advanced web statistics Interstellar – PixelStream.ca – upcoming, now Playing, Popular Movies Reviews

Interstellar

96 Views

The adventures of a group of explorers who make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage.

Credits: TheMovieDb.

The adventures of a group of explorers who make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage.
Cast:

  • Cooper: Matthew McConaughey
  • Brand: Anne Hathaway
  • Professor Brand: Michael Caine
  • Murph: Jessica Chastain
  • Tom: Casey Affleck
  • Doyle: Wes Bentley
  • Getty: Topher Grace
  • Murph (10 Yrs.): Mackenzie Foy
  • Murph (older): Ellen Burstyn
  • Donald: John Lithgow
  • TARS (voice): Bill Irwin
  • Romilly: David Gyasi
  • Tom (15 Yrs.): Timothée Chalamet
  • Mann: Matt Damon
  • CASE (voice): Josh Stewart
  • Lois: Leah Cairns
  • Coop: Liam Dickinson
  • Boots: Francis X. McCarthy
  • Williams: William Devane
  • Smith: Andrew Borba
  • Administrator: Elyes Gabel
  • School Principal: David Oyelowo
  • Ms. Hanley: Collette Wolfe
  • Doctor: Jeff Hephner
  • Crew Chief: Russ Fega
  • Nurse Practitioner: Lena Georgas
  • Nurse: Brooke Smith
  • Girl on Truck: Flora Nolan
  • Boy on Truck: Griffen Fraser
  • Scientist (uncredited): Kristian Van der Heyden
  • NASA Employee (uncredited): William Patrick Brown
  • NASA Scientist (uncredited): Benjamin Hardy
  • Astronaut (uncredited): Joseph Oliveira
  • Construction Boss (uncredited): Alexander Michael Helisek
  • Popcorn Seller (uncredited): Ryan Irving

Crew:

