The Dark Tower

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A boy haunted by visions of a parallel world aids its disillusioned guardian in preventing the destruction of the nexus of universes known as the Dark Tower.

Credits: TheMovieDb.
The Dark Tower
Overview:
A boy haunted by visions of a parallel world aids its disillusioned guardian in preventing the destruction of the nexus of universes known as the Dark Tower.
Cast:

Roland Deschain: Idris Elba
Walter O’Dim: Matthew McConaughey
Jake Chambers: Tom Taylor
Arra Champignon: Claudia Kim
Pimli Prentiss: Fran Kranz
Tirana: Abbey Lee
Richard Sayre: Jackie Earle Haley
Laurie Chambers: Katheryn Winnick
Steven Deschain: Dennis Haysbert
Timmy: Michael Barbieri
Dr. Hotchkiss: José Zúñiga
Susan Delgado: Alex McGregor
Lucas Hanson: Nicholas Hamilton
Lon: Nicholas Pauling
Jill: Eva Kaminsky
Toby: Robbie McLean
Jonah: Matthew Thomson
Elmer Chambers: Karl Thaning
Phedon: Lemogang Tsipa
Cantab: Robert Whitehead
Dr. Weizak: Leeanda Reddy
Johnny: Kenneth Fok
Pretty Girl: Charlize Churcher
Soldier: Ben Gavin
Drunk Girl: Sara Cicilian
Nurse: Lara Adine Lipschitz
Bystander: Jabari Gray
Militia: Paul Riley Fox
Rat Man: Mark Elderkin
Worker Taheen: Joe Vaz
Big Guard: Christopher Stein
Boy in the Park: Andre Robinson
Ex-Breaker: Alfredo Narciso
Village Engineer: Dan Hirst
Taheen Tech: Zak Rowlands
Young Reactor Man: Christiaan Schoombie
Vampire Girl: Cassiel Eatock-Winnik
Chinatown Pedestrian: Marmee Regine Cosico
Homeless Man in Alley (uncredited): Bill Walters
Teacher: Inge Beckmann
Tracker Leader: Reon Van Der Watt
Fierce Taheen: Richard Lothian
Van Vampire: Larry Nuñez
Pedestrian: Michael Basile
Bald Old Man: Warren Masemola
Herb Woman: Emily Child
Restaurant Lady: Zanne Solomon
Bell Lady: Mary Twala
Mannie Mother: Sarah Potter
Dying Man: Andrew Laubscher
Scared Woman (uncredited): Dominique Nieves

Crew:

