Titanic

101-year-old Rose DeWitt Bukater tells the story of her life aboard the Titanic, 84 years later. A young Rose boards the ship with her mother and fiancé. Meanwhile, Jack Dawson and Fabrizio De Rossi win third-class tickets aboard the ship. Rose tells the whole story from Titanic’s departure through to its death—on its first and last voyage—on April 15, 1912.

Credits: TheMovieDb.
Titanic
Overview:
101-year-old Rose DeWitt Bukater tells the story of her life aboard the Titanic, 84 years later. A young Rose boards the ship with her mother and fiancé. Meanwhile, Jack Dawson and Fabrizio De Rossi win third-class tickets aboard the ship. Rose tells the whole story from Titanic’s departure through to its death—on its first and
Cast:

• Jack Dawson: Leonardo DiCaprio
• Rose DeWitt Bukater: Kate Winslet
• Cal Hockley: Billy Zane
• Molly Brown: Kathy Bates
• Ruth DeWitt Bukater: Frances Fisher
• Old Rose: Gloria Stuart
• Thomas Andrews: Victor Garber
• Brock Lovett: Bill Paxton
• Edward Smith: Bernard Hill
• Spicer Lovejoy: David Warner
• Bruce Ismay: Jonathan Hyde
• Lewis Bodine: Lewis Abernathy
• Lizzy Calvert: Suzy Amis
• Bobby Buell: Nicholas Cascone
• Fabrizio De Rossi: Danny Nucci
• Tommy Ryan: Jason Barry
• Isidor Straus: Lew Palter
• John Astor: Eric Braeden
• First Officer Murdoch: Ewan Stewart
• Archibald Gracie: Bernard Fox
• Fifth Officer Lowe: Ioan Gruffudd
• Second Officer Lightoller: Jonny Phillips
• Sixth Officer Moody: Edward Fletcher
• Frederick Fleet: Scott G. Anderson
• Reginald Lee: Martin East
• Jack Phillips: Gregory Cooke
• Cora Cartmell: Alexandrea Owens
• Three-Year-Old Boy: Seth Adkins
• Benjamin Guggenheim: Michael Ensign
• Anatoly Milkailavich: Anatoly M. Sagalevitch
• Slovakian Father: Martin Hub
• Chief Officer Wilde: Mark Lindsay Chapman
• Quartermaster Rowe: Richard Graham
• Quartermaster Hichens: Paul Brightwell
• Harold Bride: Craig Kelly
• Master at Arms: Ron Donachie
• Madeleine Astor: Charlotte Chatton
• Madame Aubert: Fannie Brett
• Irish Mommy: Jenette Goldstein
• Helga Dahl: Camilla Overbye Roos
• Third Class Woman: Linda Kerns
• Trudy Bolt: Amy Gaipa
• Duff Gordon: Martin Jarvis
• Lady Duff Gordon: Rosalind Ayres
• Countess of Rothes: Rochelle Rose
• Wallace Hartley: Jonathan Evans-Jones
• Bert Cartmell: Rocky Taylor
• Chief Baker Joughin: Liam Tuohy
• Fourth Officer Boxhall: Simon Crane
• Father Byles: James Lancaster
• Ida Strauss: Elsa Raven
• Irish Little Boy: Reece P. Thompson III
• Irish Little Girl: Laramie Landis
• Yaley: Mark Rafael Truitt
• First Class Husband: John Walcutt
• Chief Engineer Bell: Terry Forrestal
• Leading Stoker Barrett: Derek Lea
• John Hutchinson: Richard Ashton
• Elevator Operator: Sean Nepita
• Scotland Road Steward: Brendan Connolly
• Crewman: David Cronnelly
• First Class Waiter: Garth Wilton
• Steward #1: Richard Fox
• Steward #2: Nick Meaney
• Steward #3: Kevin Owers
• Steward #4: Mark Capri
• Hold Steward #1: Marc Cass
• Hold Steward #2: Paul Herbert
• First Class Steward: Emmett James
• Stairwell Steward: Chris Byrne
• Steward Barnes: Oliver Page
• Porter: James Garrett
• Olaf Dahl: Erik Holland
• Bjorn Gunderson: Jari Kinnunen
• Olaus Gunderson: Anders Falk
• Praying Man: Barry Dennen
• Man in Water: Vern Urich
• Mother at Stern: Rebecca Klingler
• Woman: Tricia O’Neil
• Woman in Water: Kathleen S. Dunn
• Syrian Man: Romeo Francis
• Syrian Woman: Mandana Marino
• Chinese Man: Van Ling
• Olaf: Bjørn Olsen
• Sven: Dan Pettersson
• Pubkeeper: Shay Duffin
• Carpathia Steward: Greg Ellis
• News Reporter: Diana Morgan
• Dancer: Kris Andersson
• Dancer: Bobbie Bates
• Dancer: Aaron James Cash
• Dancer: Anne Fletcher
• Dancer: Edmond Alan Forsyth
• Dancer: Andie Hicks
• Dancer: Scott Hislop
• Dancer: Stan Mazin
• Dancer: Lisa Ratzin
• Dancer: Julene Renee
• Irish Man: Brian Walsh
• First Class Woman (uncredited): Alexandra Boyd
• Steerage Dancer (uncredited): James Cameron
• Musician / Baker (uncredited): Mike Butters
• First Class Man (uncredited): Bruno Campolo
• Third Officer Pitman (uncredited): Kevin De La Noy
• Deckhand (uncredited): Tony Kenny
• Charles Hendrickson (uncredited): Sean Lawlor
• Frederick Spedden (uncredited): Don Lynch
• Rescue Boat Crewman (uncredited): Johnny Martin
• Second Class Passenger / Engine Room Crewman (uncredited): Ryan McClurkin
• First Class Passenger (uncredited): Meghan McLeod
• Engine Room Crewman (uncredited): Mike O’Neal
• Button Accordionist (uncredited): Phil Parlapiano
• Engine Room Crewman (uncredited): Steven Quale
• Drowning Man (uncredited): R. Gern Trowbridge
• Mary Marvin (uncredited): Olivia Rosewood
• Ohio Man (uncredited): John Slade
• Titanic Gym Instructor Thomas McCawley (uncredited): Brian McDermott
• 1st Class Passenger/ 3rd Class Passenger/ Stunts: Bret Aaron Knower
• Promenade Deck Steward: Martin Laing
• Mother at Stern: Rebecca Klinger

