Harry, Ron and Hermione continue their quest to vanquish the evil Voldemort once and for all. Just as things begin to look hopeless for the young wizards, Harry discovers a trio of magical objects that endow him with powers to rival Voldemort’s formidable skills.
Credits: TheMovieDb.
Harry, Ron and Hermione continue their quest to vanquish the evil Voldemort once and for all. Just as things begin to look hopeless for the young wizards, Harry discovers a trio of magical objects that endow him with powers to rival Voldemort’s formidable skills.
Cast:
- Harry Potter: Daniel Radcliffe
- Hermione Granger: Emma Watson
- Ron Weasley: Rupert Grint
- Lord Voldemort: Ralph Fiennes
- Severus Snape: Alan Rickman
- Albus Dumbledore: Michael Gambon
- Griphook / Filius Flitwick: Warwick Davis
- Bellatrix Lestrange: Helena Bonham Carter
- Aberforth Dumbledore: Ciarán Hinds
- Neville Longbottom: Matthew Lewis
- Ollivander: John Hurt
- Luna Lovegood: Evanna Lynch
- Rubeus Hagrid: Robbie Coltrane
- Helena Ravenclaw: Kelly Macdonald
- Draco Malfoy: Tom Felton
- Narcissa Malfoy: Helen McCrory
- Lucius Malfoy: Jason Isaacs
- Minerva McGonagall: Maggie Smith
- Remus Lupin: David Thewlis
- Sirius Black: Gary Oldman
- Argus Filch: David Bradley
- Molly Weasley: Julie Walters
- Poppy Pomfrey: Gemma Jones
- Fenrir Greyback: Dave Legeno
- Pomona Sprout: Miriam Margolyes
- Scabior: Nick Moran
- Fred Weasley: James Phelps
- George Weasley: Oliver Phelps
- Fleur Delacour: Clémence Poésy
- Nymphadora Tonks: Natalia Tena
- Arthur Weasley: Mark Williams
- Ginny Weasley: Bonnie Wright
- Bill Weasley: Domhnall Gleeson
- Death Eater: Graham Duff
- Gringotts Guard: Anthony Allgood
- Aged Gringotts Goblin: Rusty Goffe
- Bogrod: Jon Key
- Hogsmeade Death Eater: Ian Peck
- Hogsmeade Death Eater: Benn Northover
- Ariana Dumbledore: Hebe Beardsall
- Seamus Finnigan: Devon Murray
- Lavender Brown: Jessie Cave
- Padma Patil: Afshan Azad
- Leanne: Isabella Laughland
- Romilda Vane: Anna Shaffer
- Katie Bell: Georgina Leonidas
- Cormac McLaggen: Freddie Stroma
- Dean Thomas: Alfred Enoch
- Cho Chang: Katie Leung
- Nigel Wolpert: William Melling
- Screaming Girl: Sian Grace Phillips
- Amycus Carrow: Ralph Ineson
- Alecto Carrow: Suzie Toase
- Horace Slughorn: Jim Broadbent
- Pansy Parkinson: Scarlett Hefner
- Gregory Goyle: Josh Herdman
- Blaise Zabini: Louis Cordice
- Twin Girl 1: Amber Evans
- Twin Girl 2: Ruby Evans
- Kingsley Shacklebolt: George Harris
- Percy Weasley: Chris Rankin
- Pius Thicknesse: Guy Henry
- Giant: Phil Wright
- Giant: Gary Sayer
- Giant: Tony Adkins
- Death Eater: Penelope McGhie
- Sybill Trelawney: Emma Thompson
- Young Lily Potter: Ellie Darcey-Alden
- Young Petunia Dursley: Ariella Paradise
- Young Severus Snape: Benedict Clarke
- The Sorting Hat (voice): Leslie Phillips
- Young James Potter: Alfie McIlwain
- Young Sirius Black: Rohan Gotobed
- Lily Potter: Geraldine Somerville
- James Potter: Adrian Rawlins
- Baby Harry Potter: Toby Papworth
- Peter Pettigrew: Timothy Spall
- Death Eater: Peter G. Reed
- Death Eater: Judith Sharp
- Death Eater: Emil Hostina
- Death Eater: Bob Yves Van Hellenberg Hubar
- Death Eater: Granville Saxton
- Death Eater: Tony Kirwood
- Death Eater: Ashley McGuire
- Albus Severus Potter (19 Years Later): Arthur Bowen
- Lily Luna Potter (19 Years Later): Daphne de Beistegui
- James Sirius Potter (19 Years Later): Will Dunn
- Astoria Malfoy (19 Years Later): Jade Gordon
- Scorpius Malfoy (19 Years Later): Bertie Gilbert
- Rose Weasley (19 Years Later): Helena Barlow
- Hugo Weasley (19 Years Later): Ryan Turner
- Gryffindor Student (uncredited): Paul Bailey
- Oliver Wood (uncredited): Sean Biggerstaff
- Gryffindor Student (uncredited): Vinnie Clarke
- Dining Wizard in Painting (uncredited): David Heyman
- Student (uncredited): Charlie Hobbs
