After a horrifying PredAlien crash-lands near a small Colorado town, killing everyone it encounters and producing countless Alien offspring, a lone Predator arrives to “clean up” the infestation.
Credits: TheMovieDb.
Aliens vs Predator: Requiem
Overview:
After a horrifying PredAlien crash-lands near a small Colorado town, killing everyone it encounters and producing countless Alien offspring, a lone Predator arrives to “clean up” the infestation.
Cast:
- Dallas Howard: Steven Pasquale
- Kelly O’Brien: Reiko Aylesworth
- Sheriff Eddie Morales: John Ortiz
- Ricky: Johnny Lewis
- Molly O’Brien: Ariel Gade
- Jesse: Kristen Hager
- Tim: Sam Trammell
- Col. Stevens: Robert Joy
- Dale: David Paetkau
- Predator: Ian Whyte
- Alien: Tom Woodruff Jr.
- Darcy: Chelah Horsdal
- Curtis: Meshach Peters
- Mark: Matt Ward
- Drew: David Hornsby
- Deputy Ray: Chris William Martin
- Deputy Joe: James Chutter
- Deputy: Phil Buhler
- Deputy: Kevin Haaland
- Carrie: Gina Holden
- Buddy: Kurt Max Runte
- Sam: Liam James
- Dr. Lennon: Tim Henry
- Karl: Tom McBeath
- Nathan: Ty Olsson
- Ritchie: Anthony Harrison
- Homeless Harry: Lloyd Berry
- Nurse Helen: Rekha Sharma
- Tina: Catherine Lough Haggquist
- Pregnant Sue: Victoria Bidewell
- Lt. Wood: Dalias Blake
- Mr. Thomas: Tim Perez
- Earl: Rainbow Sun Francks
- Scotty: Juan Riedinger
- Broadcaster: Val Cole
- Tank Driver: Andrew Hedge
- Truck Driver: Ryan Robbins
- Special Forces Commander: Curtis Caravaggio
- Ms. Y: Françoise Yip
- Homeless Guy: John Wardlow
- Homeless Lady: Nesta Chapman
- Additional Predator: Ian Feuer
- Additional Predator: Bobby ‘Slim’ Jones
- National Guard: Glen Brkich
- Pregnant Woman: Jay-Lyn Green
- Pregnant Woman: Lili Wexu
- ER Resident Doc: Adrian Hough
- ER Doctor #2: Karen van Blankenstein
- Kendra (uncredited): Shareeka Epps
- Nick: Michal Suchánek
Crew:
- Visual Effects Supervisor: Colin Strause
- Editor: Dan Zimmerman
- Casting: Mindy Marin
- Visual Effects Supervisor: Greg Strause
- Production Design: Andrew Neskoromny
- Producer: John Davis
- Casting: Heike Brandstatter
- Director of Photography: Daniel Pearl
- Original Music Composer: Brian Tyler
- Casting: Coreen Mayrs
- Creature Design: H. R. Giger
- Producer: David Giler
- Set Decoration: Shane Vieau
- Producer: Walter Hill
- Costume Design: Angus Strathie
- Construction Coordinator: John Beatty
- Scenic Artist: Niki Charalambopoulo
- Art Department Coordinator: Sharon Thompson
- Characters: John Thomas
- Characters: Dan O’Bannon
- Set Designer: Chris Beach
- Sculptor: Jack Gauvreau
- Sound Re-Recording Mixer: Ron Bartlett
- Underwater Camera: Ian Seabrook
- Location Manager: S. Steven Sach
- Scenic Artist: Giovanni Pasqua
- Construction Coordinator: Matthew Pomerantz
- Stunt Coordinator: J.J. Makaro
- Gaffer: Stuart Haggerty
- Visual Effects Editor: Ryan Chavez
- Visual Effects Editor: Mohsen Eletreby
- Visual Effects Producer: Kendrick Wallace
- Still Photographer: James Dittiger
- Sculptor: Jessee J. Clarkson
- Supervising Sound Editor: Jim Brookshire
- Supervising Sound Editor: Jay Wilkinson
- Aerial Director of Photography: Hans Bjerno
- Assistant Art Director: Martina Javorova
- Assistant Art Director: Andrew Li
- Camera Operator: Don Reddy