Crew:

• Writer: James Cameron
• Unit Production Manager: Sharon Mann
• Casting Associate: Emily Schweber
• Art Direction: Martin Laing
• Production Supervisor: Giedra Rackauskas
• Casting: Mali Finn
• Post Production Supervisor: Lisa Dennis
• Original Music Composer: James Horner
• Director of Photography: Russell Carpenter
• Co-Producer: Grant Hill
• Set Decoration: Michael Ford
• Production Design: Peter Lamont
• Costume Design: Deborah L. Scott
• Unit Production Manager: Anna Roth
• Editor: Richard A. Harris
• Producer: Jon Landau
• Editor: Conrad Buff IV
• Theme Song Performance: Céline Dion
• Stunts: Janet Brady
• Costume Supervisor: Adolfo Ramírez
• Costume Supervisor: Sarah Touaibi
• Stunts: Rick Avery
• Stunts: Mike Avery
• Stunts: Joni Avery
• Stunts: John Casino
• Stunts: Simone Boisseree
• Stunts: Charlie Brewer
• Stunts: Sandy Berumen
• Stunts: Mic Rodgers
• Stunts: Erik Stabenau
• Stunts: Victoria Vanderkloot
• Stunts: Dane Farwell
• Stunts: Kim Kahana Jr.
• Stunts: Steve Griffin
• Stunts: Marcia Holley
• Stunts: Jaroslav Peterka
• Stunts: Vince Deadrick Jr.
• Stunts: Kurt D. Lott
• Stunts: Lincoln Simonds
• Stunts: Lynn Salvatori
• Stunts: Glen Yrigoyen
• Stunts: Dimo Lipitkovský
• Stunts: Larry Rippenkroeger
• Stunts: Eunice Huthart
• Stunts: Gary Guercio
• Stunts: Doc D. Charbonneau
• Stunts: Chuck ‘Chaz’ Hosack
• Stunts: Julie Michaels
• Stunts: Leon Delaney
• Stunts: Tim Trella
• Stunts: Dana Dru Evenson
• Stunts: Mike Justus
• Stunts: Johnny Martin
• Stunts: Josh Kemble
• Stunts: Sarah Franzl
• Stunts: Mario Roberts
• Stunts: Cris Thomas-Palomino
• Stunts: Terry Forrestal
• Stunts: Michael Papajohn
• Stunts: Diane Peterson
• Stunts: Terry Jackson
• Stunts: Matt Johnston
• Stunts: Clarke Coleman
• Stunts: Troy Gilbert
• Stunts: Lance Gilbert
• Stunts: Dustin Meier
• Stunts: Danny Rogers
• Stunts: Lucy Allen
• Stunts: Gerardo Albarrán
• Stunts: Paul Herbert
• Stunts: Ray Nicholas
• Stunts: Sean McCabe
• Stunts: Bobby Burns
• Stunts: Alejandro Avendano
• Stunts: David Cronnelly
• Stunts: Martin Hub
• Stunts: Sy Holland
• Stunts: Marc Cass
• Stunts: Svetla Krasteva
• Stunts: David Lištván
• Stunts: Balo Bucio
• Stunts: Kiran Shah
• Stunts: Gábor Piroch
• Stunts: Jan Holíček
• Stunts: Mauricio Martínez
• Stunts: Richard Bradshaw
• Stunts: Mark Henson
• Stunts: Glenn Boswell
• Stunts: Terri Cadiente
• Stunts: Joey Box
• Stunts: Jamie Edgell
• Stunts: Andy Bennett
• Stunts: Noby Arden
• Stunts: Pavel Cajzl
• Stunts: Jimmy Corona Rooney
• Stunts: Rusty Hanson
• Stunts: Paul Eliopoulos
• Stunts: Dusan Hyska
• Stunts: Jim Palmer