Makeup Effects Designer: Jason Collins
Extras Casting: Shayne Hartigan
VFX Lighting Artist: Anshad Abu
VFX Lighting Artist: Leonardo Ledesma
VFX Lighting Artist: Natalia Valbuena
VFX Lighting Artist: Tim Crowson
VFX Lighting Artist: Aby John Ettonnil
VFX Lighting Artist: Liz Feldstein
Art Direction: Patrick O’Connor
VFX Lighting Artist: Yoann Schmid
VFX Lighting Artist: Clifford Otomi Green
Matte Painter: Aeryn Gray
Matte Painter: Felix Haas
Matte Painter: Richard S. Lee
Matte Painter: Frank Jentner
Matte Painter: Dziga Kaiser
Modeling: Salgaonkar Anurag
Modeling: Manmath Matondkar
Modeling: Andrea De Martis
Modeling: Madhav Kumar
Pipeline Technical Director: Felix Bucella
Pipeline Technical Director: Sebastian Elsner
Pipeline Technical Director: Lukas Mehl
Pre-Visualization Supervisor: Kyle Robinson
Pre-Visualization Supervisor: Steve Yamamoto
Rotoscoping Artist: Darko Ilievski
Senior Animator: Jason Fittipaldi
Sequence Supervisor: Rémy Normand
Senior Visual Effects Supervisor: Pierre Buffin
Systems Administrators & Support: Jana Rexhausen
Systems Administrators & Support: Jérémie Sebban
VFX Editor: Nick Murphy
VFX Editor: Michael Fournier
VFX Artist: Juan Barrales
VFX Artist: Morgan Caruso
VFX Artist: Brody Fikkert
VFX Artist: Andrius Gabriunas
VFX Artist: Aleksandar Horak
VFX Artist: Weihao Huang
VFX Artist: Rajeev K.J.
VFX Artist: Alex Chun Yiu Leung
VFX Artist: Nicholas Lutzko
VFX Artist: Provash Paul
VFX Artist: Pete Polyakov
VFX Artist: Aurore Sabrier
VFX Artist: SenthilRaja
VFX Artist: Ranjeet Singh
Visual Effects Coordinator: Adam Brailsford
Visual Effects Coordinator: Diane Coote
Visual Effects Coordinator: Dale Davies
Visual Effects Coordinator: Deepak Jalesh
Visual Effects Coordinator: Collin Kortschak
Visual Effects Coordinator: Oscar Lacson Jr.
Visual Effects Coordinator: Warren Larkam
Visual Effects Coordinator: Jérémie Maitrejean
Visual Effects Coordinator: Laura McGlynn
Visual Effects Coordinator: Patrizia Mulè
Visual Effects Coordinator: Amanda Ninness
Visual Effects Coordinator: Stephen Parsey
Visual Effects Coordinator: Ioana Alexandra Pirvu
Visual Effects Coordinator: Mary Swain
Visual Effects Coordinator: Catrina Chelariu
Visual Effects Coordinator: Andrej Loebel
Visual Effects Coordinator: Viktoria Rucker
Visual Effects Coordinator: Sara Sarmiento
VFX Editor: John Berri
VFX Editor: Eileen de Klerk
VFX Editor: Diego Manssur
VFX Editor: Tom Reagan
VFX Editor: Danny Walker
VFX Editor: Gian Ganziano
VFX Editor: Hero Chev
VFX Editor: Jackson Chow
VFX Editor: Shae Salmon
VFX Editor: Patrick Patzschke
Visual Effects Producer: Dane Allan Smith
Visual Effects Producer: Nicolas Bonnell
Visual Effects Producer: Patrice Cormier
Visual Effects Producer: Coline Six
Visual Effects Producer: Kim Menaster
Visual Effects Producer: Laura Schultz
Visual Effects Producer: Kim Lee
Visual Effects Producer: Patrick Neighly
Visual Effects Producer: Helena Wegmann
Visual Effects Producer: Edward Churchward
Visual Effects Producer: Rebecca West
Visual Effects Production Manager: Josephine Dinata
Visual Effects Production Manager: Holly Gosnell
Visual Effects Production Manager: Neil Impey
Visual Effects Supervisor: Nicolas Aithadi
Visual Effects Supervisor: Dominique Vidal
Visual Effects Supervisor: Christopher Downs
Visual Effects Supervisor: Don Lee
Visual Effects Supervisor: Philip Nussbaumer
Visual Effects Supervisor: Patrick Schuler
Visual Effects Supervisor: Florian Gellinger
Visual Effects Supervisor: Loeng Wong-Savun
Visual Effects Technical Director: Myke Mendes
Visual Effects Technical Director: Christine Thompson
Visual Effects Technical Director: Jesús Nieto Rubalcava
Foley Artist: Michael J. Broomberg
ADR Mixer: Andy Smit
ADR Mixer: David Lucarelli
Armory Coordinator: Lance Peters
Armory Coordinator: Sheena Peters
Art Department Coordinator: Sarah Delucchi
Art Department Coordinator: Wylie Griffin
Art Department Production Assistant: Martin Barrios
Assistant Art Director: Maria Labuschagne
Assistant Art Director: Cristiana Serra
ADR Mixer: Michael Miller
ADR Mixer: Jason Oliver
ADR Recordist: Carolyn Tapp
Assistant Sound Editor: Patrick Cicero
Production Sound Mixer: Hunter Crowley
Sound Effects Editor: Jeff Sawyer
Sound Effects Editor: Jamey Scott
Sound Mixer: Danny Michael
Sound Mixer: Dieter Keck
Sound Mixer: Bertrand Roets
Supervising ADR Editor: Daniel S. Irwin
Foley Supervisor: Gary A. Hecker
Utility Sound: Luke Q. Iaciofano
Utility Sound: Sandiswa Mavi
Utility Sound: Rie Nasu
Utility Sound: Claire Hesom
Dialogue Editor: Thomas Jones
Dialogue Editor: John C. Stuver
Ager/Dyer: Tamsyn Lee Wilson