  • Producer: Lynda Obst
  • Director: Christopher Nolan
  • Director of Photography: Hoyte van Hoytema
  • Original Music Composer: Hans Zimmer
  • Editor: Lee Smith
  • Production Design: Nathan Crowley
  • Costume Design: Mary Zophres
  • Producer: Emma Thomas
  • Casting: John Papsidera
  • Art Direction: Kendelle Elliott
  • Art Direction: Eggert Ketilsson
  • Art Direction: David F. Klassen
  • Art Direction: Gary Kosko
  • Art Direction: Josh Lusby
  • Set Designer: Eric Sundahl
  • Set Decoration: Gary Fettis
  • Hairstylist: Patricia DeHaney
  • Hairstylist: Jose Zamora
  • Makeup Department Head: Luisa Abel
  • Makeup Artist: Jay Wejebe
  • Production Manager: Casey Grant
  • Production Supervisor: Michelle Brattson
  • Art Department Coordinator: Jenne Lee
  • Costume Supervisor: Lynda Foote
  • Costume Supervisor: Heather Moore
  • Camera Operator: P. Scott Sakamoto
  • Helicopter Camera: Hans Bjerno
  • Still Photographer: Melinda Sue Gordon
  • Camera Technician: Dane Bjerno
  • Executive Producer: Jordan Goldberg
  • Executive Producer: Jake Myers
  • Executive Producer: Kip Thorne
  • Executive Producer: Thomas Tull
  • Writer: Jonathan Nolan
  • Art Department Coordinator: Joel Tobman
  • Assistant Art Director: Lauren Abiouness
  • Assistant Art Director: Travis Witkowski
  • Construction Coordinator: Craig Henderson
  • Construction Coordinator: Brian Walker
  • Greensman: Nathan Davey
  • Greensman: Steven Hanks
  • Greensman: Christopher Morente
  • Greensman: Darryl Stogre
  • Leadman: Mark Weissenfluh
  • Set Designer: Ernie Avila
  • Set Designer: Andrew Birdzell
  • Set Designer: Martha Johnston
  • Set Designer: Noelle King
  • Set Designer: Paul Sonski
  • Set Designer: Sally Thornton
  • Set Designer: Robert Woodruff
  • Sculptor: Dan Engle
  • Sculptor: Todd Rex
  • Sculptor: Cuitlahuac Morales Velazquez
  • Foley: Alyson Dee Moore
  • Foley: John Roesch
  • Sound Effects Editor: Ken J. Johnson
  • Sound Effects Editor: Michael W. Mitchell
  • Sound Effects Editor: Jeff Sawyer
  • Sound Re-Recording Mixer: Gregg Landaker
  • Sound Re-Recording Mixer: Gary Rizzo
  • First Assistant Sound Editor: Andrew Bock
  • First Assistant Sound Editor: Linda Yeaney
  • Supervising Sound Editor: Richard King
  • Special Effects Coordinator: James Paradis
  • CG Supervisor: Dan Neal
  • CG Supervisor: Eugénie von Tunzelmann
  • Sequence Supervisor: Fabio Zangla
  • Sequence Supervisor: Seth Dubieniec
  • Animation: Evan Clover
  • Animation: Trystan James
  • Animation: Andrew McEvoy
  • Visual Effects Editor: Tom Barrett
  • Animation: Lai Lok Chau
  • Animation: Dorian Knapp
  • Animation: Gábor Kiss
  • Visual Effects Editor: Crystal Hadcroft
  • Visual Effects Editor: Steve Miller
  • Visual Effects Producer: Ann Podlozny
  • Line Producer: Graeme Puttock
  • Line Producer: Jenny Basen
  • Line Producer: Harrison Goldstein
  • Visual Effects Supervisor: Andrew Lockley
  • Stunt Coordinator: George Cottle
  • Gaffer: Harold Skinner
  • Gaffer: Martin Keough
  • Rigging Gaffer: Sean Oxenbury
  • Set Costumer: Mark Avery
  • Set Costumer: Leigh Bell
  • Set Costumer: Tom Cummins
  • Set Costumer: Sahar Halabi
  • Set Costumer: Kelly Porter
  • First Assistant Editor: Eric A. Lewy
  • Music Editor: Alex Gibson
  • Music Editor: Ryan Rubin
  • Transportation Coordinator: Denny Caira
  • Location Manager: Bruce L. Brownstein
  • Location Manager: Mandi Dillin
  • Dialect Coach: Rick Lipton
  • Executive In Charge Of Production: Mark Scoon
  • Casting Associate: Deanna Brigidi
  • Production Office Assistant: Frank Reina
  • Camera Loader: Adriene Wyse
  • Assistant Editor: Donald Likovich
  • Casting: Dixie Webster
  • Set Decoration: Paul Healy
  • Supervising Art Director: Dean Wolcott
  • Orchestrator: Andrew Kinney
  • Orchestrator: Bruce Fowler
  • Post Production Supervisor: David E. Hall
  • Color Timer: Mato
  • Orchestrator: Kevin Kaska
  • Set Production Assistant: Mousy McCallum
  • Dialogue Editor: R.J. Kizer
  • Dialogue Editor: Hugo Weng
  • Property Master: Ritchie Kremer
  • Visual Effects Assistant Editor: Scott Wesley Ross
  • Coordinating Producer: Jill Christensen
  • Coordinating Producer: Kim Goddard-Rains
  • Coordinating Producer: Inga Bjork Solnes
  • Supervising Producer: Debbie Schwab
  • Art Direction: Agata Maliauka
  • Set Decoration: Helen Kozora
  • Stunts: Kevin Abercrombie
  • Stunts: Dan Brown
  • Stunt Coordinator: Laura Lee Connery
  • Stunts: Steve DeCastro
  • Stunts: Ed Duran
  • Stunts: Mark Fichera
  • Stunts: Marie Fink
  • Stunts: Greg Harris
  • Stunts: Terry Jackson
  • Stunts: Jess King
  • Stunts: Michael Li
  • Stunts: Sean Morrissey
  • Stunts: Mark Norby
  • Stunts: Diz Sharpe
  • Stunts: Aaron Toney
  • Stunts: Frank Torres
  • Stunts: Alicia Vela-Bailey
  • Special Effects Supervisor: Scott R. Fisher
  • Thanks: Michael Benton Adler
  • Thanks: Ken Burns
  • Thanks: Dayton Duncan
  • Thanks: Albert Nolasco
  • Thanks: Kzar Torres
  • Additional Production Assistant: Allissoon Lockhart
  • Additional Second Assistant Director: Dillon Neaman
  • Costumer: Kimberly Lennox
  • Art Department Coordinator: Emily Kwong
  • Assistant Accountant: Anthea Strangis
  • Assistant Accountant: Jill Hahn
  • Assistant Accountant: Linda Griffis
  • Assistant Accountant: Edward V. Pannozzo
  • Assistant Accountant: Lisa Kisner
  • Assistant Accountant: Pamela DesVigne
  • Assistant Accountant: Brenda McClellan
  • Assistant Accountant: Stefani Rockwell
  • Assistant Accountant: Vicki Platero
  • Assistant Camera: Brian Mussetter
  • Assistant Editor: Jackson Yu
  • Assistant Editor: Paula Suhy
  • Assistant Editor: William Fletcher
  • Assistant Location Manager: Justin Harrold
  • Assistant Location Manager: Lori Russell
  • Assistant Location Manager: Michael Glaser
  • Assistant Location Manager: Jorge Luis Alvarezzo
  • Assistant Location Manager: Silja Hauksdуttir
  • Assistant Production Coordinator: Marjorie Rudick
  • Assistant Property Master: Curtis Corbitt
  • Assistant Property Master: Kelly Wills
  • Assistant Property Master: Olafur Jуnasson
  • Executive Producer’s Assistant: Evan Godfrey
  • Associate Editor: John Lee
  • Best Boy Grip: Shannon Deats
