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Incredibles 2

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Elastigirl springs into action to save the day, while Mr. Incredible faces his greatest challenge yet – taking care of the problems of his three children.

Credits: TheMovieDb.
Incredibles 2
Overview:
Elastigirl springs into action to save the day, while Mr. Incredible faces his greatest challenge yet – taking care of the problems of his three children.
Cast:

  • Bob Parr / Mr. Incredible (voice): Craig T. Nelson
  • Helen Parr / Elastigirl (voice): Holly Hunter
  • Violet Parr (voice): Sarah Vowell
  • Dashiell ‘Dash’ Parr (voice): Huck Milner
  • Lucius Best / Frozone (voice): Samuel L. Jackson
  • Winston Deavor (voice): Bob Odenkirk
  • Evelyn Deavor (voice): Catherine Keener
  • Rick Dicker (voice): Jonathan Banks
  • Edna ‘E’ Mode / Additional Voices (voice): Brad Bird
  • Underminer (voice): John Ratzenberger
  • Jack-Jack Parr (voice): Eli Fucile
  • Monster Jack-Jack Parr (voice): Nicholas Bird
  • Screenslaver / Pizza Guy (voice): Bill Wise
  • Tony Rydinger (voice): Michael Bird
  • Karen / Voyd (voice): Sophia Bush
  • Krushauer / Helectrix / Additional Voices (voice): Phil LaMarr
  • Gus Burns / Reflux / Additional Voices (voice): Paul Eiding
  • Ambassador (voice): Isabella Rossellini
  • Mayor (voice): Barry Bostwick
  • Detective (voice): Adam Rodriguez
  • Detective (voice): Jere Burns
  • Honey Best (voice): Kimberly Adair Clark
  • Valet (voice): Usher
  • Chad Brentley (voice): Adam Gates
  • Victor Cachet (voice): Michael B. Johnson
  • Additional Voices (voice): A.J. LoCascio
  • Additional Voices (voice): Alyson Stoner
  • Additional Voices (voice): Andrew Kishino
  • Additional Voices (voice): Austin Madison
  • Additional Voices (voice): Brian Dluhy
  • Additional Voices (voice): Cathy Cavadini
  • Additional Voices (voice): Dave Fennoy
  • Additional Voices (voice): David Cowgill
  • Additional Voices (voice): Debi Derryberry
  • Additional Voices (voice): Fred Tatasciore
  • Additional Voices (voice): Teddy Newton
  • Additional Voices (voice): Dennis Singletary
  • Additional Voices (voice): Diamond White
  • Additional Voices (voice): Eddie Frierson
  • Additional Voices (voice): Grace Geller
  • Additional Voices (voice): Greg Dykstra
  • Additional Voices (voice): Jackie Gonneau
  • Additional Voices (voice): Jacqueline Pinol
  • Additional Voices (voice): Jean Gilpin
  • Additional Voices (voice): Matthew Wood
  • Additional Voices (voice): Steve Blum
  • Additional Voices (voice): Wally Wingert
  • Additional Voices (voice): Max Mittelman

Crew:

  • Writer: Brad Bird
  • Production Design: Ralph Eggleston
  • Executive Producer: John Lasseter
  • Producer: John Walker
  • Producer: Nicole Paradis Grindle
  • Character Designer: Steven Clay Hunter
  • Casting: Natalie Lyon
  • Casting: Kevin Reher
  • Sound: Kenny Pickett
  • Original Music Composer: Michael Giacchino
  • Editor: Stephen Schaffer
  • Supervising Sound Editor: Ren Klyce
  • Story Artist: Sanjay Patel
  • Story Artist: Brian Kalin O’Connell
  • Set Designer: Paul Abadilla
  • Sound Effects Editor: Steve Bissinger
  • Story Artist: Dean Kelly
  • Musician: Matt Chamberlain
  • Publicist: Chris Wiggum
  • Story Consultant: Peter Sohn
  • Foley Mixer: Blake Collins
  • Art Direction: Josh Holtsclaw
  • Editorial Manager: Leslie Pao
  • Storyboard Artist: Joe Giampapa
  • Director of Photography: Mahyar Abousaeedi
  • ADR Voice Casting: Terri Douglas
  • Associate Editor: Katie Schaefer
  • Thanks: Matthew Robbins
  • Stunts: Robert Alonzo
  • Director of Photography: Erik Smitt
  • Producer’s Assistant: Samantha Gurash
  • Assistant Accountant: Emily Engie
  • Production Coordinator: Amanda Deering Jones
  • Orchestrator: Jeff Kryka
  • Lighting Artist: Andy Lin
  • Production Manager: Sabine Koch O’Sullivan
  • Story Consultant: Mark Andrews
  • Production Coordinator: Emily Goldsborough
  • Foley Mixer: Scott Curtis
  • Software Engineer: Ryan Kautzman
  • Layout: Andy Grisdale
  • Visual Effects Technical Director: Amit Baadkar
  • Animation Manager: Hannah Ghioni
  • Set Designer: Tim Evatt
  • Story Manager: Kathryn Hendrickson
  • Sound Effects Editor: Frank E. Eulner
  • Additional Storyboarding: Tony Fucile
  • Background Designer: Emre Emin
  • Shading: Jacob Kuenzel
  • Second Film Editor: Anthony J. Greenberg
  • Color Grading: Susan Brunig
  • Assistant Editor: Jonathan Vargo
  • Musician: Scott Hosfeld
  • Orchestrator: Cameron Patrick
  • Supervising Sound Editor: Coya Elliott
  • Layout: Arjun Rihan
  • Layout: Jahkeeli Garnett
  • Layout: Seong-Young Kim
  • Post Production Supervisor: Jessie Thiele
  • Assistant Editor: Christopher Zuber
  • Sound Effects Editor: Jonathan Borland
  • Modeling: Nancy Tsang
  • Modeling: Tanja Krampfert
  • Visual Effects Technical Director: Hiroaki Narita
  • Layout: Ryan Heuett
  • In Memory Of: Bud Luckey
  • Assistant Editor: Geoffrey Sledge
  • Production Artist: Ted Mathot
  • Foley Artist: John Roesch
  • Thanks: Rob Rowe
  • ADR Supervisor: Cheryl Nardi
  • Character Designer: Deanna Marsigliese
  • Digital Compositor: Mitch Kopelman
  • Animation: Andrew Coats
  • Animation: Ben Rush
  • Animation: Joshua Dai
  • Shading: Weera Tom Wichitsripornkul
  • Production Assistant: Chris Haynes
  • Additional Music: Mick Giacchino
  • Head of Production: Jonathan Null
  • Musician: George Doering
  • Sound Re-Recording Mixer: Nathan Nance
  • VFX Artist: Max Rodriguez
  • Stereoscopic Technical Director: Erin Lehmkühl
  • Stereoscopic Technical Director: Erin Onstine
  • Stereoscopic Technical Director: Stewart Pomeroy
  • Sequence Lead: Greg Gladstone
  • Animation: Brett Coderre
  • Animation: John Chun Chiu Lee
  • Animation: Kevin O’Hara
  • Software Engineer: Winston O. Good
  • Musician: Mark LeVang
  • Projection: John “JT” Torrijos
  • Set Dressing Artist: Tracy Lee Church
  • Sound Effects Editor: Steve Orlando
  • Graphic Designer: Craig Foster
  • Assistant Editor: Ben Morris
  • Story Artist: Octavio E. Rodriguez
  • Story Manager: Megan Bartel
  • Logistics Coordinator: Edgar A. Ochoa
  • Production Coordinator: Alyssa Mar
  • Foley Artist: Shelley Roden
  • Orchestrator: Brad Dechter
  • Score Engineer: Greg Loskorn
  • Scoring Mixer: Joel Iwataki
  • Additional Storyboarding: Domee Shi
  • Tailor: Mariana Galindo
  • Layout: Gregg Olsson
  • Story Artist: Melody Cisinski
  • ADR Recordist: Jeanette Browning
  • Foley Editor: Dee Selby
  • Foley Editor: Thom Brennan
  • Visual Effects Technical Director: Cari Reiche
  • Visual Effects: Aaron Conover
  • Layout: Mike Leonard
  • Security: Brian Rankin
  • Publicist: Briana Gardner
  • Musician: Serena McKinney
  • Orchestrator: Norman Ludwin
  • Sound Effects Editor: Teresa Eckton