Assistant Costume Designer: Analucia McGorty
Assistant Costume Designer: Sarah Evelyn
Costume Assistant: Sebastian Jaramillo
Costume Assistant: Ingrid Ross
Costume Assistant: Rafeeq Williams
Costume Assistant: Aninka Möller
Costume Coordinator: Mandy Smit
Costume Illustrator: Lucas Culshaw
Costume Set Supervisor: Jacomina Jankowitz
Costume Standby: Ilze Geustyn
Costume Supervisor: Tim McKelvey
Costumer: Clinton Booyse
Costumer: Jeremy Johnson
Costumer: Mitchell Ray Kenney
Assistant Property Master: Max Bozeman
Assistant Property Master: Don O’Reilly
Assistant Set Decoration: Cobus Van Der Waal
Concept Artist: Anthony Allan
Concept Artist: Keith Christensen
Concept Artist: Darren Christian
Concept Artist: Jonas De Ro
Concept Artist: Brendan Heffernan
Concept Artist: Dan Milligan
Concept Artist: Stephen Molyneaux
Concept Artist: Karl Schulschenk
Concept Artist: Simon Webber
Concept Artist: Ivan Khomenko
Conceptual Illustrator: Annis Naeem
Conceptual Illustrator: Josue Clotaire Fleurimond
Construction Coordinator: Elzaan Wilson
Construction Coordinator: Michael Diersing
Construction Coordinator: Kenneth Nelson
Construction Foreman: John Coda
Construction Grip: Tim Davies
Construction Manager: Brendan Smithers
Creature Design: Nicola Campbell
Graphic Designer: Thomas Dorman
Graphic Designer: Steven Milosavleski
Graphic Designer: Colin Robert Tomas
Greensman: Paul Pretorius
Greensman: Norest Ruvinga
Property Master: Pete Dancy
Propmaker: Pieter Rall
Props: David Ryan Chandler
Props: Thembela Charlie
Props: Jeni Harden
Costumer: Anna Seltzer
Costumer: Stacy L. Tyson
Costumer: Daniel Hernandez
Costumer: Sarah Dano
Costumer: Rudy Rojas
Key Set Costumer: Valentina Aulisi
Principal Costumer: Tricia Yoo
Wardrobe Assistant: Abdul Ngumbi
Wardrobe Supervisor: Zureta Schulz
Casting Assistant: Bret Howe
Casting Assistant: Chiara Molinaro
Casting Assistant: Ravlin Smith
Casting Associate: Riva Cahn Thompson
Extras Casting: J.P. van der Merwe
Extras Casting: Sande Alessi
Extras Casting: Lucy Pho
Extras Casting Assistant: Josh Ginsburg
Extras Casting Assistant: Reinhardt Rosenkranz
Extras Casting Assistant: Jessica van der Merwe
Casting: Kate Geller
Script Supervisor: Dianne Dreyer
Epk Camera Operator: Jan Du Toit
Armorer: Rudolph Faurie
Armorer: Andrew Germishuys
Armorer: Ian Hatton
Researcher: Leon Koop
Travel Coordinator: Hlumela Matika
Travel Coordinator: Thato Mogoje
Props: Tate Van Oudtshoorn
Props: Camilla van Zyl
Scenic Artist: Diane Rich
Scenic Artist: Wolf-Dieter Stoeffelmeier
Set Decorating Coordinator: Lucie Bourgeau
Set Dresser: Bryan Cantwell
Set Dresser: James Hargitai
Set Dresser: Kathleen Pullan
Set Dresser: Hasan Schahbaz
Set Dresser: Lauren Sevior
Set Dresser: Leslie Smith
Set Dresser: Gregor Telfer
Set Dresser: Aurora Pegon
Additional Editing: Michael McCusker
Colorist: Stephen Nakamura
Colorist: Terry Simpson
Colorist: Matt Wallach
Colorist: Oliver Farkas
Dailies Technician: Reanne de Klerk
Dailies Technician: Rhiannon Moriarty
Digital Intermediate: David Alonzo
Digital Intermediate: Ian Sullivan
Digital Intermediate Assistant: Giovanni DiGiorgio
Digital Intermediate Editor: Joe Ken
Editorial Production Assistant: Ryan Katz
Editorial Production Assistant: Melite Vivier
Animal Wrangler: Garin van Munster
Assistant Accountant: Estelle Vockerodt
Dialect Coach: Fiona Ramsay
First Assistant Accountant: Coleen Aiello
First Assistant Accountant: Gerrard Coffey
First Assistant Accountant: Gai Harvison-Petzer
First Assistant Accountant: Brian Cantaldi
Health and Safety: Ozayr Vally
Health and Safety: Alton Stoffels
Payroll Accountant: Steve Loff
Payroll Accountant: Nadeema October
Post Production Accountant: Julie Hansen
Production Accountant: Hugh Barrett
Production Accountant: Chris Conkling
Production Coordinator: Khosie Dali
Production Coordinator: Sydne Japtha
Production Secretary: Aqeel Isaacs
Production Secretary: Anthony Melillo III
Production Secretary: Fernanda Vazquez
Second Assistant Accountant: Amanda Kotze
Second Assistant Accountant: Ashleigh Mackrill
Second Assistant Accountant: Marius Matthee
Second Assistant Accountant: Salpy Semerdjian
Second Assistant Accountant: Matt DiGennaro
Set Production Assistant: Alisha East
Set Production Assistant: Ty Taylor
Studio Teacher: Emilia du Plooy
Studio Teacher: Ilana Smit
Unit Publicist: Brooke Ensign
Second Second Assistant Director: Westley Durand
Second Second Assistant Director: Samantha Luu
Second Second Assistant Director: Joe Moore
Second Second Assistant Director: Sandile Ntobela
Third Assistant Director: Darryn Bennett
Third Assistant Director: Roland McLennan