  • Camera Production Assistant: Kelly Mitchell
  • Carpenter: John Thellend
  • Catering: Keith Church
  • Catering: Erlingur Orn Karlsson
  • Catering: Gudmundur Kokkur
  • Concept Artist: Nathaniel West
  • Concept Artist: Steve Burg
  • Construction Foreman: Darrel D. Bricker
  • Construction Foreman: Dawna Hammond
  • Construction Foreman: Charlie Campbell
  • Construction Foreman: Jim Bruder
  • Costumer: Jody Schoffner
  • Costumer: Laura Wong
  • Costumer: Lauren Pratto
  • Costumer: Leticia Sandoval
  • Costumer: Maureen O’Heron
  • Costumer: Sophia Coronado
  • Costumer: Maria K.M. Sundeen
  • Craft Service: Laura Bagano
  • Dolly Grip: Avar Johannsson
  • Dolly Grip: Peter Clemence
  • Dolly Grip: Ryan Monro
  • Dolly Grip: Tim Milligan
  • Dolly Grip: George Santo Pietro
  • Driver: Cammie Caira
  • Driver: Kevin Caira
  • Driver: Richard Maginnis
  • Driver: Bruce Toy
  • Driver: C.J. Hannis
  • Electrician: Andrew Thom
  • Electrician: Jerardo Gomez
  • Electrician: Paul Postal
  • Electrician: Steven D. Castaneda
  • Electrician: Thorir G. Agustsson
  • Epk Camera Operator: Sean Ricigliano
  • Loader: Jonathan Clark
  • First Assistant Accountant: Jan Gillan
  • First Assistant Accountant: Nolan B. Medrano
  • First Assistant Accountant: Jennifer Omoth
  • First Assistant Accountant: Lena Schmigalla
  • First Assistant “A” Camera: Gregory Irwin
  • First Assistant “B” Camera: Philip Shanahan
  • First Assistant Camera: Doug Lavender
  • First Assistant Director: Nilo Otero
  • First Assistant Editor: Laura Rindner
  • Graphic Designer: Phillis Lehmer
  • Grip: Brandon Flohr
  • Grip: Chris Cotterman
  • Grip: Don Telles
  • Grip: Donald Jones
  • Grip: Erica Thurlow
  • Grip: Erik F. Hill
  • Grip: Hallgrimur Oddsson
  • Grip: James Viera
  • Grip: Jeffrey A. Johnson
  • Grip: Justin Moran-Duquette
  • Grip: Nick Liampetchakul
  • Grip: Robert Ikeda
  • Grip: Sean Frohardt
  • Grip: Wilson Weaver
  • Grip: Alex Kuchera
  • Grip: Helgi G. Thoroddsen
  • Hairstylist: Deborah Kliewer
  • Pilot: Craig Hosking
  • Pilot: David Paris
  • Key Costumer: Linda Benavente-Notaro
  • Key Costumer: Robin Borman-Wizan
  • Key Costumer: Stacia Lang
  • Key Grip: Atli Thor
  • Key Grip: Herb Ault
  • Key Grip: John Kuchera
  • Key Hair Stylist: John Isaacs
  • Key Rigging Grip: Oscar Gomez
  • Lead Painter: Mike Larrabee
  • Lead Painter: Raff Sarabia
  • Lighting Technician: Amelia Doescher
  • Lighting Technician: Egill Antonsson
  • Lighting Technician: Francis Padilla
  • Lighting Technician: Ingvar Stefánsson
  • Lighting Technician: Joshua Whitford
  • Lighting Technician: Landin Walsh
  • Lighting Technician: Stefan Wilking
  • Lighting Technician: Vincent Varga
  • Lighting Technician: Dustin Gardner
  • Line Producer: Árni Björn Helgason
  • Location Manager: Keomanee Vilaythong
  • Location Manager: Fridrik Ásmundsson
  • Makeup Artist: Tammy Fox
  • Makeup Artist: Kentaro Yano
  • Makeup Artist: Pearl Louie
  • Modeling: Adam Mull
  • Modeling: Gregory Jein
  • Modeling: Adam Gelbart
  • Negative Cutter: Andrea Ficele
  • Negative Cutter: Jim Hall
  • Negative Cutter: Mo Henry
  • Negative Cutter: Todd Baillere
  • On Set Dresser: Tom Callinicos
  • On Set Dresser: Steven Kajorinne
  • Painter: Jeremy Turley
  • Painter: Chauntel Swann
  • Post Production Assistant: Bobbie Shay
  • Post Production Assistant: Jeremy Gladen
  • Post Production Assistant: Katrina Carrasco
  • Production Accountant: Christian Feldhaus
  • Production Accountant: Gene Strange
  • Production Assistant: Alex Solano
  • Production Assistant: Brandon Stewart
  • Production Assistant: Chris Raby
  • Production Assistant: Emily Hoang
  • Production Assistant: Ron Landry
  • Production Assistant: Ashley MacMillan
  • Production Assistant: Mark Laws
  • Production Assistant: Sarah Jane Trohimchuck
  • Production Assistant: Stephen Kievit
  • Production Assistant: Zach Clossin
  • Production Assistant: Finnur Karlsson
  • Production Assistant: Metusalem Bjornsson
  • Production Assistant: Heidrun T. Haralsdottir
  • Production Assistant: Sigridur Sigga Marrow
  • Production Controller: Helen Medrano
  • Production Coordinator: Karla Torres
  • Prop Maker: Sonny Nguyen
  • Property Master: Ken Wills
  • Props: Brent Heyning
  • Rigging Gaffer: John R. Manocchia
  • Rigging Grip: Bernie Hagadorn
  • Rigging Grip: Chris Duffy
  • Rigging Grip: Don Domino
  • Rigging Grip: Hugh McCallum
  • Rigging Grip: Jeff Therieau
  • Rigging Grip: Jose F. Barrios
  • Rigging Grip: Matt Almas
  • Sculptor: Craig Abele
  • Sculptor: Duncan Crawford
  • Second Assistant Accountant: Richard S. Wilson
  • Second Assistant “A” Camera: Tulio Duenas
  • Second Assistant “B” Camera: Dan Schroer
  • Second Assistant Director: Brandon Lambdin
  • Second Assistant Director: Gary Hawes
  • Second Second Assistant Director: Gregory J. Pawlik Jr.
  • Second Second Assistant Director: Valgeir Gunnlaugsson
  • Security Coordinator: Edwin Amell
  • Set Costumer: Mary Hyde-Kerr
  • Set Dresser: Jack Crowells
  • Set Medic: Mark Blaydes
  • Set Medic: Kevin A. Canamar
  • Set Production Assistant: George Williams III
  • Set Production Assistant: Gianna Isabella
  • Set Production Assistant: Hrefna Hagalin
  • Set Production Assistant: Jana Maria Gudmundsdottir
  • Set Production Assistant: K. Hennessy
  • Set Production Assistant: Mitchell Kelly
  • Set Production Assistant: Lindsey Fredieu
  • Set Production Assistant: Olivia McCallum
  • Set Production Assistant: Spencer Taylor
  • Set Production Assistant: Thorunn Gudlaugsdottir
  • Set Production Assistant: Scott Corban Sikma
  • Special Effects: Amanda Paller
  • Special Effects: Dom Smart
  • Special Effects: Don Dolan
  • Special Effects: Gary Paller
  • Special Effects: Rodney Dolan
  • Special Effects: Todd Bilawchuk
  • Special Effects: Jeffrey Butterworth
  • Special Effects: Stewart DePass
  • Special Effects Assistant: Matthew J. Downey
  • Special Effects Technician: Arthur Clever
  • Special Effects Technician: Darren McCormick
  • Special Effects Technician: Francis J. Ayre Jr.
  • Special Effects Technician: Jуn Andri Guрmundsson
  • Special Effects Technician: Mark Stanton
