Infinite

Evan McCauley has skills he never learned and memories of places he has never visited. Self-medicated and on the brink of a mental breakdown, a secret group that call themselves “Infinites” come to his rescue, revealing that his memories are real.

Credits: TheMovieDb.
Infinite
Overview:
Evan McCauley has skills he never learned and memories of places he has never visited. Self-medicated and on the brink of a mental breakdown, a secret group that call themselves “Infinites” come to his rescue, revealing that his memories are real.
Cast:

• Evan McCauley: Mark Wahlberg
• Bathurst 2020: Chiwetel Ejiofor
• Nora Brightman: Sophie Cookson
• Artisan: Jason Mantzoukas
• Bathurst 1985: Rupert Friend
• Porter: Toby Jones
• Treadway: Dylan O’Brien
• Kovic: Jóhannes Haukur Jóhannesson
• Garrick: Liz Carr
• Trace: Kae Alexander
• Abel: Tom Hughes
• Leona: Joana Ribeiro
• Agent Shin: Wallis Day
• Brasserie Manager: Alicia Charles
• Brasserie Owner: Mark Fleischmann
• Brasserie Chef Joe: Lloyd Griffith
• Ronny: Jack Roth
• Lotto: Leon Annor
• O Dog: Nabil Elouahabi
• Ray Ray: Jumayn Hunter
• Shawna: Melissa Neal
• C17 Pilot: Chris Gordon
• Interrogation Policeman: Edward Wolstenholme
• Exterior Police Station Policeman: Oliver Parsons
• Isabella: Giorgia Seminara
• Jinya: Raffiella Chapman
• Park Mother: Alexandra Afryea
• Park Son: Jordan A. Nash
• Young Evan: Alistair Benson
• Evan’s Father: Rob Ostlere
• Evan’s Mother: Meghan Treadway
• Police Helicopter Pilot: Edison Roman Hernandez Ruiz
• Beautiful Tattooed Woman: Lili Rich
• Mercenary: Jonny James
• Temple Boy: Llywelzeth Franco
• Temple Girl: Abigail Atchison
• Young Treadway: Gilbert Aguirre
• Young Treadway’s Father: Yannus Sufandi
• Guru: Lu Junchang

Crew:

• Director: Antoine Fuqua
• Producer: Mark Wahlberg
• Producer: Stephen Levinson
• Producer: Mark Huffam
• Director of Photography: Mauro Fiore
• Editor: Conrad Buff IV
• Storyboard Artist: Soren Bendt Aaboe Pedersen
• Producer: John Zaozirny
• Executive Producer: Brian Oliver
• Executive Producer: Bradley J. Fischer
• Executive Producer: Valerii An
• Production Design: Chris Seagers
• Costume Design: Jill Taylor
• Visual Effects Supervisor: Peter Bebb
• Co-Producer: Kat Samick
• First Assistant Director: Max Keene
• Unit Production Manager: Janine Modder
• Original Music Composer: Harry Gregson-Williams
• Music Supervisor: Jabari Ali
• Casting: Priscilla John
• Casting: Orla Maxwell
• Fight Choreographer: Yang Liang
• Stunt Driver: Venice Smith
• Stunts: Alli Ryan
• Stunts: Rubie Planson
• Stunts: Nikita Mitchell
• Stunts: Carly Michaels
• Stunts: Maria Hippolyte
• Stunts: Jessica Hawkins
• Stunt Driver: Katy Bullock
• Stunts: Rachelle Beinart
• Stunts: Amy Clare Beales
• Stunts: Nina Armstrong
• Stunts: Sina Ali
• Stunts: Aurélia Agel
• VFX Artist: Shailesh Chibire
• VFX Artist: Jamie Hearing
• Visual Effects: Alexandra Magocsi
• Stunt Coordinator: Simon Crane
• Visual Effects Producer: Rhonda C. Gunner
• Post Production Supervisor: Susan E. Novick
• Supervising Sound Editor: Mandell Winter
• Supervising Sound Editor: David Esparza
• Sound Re-Recording Mixer: Steve Pederson
• Sound Re-Recording Mixer: Daniel J. Leahy
• Stunt Coordinator: Nikki Powell
• Stunt Coordinator: Gary Powell
• Supervising Art Director: John Frankish
• Art Direction: Ben Munro
• Art Direction: Sue Whitaker
• Art Direction: David Doran
• Art Direction: Julian Ashby
• Art Direction: Renate Nicolaisen
• Art Direction: Daniel Swingler
• Art Direction: Roxana Alexandru
• Art Direction: Daniel Nussbaumer
• Art Direction: Jane Harwood
• Art Direction: Jonathan Houlding
• Visual Effects Art Director: Scott McInnes
• Standby Art Director: Huw Arthur
• Assistant Art Director: Petra Balogh
• Assistant Art Director: Kate Suzanne Hunter
• Assistant Art Director: William Smith
• Assistant Art Director: Oliver Williams
• Set Decoration: Celia Bobak
• Script Supervisor: Nicoletta Mani
• Second Assistant Director: Paul Bennett
• Production Sound Mixer: Gary Dodkin
• Music Editor: Mark Jan Wlodarkiewicz
• Sound Effects Editor: Will Digby
• Sound Designer: Hamilton Sterling
• Assistant Set Decoration: James Hendy
• Assistant Set Decoration: Sandro Piccarozzi
• Assistant Set Decoration: Irene Moreno Feliu
• Assistant Set Decoration: Philippa Bruges
• Assistant Set Decoration: Emily Blunden
• Assistant Costume Designer: Charlotte Sewell
• Costume Supervisor: Louise Cassettari
• Makeup Designer: Jana Carboni
• Makeup Artist: Harriet Thompson
• Makeup Artist: Allan A. Apone
• Makeup Artist: Stefania Pellegrini
• Makeup Artist: Charlie Mileham
• Makeup Trainee: Lisa Pantaleoni
• Hair Designer: Giuliano Mariano
• Visual Effects Supervisor: Stuart Lashley
• Visual Effects Supervisor: Lee F. Sullivan
• Visual Effects Producer: Sara Khangaroot
• Visual Effects Producer: Michael D’Sa
• Visual Effects Producer: Preeya Kalidas
• Assistant Set Decoration: Laura Richardson
• Steadicam Operator: Daniele Massaccesi
• “B” Camera Operator: Cosmo Campbell
• First Assistant “A” Camera: Robert Palmer
• First Assistant “B” Camera: Tobias Eedy
• Second Assistant “A” Camera: Matt Wright
• Second Assistant “B” Camera: Graham Smout
• Camera Loader: Jessica Saunders
• Camera Trainee: Lali Coombes
• Digital Imaging Technician: Ben Appleton
• First Assistant Editor: Carole A. Kenneally
• Assistant Editor: Danielle El-Hendi
• Assistant Editor: Calum Peters
• Dialogue Editor: Micah Loken
• Dialogue Editor: Sang Jun Kim
• Foley Editor: Eryne Prine
• Foley Artist: Dan O’Connell
• Foley Artist: John T. Cucci
• Foley Mixer: Tavish Grade
• Foley Mixer: Jack Cucci
• ADR Mixer: Simon Diggins
• ADR Mixer: Erich Talaba
• ADR Mixer: Judah Getz
• Art Department Coordinator: Madeleine Macdonald
• Storyboard Artist: Jim Magdaleno
• Storyboard Artist: Howard Ronay
• Concept Artist: Kim Frederiksen
• Scenic Artist: Rohan Harris
• Graphic Designer: Barry Gingell
• Construction Manager: John O’Connor
• Construction Coordinator: Olivia Carney
• Screenstory: Todd Stein
• Book: D. Eric Maikranz
• Screenplay: Ian Shorr
• Producer: Lorenzo di Bonaventura
• Executive Producer: Rafi Crohn
• Producer: Mark Vahradian
• Stunt Driver: Aidan Brindle
• Hairstylist: Julie Dartnell
• Special Effects Makeup Artist: Chris Lyons

Catogories:
Science Fiction,Action,Adventure,Thriller
These constituents are elegant!!