Third Assistant Director: Dwayne Titus
Third Assistant Director: Lee-Roy Titus
Steadicam Operator: Michael Carstensen
Camera Operator: Patrick Capone
Camera Operator: George Amos
Additional Still Photographer: Jessica Miglio
Steadicam Operator: Miguel Pask
Assistant Chief Lighting Technician: Zolani Gojo
Assistant Chief Lighting Technician: Selemani Mahango
Best Boy Electric: Rob Riccobono
Best Boy Grip: Vikelani Ncube
Best Boy Grip: Eric Tientcheu
Best Boy Grip: Jon Sudtell
Best Boy Grip: John Donohue Jr.
Gaffer: Oliver Wilter
Gaffer: Eric Boncher
Digital Imaging Technician: Kai Borson-Paine
Dolly Grip: Chris Hope
Dolly Grip: Chris Leonard
Dolly Grip: Rick Marroquin
Electrician: Vincent Ngcobo
Electrician: Blaine Chou
First Assistant “A” Camera: Jem Rayner
First Assistant “B” Camera: David A. Seekins
First Assistant “C” Camera: Alex Worster
First Assistant Camera: Neil Baillie
First Assistant Camera: Henrik Lyngbo
First Assistant Camera: Caitlin Rollino
First Assistant Camera: Rob Weidner
First Assistant “A” Camera: Craig Pressgrove
Grip: Apiwe Diko
Grip: Patrick Sheetz
Key Grip: Zaan Wienand
Key Rigging Grip: Rocco Proscia
Libra Head Technician: Keegan Horn
Libra Head Technician: Marcel Klopper
Lighting Technician: Luis Badillo
Rigging Gaffer: Duncan M. Sobel
Rigging Grip: Jack Serino
Rigging Grip: Andrew Riggs
Second Assistant “A” Camera: Milan Janicin
Second Assistant “A” Camera: Marc Loforte
Second Assistant “B” Camera: Roxanne Stephens
Second Assistant “B” Camera: Margaret Muggleston
Second Assistant “C” Camera: Rhett Mullins
Second Assistant “C” Camera: Calen Van Schalkwyk
Second Assistant Camera: Edrich Hollis
Second Assistant Camera: Sam Donaghy-Bell
Second Unit Director of Photography: Trevor Michael Brown
Steadicam Operator: Dale Rodkin
Steadicam Operator: Maceo Bishop
Still Photographer: Ilze Kitshoff
Still Photographer: Kelly A. Cook
Still Photographer: Jaimie Trueblood
Underwater Camera: Jason Martin
3D Artist: Harun Celebi
Animation Supervisor: Andrew Doucette
CG Animator: Curtis Richardson-Smith
CG Artist: Vladimir Ilić
CG Artist: Tandogan Kocbogan
CG Artist: Shane Simpson
CG Artist: Mariusz Wesierski
CG Artist: Reza Ghulam Yahya
CG Artist: Steve Seongik Hong
CG Artist: Joshua Koilpillai
CG Artist: David Schulz
CG Artist: Matthias Winkler
Generalist: David Dong
Generalist: Darren Porter
Generalist: Saskia Carolan
Generalist: Michael Haupt
Generalist: Philipp Wibisono
Compositing Artist: Andreas Frickinger
Compositing Artist: Lu Bo
Compositing Artist: Hou Chao
Compositing Artist: Yuhan Li
Compositing Artist: Mu Qiao
Compositing Artist: Han Qingqing
Compositing Artist: Huchuan Yang
Compositing Artist: Chenxi Zhao
Compositing Supervisor: Aleksei Chernogorod
Compositing Supervisor: Kodavali Ashok Kumar
Compositing Supervisor: Tim Llewellyn
Compositing Supervisor: Zameer Hussain
Compositing Supervisor: Benjamin Burr
Compositing Supervisor: Oliver Hohn
Compositing Supervisor: Nicolas Leu
Compositing Supervisor: Jonathan Weber
Compositor: Kevin Conlon
Compositor: Marco Hermida
Compositor: Daniel Chunghwan Lee
Compositor: Sriram Rajaram
Compositor: Vinayaga Sundar
Compositor: Jordan Vanderlinden
Compositor: Moosuddee Zoubhair
Digital Compositor: Andrew Barrie
Digital Compositor: Andre Bruto
Digital Compositor: Pradeep Gownipuram
Digital Compositor: Alison Lake
Digital Compositor: Tony Marioni
Digital Compositor: Achal Muchhala
Digital Compositor: Nibinraj
Digital Compositor: Siraphurin Nimmahnratanakul
Digital Compositor: Karthik Ramasamy
Digital Compositor: Sajeer Abdul Salam
Digital Compositor: Swapnil S. Sonawane
Digital Compositor: Saurabh Tripathi
Digital Compositor: Vignesh Govindaraj
Digital Effects Supervisor: Bryan Litson
Compositing Lead: Dnyandeep Pundkar
Compositing Lead: Arnab Sanyal
Compositing Lead: Robert A. Willis
Compositing Lead: Victor Radulov
Screenplay: Nikolaj Arcel
Producer: Akiva Goldsman
Executive Producer: Anders Thomas Jensen
Executive Producer: Jeff Pinkner
Producer: Stephen King
Producer: Ron Howard
Executive Producer: G. Mac Brown
Line Producer: Cheryl Eatock
Producer: Brian Grazer
Unit Production Manager: Trish Hofmann
Executive Producer: Erica Huggins
First Assistant Director: David H. Venghaus Jr.
Original Music Composer: Tom Holkenborg
Director of Photography: Rasmus Videbæk
Editor: Alan Edward Bell
Editor: Dan Zimmerman
Casting: Marisol Roncali
Casting: Mary Vernieu
Production Design: Christopher Glass
Production Design: Oliver Scholl
Art Direction: Audra Avery
Art Direction: Yuri Bartoli
Art Direction: Catherine Palmer
Set Decoration: Anneke Botha
Set Decoration: Rosemary Brandenburg