- Teddy Lupin (uncredited): Luke Newberry
- Gringotts Goblin (uncredited): Keijo J. Salmela
- Knight of Hogwarts (uncredited): Spencer Wilding
- Gringotts Goblin (uncredited): Harrison Davis
- Gringotts Goblin (uncredited): Annabelle Davis
- Gringotts Goblin (uncredited): Samantha Davis
Crew:
- Director: David Yates
- Casting: Fiona Weir
- Producer: J.K. Rowling
- Production Design: Stuart Craig
- Producer: David Barron
- Original Music Composer: Alexandre Desplat
- Screenplay: Steve Kloves
- Director of Photography: Eduardo Serra
- Editor: Mark Day
- Foley Editor: Derek Trigg
- Makeup Artist: Adrian Rigby
- Prosthetics Sculptor: Shaune Harrison
- Special Effects Makeup Artist: Chris Lyons
- Special Effects Makeup Artist: Barrie Gower
- Foley Mixer: Glen Gathard
- Foley Artist: Andie Derrick
- Prosthetic Makeup Artist: Jutta Russell
- Prosthetic Makeup Artist: George Alahouzos
- Other: Nadia Stacey
- Foley Artist: Peter Burgis
- Prosthetic Makeup Artist: Eloise Waymouth
- Makeup Artist: Claire Matthews
- Makeup Artist: Julia Wilson
- ADR Mixer: Peter Gleaves
- Special Effects Makeup Artist: Nathaniel De’Lineadeus
- Hairstylist: Sophia Knight
- Stunts: Sian Milne
- Rotoscoping Artist: Nathaniel Caauwe
- Stunt Double: David Holmes
- Animation: Stewart Alves
- Lighting Artist: Howard R. Campbell
- Animation: Andy Hass
- Animation: Yannick Honore
- Stunts: Tolga Kenan
- Stunt Double: Marc Mailley
- Stunts: Mike Potter
- Co-Producer: John Trehy
- Production Manager: Simon Emanuel
- Producer: David Heyman
- Unit Production Manager: Tim Lewis
- Second Unit Director: Stephen Woolfenden
- Costume Design: Jany Temime
- First Assistant Director: Jamie Christopher
- Supervising Art Director: Neil Lamont
- Makeup Effects Designer: Nick Dudman
- Associate Producer: Roy Button
- Art Direction: Mark Bartholomew
- Art Direction: Molly Hughes
- Art Direction: Peter Dorme
- Visual Effects Producer: Emma Norton
- Executive Producer: Lionel Wigram
- Visual Effects Supervisor: Chris Shaw
- Art Direction: Nicholas Henderson
- Sound Designer: Michael Fentum
- Art Direction: Ashley Winter
- Makeup Artist: Sarah Downes
- Art Direction: Martin Foley
- Makeup Artist: Elizabeth Lewis
- Art Direction: Andrew Ackland-Snow
- Makeup Artist: Belinda Hodgson
- Visual Effects Producer: Charlotte Loughnane
- Art Direction: Alastair Bullock
- Art Direction: Kate Grimble
- Art Direction: Hattie Storey
- Visual Effects Producer: Courtney Vanderslice
- Art Direction: Gary Tomkins
- Sound Effects Editor: Samir Fočo
- Assistant Costume Designer: Yvonne Otzen
- Visual Effects Producer: Chloe Grysole
- Makeup Artist: Jessica Needham
- Visual Effects Producer: Aimee Dadswell
- Assistant Costume Designer: Michelle Philo
- Sound Effects Editor: Jed Loughran
- Sound Designer: Dominic Gibbs
- Assistant Costume Designer: Vivienne Jones
- Makeup Artist: Sharon Nicholas
- Makeup Artist: Amy Byrne
- Visual Effects Producer: Oliver Money
- Visual Effects Producer: Dominic Sidoli
- Second Assistant Director: Matthew Sharp
- Script Supervisor: Anna Worley
- Art Direction: Christian Huband
- Sound Effects Editor: Alistair Hawkins
- Makeup Artist: Amanda Burns
- Makeup Artist: Ken Lintott
- Makeup Artist: Charlotte Hayward
- Visual Effects Supervisor: Clark Parkhurst
- Stunt Coordinator: Greg Powell
- Assistant Costume Designer: Chloe Aubry
- Visual Effects Supervisor: Andrew Kind
- Costume Supervisor: Charlotte Finlay
- Stunts: Tilly Powell
- Stunts: Alison Ryan
- Stunts: Donna Williams
- Stunts: Kim McGarrity
- Stunts: Amanda Foster
- Thanks: Ann Koska
- Stunt Double: Joanna Whitney
- Stunts: Hannah Jones
- Stunts: Nellie Burroughes
- Stunts: Maxine Whittaker
- Stunts: Eunice Huthart
- Stunts: Sarah Franzl
- Stunts: Tina Maskell
- Stunts: Jo McLaren
- Stunts: Nina Armstrong
- Stunts: Helen Steinway Bailey