  • Special Effects Technician: Michael Rifkin
  • Special Effects Technician: Neil Garland
  • Special Effects Technician: Robin Reilly
  • Special Effects Technician: Ronald Epstein
  • Special Effects Technician: Ryan Arndt
  • Special Effects Technician: Scott Roark
  • Special Effects Technician: Terry Hambleton
  • Special Effects Technician: David Jonasson
  • Special Effects Technician: Robert L. Slater
  • Standby Painter: David B. Clark
  • Still Photographer: Michelle Faye Fraser
  • Technical Advisor: Marsha Ivins
  • Third Assistant Director: Jason Z. Kemp
  • Third Assistant Director: Megan Shank
  • Transportation Captain: Steinarr Logi Nesheim
  • Transportation Captain: Tyler Miller
  • Transportation Captain: Robert J. Morton
  • Transportation Coordinator: Clyde R. Maliauka
  • Transportation Coordinator: Grant McPhee
  • Unit Production Manager: Birna Paulina Einarsdóttir
  • Unit Production Manager: Daniel M. Stillman
  • Video Assist Operator: Alex M. Cacciarelli
  • Video Assist Operator: Mike Pickel
  • Video Assist Operator: Matt Hillyer
  • Additional Music: James Carlson
  • Conductor: Gavin Greenaway
  • Conductor: Richard Harvey
  • Music Consultant: Czarina Russell
  • Score Engineer: Christian Wenger
  • Musician: Mark Berrow
  • Musician: Rachel Bolt
  • Musician: Nicholas Bucknall
  • Musician: Benedict Cruft
  • Musician: Boguslav Kostecki
  • Musician: Anna Noakes
  • Musician: Andrew Pask
  • Musician: Frank Ricotti
  • Musician: Mary Scully
  • Musician: Yasmeen Al-Mazeedi
  • Musician: Wood Andy
  • Musician: Steve Mair
  • Musician: Roger Sayer
  • Musician: David Arch
  • Musician: Chas Smith
  • Musician: Tom Pigott-Smith
  • Musician: Ann Marie Simpson
  • Orchestrator: Carl Rydlund
  • Scoring Mixer: Geoff Foster
  • Scoring Mixer: Alan Meyerson
  • Score Engineer: Chuck Choi
  • Music Score Producer: Chris Craker
  • Score Engineer: Leland Cox
  • Score Engineer: Jacqueline Friedberg
  • Score Engineer: Stephanie McNally
  • Additional Sound Re-Recording Mixer: Michael Babcock
  • ADR Mixer: Thomas J. O’Connell
  • Boom Operator: Michael Primmer
  • Boom Operator: Murray Forward
  • Animation Supervisor: David Lowry
  • Color Assistant: Benjamin Charles
  • Color Assistant: Sam Horgan
  • Color Assistant: Scott R. Anderson
  • Colorist: Colin P. Brown
  • Compositing Supervisor: Julia Reinhard
  • Compositor: Camille Paleni
  • Compositor: Jon Chesson
  • Compositor: Kalle Peterson
  • Compositor: Thomas Banner
  • Data Wrangler: Joe Wehmeyer
  • Digital Color Timer: Garry Maddison
  • Digital Compositor: Alessandro Zanforlin
  • Digital Compositor: Claudio Bassi
  • Digital Compositor: Frank Petit
  • Digital Compositor: Jaume Creus
  • Digital Compositor: Jim O’Hagan
  • Digital Compositor: Jonathan Bot
  • Digital Compositor: Laide Agunbiade
  • Digital Compositor: Luis Tinoco
  • Digital Compositor: Nic Hodgkinson
  • Digital Compositor: Olivier Ryard
  • Digital Compositor: Sebastian Schütt
  • Digital Compositor: Sinisa Radosavljevic
  • Digital Compositor: Thomas R. Steiner
  • Digital Compositor: Thomas Salama
  • Digital Compositor: Tom Whittington
  • Digital Compositor: Travis Porter
  • Digital Compositor: Samual Dawes
  • Digital Effects Supervisor: Jeffrey Jasper
  • Compositing Lead: Blake Winder
  • Matchmove Supervisor: Chris Cooper
  • Matchmove Supervisor: Simon Pynn
  • Matte Painter: Bret Lu
  • Matte Painter: Sullivan Richard
  • Pre-Visualization Supervisor: Faraz Hameed
  • Production Coordinator: Katie Linahon
  • Visual Effects Coordinator: Leah Sargent
  • Rotoscoping Artist: Aaron Noordally
  • Rotoscoping Artist: Abhishek Chaturvedi
  • Rotoscoping Artist: Andrea Chua
  • Rotoscoping Artist: Jerrod Tan
  • Rotoscoping Artist: Kew Lin
  • Rotoscoping Artist: Kross Wong
  • Rotoscoping Artist: Mary Mullan
  • Rotoscoping Artist: Matt Cameron
  • Rotoscoping Artist: Michael Jeff Baldemoro
  • Rotoscoping Artist: Muhammad Hidayat Bin Isnin
  • Rotoscoping Artist: Nicolas Millot
  • Rotoscoping Artist: Riccardo Mascia
  • Rotoscoping Artist: Ruiting Wang
  • Rotoscoping Artist: Sammy Wu
  • Rotoscoping Artist: Sim Chuan Xiong
  • Rotoscoping Artist: Wayne Chan
  • Senior Modeller: Brandon Seifert
  • Senior Modeller: Chris Hawthorne
  • VFX Artist: Adam Broderick
  • VFX Artist: Carl Fairweather
  • VFX Artist: David Schott
  • VFX Artist: Eliot Speed
  • VFX Artist: Jon Capleton
  • VFX Artist: Kenzo Tee
  • VFX Artist: Leigh Russell
  • VFX Artist: Pete Polyakov
  • VFX Artist: Robin Aristorenas
  • Visual Effects: Joe DeWalt Brown
  • Visual Effects: Joseph A. Zaki
  • Visual Effects: Will Lucas
  • Visual Effects Camera: Jim Thibo
  • Visual Effects Coordinator: Gretel Ng
  • Visual Effects Coordinator: Katie Stetson
  • Visual Effects Coordinator: Kirsty Davies
  • Visual Effects Coordinator: Linda Barsotti
  • Visual Effects Coordinator: Mariluz Noto
  • Visual Effects Coordinator: Maximillian McNair MacEwan
  • Visual Effects Coordinator: Monica Østbø Østgård
  • Visual Effects Coordinator: Monifa Andrew
  • Visual Effects Coordinator: Sze Jia Eng
  • Visual Effects Coordinator: Timothy Trimmings
  • Visual Effects Coordinator: Tyler Ott
  • VFX Director of Photography: Mark H. Weingartner
  • VFX Director of Photography: Tim Angulo
  • Visual Effects Editor: Simon J. Williams
  • Executive Visual Effects Producer: Anne Putnam Kolbe
  • Executive Visual Effects Producer: Kimberly Nelson LoCascio
  • Visual Effects Producer: David Sanger
  • Visual Effects Producer: Kevin Elam
  • Visual Effects Production Assistant: Tien Nguyen
  • Visual Effects Production Manager: Allison Gardner
  • Visual Effects Technical Director: Daniel Maund
  • Visual Effects Technical Director: David Moraton
  • Visual Effects Technical Director: Junaid Syed
  • Visual Effects Technical Director: Lee Tibbetts
  • Visual Effects Technical Director: Thomas J. Burton
  • Visual Effects Technical Director: Tosin Akinwoye
  • Visual Effects Supervisor: Ian Hunter
  • Visual Effects Supervisor: Paul J. Franklin
  • Sound Mixer: Mark Weingarten
  • Post Production Coordinator: Adam Cole
  • Rigging Grip: Jonathan Gomez
  • Production Assistant: Tighe Gill