Costume Design: Trish Summerville
Key Hair Stylist: Madelein Krugell
Makeup Artist: Megan Tanner
Set Designer: C. Scott Baker
Sound Mixer: Nico Louw
Camera Operator: Guy Hodgen
Animation: Sachin Mathew
First Assistant Editor: Ryan Chavez
Assistant Editor: Lara Khachooni
Assistant Editor: Joe Krenzer
Supervising Art Director: Guy Potgieter
Makeup Artist: Felicity Bowring
Key Hair Stylist: Ruth Carsch
Conceptual Design: Duncan Foster
Hairstylist: Jules Holdren
Hairstylist: Jennifer Jefferson
Makeup Department Head: Ann Pala
Hair Department Head: Nadine Prigge
Hair Department Head: Nancy Tong
Key Hair Stylist: Marika Weber
Unit Production Manager: Adam Brightman
Unit Production Manager: Marc A. Hammer
Production Manager: Carol Heij
Production Supervisor: Kelly Todd
Assistant Director: Hercules Malan
Second Assistant Director: Isabel Martens
Art Department Coordinator: Kimberly Asa
Conceptual Illustrator: Laurent Ben-Mimoun
Art Department Assistant: Liz Chancey
Storyboard Designer: Trevor Goring
Storyboard Designer: Collin Grant
Storyboard Designer: Anthony Liberatore
Set Dresser: Kyle Marchiafava
Set Dresser: Etienne Maree
Creature Design: Abner Marín
Assistant Art Director: Jeffrey D. McDonald
Set Designer: David Meyer
Leadman: David M. Milstien
Storyboard Designer: Thomas A. Nelson
Property Master: Josh Roth
Assistant Art Director: Juan Sanchez
Set Designer: Malwande Sigabi
Set Designer: Pravika Singh
Art Department Coordinator: Christo Strydom
Storyboard Designer: Dan Sweetman
Storyboard Designer: Sam Tung
Property Master: Kerry van Lillenveld
Set Designer: Lisa Van Velden
Boom Operator: Tom Caton
Boom Operator: Libero Colimberti
Boom Operator: Kira Smith
Assistant Sound Editor: Sarah Bourgeois
Sound Effects Editor: Chris Diebold
Sound Effects Editor: Lee Gilmore
Supervising Sound Editor: Jeremy Peirson
Sound Mixer: Mark Weingarten
Sound Mixer: Peter Schneider
Special Effects Coordinator: Burt Dalton
Fight Choreographer: Nathan Barris
Stunts: Myra ‘Dakota’ Bown
Stunts: Nikki Brower
Stunts: Eric Brown
Stunt Coordinator: Peter Bucossi
Stunts: Mike Burke
Stunts: Kabelo Bouga Chalatsane
Stunts: Jacques du Plessis
Stunts: Dewaldt Du Preez
Stunts: Jake Eavey
Stunts: Toni Jean Erasmus
Stunts: Matt Esof
Stunts: Brenda Firmani
Stunts: Jim Ford
Stunts: Warren Germishuys
Stunts: Damian Green
Stunt Coordinator: Kerry Gregg
Stunts: Garrett Hammond
Stunts: Paul Hampshire
Stunts: Greg Harvey
Stunts: Jenna Hellmuth
Stunts: Dan Hirst
Stunts: Jermaine Holt
Stunt Coordinator: Grant Hulley
Stunts: Allen Irwin
Stunts: Ben Jenkin
Stunts: Malin Kirjonen
Stunts: Hiro Koda
Stunts: Shane John Kruger
Stunts: Tim Lajcik
Stunts: Roberto Lopez
Fight Choreographer: Emmanuel Manzanares
Stunts: Alwyn Marx
Stunts: James Northrup
Stunts: Larry Nuñez
Stunts: Travis Parker
Second Unit Director: J.J. Perry
Stunts: Christopher Place
Stunts: Thomas Place
Stunts: Vlad Rimburg
Stunts: Troy Robinson
Stunts: Noah Schultz
Stunts: Rose Sias
Stunts: Robbie P Smith
Stunts: Frans Steyn
Stunts: Nuo Sun
Stunts: Taheen Tracker
Stunts: Ross Van Der Walt
Stunts: Matthew Van Leeve
Stunts: Shawn Van Zyl
Stunts: Ian Williamson
Camera Operator: David Emmerichs
Grip: Pete Escobar
First Assistant Camera: Frank Gardner
Electrician: Jed Harris
Gaffer: Justin Holdsworth
First Assistant Camera: Rob Koch
Key Grip: Nasmie Majiet
Dolly Grip: Riyaad Majiet
Electrician: Moses Makateng
Camera Operator: Matthew Pebler
Camera Operator: Sarel Pretorius
Key Grip: Jim Shelton
Key Grip: Adam Sudtell
Camera Operator: Sven Vosloo
Key Grip: Mike Yurich
Animation: Shane Richards
Costume Supervisor: Joseph Cigliano
Costume Supervisor: Mia Hofmann
Tailor: Jimmy McBride
Costume Supervisor: Kelly Porter
Assistant Editor: Rachel Watson
Location Manager: Matthew Bernstein
Location Manager: Steven Carbajal
Location Scout: Patty Carey
Location Manager: Peter Costelli
Location Manager: Deon Du Preez
Location Scout: John Rakich
Orchestrator: Jonathan Beard
Music: Jordan Cox
Script Supervisor: Morag Cameron
Script Supervisor: Bernard L. Eatmon
Dialect Coach: Susan Hegarty
Script Supervisor: Susan Malerstein
Dialect Coach: Carla Meyer
Script Supervisor: Carien Schutte
Production Coordinator: Sarah Sprague
Unit Publicist: Dezi Rorich
Dialect Coach: Neil Swain
Location Scout: James Luccarda
Art Direction: Brad Ricker
Dialogue Editor: Ralph Osborn
Music Editor: Lisa Jaime
Music Editor: Kenneth Karman
ADR Mixer: Scott Cannizzaro
ADR Mixer: Aaron Hasson
ADR Editor: Michelle Pazer
ADR Mixer: Edward Sutton
Foley Editor: John Joseph Thomas
Foley Mixer: Randy Singer
ADR Mixer: Chris Navarro
Best Boy Electric: Paul Avery