  • Story Consultant: Michael Arndt
  • Systems Administrators & Support: Teresa Conaty
  • VFX Artist: Andrew Wheeler
  • Layout: Robert Kinkead
  • Compositing Artist: Dorien Gunnels
  • Animation: Alli Sadegiani
  • Production Coordinator: Gerisa Macale
  • Shading: Maria Lee
  • Shading: Kiki Mei Kee Poh
  • Colorist: Mark Dinicola
  • First Assistant Editor: C.J. Hsu
  • Production Assistant: Mia Stapleton
  • Software Engineer: David Eberle
  • General Manager: Josh Lowden
  • Music Editor: Stephen M. Davis
  • Musician: Mark Gasbarro
  • Sound Re-Recording Mixer: Michael Semanick
  • Additional Storyboarding: Jeffrey Lynch
  • Additional Storyboarding: Nathan Stanton
  • Animation Manager: Max Sachar
  • Modeling: Lou Hamou-Lhadj
  • Set Supervisor: Nathan Fariss
  • Layout: Alexander Curtis
  • Digital Compositor: Nestor Benito
  • Visual Effects Technical Director: Jim Cody Harrington
  • Animation: James W. Brown
  • Animation: Ken Kim
  • Visual Effects Technical Director: Itamar Belson
  • Set Dressing Artist: Michael Rutter
  • Layout: Jan Pfenninger
  • Layout: Mark Sanford
  • Layout: Matthew Silas
  • Animation: Brett Schulz
  • Animation: Kevin Andrus
  • VFX Artist: Shaun Galinak
  • Set Dressing Artist: Nick Pitera
  • Layout: Leo Santos
  • Lighting Artist: Farhez Rayani
  • Animation: Aron Hatfield
  • Animation: Bruce Kuei
  • Animation: David Torres
  • Animation: Graham Finley
  • Animation: Adam Burke
  • Animation: Don Crum
  • Animation: Dovi Anderson
  • Animation: Javier Moya Alonso
  • Visual Effects Supervisor: Bill Watral
  • Animation: Brendan Beesley
  • Animation: Cameron Miyasaki
  • Animation: Adam Rodriguez
  • Animation: Dan Nguyen
  • Animation: Jae Hyung Kim
  • Animation Coordinator: Daniel LaPook
  • Visual Effects Technical Director: Evan Denmark
  • Layout: Adam Schnitzer
  • Animation: Christopher Chua
  • Lighting Artist: Jordan Rempel
  • Animation: Doug Frankel
  • Animation: Holger Leihe
  • Animation: Justin Farris
  • Lighting Artist: Burt Peng
  • Production Coordinator: Jon Bryant
  • Animation: Alon Winterstein
  • Animation: Frank E. Abney III
  • Animation: Joey Gilbreath
  • Animation: K. C. Roeyer
  • Lighting Artist: Josée Lajoie
  • Animation: Allison Rutland
  • Animation: Amanda Wagner
  • Animation: Aaron Koressel
  • Animation: Benjamin Su
  • Animation: Guilherme Sauerbronn Jacinto
  • Animation: Claudio de Oliveira
  • Animation: Jayson Price
  • Animation: Jordi Oсate Isal
  • Animation: Michael Venturini
  • Animation: Raphael Suter
  • Animation: Terry Song
  • Animation: Rob Duquette Thompson
  • Animation: Tsung-Yin Hsieh
  • Animation: Michael Chia-Wei Chen
  • Animation: Michal Makarewicz
  • Animation: Leslie Watters
  • Animation: Simon Christen
  • Animation: Montaque Ruffin
  • Animation: Jaime Landes Roe
  • Animation: Ricky Wight
  • Animation: Jessica Torres
  • Animation: David DeVan
  • Animation: Kureha Yokoo
  • Animation: Tim Pixton
  • Animation: Ron Zorman
  • Animation: Shawn Krause
  • Animation: Nickolas Rosario
  • Animation: Kristoff Vergne
  • Animation Director: Evan Bonifacio
  • Animation: Shaun Chacko
  • Animation: Tom Zach
  • Animation: Lance Fite
  • Animation: Michael Sauls
  • Animation: Jean-Claude Tran
  • Animation: Paul Diaz
  • Animation: Tal Shwarzman
  • Animation: Jude Brownbill
  • Animation: Royce Wesley
  • Animation: Michael Stocker
  • Animation: Mike Stern
  • Animation: Paul Mendoza
  • Animation: Stefan Schumacher
  • Animation: Tomoyuki Harashima
  • Animation: Manuel Zenon Rodriguez
  • Animation: Matthew Strangio
  • Animation: Michael Bidinger
  • Animation: Nathan Wall
  • Animation: Sequoia Blankenship
  • Animation Director: Travis Hathaway
  • Animation: Kyle Mohr
  • Animation: Catherine Hang-Hicks
  • Story Artist: Bill Presing
  • Story Artist: Rosana Sullivan
  • Supervising Technical Director: Rick Sayre
  • Storyboard Artist: Derek Thompson
  • Supervising Animator: Alan Barillaro
  • Story Artist: Austin Madison
  • Story Artist: Bobby Rubio
  • Supervising Animator: Dave Mullins
  • Storyboard Artist: Louis Gonzales
  • Story Artist: Michael Daley
  • Storyboard Artist: Kevin O’Brien
  • Thanks: Becky Neiman