Catogories:

This is one magnificent plug-in!!
image
Mankind was born on Earth. It was never meant to die here.
Language:
English
Production:
United Kingdom,United States of America
Company:
Legendary Pictures,Syncopy,Lynda Obst Productions
Popularity:
260.105
Date:
2014-11-05
Year:
2014

  • Reno: Well, one off from two of this year’s most expected movies alongside ‘The Battle of Five Armies’. Like all the Chris Nolan fans, I was equally excited to see the movie on the opening day opening show. But I slightly disappointed that it was not a digital 3D film. I agree, this science-fiction was more dramatized than usual space travel stories does with an adventure-thriller. Almost a 3 hour long stretch movie did not waste much time to take us to the core of the story. Get prepared for this extremely rare voyage into the space with a logical explanation for everything you see on the screen. Well done research for the most matured and intelligent writing. All the credit must go to Nolan brothers. A good sign from Jonathan Nolan, who can make big in the entertainment industry in a future like his brother.

    As we know many had liked ‘Inception’, to me that was a simple multi-layered action movie, that’s all. But the same stuffs that used in this film makes sense. In fact, you have to have a little knowledge over how the universe works, so then it will be easy to catch the scene and situations while watching the movie. Totally like a documentary style concept, but with the additional stuffs like characters and its emotions add flavor that gives a movie look. An educational movie, though it also can work for those who wants just entertainment. Only the slow movie pace would test their patience.

    It all begins like Shyamalan’s ‘Signs’ movie with a family living surrounded by corn field. Then switches to ‘The Astronaut Farmer’ and going through ‘Gravity’, finally meets the ‘Inception’. It was just a reference to call the movie setting that brings constant change for every half an hour. Like the opening scene and the end scene had over a 100 years difference.

    As I earlier said it was the story of a family alongside the future of humankind and decoding universal mysteries through travelling in space and time. This movie would a reasonable for those who thought ‘2001: A Space Odyssey’ is a boring piece, Cleverly written cinematic piece especially for science geeks. I don’t know how perfect the movie to the actual present astrophysics, but will justify for the common people’s capacity of understanding with an encourageable amount of commercial elements in it to entertain as well.

    The first three quarters of the movie was well made. It puts me in a unblinkable position like a story was narrated by Brian Cox in a television series. Like I said, lots of astrophysics involved in it, but strangely human emotions were also exhibited equally that I never expected one from Nolan film. It was not an ordinary sentiment, but was strong enough to make a man cry for happy and sad situations in the movie. I liked science and emotion coming together. In fact, it saved the movie, otherwise it would have been a science documentary straight from NASA production through Nolan direction.

    There are many surprise elements in the movie and of course there is a twist at the end. We can call it a series of twists like the layers. Compared to last quarter of the movie to the rest, it completely detaches which opens broadly to the different directions. And that happens so fast rushing towards the other end. Which give an impression of the movie ‘Inception’. In a perfect way to say the first 75% was ‘The Tree of Life’ and the remains are ‘Inception’.

    ‘‘This world’s a treasure,
    but it’s been telling us to leave for a while now.’’

    All the actors were so good. Matthew McConaughey steals the show as he dominates the majority of the screen space in the story presentation. There’s no ruling out the fine performance executions from Anne Hathaway and the young star from the Twilight movie, Mackenzie Foy. The remaining cast was having less scope which were like the guest appearances that was widened a little broader, but was perfectly fitted for the story. Especially Matt Damon’s was the crucial one.

    Remember the movie ‘Contact’, a lovely movie, which was ruined by its fictional ending. Something like that happened in this film as well. The story was initiated with a realistic approach with actual scientific contents as per the present understanding about the universe. But the end was let me down with the layered contents that kind of impossible to agree with it. As a cinematic theme it worked, yeah, a good solution for this wonderfully written story. We know that the time can’t run backwards, so that’s the trouble.

    Anyway, this movie defines in a new way, I mean scientifically the existence of ghost. It was not a horror movie, but I liked supernatural force that merged with this science fiction theme. That explains and gives vast ideas to expand our physics beyond something and somewhere yet to reach. Hats off to the director, because he was not thinking of making money here. His idea was to implement what the humans are understood so far about the cosmos. And he very nicely transformed those into the silver screen with the blend of human emotions. In my opinion, this will replace ‘2001: A Space Odyssey’ for sometime till another one make this way.

    I could have not asked a better space travel drama than this, especially when I heard Nolan doing a science-fiction I believed he gonna rock it. He was so true to the science and the human feelings in this film. If you had seen enough movies before like this one, you can recall your memories like the Tom Hanks parts from ‘Cloud Atlas’. But still independently stands strong and falls in a never seen before category.

    ‘‘Maybe we’ve spent too long
    trying to figure all this out with theory.’’

    The end scene leaves a hint of a possible sequel. I would be happy if that happen in a near future, but definitely that would be a completely different cinema as per how this one ended. I know his fans want that to happen and so am I.

