: Alessandro Novelli
• Third Assistant Director: Sara Fathi
• Sound Assistant: Sofia Novelli
• Assistant Location Manager: Marion Marcucci
• Production Design: Adam Reamer
• Unit Manager: Fabio di Lorenzo
• Boom Operator: Gian Felice Soccorsi
• Special Effects Supervisor: Paolo Galiano
• Visual Effects Supervisor: Victor Perez
• Script Supervisor: Valentina Scuro
• Rigging Grip: Alessandro Biagioli
• Dailies Manager: Alessio David Ciattini
• Cableman: Gianmarco Palluzi
• Assistant Art Director: Anthony Steven Visciglia
• First Assistant Editor: Samuel Peterson
• Supervising Producer: Philip Rogosky
• First Assistant Director: Sally Sue Beisel
• Line Producer: Matteo Vallecoccia
• Key Set Production Assistant: Samuel Turchi
• Stunts: Lavinia Alberti
• Stunts: Federico Diust
• Stunts: David Zamperla
• Stunts: Giulia Fraschetti
• Music Supervisor: Mikki Itzigsohn
• Stunts: Flavia Marcellini
• Music Supervisor: Willa Yudell
• Stunts: Lorenza Perrone
• Co-Producer: Gabriela Leibowitz
• Stunts: Gaia Amato
• Supervising Producer: Gianluca Mizzi
• Stunts: Silvia Marcellini
• Set Production Intern: Gianluca Apa
• Stunts: Manuele Cacciabaudo
• Production Manager: Sabrina Manna
• Set Production Assistant: Giorgio Lattanzi
• Leadman: Fabio Marconi
• Location Manager: Alberto Gavini
• Stunts: Marco Caterini
• Stunts: Tamara Tassi
• Key Grip: Tommaso Mele
• Set Decorating Coordinator: Elena Pillon
• Property Master: Riccardo Passanisi
• Assistant Set Decoration: Giulia Romolini
• Dialogue Coach: Daniela Merlo
• On Set Dresser: Tommaso Postiglione
• Costume Design: Francesca Brunori
• Original Music Composer: Will Bates
• Stunts: Marco Petrassi
• Stunts: Lorenzo Urbani
• Extras Casting: Maria Teresa Monaco
• Carpenter: Pasquale Cafagno
• Standby Property Master: Henri-Charles Alexandre
• Swing: Carlo Macrì
• Swing: Roberto Sergiovanni
• Costume Supervisor: Flavia Figà Talamanca
• Costume Coordinator: Alina Dan
• Assistant Costume Designer: Gaia Mandarano
• Assistant Costume Designer: Annalaura Belli
• Key Set Costumer: Claudio Rizzo
• Key Set Costumer: Manuela Proietti
• Key Set Costumer: Lisa Crescioli
• Seamstress: Giuseppina Corletti
• Hairstylist: Peter Nicastro
• Hairstylist: Angelo Vannella
• Hairstylist: Mauro Verderosa
• Hairstylist: Elisabetta Paolucci
• Makeup Artist: Benedetta Del Vecchio
• Costume Assistant: Michela Bazzardi
• Costume Assistant: Vanessa Carboni
• Costume Assistant: Michela Carmignani
• Costume Assistant: Palmira Di Cesare
• Costume Assistant: Laura Maddalena
• Costume Assistant: Chiara Maggi
• Costume Assistant: Eleonora Mainella
• Costume Assistant: Giulia Pagliarulo
• Costume Assistant: Ilaria Presutti
• Costume Assistant: Annalisa Riccardi
• Costume Assistant: Mariafrancesca Ricci
• Costume Assistant: Daniele Uccero
• Makeup Artist: Veronica Beffa
• Makeup Artist: Veronica Falabella
• Makeup Artist: Federico Meniconi
• Special Effects Makeup Artist: Giulia Giorgi
• Special Effects Makeup Artist: Silvia Castellucci
• Special Effects Makeup Artist: Alessandra Maria Catalano
• Special Effects Makeup Artist: Matteo Gregori
• Special Effects Makeup Artist: Paolo Di Gregorio
• Accountant: Serenella Giudici
• First Assistant Accountant: Giulio Antonetti
• Second Assistant Accountant: Riccardo Fanelli
• Post Production Accountant: Cory Lewis
• Producer: Riccardo Neri
• Production Supervisor: Barbara Ruggeri
• “A” Camera Operator: Armando Avallone
• First Assistant “A” Camera: Alberto Torrecilla
• Second Assistant “A” Camera: Pasquale Corrado
• “B” Camera Operator: Alessio Bastianelli
• “B” Camera Operator: Ilya Saphea
• First Assistant “B” Camera: Duccio Maccari
• Second Assistant “B” Camera: Angelo Nakhnoukh
• Video Assist Operator: Marco Angelo Bosco
• Digital Imaging Technician: Andrea Soncin
• Video Assist Operator: Giacomo Ferrari
• Assistant Location Manager: Andrea Bianciardi
• Assistant Location Manager: Brando De Siato
• Best Boy Electric: Marco Rachini
• Electrician: Samuele Ferrari
• Electrician: Cristiano Verardo
• Rigging Gaffer: Andrea Rostellato
• Electrician: Mirko Fioravanti
• Rigging Gaffer: Roberto Piersanti
• Generator Operator: Alessio Fiorani
• Best Boy Grip: Mauro Faina
• Dolly Grip: Giacomo Mele
• Grip: Marco Licitra
• Grip: Daniele Dessena
• Key Rigging Grip: Fulvio Sergianni
• Grip: Antonio Andreacchio
• Grip: Romano Brasioli
• Grip: Simone Dante
• Grip: Alessandro Del Tinto
• Grip: Moreno Faina
• Grip: Gennaro Ferrara
• Grip: Valentina Grisolia
• Grip: Pietro Petri
• Grip: Valerio Taddei
• Rigging Grip: Cristiano Biagioli
• Rigging Grip: Giordano Iannaccone
• Special Effects Technician: Walter Martinelli
• Special Effects Technician: Matteo Naselli
• Special Effects Technician: Andrea Cunzo
• Special Effects Technician: Filippo Franzè
• Special Effects Technician: Jacopo Galiano
• Special Effects Technician: Camillo Leporati
• Casting Assistant: Federica Di Dio
• Casting Assistant: Annalisa Calia
• Casting Assistant: Diego Biasini
• Casting Assistant: Lucrezia Calabrese
• Casting Assistant: Rocca Calabrese
• Casting Assistant: Flavia Capogna
• Casting Assistant: Erika Valletta
• Transportation Captain: Marco Ginevra
• Script Supervisor: Elisa Costa
• Second Unit First Assistant Director: Andrea Pagani
• Second Unit First Assistant Director: Luca John Rosati
• First Assistant Camera: Stefano Palla
• Second Assistant Camera: Maria Marangoni
• Digital Imaging Technician: Luca Sano
• Sound Mixer: Celeste Frontino
• Boom Operator: Simone Lucarella
• Electrician: Tano Caruso
• Electrician: Fabrizio Coppo
• Electrician: Daniele Di Palma
• Electrician: Danilo Di Palma
• Grip: Andrea Cuomo
• Music Editor: Jason Tregoe Newman
• Music Editor: Andrew Ransom
• Music Editor: Bryant J. Fuhrmann
• Color Assistant: Emily Cramer
• Color Assistant: Rudy Pesci
• Color Assistant: Weiyi Ang
• Assistant Sound Editor: Pernell L. Salinas
• Supervising Dialogue Editor: Kristen Hirlinger
• Foley Mixer: Sam C. Lewis
• Foley Artist: Ellen Heuer
• Foley Artist: Alex Ullrich
• Sound Re-Recording Mixer: Alex Gerbrandt
• ADR Supervisor: Adrian Cepeda
• Executive Visual Effects Producer: Matt Akey
• Compositing Supervisor: Brian Sales
• CG Supervisor: Eric Schoellnast
• Effects Supervisor: Andrew Furlong
• Visual Effects Coordinator: Austin Schmidt
• VFX Editor: Christian Oshesky
• VFX Editor: Stephen Cheatum
• Title Designer: Teddy Blanks
• Creative Consultant: Kevin Greutert