Catogories:
Fantasy,Action,Science Fiction
These add-ons are interesting.

There are other worlds than these
Language:
English
Production:
United States of America
Company:
Columbia Pictures,MRC,Imagine Entertainment,Weed Road Pictures
Popularity:
133.902
Date:
2017-08-03
Year:
2017

chris: ok here are my personal thought on this movie I think you can say what you want but I really liked it this movie had a lot of action and fun you really cant go wrong here the action packed fun and enjoyment mcconihey was a pure joy as the evil villain he really knows how to excite an audience you need to see this movie
chris: ok so I walked into the theater with full expectations of this one sucking however I really had a nice time watching it this was filled with action and adventure just what you want from a end of summer flick just a good time and loads of fun at the movies
djwildbill: I liked the movie was really good. But yet a little disappointed that the movie missed so many things from the book.in my opinion this should of been done in a series setting..just my two cents
Gimly: My hard & fast rule of “Never pay ticket price for anything with Matthew McConaughey in a leading role” has served me well once more, because though one of the biggest problems with _The Dark Tower_ was how they tried to squeeze decades of lore into 95 minute movie, the best part about it was still somehow that it was over pretty quick.
_Final rating:★½: – Boring/disappointing. Avoid where possible._
Reno: **The dark force, the dark tower and then there’s heroes!**
Based on the book of the same name. It is a book series, so we can expect a new franchise here. Another fantasy series, but is it worth is the real question. I don’t know how famous is the original source, but I did not find the film any good. For me, it was another teen film like the majority of similarly themed films that flopped terribly. But here, an adult holds a prominent role that played by Idris Elba.

