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Fifty Shades of Grey

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When college senior Anastasia Steele steps in for her sick roommate to interview prominent businessman Christian Grey for their campus paper, little does she realize the path her life will take. Christian, as enigmatic as he is rich and powerful, finds himself strangely drawn to Ana, and she to him. Though sexually inexperienced, Ana plunges headlong into an affair — and learns that Christian’s true sexual proclivities push the boundaries of pain and pleasure.

Credits: TheMovieDb.
Fifty Shades of Grey
Overview:
When college senior Anastasia Steele steps in for her sick roommate to interview prominent businessman Christian Grey for their campus paper, little does she realize the path her life will take. Christian, as enigmatic as he is rich and powerful, finds himself strangely drawn to Ana, and she to him. Though sexually inexperienced, Ana plunges
Cast:

  • Anastasia Steele: Dakota Johnson
  • Christian Grey: Jamie Dornan
  • Carla: Jennifer Ehle
  • Kate: Eloise Mumford
  • José: Victor Rasuk
  • Elliot Grey: Luke Grimes
  • Dr. Grey: Marcia Gay Harden
  • Mia Grey: Rita Ora
  • Taylor: Max Martini
  • Ray: Callum Keith Rennie
  • Mr. Grey: Andrew Airlie
  • Bob: Dylan Neal
  • Olivia: Elliat Albrecht
  • Andrea: Rachel Skarsten
  • Martina: Emily Fonda
  • Paul Clayton: Anthony Konechny
  • Mr. Clayton: Bruce Dawson
  • WSU University President: Tom Butler
  • WSU Grad Speaker / Reader: Christine Willes
  • WSU Professor: Chris Shields
  • Female Grad: Anna Louise Sargeant
  • Female Grad: Megan Danso
  • Graduation Photographer: Jason Cermak
  • Computer Technician: Brent McLaren
  • Glider Tow Pilot: Steven Cree Molison
  • Young Woman at Bar: Elise Gatien
  • Elevator Business Man: Reese Alexander
  • Savannah Hotel Waiter: David Orth
  • Pig-Tailed Blonde Server: Julia Dominczak
  • Flight Attendant: Brandi Alexander
  • Elevator Businessman (uncredited): Raj Lal
  • Graduate (uncredited): Matthew Hoglie

Crew:

  • Director: Sam Taylor-Johnson
  • Producer: E.L. James
  • Screenplay: Kelly Marcel
  • First Assistant Director: Peter Kohn
  • Second Assistant Director: David Arnold
  • Stunt Coordinator: Melissa R. Stubbs
  • Stunts: Bret Kiene
  • Assistant Art Director: Cara Brower
  • Set Designer: C. Scott Baker
  • Set Designer: Patrick Dunn-Baker
  • Set Designer: Geoff Wallace
  • Graphic Designer: Tina Charad
  • Graphic Designer: Roger Fires
  • Set Dresser: Eliza Hooker
  • Set Dresser: Elena Dresser
  • Property Master: Dan Sissons
  • Steadicam Operator: David Crone
  • Digital Imaging Technician: David Kurvers
  • Production Sound Mixer: Mark Noda
  • Costume Coordinator: Kurtis Reeves
  • Set Costumer: Ivan Lehner
  • Key Makeup Artist: Victoria Down
  • Assistant Makeup Artist: Vanessa Giles
  • Key Hair Stylist: Sanna Seppanen
  • Key Hair Stylist: Danna Rutherford
  • First Assistant Hairstylist: Codey Blair
  • Gaffer: Stuart Haggerty
  • Best Boy Electric: Niall Fraser
  • Rigging Gaffer: Sean Oxenbury
  • Key Grip: Mike Kirilenko
  • Best Boy Grip: Drew David
  • Dolly Grip: Russell Hawkes
  • Dolly Grip: Lee Gibeau
  • Key Rigging Grip: Bryce Munro
  • Grip: James Kohne
  • Location Manager: Kirk Johns
  • Assistant Location Manager: W. Robert Millar
  • Production Coordinator: Elaine Fleming
  • Production Accountant: Cheryl Kurk
  • Payroll Accountant: Brenda McClellan
  • Post Production Accountant: Diana Ascher
  • Post Production Accountant: Lara Sargent
  • Post Production Supervisor: Graham Stumpf
  • First Assistant Editor: David S. Clark
  • First Assistant Editor: David Marks
  • VFX Editor: Julian Andraus
  • Sound Designer: Karen Vassar Triest
  • Dialogue Editor: Laura Harris Atkinson
  • Foley Editor: Darren Sunny Warkentin
  • First Assistant Sound Editor: Gayle Wesley
  • Foley Mixer: David Jobe
  • Foley Artist: Alicia Stevenson
  • ADR Mixer: Doc Kane
  • ADR Mixer: Thomas J. O’Connell
  • ADR Mixer: Tami Treadwell
  • ADR Mixer: Mark DeSimone
  • ADR Mixer: Roger Morris
  • ADR Mixer: Bill Higley
  • ADR Recordist: Ryan Young
  • Special Effects Coordinator: Alex Burdett
  • Extras Casting: Andrea Brown
  • Unit Publicist: Guy Adan
  • Dialect Coach: Jess Platt
  • Construction Coordinator: Doug Hardwick
  • Construction Foreman: Mike McLeod
  • Transportation Co-Captain: Larry Tardif
  • Aerial Coordinator: Steve Wright
  • Aerial Director of Photography: Hans Bjerno
  • Additional Music: David Buckley
  • Music Coordinator: Libby Umstead
  • Dolby Consultant: James Wright
  • Second Unit Director of Photography: Roger Vernon
  • Visual Effects Supervisor: Mark Curtis
  • CG Supervisor: Bryan Litson
  • Production Office Assistant: James Forrester
  • Utility Stunts: Jason Bell
  • Executive In Charge Of Production: Louis Phillips
  • Editor: Debra Neil-Fisher
  • Editor: Lisa Gunning
  • Editor: Anne V. Coates
  • Director of Photography: Seamus McGarvey
  • Casting: Francine Maisler
  • Original Music Composer: Danny Elfman
  • Production Design: David Wasco
  • Costume Design: Mark Bridges
  • Script Supervisor: Kerry Lyn McKissick
  • Sound Re-Recording Mixer: Terry Porter
  • Sound Re-Recording Mixer: Anna Behlmer
  • Supervising Sound Editor: Kelly Oxford
  • Supervising Sound Editor: Becky Sullivan
  • Music Supervisor: Dana Sano
  • Music Editor: Angie Rubin
  • Music Editor: Bill Abbott
  • Set Decoration: Sandy Reynolds-Wasco
  • Set Decoration: Sandy Walker
  • Still Photographer: Chuck Zlotnick
  • Stunt Coordinator: Michael Hilow
  • Producer: Michael De Luca
  • Producer: Dana Brunetti
  • Executive Producer: Jeb Brody
  • Executive Producer: Marcus Viscidi
  • Costume Supervisor: Barbara Inglehart
  • Art Direction: Laurel Bergman
  • Original Music Composer: Ellie Goulding
  • Supervising Art Director: Tom Reta
  • Supervising Art Director: Michael Diner
  • Painter: Mark N. Tompkins