• Stunts: Debbie Lee Carrington
• Executive Producer: Rae Sanchini
• Visual Effects Editor: Chris O’Connell
• Compositors: Brian N. Bentley
• Makeup Artist: Polly Earnshaw
• Supervising Art Director: Charles Dwight Lee
• Visual Effects Producer: Camille Cellucci
• Visual Effects: Jamie Dixon
• Visual Effects Supervisor: Ken Jones
• Visual Effects Supervisor: Mat Beck
• Makeup Artist: Lisa McDevitt
• Makeup Artist: Michael Mosher
• Visual Effects Supervisor: Dave Carson
• Visual Effects Supervisor: Richard E. Hollander
• Art Direction: Bill Rea
• Visual Effects Producer: Andrea D’Amico
• Costume Supervisor: Tom Numbers
• Visual Effects Producer: Crystal Dowd
• Visual Effects Producer: Tom Kennedy
• Visual Effects Producer: Casey Cannon
• Visual Effects Producer: Joyce Cox
• Makeup Artist: Sian Grigg
• Visual Effects Supervisor: Robert Legato
• Makeup Artist: Giulio Pezza
• Set Designer: Marco Niro
• Assistant Art Director: Héctor Romero
• Visual Effects Producer: Krystyna Demkowicz
• Visual Effects: Fred Simon
• Visual Effects Supervisor: Robert Skotak
• Visual Effects Supervisor: Craig Barron
• Visual Effects: Thad Beier
• Visual Effects: Rebecca Marie
• Makeup Artist: Rebecca Lafford
• Makeup Artist: Vincenzo Mastrantonio
• Set Designer: Peter Francis
• Visual Effects Supervisor: Van Ling
• Set Dresser: John Bratton
• Set Designer: Dominic Masters
• Visual Effects Producer: John Kilkenny
• Musician: Armen Ksajikian
• Rigging Gaffer: Mike Amorelli
• Still Photographer: Merie Weismiller Wallace
• Music Supervisor: Randy Gerston
• Steadicam Operator: Marcis Cole
• Music Editor: Joe E. Rand
• Associate Producer: Pamela Easley
• Co-Producer: Al Giddings
• Stunt Coordinator: Simon Crane
• Stunts: Steven Lambert
• Driver: Brian Best
• Stunts: George Fisher
• Construction Coordinator: Tony Graysmark
• Art Department Coordinator: Charlotte Harper
• Casting Associate: Magui Jimenez
• Art Department Coordinator: Amanda Sallybanks
• Seamstress: Fabiola Perez Luna
• Key Hair Stylist: Kay Georgiou
• Construction Coordinator: William Les Collins
• Construction Coordinator: Scott MacFarlane
• Casting Associate: Rudy Joffroy
• Assistant Costume Designer: David Le Vey
• Assistant Costume Designer: Lahly Poore
• Key Set Costumer: Ismael Jardon
• Key Hair Stylist: Annie Townsend
• Key Set Costumer: Leigh Leverett
• Casting Associate: Jesus Ignacio Santana
• Key Set Costumer: Amy Arnold
• Key Set Costumer: Murray Lantz
• Key Hair Stylist: Simon Thompson
• Key Makeup Artist: Tina Earnshaw
• Key Makeup Artist: Laura Borselli
• Makeup Effects: Greg Cannom
• Casting Associate: Gemma Joffroy