Maybe this is just an introduction, but still the first impression failed. The youngsters might enjoy it better than the adults. Particularly the teenagers. A teenager having a series of strange dreams about another world is all actually comes true when he enters through a portal to one of those worlds in the same universe. Now he’s tailed by a most dangerous force in the universe, but accompanied by a gunslinger, he has to find a way to stop an apocalypse that’s going strike his world and to rest of the universe.

Being very simple could be the reason I did not enjoy it. Basically, there’s no twist in it. What they have called twist was a cliche in this kind of theme. The cast was okay, and so the visuals. But it all points to the story. The sequel could get better, so lets wait and see. In the meantime, I’ve heard that a completely a new version of the television series is on the development. I hope it works out better than the film franchise. Finally, it is an average film, neither worth nor a waste of time! I hope you make the right decision regarding watching it!

_5/10_
SierraKiloBravo: Click here for a video version of this review: https://youtu.be/V_PCAIQ7AvE
I’ve not read a lot of Stephen King books, but one which I read and loved was _The Gunslinger_ which is the first book in _The Dark Tower_ series. In 2017 a movie adaptation came out and was named after the series. Starring Idris Elba and Matthew McConaughey it was hotly anticipated but was met with bad reviews on release.

Having loved _The Gunslinger_ and hearing those reviews it’s taken me a long time to get around to watching this. Having now seen it, I gotta say, I agree with those reviews. It’s not a trash movie, but it is also not even close to being a good movie.

The core problem is that there are eight books of source material, and for some reason they try to distil all that lore and world building into one 95min film. For that reason alone it was doomed from the start, but add in hilariously uncharismatic acting, shoddy CGI, and a copy pasted plot from 100 other sci-fi or fantasy films, and you have a recipe for mediocrity.

Now I will say, I am not a fan of Idris Elba, but I actually thought he played the part of Roland, the Gunslinger, quite well. As for McConaughey, all this did was confirm for me that he is one of the most overrated actors of our generation.