Catogories:
Horror,Mystery,Thriller
This is one glamorous addon!

Not every intervention is divine.
Language:
English,Italiano
Production:
United States of America
Company:
Black Bear Pictures,Fifty-Fifty Films,Middle Child Films
Popularity:
96.767
Date:
2024-03-20
Year:
2024

• CinemaSerf: Now I did quite like the underlying premiss of this take on the immaculate conception but boy, the execution and the acting are something completely different. “Cecilia” (Sydney Sweeney) is taken to a beautifully rustic convent where she is welcomed with open arms. Everyone says how pretty and blessed she is, and this rather flies in the face of her natural humility. Imagine her shock, then, when she is summoned to the cardinal (Giorgio Colangeli) and made to undergo some rather personal medical tests that reveal…. Well that’d be telling, and for a while Michael Mohan manage to sustain a little interest in just what is going on amidst the peace and quiet of this ancient sanctuary. Sadly, though, the story swiftly goes way off the rails and leaves us exposed to Sweeney’s limited talents and an excess of hysteria that involves a chicken, a dimly lit catacomb and a dastardly plan that puts enormous strain on our increasingly inventive and resilient novice. As “Yoda” might have profoundly said, “loads of screaming and ketchup do not an horror film make” and after about half an hour here the writing is on the wall (perhaps the best place for it?) and my interest wained. This is a tough genre to keep interesting – there are few ideas that have not been done to death before. This has the germ of originality, but sadly it’s a very small germ.
• r96sk: Passable.

  I think I wanted more from ‘Immaculate’, though what’s provided is fairly watchable to be honest. Visually it looks neat, too. Sydney Sweeney’s performance is as good as expected, the rest of the cast are all competent; Álvaro Morte the standout of them.

  The run time does fly by, I kinda felt watching that there wasn’t really a middle – just one long build-up to the main event at the end. Speaking of which, ‘the’ scene at the conclusion made me smirk, the problem is that it most certainly was not supposed to; Cecilia’s screams immediately sounded like that “best cry ever” meme* to me, I couldn’t help but smile, I’m sorry.

  *never knew the backstory to that clip until searching for it here, it’s not quite so amusing now to be honest. awks.

  All in all, I’d narrowly class this as a film worth watching. I almost got to see it by myself in an empty cinema, though a group of two inexplicably arrived like 30-45 minutes into the 90 minutes! That’s gotta hurt.

• Dean: It’s just passable and that’s it.