Many lives. Unlimited potential.
Language:
English,العربية,Bahasa indonesia,Italiano,日本語,Pусский,Español
Production:
United States of America
Company:
di Bonaventura Pictures,Closest to the Hole Productions,Paramount Pictures,New Republic Pictures,Leverage Entertainment
Popularity:
151.326
Date:
2021-09-09
Year:
2021

• Manuel São Bento: If you enjoy reading my Spoiler-Free reviews, please follow my blog @
  https://www.msbreviews.com

  I really appreciate Antoine Fuqua’s career as a director. From the beloved classic Training Day to the highly entertaining The Equalizer films, Fuqua has demonstrated skillful handling of action sequences. As expected, Infinite delivers several fighting scenes and car chases, mostly riveting and quite enjoyable. The third act gets extremely over-the-top concerning the action set pieces, which are only tolerable due to a special yet underdeveloped character trait that ultimately justifies the more absurd moments. Mauro Fiore’s camera work and Conrad Buff IV’s editing are decent enough, but the last act features too much shaky cam and excessive cuts for my taste.

  Story-wise, that’s where things get tricky. Ian Shorr’s screenplay boasts a genuinely interesting premise with exciting world-building to support it. However, the tiresome voice-over from Mark Wahlberg – who offers a good performance just as the rest of the cast – holds heavy exposition that’s then repeated in dialogues across the movie, stretching the runtime unnecessarily. This narration rarely adds anything relevant to the story or impacts the viewer’s opinion about the protagonist.

  In addition to this, it’s one of those films that carries tremendous storytelling potential but never reaches it. Personally, I truly find the concept intriguing, but its development doesn’t leave the base of its premise. In fact, just by watching the main trailer, most of the world-building is given to the audience in those few minutes. Honestly, in better hands, this movie could have been the beginning of a new franchise with infinite – no pun intended- possibilities to make sequels, prequels, spin-offs, or even trigger the start of a TV show.

  As it is, Infinite is nothing more than an inoffensively entertaining flick that could have been much, much better.

  Rating: C

• Kamurai: Pretty good watch, could watch again, and can recommend.

  I feel like I had a lot of problems with this movie. The concept is good, but not very cinematic, so it feels like they tried to add action to “Ad Astra”. With Mark Wahlberg as the main protagonist, a lot of the movie, as I could think was “Somwon stohl mah teddy bwear” so that ruined the vibe a little.

  A large part of it is that the story takes place over centuries if not millenia, so clearly that’s not part of the movie, so we miss out on caring about who these immortals are as characters. You’re sort of just told to care about them.

  For at least part of the movie I identified with the villains more because their plan is actually laid out with some level of clarity and a surprising amount of reason: kill everyone and there is nowhere to resurrect.

  Sort of a fun interpretation of “When your enemy goes to ground, leave no ground to go to.”.

  Ultimately this is a high end cast, with plenty of money behind the production, so it looks good, and has an interesting concept, but just sort of falls flat on the execution. I just never really cared about the characters.

• CinemaSerf: This is one of those films that has a solution right from the get-go, as plain as the nose on your face that by the end, or maybe even the end of the beginning (as Churchill might have said) you would cheerfully have applied to yourself… Poor old “Evan” (Mark Wahlberg) has an amazing memory, but is constantly hassled by vivid hallucinations that are driving him towards a mental breakdown. Somehow, though, some semblance of sanity rears it’s head leading “Evan” to wonder if is he part of a plan to destroy all of mankind, or is he part of the solution that may just save it from Chiwetel Ejiofor’s “Bathurst 2020” (sadly, no, not the Aussie motor car race)? The plot itself is quite interesting, and the overlapping memories creating the terrifyingly unstable state of our hero could have made for a much better effort had director Antoine Fuqua not tried to cram far too much into 1¾ hours. The sacrifices to characterisation and detail, coupled with the relentlessness of the action scenes (that actually serve to sterilise the plot, somewhat) just leave us with way too many holes and a totally undercooked story. Wahlberg is well passed his best, and though Sophie Cookson tries hard as “Nora” the whole thing just gets lost in it’s own maze of confusion and poorly adapted dialogue. Sadly another example of a film that threw money at the talent and the look, but scrimped on an intelligent screenplay.