- Stunts: Jade Gordon
- Stunts: Elaine Ford
- Stunts: Tracey Eddon
- Stunts: Juliet McGill
- Stunts: Lucy Allen
- Stunts: Talila Craig
- Stunts: Grace Franzl
- Animation Supervisor: Ferran Domenech
- Second Assistant Director: Michael Stevenson
- Stunts: Martin Wilde
- Stunts: Greg Burridge
- Compositor: Esme Coleman
- Assistant Costume Designer: Richard Davies
- Art Department Assistant: Alex Bowens
- Visual Effects Supervisor: Tim Burke
- Set Decoration: Stephenie McMillan
- Hair Designer: Lisa Tomblin
- Makeup Designer: Amanda Knight
- Special Effects Supervisor: John Richardson
- Visual Effects Supervisor: Greg Butler
- Visual Effects Supervisor: David Vickery
- Visual Effects Supervisor: Craig Clarke
- Visual Effects Supervisor: John Moffatt
- Stunts: Annabel Canaven
- Stereoscopic Supervisor: Ray McIntyre Jr.
- Sound Re-Recording Mixer: Adam Scrivener
- Sound Re-Recording Mixer: Stuart Hilliker
- Supervising Sound Editor: James Mather
- Sound Re-Recording Mixer: Mike Dowson
- Production Sound Mixer: Stuart Wilson
- Props: Buddie Wilkinson
- ADR Supervisor: Daniel Laurie
- Art Department Assistant: Liam Georgensen
Catogories:
Fantasy,Adventure
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It all ends.
Language:
English
Production:
United Kingdom,United States of America
Company:
Warner Bros. Pictures,Heyday Films
Popularity:
138.062
Date:
2011-07-12
Year:
2011
- John Chard: It is the quality of one’s convictions that determines success, not the number of followers.
So here it is, the 8th and final instalment of a film franchise that has lasted 10 years and runs at just under 20 hours in total. Following straight on from the frustratingly incomplete scene setter that was Deathly Hallows Part 1, we continue to track Harry, Hermione and Ron as they search for the remaining Horcruxes that will render the evil Lord Voldermort as a mere mortal. This narrative thread is run concurrently with the Voldermort movements, where he now has in his possession The Elder Wand (the wand to rule them all) and has gathered a vast army to descend upon Hogwarts and achieve his ultimate goal of killing Harry. Meanwhile vital character story arcs are filled in and secrets will out…
David Yates directs and Steve Kloves adapts to the screen, both of whom were perfect choices given their considerable input to the series. Smartly the pic has been kept to a 2 hour and 10 minute run time, and thankfully it flows nicely and the pace never stalls. Being one of those who has never read the books I can’t say what has been left out or if anything has been tampered with for dramatic licence? What I know for sure is that the emotional investment garnered from being with this story for so long, to be part of these characters lives, watching them grow, ensures that this closure piece pounds the senses. Sitting down to watch it you realise that we are going to lose people we care for, and Hogwarts, the wonderful place we fist glimpsed across the night time water, is going to be attacked and reduced to a battle scarred place of war.
As the effects work dazzles and the one time child actors come shining through as mature actors who have casted off previous wooden traits, the story filling strands show just what wonderful work Rowling achieved on the page. Some of the characters never stood a chance in life, some carried deep emotional scars, and others held secrets so crucial to the whole Potter universe. For a series of such fantastical genre sparkle, the Harry Potter world eventually reveals itself to be a deep and fortified humanist drama, and engaging it most certainly is. That this is achieved as battlefield carnage is raised, with wand wars booming up on the screen, it means credit is due to all involved the making of such a cherished and intensely followed Octalogy.