- Characters: Ronald Shusett
- Characters: Jim Thomas
- Scenic Artist: Camar Sterling
- Visual Effects Supervisor: Rob Hodgson
- Scenic Artist: Ryan Ostiguy
- Special Effects Coordinator: Tony Lazarowich
- Best Boy Electric: Niall Fraser
- Scenic Artist: Roderick MacDonald
- Visual Effects Supervisor: Eric Mises-Rosenfeld
- Scenic Artist: Janette Hyland
- Sound Re-Recording Mixer: Doug Hemphill
- Camera Operator: Wayne MacConnell
- Scenic Artist: Renee Dundas
- Transportation Coordinator: Sylvia Nablo
- Music Editor: Joe Lisanti
- Digital Effects Supervisor: Leonard F.W. Green
- Stunts: James Bamford
- Production Coordinator: Jena Niquidet
- Sound mixer: Patrick Ramsay
- Script Supervisor: Kelly Moon
- Screenplay: Shane Salerno
- Supervising Art Director: Helen Jarvis
- Editorial Production Assistant: Trinh Tran
- Foley Artist: John T. Cucci
- Property Master: Terry Weaver
- Foley Artist: Dan O’Connell
- Sound Recordist: Eric Flickinger
- Dialogue Editor: Benjamin Beardwood
- Third Assistant Director: Jennifer Nelson
- First Assistant Director: Ken Shane
- First Assistant Director: Lars P. Winther
- Third Assistant Director: Tarnya Cook
- Second Unit Director: Jeff Habberstad
- Second Assistant Director: Kathy Houghton
- Executive Producer: Robbie Brenner
- Executive Producer: Paul Deason
- Second Assistant Director: Janine Law
- Post Production Supervisor: David McKimmie
- Additional Third Assistant Director: Katherine Keizer
- Third Assistant Director: Jody Ryan
- Unit Production Manager: Warren Carr
- Unit Manager: Drew Locke
- Post Production Supervisor: Chris Dowell
- Background Casting Director: Adam J. Piechnik
- Key Makeup Artist: Jayne Dancose
- Key Hair Stylist: Linda Jones
- Key Hair Stylist: Debra Wiebe
- Second Assistant Camera: Sasha Proctor
- Construction Buyer: Kevin Tomecek
- Camera Operator: Peter Wilke
- Key Grip: Tony Whiteside
- Grip: Wally Nygren
- Second Assistant Camera: Leigh Jenkins
- Editorial Production Assistant: Stephanie Denatale
- First Assistant Editor: Kirk Moses
- First Assistant Makeup Artist: Beth Boxall
- Dolly Grip: Neil McBride
- First Assistant Camera: Sandes Ashe
- Grip: Carlos Avilila
- Key Makeup Artist: Sally Barnes
- Set Dresser: Simon Haywood-Anderson
- Gaffer: David S. Warner
- Second Assistant Camera: Richard Sinclair
- Best Boy Grip: Lee Gibeau
- First Assistant Camera: Reg Gole
- Key Rigging Grip: Peter Pacula
- Assistant Property Master: Brian Epp
- Property Master: David Valentine
- Best Boy Grip: Matt Almas
- First Assistant Camera: Simon Jori
- Digital Intermediate Producer: Loan Phan
- Storyboard Artist: Danelle Davenport
- Lighting Technician: Kris Tobiasson
- Second Assistant Camera: Cole Koehler
- First Assistant Editor: Ian Silverstein
- Lighting Technician: Jordan Johnson
- Video Assist Operator: David McKnight
- Generator Operator: Monty Black
- Grip: Keith Flanagan
- Digital Intermediate Editor: Curtis Lindersmith
- Greensman: Kevin Clark
- Key Grip: John Le Roy
- Second Assistant Camera: Thomas Yardley
- Color Timer: Kenny Becker
- Negative Cutter: Gary Burritt
- Editorial Production Assistant: Steven Flegel
- First Assistant Hairstylist: Ian C. Ballard
- Art Department Assistant: Lori West
- Construction Foreman: Dale Menzies