    The visuals were not that great, but simply very good. To see those in digital 3D would have given us a different experience, sadly Nolan was not in favor of that technology. Hoping this movie would get as many as the Oscars nod. Especially not getting into the best motion picture shortlist would be a shame. Like I said I’m no one fan, I just love watching everyone’s every movie. I would have went to see it again if it was converted into digital 3D, since I’m modern tech geek when it comes to the films.

    It will become a talk of the week, perhaps month all over the world, so don’t leave behind when your friends talk about it. What I gonna say is it is a must see asap if you are a movie fanatic like me otherwise Nolan movies does not need anyone’s recommendation because his movies usually sell itself like the hot samosa.

  • decovision: People seem to think that if you enjoy a Christopher Nolan movie, you are a fanboy and the film couldn’t really be that good. That is not true. He has never made a bad movie, Insomnia is probably his worst and it is still an excellent movie.
    Interstellar is up there in his top 3, with The Dark Knight being number 1 and Inception in number 2. I don’t think he will ever make a better movie than The Dark Knight, it is without a doubt a masterpiece of cinema in my opinion. It can be enjoyed on so many levels.
    I remember seeing Interstellar in the movie theater and being on the edge of my seat the whole time. It was breathtaking but the end left me confused so i walked out disappointed.
    Since then i have watched it many times but it only took a second viewing to realize what a great ending it is and here is why. How many people discuss the end, was the wormhole open or closed for him to make it to Brand, what happens next, is there a sequel. I discuss this with people who hate the movie and the debate will still last a good 30 minutes if not more without getting heated. It is a wonderful story told through the eyes of a genius film maker who deserves more than he receives, an oscar would be nice start.
    I read hat his next movie is to be released in July 2017, I can’t wait to find out everything about it like i have since he began.
    If you’re unsure about Christopher Nolan, watch his career from the beginning starting with Doodlebug.
  • Andres Gomez: Another grandiloquent movie from Christoper Nolan.

    The cast is good, and McConaughey performs a role made for himself. The photography is very nice but the movie commits all the same mistakes than previous Nolan’s movies. I think mistakes but it may be that they are the points Nolan fans enjoy the most …

    * The story makes you believe it is a realy deeply thought plot but, in the end, it has so basic mistakes and stupidities that make it nonsensical.
    * There is a general ambience of every moment being epic; deep, solemn and smart dialogues but, at some point our highly trained engineer and pilot behaves really stupidly.
    * To keep the mentioned constant feeling of being in an epic moment, Nolan uses a thumping and insistent soundtrack. As it is not a moment, but a 3h movie, it is really tiresome.

    All in all, the movie is OK but you can only think this is a great movie if you are a real Nolan fan.

  • Asadullah Khan: “Man kind was born on earth, it was never meant to die here.”

    IT has been two days since I watched it and I still can’t get it out of my head. I can safely say that it has been a long LONG time since a movie had this much effect on me after watching it. And the only thing I can think of now is to somehow Re-Watch it again.

    This movie was surprisingly different from Christopher Nolan’s recent works because they had been great cinematic entertainment pieces catered to a wider audience with a blockbuster approach, this certainly didn’t felt like that and hence the polarizing response it got. It is an ambitious project that is not meant to merely entertain, walk into it knowing that. I’ll say this though, If it works for you, you’ll be in heaven.

    The premise of the movie is that Earth is no longer capable of supporting humans on it, we must find a new home to avoid extinction. This scenario is told from a very personal perspective and not from a Global scale like some sort of apocalyptic catastrophe disaster film. At the core of the movie is the Father-Daughter relationship. The movie takes its sweet time to develop it too.

    Mathew McConaughey, not surprisingly, gives an amazing performance as the main lead. He really carries the film, some scenes were very emotional due to his great performance. The rest of the cast does a great job as well, especially the Daughter played by Meckenzie Foy. The One character that I never expected to be great was the robot TARS. He also acted as the source of the humor in the movie, well executed, timely and grounded.

    Interstellar tackles a lot of themes, Survival, Humankind, Love, Time etc, out of which ‘Time’ had the biggest impact on me. With relativity being a big part in the film, the whole sequence about it just struck me very deeply and I found new respect for Time. I’m actually at a loss of words to describe it. Also, there is a lot science in it so it can be confusing for many and in Nolan’s tradition, it also has twists and mind numbing ending, where the more you think about it, the more numbing it gets.

    The visuals of this movie are breathtaking. Great cinematography and CGI. The depiction of wormholes and blackholes and other space entities were the best I have ever seen. They just suck you into the movie. Along with that, you get to listen to one of Hans Zimmer’s best scores. The score not only felt personal, going perfectly with the movie, but also different from his recent works. There were times where combination of epic photography and soundtrack made the scenes timeless, like I was completely sucked into it and didn’t had a clue about my surroundings. I didn’t want those scenes to end.

    Alas, the movie was not perfect. My biggest gripe with it is that the pacing and editing was off at times. Some scenes dragged on while others were cut far shorter. The beautiful views of space could have definitely benefited from a few seconds longer onscreen time. Also, I wished there was more space exploration in it.

    With all the remakes, rehashes, reboots and sequels we are getting in these times, it is great to see original gems like these. This movie is definitely one of this year’s best, one of Nolan’s best work and one of the best movie I have seen in recent years.

    9.5/10

  • shaunfrombklyn: This was my most anticipated film of 2014, and I was not disappointed.

    The story was slightly difficult to follow on the first watch, but that was to be expected in a film dealing with complicated fields such as astrophysics and time dilation. Many didn’t find its overall message – that love is the most powerful force in the universe which transcends space and time – to be very appealing, but I thought it was an interesting take on special relativity and how two people can be bound by a common feeling, even when they’re in different parts of the universe at different times. I also thought the acting was believable, for the most part, and I didn’t think anyone was miscast. I enjoyed the surprise appearance from a certain famous actor about halfway through.

    But what really blew me away were the visuals and the soundtrack. I believe it was Quentin Tarantino who once said movies and music go hand in hand; that a moving image complimented by the right piece of music can create art. Well, the visuals in this film, which took my breath away, and the score, which perfectly captured the ‘feel’ of the cosmos and all its wonder, proved him right. I think this was Hans Zimmer’s best work yet, and although I’m not Christopher Nolan’s biggest fan, I will continue to follow his work if he can pull off more movies like this.