• Additional Photography: Caleb Deschanel
• Stunts: Denise Lynne Roberts
• Stunts: Nancy Thurston
• Stunts: Anita Hart
• Stunts: Lisa Dempsey
• Music: Will Jennings
• Visual Effects: Michael Kanfer
• Second Unit Director of Photography: John M. Stephens
• Pilot: Charles A. Tamburro
• Camera Operator: Guy Norman Bee
• Camera Operator: Harald Ortenburger
• Script Supervisor: Shelley Crawford
• Camera Operator: John Trapman
• Marine Coordinator: Richard Fraser
• Marine Coordinator: Lance Julian
• Camera Operator: Guillermo Rosas
• Camera Operator: Kurt E. Soderling
• Gaffer: Mark Goodwin
• Camera Operator: Steve Koster
• Second Unit Director of Photography: Aaron Schneider
• Gaffer: Jim MacCammon
• Additional Photography: John Paszkiewicz
• Second Unit Director of Photography: Roy Unger
• Gaffer: Scotty Allan
• Rigging Gaffer: Todd Murchie
• Steadicam Operator: J. Michael Muro
• Gaffer: John Buckley
• ADR Editor: Lee Lemont
• ADR Editor: Harriet Fidlow
• Sound Effects Editor: Chris Scarabosio
• Sound Effects Editor: Scott Guitteau
• Sound Effects Editor: David C. Hughes
• Foley: Sarah Monat
• Foley Editor: Scott Curtis
• Sound Re-Recording Mixer: Lora Hirschberg
• Sound Re-Recording Mixer: Christopher Boyes
• Foley Editor: David Horton Jr.
• ADR Editor: Cindy Marty
• ADR Editor: Sue Fox
• Sound Recordist: Darren McQuade
• Sound Recordist: Cary Stratton
• Foley Editor: Tammy Fearing
• Sound Re-Recording Mixer: Tom Johnson
• Sound Re-Recording Mixer: Gary Rydstrom
• Boom Operator: Reynald Trudel
• Sound Effects Editor: Ethan Van der Ryn
• Sound Recordist: Joan Chamberlain
• Supervising Sound Editor: Tom Bellfort
• Special Effects Supervisor: Donald Pennington
• Special Effects Coordinator: Scott R. Fisher
• Foley: Robin Harlan
• Sound Re-Recording Mixer: Gary Summers
• Supervising ADR Editor: Hugh Waddell
• ADR Editor: Richard Corwin
• Sound Recordist: Ann Hadsell
• Sound Mixer: Mark Ulano
• Sound Designer: David Abrahamsen
• Storyboard Designer: Rick Newsome
• Stunts: Mark De Alessandro
• First Assistant Camera: Mark R. Jackson
• Stunts: Tim Rigby
• Dialogue Editor: J.H. Arrufat
• Second Unit Director: Steven Quale
• Dialogue Editor: Richard Quinn
• First Assistant Director: Josh McLaglen
• Dialogue Editor: Claire Sanfilippo
• Dialogue Editor: Gwendolyn Yates Whittle
• Visual Effects: John Bruno
• Stunts: John C. Meier
• Stunts: Gary Powell
• Stunts: Jo McLaren
• Stunts: Jill Brown
• Stunts: Annie Ellis
• Assistant Hairstylist: Esperanza Gómez
• Best Boy Electrician: Paul Bolton
• Underwater Gaffer: J.P. Gabriel
• Assistant Editor: Kevin Greutert