Catogories:
Drama,Romance,Thriller
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Language:
English
Production:
United States of America
Company:
Universal Pictures,Focus Features,Michael De Luca Productions,Trigger Street Productions
Popularity:
122.436
Date:
2015-02-11
Year:
2015

  • Andres Gomez: Honestly, it has been a long time since I’ve watched such a bad movie.

    The script is just … stupid and the dialogues even worse. The characters are not believable. I mean, when you watch Twilight, you just swallow the whole thing because it is fantasy and … OK, it is just a stupid vampires story but, this is just toooooooo bad.

    I’ve not read the book but I suspect the fail is not just in the movie but that it is adapting something that is already bad from the beginning.

    The worst is that I kind of liked Dornan in his role in Fallen but this movie has made me realize what a short range of performing resources he has. Dakota Johnson is not too bad, though. The acting is OK, it is just that you hate such an stupid character.

    One more to my very narrow list of movies in which I have seriously thought stop watching by the middle of it. I wasted the second hour too, though.

  • GenerationofSwine: My fiance is a big fan of the movies…and I only mention that because she is worse than me when it comes to sniffing out mainstream erotica. So, you know, totally hit her radar.

    On my end, I brought the book at LAX one night to read on a layover, and I stopped when Grey picked up his phone to call for a helicopter and started using trucker jargon. “Breaker, breaker, two-nine…” NO! Not reading any more!

    I honestly didn’t even want to watch the movie after encountering that.

    However, let’s be honest, you aren’t sitting down to watch the film because of dialogue or plot.

    You’re watching it because of sex. And, out of all the movies, this one actually delivers the most on it. AND, unlike all the sequels, it doesn’t claim to be about anything else. It advertises itself as a movie about kinky sex and it delivers as being a movie about kinky sex.

    So ten stars. It is exactly what it claims to be and delivers on that.

  • CinemaSerf: Now I never read the book, and the DVD of this has been sitting in a box for years until recently when, discovering it did actually get both an Oscar and a Grammy nomination, I thought I would give it a go. It’s all about “Anastasia” (Dakota Johnson) who goes to interview hunky gazillionaire “Christian” (Jamie Dornan) in his plush office. A bit of flirting ensues as he makes it quite clear that he is interested – but boy, is she in for a surprise when she discovers that all belts and braces does actually having another meaning (as does butt-plug!). What now follows is, I felt, a really tame exercise in soft porn that is about as sexy as putting out the wheelie bin. Dornan is very easy on the eye, but otherwise we are all subjected to a dull, ploddingly produced series of poorly lit scenes that drag on interminably. There’s no point evaluating the acting nor the script, they don’t matter. This is just a poor attempt to entertain or shock or both that does neither, remotely. Titillatingly tantalising? Nah – just dull. Nice helicopter but the song didn’t win either award.

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