    My only regret was not seeing this film in IMAX.

    10/10

  • Per Gunnar Jonsson: That this movie, at the time of writing this, holds an 8.8 rating at IMDb is simply beyond my understanding. Needless to say I did not really like this movie. The story is not very good, the science is ludicrous and the visuals not all that impressive. Maybe the latter would be better in a big theater (I watched this on my home cinema system which has a relatively large screen by European standards) but I am not really sure about that either.

    Be warned that the rest of this review might contain a spoiler or two.

    The movie starts of with the usual “I told you so” wet dream of the green fanatics on a dying Earth so it is off to a depressing start right away. That is an overused concept today as far as I am concerned. Then they pour it on with a school official claiming that he Apollo missions and moon landings never happened. What the f…? If they wanted to depress the audience right from the start they succeeded, at least with this audience.

    The story proceeds with our heroes finding these gravity waves in the sand and by a huge stretch of imagination decrypts them to mean coordinates which leads them to the secret NASA base. Once there Cooper is told that he is their best choice of pilot for a “save the human race” mission through a wormhole. Yeah, right! This guy was former NASA. His whereabouts could hardly been unknown to them. If he was their best choice why would they entrust a mission to save the human race to someone else until he stumbled onto their door? Typical Hollywood nonsense!

    The movie is full of this kind of rubbish. Romilly wastes 23 years of his life doing pretty much nothing except deciding not to go into the sleep capsule. The supposedly highly trained and vetted professor that they do find turns out to be a psychopath as well as and idiot almost blowing up the ship when trying to proceed with a docking that all the systems tells him have not succeeded. Then they proceed to dock with the main ship and stop its spin as well as bring it out of orbit around a planet with the shuttles engines. That is one hell of a powerful shuttle not to mention the strength of the docking mechanism! This just goes on. When someone is not doing something illogical or stupid (or both) they sit around talking, philosophizing and dragging the movie forward at snails pace. 169 minutes is way too much for this movie.

    The movie ends up in one big time travel mess (okay they do not travel in time, just sends messages through time but still…) during a bunch of psychedelic scenes while traveling through the back hole. Science? Not so much. And what about this totally ludicrous massively illogical and inefficient robot design?

    The one good thing I can say about this movie is that the performance of most of the actors, especially Matthew McConaughey, are quite good. For the rest, not my cup of tea.

  • akashmahajan: Again hit produced by christopher nolan after batman.
    Storyline is great and also the science theory is perfectly showcased.
  • sybddlatfu: This might contain spoilers!

    Interstellar is my favorite movie. I’m really into space and everything about it, so this movie was my cup of tea.
    The soundtrack is the best of the movie. It points out flow of time, which is the most discussed issue in the movie. Special effects are breathtaking. Even with some small mistakes, it is pretty accurate and expectable. There is some visually pleasing cinematography too, including Saturn, the curvature of spacetime or majestic black hole, which is really satisfying. Some scenes are loud and thrilling, but some moments are so quiet, that you actually think, you are in space!
    The movie is long but gripping. The plot, although it’s complicated, is told easily and understandably. But the end of the movie is difficult to understand, since it contains time loop and time travel at the same time, but if you listen carefully, you will get it. I watched the movie 7 times and I still enjoy it!
  • Matthew Brady: “Do not go gentle into that good night; Old age should burn and rave at close of day. Rage, rage against the dying of the light”.

    The story is about a team of explorers undertakes the most important mission in human history; traveling beyond this galaxy to discover whether mankind has a future among the stars.

    Christopher Nolan once said that 2001: A Space Odyssey was his all time favorite film and how he wanted to do a small tribute to he’s next film. And then comes a movie called “Interstellar” that will put a smile on Kubrick face if he was alive today, because Interstellar is one of the best movie of 2014 and the best movie experience I’ve had at the cinema.

    I saw this movie in IMAX and all through out this film I felt like I was in space floating around with Mconaughey and Anne Hathaway. I had that feeling that I was going deep into space just like are main character’s, going deep into space just like the viewing auditions and me.

    The visual effect’s in this movie are some of the most stunning, beautiful and Jaw dropping effect’s I’ve seen since 2001: A Space Odyssey. The performances were brilliant, The cinematography was breathtaking and hard to look away. The directing by Christopher Nolan and let me get this out there, this man is a true director; he knows cinema and knows how to interested people into seeing he’s films and I’m still shocked that he hasn’t won an Oscar yet.

    Now most people or critics have said that last third of this movie ruined the movie for them, but I actually like the ending to the movie. It’s new for Nolan because he always ends on a deep and cold note, but this movie didn’t and I didn’t mind it.

    My only nick pick with the movie is some of the character’s in this movie wasn’t all that interesting. Matthew McConaughey, Anne Hathaway and Jessica Chastain are the only character’s that to me were interesting and I cared for them, but the rest of the character’s I didn’t really care for.

    Overall Interstellar is a mind-blowing movie with fantastic visual’s, interesting story line and the movie will keep you interested till the end.

  • Peter McGinn: I will not add another in depth review to the several I see here on this movie. Nor will I try to evaluate the accuracy of the science behind the plot. Apparently a physicist was involved who had veto power if the script wandered out of the realm of what is at least theoretically true or possible.

    But I have never let inaccuracies get in the way of enjoying science fiction movies anyway, as long as the movie is entertaining and otherwise doesn’t insult my intelligence. In the movie Monsters, for example, I read that giant the aliens looking like octopuses could not have walked upright. Fair enough, but it is entertainment, not a documentary.

    So the human story of Interstellar held my attention in spite of the length of the film, and despite the elaborate special effects, that story drove the movie and my appreciation of it. I have always liked good time travel movies as well, and theories of space and time come into play in Interstellar as well.

    Oh, and I say it is entertainment rather than a documentary, but it is not light entertainment. If you want to give this movie a fair chance, give it your full attention. It is not Mars Attacks, where you can watch it while distracted by life and still pick up on plot details.