Catogories:
Drama,Romance
This is another elegant plug-in!

Nothing on Earth could come between them.
Language:
English,Français,Deutsch,svenska,Italiano,Pусский
Production:
United States of America
Company:
Paramount Pictures,20th Century Fox,Lightstorm Entertainment
Popularity:
147.403
Date:
1997-11-18
Year:
1997

• John Chard: Beautiful Romance – Tragedy Unbound.

  It has kind of become the popular thing to kick Titanic, the film and its achievements. It’s like the love it garnered on release and the colossal waves it made in the history of cinema, never happened, or as some want you to believe, doesn’t matter. I can tell you now that many of my macho fuelled friends will privately, under the influence of liquid refreshments, admit to having affection for the film, but socially in a circle environment? Not a bit of it! I have no such problems admitting my love for the film, I love it as much now as I approach 50, as I did when I sat there in awe at the cinema in 1997.

  You jump – I jump.

  Titanic is far from flawless, where even now with the advancements in technology the effects over 15 years later look a touch creaky. While it’s true as well that away from Rose and Jack the characterisations are thin on the ground. But this is Rose and Jack’s story, fully fleshed out for an hour and half and then framed by the terrible tragedy that unfolds for the next hour and half. The tie-in to the present day is superbly constructed by James Cameron – the search for the diamond – the real life filming of the Titanic wreckage – and the flashback telling of the story by a delightful Gloria Stuart as old Rose, and the sinking of the ship and its aftermath is stunning and heart breaking in equal measure.

  Never let go.

  So may scenes and dialogue exchanges stay in the memory for ever. The band playing on, the captain awaiting his fate, the mother ushering her children to sleep before the sea comes to take them, the old boy drinking his brandy as the water rushes in, or just Jack and Rose, polar opposites in society’s class structure, making love, making art or just professing that neither will ever let go. It’s what makes Titanic the wonderful piece of cinema it is, where beauty and tragedy merge to create something forever memorable. A film that deserved all the accolades and cash till ringing that it once did have. 9/10