Catogories:
Action,Adventure,Animation,Family
This is another beautiful plug-in!
image
It’s time to get back to being incredible.
Language:
English
Production:
United States of America
Company:
Walt Disney Pictures,Pixar
Popularity:
111.088
Date:
2018-06-14
Year:
2018

  • r96sk: A good sequel.

    ‘Incredibles 2’ isn’t too far away from the preceding film, which is always a big plus for a follow-up. This one is definitely the more funnier of the two, there are some very amusing moments; especially with Jack-Jack (Eli Fucile/Nick Bird).

    From a plot point of view, the antagonists are better though unfortunately they do go down the obvious direction with them. I felt a few pacing issues too, it’s a slow burner. The animation is very solid, as are the voice cast.

    Speaking of the cast, all of the main lot return with the exception of Spencer Fox (Dash) – whose absence I didn’t really notice in truth. Everyone’s as good as they are in the original, while the additions of Winston (Bob Odenkirk) and Evelyn (Catherine Keener) are welcomed. There’s also a small yet nice role for Odenkirk’s ‘Better Call Saul’ co-star Jonathan Banks (Dicker).

    This does some things greater than ‘The Incredibles’, but other things less so. Nevertheless, it’s a very respectable Disney sequel.

  • Gimly: Doesn’t hold a candle to the original _Incredibles_, and it’s like… **really** on the nose, but _Incredibles 2_ is still a good time.

    Final rating:★★★ – I liked it. Would personally recommend you give it a go.

  • GenerationofSwine: Ok, I didn’t actually see or even really hear about the first one, and this is despite Sam Jackson’s involvement. And I will sit through some horrible movies because he was in them.

    So there were a few moments where I was a little lost, particularly at the start. Still they were few and far between enough where, like me, you can walk in fresh and it’s not really a concern.

    There is a LOT that is praise worthy here, but what wowed me the most was how well a cartoon movie could be a period piece of pop art.

    It really fit the era right down to the faces and hair, not to mention all the other tiny little details.

    Yeah, yeah, yeah, there was a lot more to it, but in my eyes the era stood out the most and in a pop art way. It made it fun for an old historian like me.

    And for the MCU fans….This is what Captain America Civil War should have been about, and likely was until the plot got twisted

  • CinemaSerf: Walt Disney always said he wanted to release his films every seven years, I think, so each time there was a new audience to appreciate them. This one has waited twice that time for a sequel that is perfectly watchable, but boy is it wordy! Dad “Bob” swaps roles with wife “Helen” (aka “Elastigirl”) only to find that it’s she who falls foul of the latest government anti-superhero regulations. Fortunately, the wealthy “Deavor” brother and sister act have a cunning plan to reverse these publicity disasters and restore the public confidence in our lycra-clad citizens. The remainder of this film follows rather procedural lines. Dad has fun managing the increasingly active “Jack-Jack” (and his entertaining new powers) whilst mum has to combat the new enemy “Screenslaver” who has some fairly formidable mind-control skills which he intends to use for, of course, world domination. As a role reversal comedy, the dad definitely gets the better, and funnier, end of the stick. As an adventure film, though, it’s all just a bit ‘been there got the T-shirt’ and there is nowhere near enough action to sustain the almost two hours of screen time. The animation and score work well, though, and even if it’s not really a patch on the first one, it’s still an easy watch.

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