Is it the earth shattering finale one hoped for? Well not quite. Story wise for sure that is the case, but with the whole story driving towards the final battle between Harry and Voldermort, it’s disappointing to find it’s rather brief and in truth anti climatic. Harry the boy now burgeoning into a man versus the snake faced despot surely should have been a crowning glory, but sadly not so. To compound this irritating disappointment, we then get the epilogue that is bogged down by aging make-up design that is almost laughable. But these are just annoyances, not film killers, for this has been a magical ride for 10 years. Fans will feel a gap in the heart now it’s over, maybe even shed a Snape like tear as well? Yet ultimately it has been a triumph and the rewatchable factor for the whole series will always remain high. 8/10
- John Chard: It is the quality of one’s convictions that determines success, not the number of followers.
So here it is, the 8th and final instalment of a film franchise that has lasted 10 years and runs at just under 20 hours in total. Following straight on from the frustratingly incomplete scene setter that was Deathly Hallows Part 1, we continue to track Harry, Hermione and Ron as they search for the remaining Horcruxes that will render the evil Lord Voldermort as a mere mortal. This narrative thread is run concurrently with the Voldermort movements, where he now has in his possession The Elder Wand (the wand to rule them all) and has gathered a vast army to descend upon Hogwarts and achieve his ultimate goal of killing Harry. Meanwhile vital character story arcs are filled in and secrets will out…
David Yates directs and Steve Kloves adapts to the screen, both of whom were perfect choices given their considerable input to the series. Smartly the pic has been kept to a 2 hour and 10 minute run time, and thankfully it flows nicely and the pace never stalls. Being one of those who has never read the books I can’t say what has been left out or if anything has been tampered with for dramatic licence? What I know for sure is that the emotional investment garnered from being with this story for so long, to be part of these characters lives, watching them grow, ensures that this closure piece pounds the senses. Sitting down to watch it you realise that we are going to lose people we care for, and Hogwarts, the wonderful place we fist glimpsed across the night time water, is going to be attacked and reduced to a battle scarred place of war.
As the effects work dazzles and the one time child actors come shining through as mature actors who have casted off previous wooden traits, the story filling strands show just what wonderful work Rowling achieved on the page. Some of the characters never stood a chance in life, some carried deep emotional scars, and others held secrets so crucial to the whole Potter universe. For a series of such fantastical genre sparkle, the Harry Potter world eventually reveals itself to be a deep and fortified humanist drama, and engaging it most certainly is. That this is achieved as battlefield carnage is raised, with wand wars booming up on the screen, it means credit is due to all involved in the making of such a cherished and intensely followed Octalogy.
Is it the earth shattering finale one hoped for? Well not quite. Story wise for sure that is the case, but with the whole story driving towards the final battle between Harry and Voldermort, it’s disappointing to find it’s rather brief and in truth anti climatic. Harry the boy now burgeoning into a man versus the snake faced despot surely should have been a crowning glory, but sadly not so. To compound this irritating disappointment, we then get the epilogue that is bogged down by aging make-up design that is almost laughable. But these are just annoyances, not film killers, for this has been a magical ride for 10 years. Fans will feel a gap in the heart now it’s over, maybe even shed a Snape like tear as well? Yet ultimately it has been a triumph and the rewatchable factor for the whole series will always remain high. 8/10
- CinemaSerf: I can only marvel at the imagination of JK Rowling as this final instalment of our 10 year journey with Harry, Ron and Hermione reaches a fitting climax. Still continuing on their search for the remaining horcruxes, they must use all of their skills and intrepidity before “Voldemort” finally returns to wreak havoc on their (and our) world. Radcliffe, Grint and Watson are very much comfortable in the parts now and that shows – their confidence and assuredness adds bundles to the cracking script and well paced direction from David Yates. Not just the three stars, but others we have seen for many of the series come into their own – Dame Maggie Smith (“Prof. McGonagall”) gets some wand action, as does Julie Walters with a cracking duel with Helena Bonham-Carter’s “Bellatrix Lestrange”; the magical effects are superb and the multiple threads all tie together well. Did it need to be two films? I suspect that the audience probably benefited from this in two instalments, but a director’s cut of the whole thing in one fell swoop could make for an epic piece of cinema. Great stories, characters and a vivid imagination – a most enjoyable ride!
