Five Nights at Freddy’s

Recently fired and desperate for work, a troubled young man named Mike agrees to take a position as a night security guard at an abandoned theme restaurant: Freddy Fazbear’s Pizzeria. But he soon discovers that nothing at Freddy’s is what it seems.

Credits: TheMovieDb.

Recently fired and desperate for work, a troubled young man named Mike agrees to take a position as a night security guard at an abandoned theme restaurant: Freddy Fazbear’s Pizzeria. But he soon discovers that nothing at Freddy’s is what it seems.
Cast:

• Mike: Josh Hutcherson
• Abby: Piper Rubio
• Vanessa: Elizabeth Lail
• Steve Raglan: Matthew Lillard
• Aunt Jane: Mary Stuart Masterson
• Max: Kat Conner Sterling
• Jeff: David Lind
• Hank: Christian Stokes
• Carl: Joseph Poliquin
• Ghost Kid (Blonde Boy): Grant Feely
• Ghost Kid (With Hook): Asher Colton Spence
• Ghost Kid (With Bunny Ears): David Huston Doty
• Ghost Kid (With Hat): Liam Hendrix
• Ghost Kid (Blue-Eyed Girl): Jophielle Love
• Dr. Lillian: Tadasay Young
• Doug: Michael P. Sullivan
• Young Mike: Wyatt Parker
• Garrett: Lucas Grant
• Mike’s Mom: Jessica Blackmore
• Mike’s Dad: Garrett Hines
• Freddy’s Security Guard: Ryan Reinike
• Jeremiah: Theodus Crane
• Cindy: Julia Belanova
• Ice Cream Lady: Lisa Mackel Smith
• Afraid Young Boy: Xander Mateo
• Sparky’s Diner Waiter: Matthew Patrick
• Kim: Bailey Winston
• Pharmacist: Gralen Bryant Banks
• Cabbie: Cory Kenshin
• Social Worker: Victoria Patenaude
• Foxy (voice) (uncredited): Kellen Goff

Crew:

• Screenplay: Scott Cawthon
• Executive Producer: Marc Mostman
• Makeup Department Head: Ashley Levy
• Production Supervisor: Brian S. Johnston
• Executive Producer: Christopher H. Warner
• Second Second Assistant Director: Danny Gonzalez
• Set Dresser: Gregory T. Geniusz
• Set Designer: Alexander Klein
• Graphic Designer: Alexa Holland
• Art Department Coordinator: Jessica Lee
• Set Decorating Coordinator: Brad Miller
• Prop Maker: Brad Quintana
• Set Dresser: Eric Ringbloom
• Assistant Set Decoration: Li Yaffe
• First Assistant Sound Editor: Smokey Cloud
• Sound Effects Editor: Jessey Drake
• Boom Operator: Ryan Farris
• Sound Designer: P.K. Hooker
• ADR Mixer: Jamison Rabbe
• Production Sound Mixer: Chris Welcker
• Special Effects Coordinator: Donnie Dean
• Special Effects Supervisor: Matt Kutcher
• Visual Effects Production Manager: Corey Farrell
• CG Artist: Jasper Goodrich
• Compositing Supervisor: Rick van de Schootbrugge
• Compositor: Chris Van Noy-March
• Compositor: Paul Wicke
• Dolly Grip: Gerald Autin
• Rigging Grip: Scott Calcagno
• Camera Loader: Neera Chatrath
• Dolly Grip: Ted Gregg
• Lighting Programmer: Darcy Lynne Jamison
• Grip: Brian Nault
• Gaffer: Allen Parks
• Digital Imaging Technician: Paul Rahfield
• Electrician: Joshua Walker
• ADR & Dubbing: Susan Boyajian
• Casting Associate: Amelia Chen Miley
• Casting Assistant: Hilary Matkovich
• Casting Associate: Matthew Nelson
• Casting Assistant: Adam Stephenson
• Key Costumer: Lori Castano
• Costume Coordinator: Paris Cocke
• Costume Supervisor: Emma Villere
• Assistant Costume Designer: Lindsey Waltonbaugh
• Post Production Assistant: Tyler Ferguson
• Assistant Editor: Lara Karamardian
• Color Assistant: Jason Maydick
• First Assistant Editor: Andre Monaco
• Location Coordinator: Stacey Gaw
• Music Supervisor: Aminé Ramer
• Music Supervisor: Andrea von Foerster
• Scoring Mixer: Jonathan Wales
• Script Supervisor: David Bush
• Picture Car Coordinator: Michael Schlumbrecht
• Assistant Production Coordinator: Lucia Bellanger
• Editor: Andrew Wesman
• Executive Producer: Ryan Turek
• Musician: Taylor Stewart
• Musician: Andrew Grush
• Editor: William Paley
• Screenstory: Chris Lee Hill
• Screenstory: Tyler MacIntyre
• Co-Producer: Jennifer Scudder Trent
• Second Assistant Director: David Fischer
• Stunts: Matt Cipro
• Stunts: Jamie Marie Dunn
• Stunts: Michael W. Hoban
• Stunts: Sierra Hawkins
• Stunts: Michael Gaines
• Stunt Coordinator: Andy Dylan
• Stunts: Karine Mauffrey
• Stunts: Taryn Terrell
• Stunts: Gwendolyn Lastrapes
• Utility Stunts: Chris Bryant
• Stunts: Joe Dryden
• Utility Stunts: Jeff Brockton
• Utility Stunts: Chris Monberg
• Property Master: Michael S. Martin
• Utility Sound: Emily Poulliard
• Best Boy Electric: Nick Kramer
• Electrician: Quincy Cichosz
• Electrician: Steffan Pitzel
• Generator Operator: James Williams
• Rigging Gaffer: Russell Beard
• Key Grip: Nick Leon
• Rigging Grip: Gino Paul Holmes, Sr.
• Rigging Grip: Jody D. Honold, Jr.
• Rigging Grip: Donald T. Roth
• Special Effects Technician: Santanna Dean
• Costumer: Heidi Bannon
• Truck Costumer: Marie Boensch
• Seamstress: Ryn Wilson
• Key Makeup Artist: Suzy Beique
• Key Hair Stylist: Carl G. Variste
• Assistant Location Manager: Andrea Babineau
• Location Manager: Ashley Bunge
• Assistant Location Manager: Justin Etienne
• Assistant Location Manager: John Johnston
• Location Assistant: Corey Ellow Sr.
• Location Assistant: Todd Muse
• Production Coordinator: Dylan Gravley
• Travel Coordinator: Erin Murphy
• Production Office Assistant: Danielle Broussard
• Production Office Assistant: Harrison Costello
• Production Office Assistant: Maverick Schmit
• Art Department Production Assistant: Rebecca McGirney
• Studio Teacher: Nick Delgado
• Production Accountant: Todd Crockett
• Assistant Accountant: ThuyVi Nguyen
• Second Assistant Accountant: Cynthia Nguyen
• Payroll Accountant: Melissa Perret
• Additional Second Assistant Director: Mary Anne Olinsky
• Key Production Assistant: Sam Nation
• Production Assistant: Simone Amos
• Production Assistant: Kandace Braud
• Production Assistant: Miles Gullett
• Production Assistant: Brady Lewis
• Production Assistant: Bryce Toups
• Executive Producer’s Assistant: Jeremy Marshall
• Actor’s Assistant: Brittany Guillot
• Set Decoration Buyer: Madi Turin
• Leadman: Pat A. O’Connor
• Set Dresser: Jen Brunjes
• Set Dresser: Teddy Hennessey
• Set Dresser: Caleb Rimmer
• Set Dresser: Remy Laan
• Painter: Kirk Bordelon
• Painter: Melanie Burck
• Painter: Greg White
• On Set Dresser: Joie Todd Kerns
• Construction Coordinator: Steve Martemucci
• Construction Foreman: Keith Aymami
• Construction Buyer: Nick Martemucci
• Charge Scenic Artist: Cecile Aymami
• Scenic Artist: Brad Benischeck
• Scenic Artist: Wendy Guerrera
• Scenic Artist: Tony Sider
• Scenic Artist: Cecil Bowers
• Scenic Artist: Pavel Pesta
• Scenic Artist: Joaquin Sanchez
• Scenic Artist: Alexander ‘Sasha’ Stolin
• VFX Editor: Drew Sacks
• ADR Supervisor: Sang Kim
• ADR & Dubbing: Alana Webster
• ADR & Dubbing: Elizabeth Bartley
• ADR & Dubbing: Ben Pronsky
• ADR & Dubbing: Amari Grace
• ADR & Dubbing: Peyton Goodrum
• ADR & Dubbing: Wolfie Trausch
• ADR & Dubbing: Olivia van Doornewaard
• ADR & Dubbing: Juan Pope
• ADR & Dubbing: Jackie Cowgill
• ADR & Dubbing: Jakari Fraser
• ADR & Dubbing: Scott Whyte
• ADR & Dubbing: Chrystee Pharris
• ADR & Dubbing: Amad Jackson
• ADR & Dubbing: Thomas Debone
• ADR & Dubbing: Esme Ellis
• ADR & Dubbing: Kendrick White
• ADR Mixer: Mehrnaz Mohabati
• ADR Mixer: Michael Rivera
• ADR Mixer: Aidan Dykes
• Music Editor: Brett Pierce
• Other: Celeste Chada
• Sound Mix Technician: Max Serwitz
• Colorist: Mitch Paulson
• Finishing Producer: Vanessa Galvez
• CG Artist: James Bleakley
• Additional Music: Lily Marlovits
• Music: Saun Santipreecha
• Musician: Stewart Cole
• Musician: Devon Taylor
• Sound Recordist: Dragisa Stojanov
• Conductor: Joaquim Badia
• Music: Ilija Grkocski
• Local Casting: Elizabeth Coulon
• Extras Casting: Toni Avalos
• Extras Casting: Celena Rose
• Post Production Supervisor: Anthony Brandonisio
• Set Designer: Jessica Johnston
• Set Designer: Jonathan House
• Conceptual Design: Landon Lott
• Assistant Property Master: Ashley Clements
• Visual Effects Supervisor: Melissa Brockman
• Sound Re-Recording Mixer: Joel Dougherty
• Sound Re-Recording Mixer: Jason Gaya
• Sound Effects Editor: Andrew Twite
• Sound Effects Editor: Ryan A. Sullivan
• Visual Effects Coordinator: Natasha Tscharanyan
• Foley Mixer: Rustam Himadiiev
• Foley Artist: Bogdan Zavarzin
• ADR Editor: Paul Timothy Carden
• Assistant Editor: Melanie Kuan
• Assistant Editor: Andrea McLaughlin
• Visual Effects Supervisor: Jonathan Dearing
• CG Supervisor: Qazi Hamza Javed
• Visual Effects Producer: Emily Fay Higgins
• VFX Supervisor: Jeffrey Kalmus
• Thanks: Gregory Plotkin
• Animatronics Supervisor: John Criswell
• Best Boy Grip: Richard Elias
• Grip: Mark Koziorowski
• Grip: Andy O’Brien
• Grip: Ronnie Renshaw
• Steadicam Operator: Chris Flurry
• “B” Camera Operator: Austin Alward
• First Assistant “A” Camera: Zachary Blosser
• First Assistant “B” Camera: Bryce Marshall
• Second Assistant “A” Camera: Chad Taylor
• Second Assistant “B” Camera: Jack Khorram
• Screenplay: Emma Tammi
• Executive Producer: Russell Binder
• Producer: Jason Blum
• Visual Effects Producer: Bryan Binder
• Executive Producer: Beatriz Sequeira
• Director of Photography: Lyn Moncrief
• Casting: Sarah Domeier Lindo
• Casting: Terri Taylor
• Production Design: Marc Fisichella
• Art Direction: Mark A. Terry
• Set Decoration: Claire Sanchez
• Costume Design: Natalie O’Brien
• Hair Department Head: Amy Wood
• First Assistant Director: Woodrow Travers
• Stunts: Sean Paul Braud
• Utility Stunts: Eric Stratemeier
• Screenplay: Seth Cuddeback
• Still Photographer: Patti Perret