My suggestion would be to avoid the movie and pick up the books, because the books will take you away on an epic journey much much more than this movie ever does.
GenerationofSwine: I guess the studio execs decided the American public wasn’t smart enough to get Stephen King…you know, the Godfather of accessible fiction.
Seriously…

What in the wide, wide world of sports happened here?!!!!! Honestly, it’s a King movie, it doesn’t need to be good. I mean look at the body of work that was made that people actually would agree were good: The Dead Zone, The Green Mile, Stand By Me, Shawshank, Carrie (1976), and The Shining (arguably among fans).

6 movies…that’s about it. The rest are mediocre, 1408, Cat’s Eyes, Misery, Firestarter.

And the rest are low budget throw away films that can be enjoyed the same way that one can enjoy any B-Movie…and that’s fine. I have a feeling that King appreciates B-Movies more than you’d think. At least that’s what he wrote in “On Writing.” But this…what the heck is this? Honestly, the Dark Tower series is one of my least favorite things that King has ever written…and I am a huge King fan…but even then, I didn’t expect it to be this bad.

For starters, it’s really not the Dark Tower. I mean, the characters are the same in name…but really in name only.

the Gunslinger is chasing the Man in Black…and that is all the similarities we have.

You can’t blame the actors on this one. You can’t blame the source material either, they are at least readable.

What you have here is a film that was re-written over and over and over and over again with, what I am guessing, is massive studio interference.

The series is already a big part of pulp culture, it already has a huge following…but watching this you get the feeling that some important people didn’t understand that and had it rewritten a thousand time to try to make a franchise out of it, rather than use the franchise already in place. Only they wanted to make a franchise by putting the entire franchise into a single film.

In the end you can almost feel the different writers when you watch it. You can see where it was meant to go in one direction, then got taken in another, and then a third and a fourth until the actors were so confused they had no choice but to give up.

In the end, I got the impression that no one involved knew exactly what they were trying to make any longer.

Really, we should be demanding an instant remake and a total refund. Fans deserve no less.
Filipe Manuel Neto: **If we often think that a movie doesn’t need to have sequels, this case is the opposite: this movie should have been thought of as the beginning of a franchise of several movies.**
As far as I could tell, after some reading, this work of cinema was based on a work by Stephen King, composed of a long series of books. I’m sure the source material is good, King is one of the best and most ingenious fantastic writers of our time and his vast literary oeuvre has already made for surprising and remarkable films. What I question is the way this adaptation was made: what are eight books converted into a two-hour film? They probably only took advantage of a handful of characters and locations and threw everything else in the trash. Works like these can only be adapted in the form of trilogies, tetralogies or, in the television market, as series. Otherwise, the source material is not properly exploited in its richness.

Regardless of these issues, the film is moderately good: it all starts when the young protagonist, haunted by visions he has, finds a portal to a world he does not know, the world of his visions, and finds a Gunslinger who will help him. Deep down, he already knows the essential: the universal balance is in danger because an evil sorcerer wants to bring down the grandiose Dark Tower which, at the center of all things, harmonizes this balance and cosmic energies. I am explaining it simply and in my own words. Now the task of the two heroes is to prevent this from happening.

The best thing about this film is really the feeling of adventure, risk, the almost constant action and the way everything unfolds quickly, without dead moments. As an entertainment film, it is very good, and if we forget that it is the worst adaptation of King ever made for the cinema, we can really have a good time watching it. The big problem here is how rushed everything feels, with the film trying to do too much without having to reach its two and a half hour runtime.

The quality of the cast is another asset that makes the film work reasonably well. None of the actors are amazing, there are no great performances, but what was done is enough to push the film in the right direction: Idris Elba is charismatic and likable without ceasing to be fearsome, something his character demanded and which the actor knew to adapt. Tom Taylor also did a good job in the role of the young hero, a role where it would have been very easy to make mistakes, be superficial or ham. The villain has fallen into the shoes of Matthew McConaughey, and despite being suitably dark, he’s not really a palpable threat.

Technically, the film relies heavily on CGI and effects. The film called for that, given the plot and sci-fi theme. The CGI and effects are good and work well for the most part, although there are a number of options and solutions that I would consider debatable. For example, the film never explores – nor does it have time for – the connections between parallel universes, and how there are so many people in our world who know this. The film would have gained in quality if it had been given an additional hour, or if it had been thought of as the beginning of a broader franchise, with several sequels. The cinematography is very good, the filming work is average, it has good sets, good costumes and excellent action scenes. The soundtrack, I confess, is not convincing, but it works effectively, which is already positive.

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