  • kheirnandez: I’ve got to say I have been wanting to watch this film for a while now and well it’s 2021 and it’s a Saturday morning and damn, safe to say this is one of the best films I have ever watched in my life. loved everything about It. The creativity and intelligence put into this film is just mind-blowing considering the fact it is a 2014 film. This clearly shows that mankind will one day achieve the most unexpected and unthought discoveries.
    Love and respect to the director Christopher Nolan you are a legend.
  • lowkimhoe: It opens my mind after I watched this movie. I have watched it twice to figure out everything on the movie. Basically, this is the movie talking about earth is not a good place to stay anymore. People have to go to space to find another homeland. It reminds me that we will be like them if we didn’t care much on environment
  • CinemaSerf: As humanity faces an existential crisis, farmer “Cooper” (Matthew McConaughey) and his family are fighting a losing battle against an environment determined to destroy what is left of their corn crop. Mystery arrives after a sand storm leaves some magnetic clues to a secret location inhabited by NASA scientists led by “Brand” (Sir Michael Caine) who manage to convince former pilot “Coop” to join a mission to go into space and, using a recently detected wormhole that he believes may have been deliberately sent to help mankind rescue itself, set off to find another home for us all. Leaving a seriously narked daughter behind, he accepts the mission and together with the daughter of “Brand” (Anne Hathaway) their perilous trek begins. This is a more solid sci-fi adventure from Christopher Nolan. Though it features doses of his usual time bending scenarios, for the most part it is an exciting action film with mishaps a-plenty as their mission sees danger at just about every junction. There is a decent chemistry between Hathaway and McConaughey allowing the characters to develop with some depth that helps to draw us into to their efforts. The visual effects are superb, it has TARS – a rather clunkily designed robot that proves a whizz when running and rescuing, and the ending has something of the Escher drawing to it. The narrative can be thought provoking offering quite an interesting series of choices, especially when Matt Damon (“Mann”) joins the story and begins to challenge their approach to just what “humanity” might actually be! A host of celebrated co-stars prop it up well. John Lithgow is effective as the patriarch of the family and Casey Affleck and Wes Bentley help diffuse the intensity of the principal relationship as the space-bound menace gradually accumulates. It’s all but three hours long, and there is no denying that it hits a barren spell at times during the middle hour, but for my money this is a Nolan film that does not over-complicate itself and is as good a science fiction thriller as I’ve seen in many a year.
  • tropicalicecedar: This mind-bending sci-fi masterpiece took me on an unforgettable journey through space and time. From its breathtaking visuals to the captivating performances, the film had me hooked from start to finish. I couldn’t help but be inspired by its thought-provoking themes about love, sacrifice, and the boundless nature of human exploration. “Interstellar” truly left me in awe and is an absolute must-watch for any movie enthusiast.
  • r96sk: What a cracker!

    So glad to finally tick ‘Interstellar’ off my theoretical list, took me far too long to get around to it but boy am I glad I finally have done – sensational film! The most obvious sign of that being the case is how the ~2hr30min run time goes by in an absolute flash… *insert joke about it like being aboard Endurance here*

    I’m obviously not able to add anything new to what many, many others have already said gushingly about this 2014 flick, so I can only say I’m sure I agree with the vast majority of whatever praise this has received. As one would expect from Christopher Nolan & Co., it’s incredibly well made, sounds amazing and looks out-of-this-world (ha!) stunning.

    Matthew McConaughey puts in an incredible performance as lead, most notably nailing all of the emotion-filled scenes – not that I care about these things personally, but I’m shocked to see the lack of high accolades that came his way from this… he merited more! Aside from him, there are very good showings from the likes of Jessica Chastain, Mackenzie Foy and Anne Hathaway.

    I will note one ‘but’, mind. I didn’t love the bits at the end involving the dimensional tesseract, don’t get me wrong at all it’s still superb viewing… just a noticeable drop from all that preceeds it, which honestly simply says more about how outstanding everything else prior is really. I thought similarly about (the equally magnificent) Everything Everywhere All at Once, for example. In short: just a nit-pick, tbh.

    All in all, phenomenal!

  • madriyanto: Christopher Nolan’s “Interstellar” (2014) isn’t just a science fiction film; it’s a cinematic experience that transcends genre boundaries. It’s a breathtaking exploration of humanity’s yearning for survival, the profound power of love, and the awe-inspiring mysteries of the universe.

    The film’s greatest strength lies in its seamless blend of a deeply personal story with cutting-edge scientific concepts. We follow Joseph Cooper (Matthew McConaughey), a former pilot turned farmer, who is chosen to lead a mission to find a new home for humanity. The film doesn’t shy away from complex scientific ideas like wormholes, black holes, and the theory of relativity, but it presents them in a way that is both accessible and captivating. The scene where Cooper encounters his aged daughter while he himself remains relatively young is a poignant example of how the film masterfully intertwines science and emotion, leaving viewers pondering the nature of time and the enduring power of familial bonds.

    “Interstellar” is not for the casual viewer. It demands attention, patience, and a willingness to engage with complex ideas. The film’s pacing is deliberate, its visuals are stunningly immersive, and its themes are profound. It’s a film that rewards repeated viewings, as each watch unveils new layers of meaning and scientific detail. The film’s impact is further amplified by Hans Zimmer’s haunting score, which perfectly captures the vastness of space and the weight of humanity’s fate.

    Nolan’s direction is masterful, creating a sense of awe and wonder that is both captivating and emotionally resonant. McConaughey delivers a nuanced performance as Cooper, a man grappling with the weight of his mission and the sacrifices he must make. The supporting cast, including Anne Hathaway, Jessica Chastain, and Michael Caine, also deliver compelling performances that further elevate the film’s emotional impact.

    “Interstellar” is a film that stays with you long after the credits roll. It’s a testament to the power of human ingenuity, the enduring nature of love, and the endless possibilities that lie beyond our planet. It’s a film that reminds us of our place in the universe, and the profound interconnectedness of all things. For those who appreciate thought-provoking science fiction with a strong emotional core, “Interstellar” is an absolute must-see.

You might like

© 2024 PixelStream.ca - upcoming, now Playing, Popular Movies Reviews - WordPress Theme by WPEnjoy