Catogories:
Horror,Mystery
This is another helpful item!!

Can you survive five nights?
Language:
English
Production:
United States of America
Company:
Blumhouse Productions,Scott Cawthon Productions
Popularity:
151.673
Date:
2023-10-25
Year:
2023

• bradley: FNAF was great, Kinda wish it had blood, Every kill was offscreen or really dark and you cant really see the kill.
• MustachedMovieMan: I don’t really get what all the negative reviews are about.
  It’s not the best movie ever or that I’ve seen this year, but I still had a good time watching it. The story was interesting, it had some scary parts, some humorous parts, lots of tension, was well-acted, well-shot, and the effects (both practical and CGI) were well-done. Also, the production design and creature design was great.

  A movie doesn’t have to be restricted to either being “the best” or “horrible.” The theater I saw it in was packed, the audience was responsive and seemed to be loving it, and I myself enjoyed it.

  I didn’t really play the games, but I was definitely engaged in the lore of some of the MatPat Game Theory videos I saw. And I could tell from audience reactions that there were some cool things in the movie if you knew the games. That’s not a negative, to be clear. It’s always really cool when filmmakers put things in movies that true fans would catch and geek-out about.

  As far as being a viewer who didn’t really play the games, I enjoyed the movie. And while I think knowing the games/lore would have definitely enhanced my enjoyment and enthusiasm, I wouldn’t say it lacks as a movie or that the games are “required viewing” for those who haven’t played them. Everything’s explained pretty well.

  As far as the horror aspect goes, it is PG-13; I saw some reviews complaining about the lack of gore… It’s PG-13. C’mon guys.
  But, that being said, I thought they still did a good job with the horror elements that were present.

  I also really liked the trio of main characters. I thought Josh Hutcherson, Piper Rubio, and Elizabeth Lail all did a good job.
  Also, I’m glad Josh Hutcherson is back. I hope he’ll continue to be in more movies.