- Graphic Designer: Sally Hudson
- Storyboard Artist: Richard Bennett
- Dolly Grip: Russell Hawkes
- First Assistant Camera: Sean Elliott
- Generator Operator: Roger Bailey
- Video Assist Operator: Casey MacIntyre
- Pyrotechnician: John Cluff
- Dolly Grip: Todd Hlagi
- Rigging Grip: Rod Haney
- Seamstress: Petra Wright
- Foley Mixer: Richard Duarte
- Foley Supervisor: Frank Smathers
- Aerial Coordinator: Jim Filippone
- Armorer: Ryan Steacy
- ADR Voice Casting: Caitlin McKenna
- Digital Compositor: Eric Almeras
- Costume Coordinator: Sandra J. Blackie
- Modeling: Go Woon Choi
- Modeling: Chris Radcliffe
- Visual Effects Coordinator: Katie Spinelli
- Visual Effects Coordinator: William H.D. Marlett
- Digital Compositor: Vinh Nguyen
- Extras Casting: Andrea Brown
- Modeling: Tamer Eldib
- Seamstress: Nora Bautista
- ADR Engineer: Derek Casari
- Production Accountant: Jason Bogard
- Seamstress: Kieu Nguyen
- Truck Costumer: John Denison
- Visual Effects Coordinator: Jeff Atherton
- Boom Operator: Ken Lee
- Foley Mixer: James Ashwill
- Costumer: Heather Rupert
- Casting Assistant: Meagan Lopez
- Modeling: Justin Louis
- Assistant Sound Editor: Jason P. Dass
- Production Secretary: Ali Pounder
- Costumer: Sarah Haddleton
- Compositing Supervisor: Laura Sevilla
- Modeling: Atsushi Imamura
- Modeling: Chun Seong Ng
- Visual Effects Coordinator: Bryce Brecheisen
- Sound Assistant: Greg Hannas
- Digital Compositor: Mathias Frodin
- Marine Coordinator: Jason Crosby
- Armorer: Rob Fournier
- Costumer: Charis Tillson
- Digital Compositor: Hirofumi Takeda
- ADR Recordist: Jan Petrov
- Sound Effects Editor: Simon Coke
- Seamstress: Christa Richards
- Truck Costumer: Marnie Ander
- Production Secretary: Fleur Western
- Costumer: Petra Bergholz
- Seamstress: Gloria Chan
- Casting Assistant: Trica Thompson
- Compositing Supervisor: Bill Kunin
- Cableman: Naan Spiess
- First Assistant Sound Editor: Skip Longfellow
- Animation Supervisor: Joshua Cordes
- Modeling: Miguel A. Guerrero
- Pre-Visualization Coordinator: Tanissa Potrovitza Schoen
- Visual Effects Coordinator: Ryan Zuttermeister
- Animation: Brad McLaughlin
- Visual Effects Coordinator: Yasamin Ismaili
- Animatronics Supervisor: David Penikas
- Unit Publicist: Dixie Cutler
- Stunts: Michael Langlois
- Stunts: Rhys Williams
- Stunts: Gerald Paetz
- Stunts: John DeSantis
- Stunts: Daniel Cudmore
- Stunts: Jeffrey C. Robinson
- Stunt Coordinator: Dave Hospes
- Stunts: Caroline Field
- Stunts: Eli Zagoudakis
- Stunts: Reg Milne
- Stunts: Duane Dickinson
- Stunts: Laura Lee Connery
- Stunts: Andrew Michael Hill
- Stunts: Mike Ching
- Stunts: Doug Chapman
- Stunts: Yves Cameron
- Stunts: Melissa R. Stubbs
- Stunts: Raymond Sammel
- Stunts: Lani Gelera
- Stunts: Mike Desabrais
- Stunts: Mia Carriconde
- Stunts: Austin Dunn
- Stunts: Trevor Jones
- Stunts: Corry Glass
- Stunt Double: Cody Laudan
- Stunts: Jon Kralt
- Stunts: Lloyd Adams
- Stunts: Colby Chartrand
- Stunts: Simon Burnett
- Stunts: Rob ‘Sluggo’ Boyce
- Stunts: Loyd Bateman
- Stunts: Trevor Addie
- Stunts: Marny Eng
- Stunts: Carolyn Anderson
- CG Supervisor: Chris Wells
Catogories:
Fantasy,Action,Science Fiction,Thriller,Horror
My grandpa says this plugin is smart!