• CinemaSerf: Set around the ill-fated maiden voyage of the RMS “Titanic”, this is essentially a film in two parts. The first, weaker, element features a young “Dawson” (Leonardo DiCaprio) who wins a third class ticket to New York on the soon to depart liner. Meantime, the wealthy but unhappy “Rose” (Kate Winslet) is up in the posh cabins with her cold and unfeeling fiancée “Hockley” (Billy Zane) and her equally unpleasant, venally ambitious mother “Ruth” (Frances Fisher). Desperately unhappy, “Rose” considers jumping off the prow of the boat, but luckily the charming young “Dawson” is on hand to talk her down, and so begins their friendship that causes much chagrin amongst her socially elite companions. That friendship culminates in him making a rather provocative drawing of her, the final straw for her boyfriend and his enforcer “Lovejoy” (David Warner). It all looks ominous for both until – part two begins. The ship, speeding along nicely under the command of Bernard Hill’s Captain Smith clips the underwater part of an iceberg and now history takes over. James Cameron offers us a purely speculative account of what might have happened as the initially incredulous crew start to realise that maybe it is not just Molly Brown (an excellent Kathy Bates) that’s unsinkable! What now ensues are a series of well staged scenarios depicting panic, fear, a fair degree of selfishness and some proper stiff upper lips as the ship has be evacuated and the segregation of the passengers and competencies of the crew start to become life threatening. The visual effects have dated, the smoke from the ship’s funnels blows in an strangely symmetrical fashion and the later scenes struggle to convince – but this is really a rather tragic love story with a strong chemistry between the engaging two characters at the top of the bill, and an effective performance from the older “Rose” (Gloria Stewart) who takes on the role of narrator 80 years after the disaster. I still find it uncomfortable to watch the actuality of the wreck, which features occasionally throughout the film – I feel like I am quite literally walking through someone’s grave; but it does lend a potent hook upon which this lengthy, but well thought out and constructed drama is presented. Criticisms have been made of it’s factual inaccuracies, and it may well play a bit fast and loose with some of the real characterisations – but it’s a drama, and to be enjoyed has to be appreciated in that sphere. Big screen is a must, it really does lose a great deal on a television.
• Antoine53: Awesome
• Nathan: Titanic is simply a masterpiece. This movie has it all. A tremendous score, deep emotion emphasized by fantastic performances, and incredibly gripping and high-stakes action. There is really something for everyone here.

  Before I continue my praise of the film, I think it has one glaring weakness: the present-day plot. For me, this just did not work all that well. I understand that it was implemented for the main story to have a more emotional impact, but it was not needed. It added almost thirty minutes to the runtime, which could have been used for more character development in the story or to have a more streamlined plot. Not to mention, the acting in this section was lackluster. That might be a hot take, but it was something that I noticed during my watch.

  Back to the positives. The score is magnificent here. The minute I finished the film, I had an urge to put on this score to be transported back to the Titanic. That does not happen very often to me.

  The performances are great all around. Leonardo DiCaprio and Kate Winslet’s chemistry was perfect. They played off each other so well and really sold this emphatic and rapid love the two shared. The movie spends a lot of time building their relationship and the payoff at the end is worth every second. Billy Zane was an over-the-top asshole, and even though it was cheesy at times, it worked for me. The other ancillary cast members did well, including Kathy Bates, Frances Fisher and Bill Paxton.

  This film is really two movies put into one and both of them work excellently. The first half is a charming and cute love story that spends a lot of time on character development, laying the background for motivations and personalities. While this half may have been my favorite, it is slightly outdone by the second half, which is a gripping and suspenseful survival action story. This section is brutal, showing large scale panic and hysteria while also having some incredibly horrific deaths. The chaos was infectious and very scary to watch. Both halves create a great sense of emotion in the audience and complement each other very well.

  Overall, this movie had twenty-five years of hype and critical acclaim to live up to, and I am happy to say it passed expectations. Since leaving the theater, I cannot stop thinking about it.

  Score: 96% |
  Verdict: Masterpiece

  On a side note: I did see this movie in 3D during the twenty-five-anniversary re-release. While it was great to see it remastered in 4K, I do think the 3D was poor and unneeded. This did not affect my grade however, since it was not originally designed as a 3D experience, and they 3D did not really take away for my enjoyment.

• Prodank: Titanic was enjoyable initially, but the constant TV reruns got old fast. I don’t even own a TV anymore, and I’m in no hurry to watch it again. Still, it’s a good movie, deserving of a 7/10 rating.