• CinemaSerf: Didn’t Josh Hutcherson used to be famous? Well here he is reduced to the role of the struggling brother of “Abby” (Piper Rubio). Their aunt (Mary Stuart Masterson) is determined that this hapless bag of bones isn’t fit to look after the young girl – after he takes out a visiting father in the fountain of a shopping mall and gets fired; so “Mike” has to get another job! Opportunities are thin on the ground, but there is a vacancy doing the security night shift and an old, derelict, pizza parlour. How hard can it be? Well a meeting with the enigmatic police officer “Vanessa” (Elizabeth Lail) should have rung alarm bells, and when he has to take “Abby” there for one overnight shift – well it’s soon clear that this place has secrets to keep and that it knows how to manipulate the hopes and fears of “Mike” and his sister. Can they stay sane and focussed long enough to survive this maze of malevolent mechanical bunnies? I’m afraid the presence of Matthew Lillard never helps a film, and here is no different – this is just a rather nonsensical attempt at a spooky mystery that certainly has nothing to make you jump. Rubio is actually quite decent, but there’s isn’t enough else happening to compensate for the very slow build up, surfeit of dialogue and frankly rather silly underlying premiss. I suppose as Halloween gets bigger and bigger, we are going to get more and more of these mediocre offerings – but despite it’s more prominent cast, this just belongs on the Horror channel at 2am.
• biancarockr: Good for scaring little kids.
• LegendGamerXZ: I’ve been waiting for this movie for 8.5 years and they delivered. This movie had everything I asked for the only issues I have with this film is that they should make it more scary, I am only giving it a 5 star is because I am bias and loved this franchise ever since I was a kid! I wished this movie had a little bit more blood!
• LegendGamerXZ: I loved the FNAF Movie, I’ve been waiting for this movie for 8 years and they delivered on my expectations on a Five Nights At Freddy’s Movie! My only gripe on this film just wishing it had more blood
• cooldude1983: as a person who never played any fnaf games a really enjoyed this movie the acting was great the robots looked amazing but the story wasn’t scary but I will say it was dark.
• tmdb47940942: I have been a fan of the Five Nights at Freddy’s franchise for 9 years, and I can say that this was a good adaptation for the video game. I give it 3.5 stars or 7/10 because I have watched many interviews with Emma Tammi and some YouTubers were able to release BTS footage a week or so early. Those interviews and BTS videos really helped me understand the love and care Blumhouse, Scott Cawthon Productions, and Jim Henson’s put into the world that they all knew so many loved. But I wouldn’t go any higher than 3.5 or 7/10 because there were not that many jump scares or good scares. It got me a few times, but not as many as I wished for. and they didn’t show much of William or the Spring Bonnie suit. William Afton is the villain of this franchise. In every universe FNaF has, there is a William, and he kills, and I feel like they swung and missed the ball with William a little. If they are able to make a second film, I hope they explore William more. This is a fun watch, good for fans of the franchise, and a good beginner movie for people who get too scared watching horror movies.
• ViolettSmith: Five Nights at Freddy’s is a fun bad film. I personally loved it. I’ve waited years for it to hit the big screen, and I can’t believe the day came. To get this out of the way, Jim Henson’s company did a fantastic job bringing the animatronic horrors to life. All the animatronic suits look phenomenal; it looks like they ripped them straight from the game. The Easter egg characters also looked really good. Jim Henson’s done an awesome job! The actors for the film were great as well: Josh Hutcherson, Elizabeth Lail, and Matthew Lillard. All great actors that fit their roles perfectly. I am a little sad that Matthew Lillard’s role, William Afton, didn’t have that much screen time. For being the main villain of the whole film, he only had a big twist at the end. Speaking of the big twist, Matthew Lillard played William Afton perfectly; I can’t imagine someone else playing the role. He tuned into who William Afton was so well. The line “I always come back” didn’t really fit; at that moment, how does he know he will come back? The lack of scares in the film and the fact that Mr. Cupcake gets the most kills in the whole film are insane to me. FNaF is a jumpscare game, and this film focused more on the human story, which is fine; I would’ve liked more than a few jumpscares. I also don’t care for the animatronics being all friendly; their kids are trapped in robots. Unless those kids were born killing, I can’t see how people can be mad at the animatronics for being friendly.
• r96sk: Serviceable.

  I feel like more could’ve been done with the mascots via the animatronics as well as giving them each some sorta creepy voice, though this is of course based on a video game so if that’s how they are in the game (which I’ve never played nor heard of) then I guess this is not a valid ‘criticism’. Just as a film, I think that would’ve made it more lively.

  ‘Five Nights at Freddy’s’, as it is, is a passable supernatural horror. Josh Hutcherson does an acceptable job as lead, as Elizabeth Lail and youngster Piper Rubio do well too. More could’ve perhaps been done with Matthew Lillard’s character, though Lillard is himself is alright.

  Evidently, the reception to this 2023 movie has been mixed, I can tell that from both the average rating chart and from those that I follow. It worked for me, that’s all there really is for me to say.