On Earth everyone can hear you scream.
Language:
English
Production:
United States of America
Company:
Dune Entertainment,Davis Entertainment,20th Century Fox,Brandywine Productions
Popularity:
91.826
Date:
2007-12-25
Year:
2007
- John Chard: Remember when chest busters were scary?
This stinks, it really does, and this coming from a man who owns and loves many a cheese filled B/Z movie. Although I would in no way say that AVP: Alien vs. Predator (2004) was a good movie, I have a tiny soft spot and found it watchable at least, this hack job makes that film seem like the pinnacle of creature feature nirvana.
A Predator ship encounters problems on board by way of a newly born predator/alien hybrid, it crash lands on Earth (America) and thus Requiem is born as face huggers go crazy, aliens run amok, predator fights back, and the cast of genre stereotypes kill or be killed, the end! All the makers have done here (apart from attempting to kill off the franchise it seems) is splice together various staples from the other films in the series. Be it the settings or confrontations, they have just upped the blood quota, the film has no substance what so ever. Characters so dense and unlikeable you root for the monsters by way of having no choice, dumb teens in angst, Rambo mom, ex-convict trying to do good, you name it and chances are you have seen it in other rubbish murder death kill movies.
There is gore galore which I’m sure will appease the easily pleased, and in one particularly monstrous scene involving a pregnant woman, a sequence for the squeamish to chat on the playground about come Monday morning. But you honestly would be better off watching some cheap no budget slasher film from the 70s, because unlike the money backed hack directors here, they had an excuse back then. Drek 1/10
- Gimly: Out of all the _Alien_ and _Predator_ franchise, a series stretching out for nearly 40 years, a cultural phenomenon that has wormed its way into all manner of media, and has produced no less than eleven official movie entries, _Aliens vs Predator: Requiem_ is the worst. It’s so blatantly obviously the worst that I don’t think any _Alien_ or _Predator_ or even _Alien vs Predator_ movie that we ever see from now until the end of time will ever unseat it as the worst.
_Final rating:★½: – Boring/disappointing. Avoid where possible._
- CinemaSerf: So if you recall the last scene from the first AVP film (2004) you will know that the “Predator” ship is carrying an unwelcome passenger. Well, it manages to run rampage forcing the ship to crash-land in Colorado. A nicely wooded area where the two races can pick up their unfettered hostility with enthusiasm. An added bonus for our hungry visitors is a local community of humans ripe for the eating. Maybe 90% of this is either filmed in the dark, or in dark and dingy interiors and that does nothing for the menace of the film, nor does it make it enjoyable to watch. The human actors are pretty mediocre delivering a dialogue that was clearly of little importance when it came to the commissioning of this completely unnecessary and unrewarding sequel; indeed I found myself very much in the corner of whatsoever wanted to make a feast of these rather uninspiring, hormonal, teenagers who are delivering a pizza one minute, then wielding a pump-action shotgun whilst driving a tank the next. Sci-fi is, of course, meant to be far-fetched, but this is just a beastie too far and the ending just ridiculous (if, mercifully, quite, quite final!). This gift stopped giving long ago, let’s hope we can recall the glories of Arnie and Sigourney and let this nonsense just RIP.
- r96sk: Remarkably dull.
I wouldn’t say any part of me utterly disliked watching ‘Aliens vs Predator: Requiem’, though it has to be said that it is not a good film at all – it’s almost impressive how uninteresting it all is. Thankfully it is relatively short at round 90 minutes, any longer and I may have hated it.
The main negative I hold is the lighting, or lack thereof. It’s such a visually dark movie, so much so that you can barely tell the two titanic creatures apart at most times. There’s also a supposed-to-be cool reveal at the conclusion, yet you can barely see who they are revealing. Very odd choice.
The plot and its characters are extremely forgettable, it’s just a standard monster(s) attacks small town flick – something we’ve all seen before. Think ‘Eight Legged Freaks’, but worse. As for those onscreen, John Ortiz is the standout, though only if I had to pick someone. The whole story with the Howard brothers is so mundane and poorly portrayed.
A rightly panned movie. The worst work of either franchise.
