Avengers: Age of Ultron

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When Tony Stark tries to jumpstart a dormant peacekeeping program, things go awry and Earth’s Mightiest Heroes are put to the ultimate test as the fate of the planet hangs in the balance. As the villainous Ultron emerges, it is up to The Avengers to stop him from enacting his terrible plans, and soon uneasy alliances and unexpected action pave the way for an epic and unique global adventure.

Credits: TheMovieDb.
Avengers: Age of Ultron
Overview:
When Tony Stark tries to jumpstart a dormant peacekeeping program, things go awry and Earth’s Mightiest Heroes are put to the ultimate test as the fate of the planet hangs in the balance. As the villainous Ultron emerges, it is up to The Avengers to stop him from enacting his terrible plans, and soon uneasy
Cast:

Tony Stark / Iron Man: Robert Downey Jr.
Thor: Chris Hemsworth
Bruce Banner / Hulk: Mark Ruffalo
Steve Rogers / Captain America: Chris Evans
Natasha Romanoff / Black Widow: Scarlett Johansson
Clint Barton / Hawkeye: Jeremy Renner
Ultron (voice): James Spader
Nick Fury: Samuel L. Jackson
James Rhodes / War Machine: Don Cheadle
Pietro Maximoff / Quicksilver: Aaron Taylor-Johnson
Wanda Maximoff / Scarlet Witch: Elizabeth Olsen
Jarvis / Vision: Paul Bettany
Maria Hill: Cobie Smulders
Sam Wilson / The Falcon: Anthony Mackie
Peggy Carter: Hayley Atwell
Heimdall: Idris Elba
Laura Barton: Linda Cardellini
Erik Selvig: Stellan Skarsgård
Dr. Helen Cho: Claudia Kim
Strucker: Thomas Kretschmann
Ulysses Klaue: Andy Serkis
Madame B: Julie Delpy
Stan Lee: Stan Lee
Dr. List: Henry Goodman
Fortress Soldier: Chris Luca
Strucker Mercenary: Brian Schaeffer
Zrinka: Dominique Provost-Chalkley
Costel: Isaac Andrews
Sokovian Acid Student: Gareth Kieran Jones
Dr. Cho’s Assistant: Chan Woo Lim
Dr. Cho’s Assistant: Minhee Yeo
Klaue’s Mercenary: Bentley Kalu
Ballet Instructor: Julian Bleach
Johannesburg Cop: Christopher Beasley
Johannesburg Cop: Vuyo Dabula
Johannesburg Driver: Nondumiso Tembe
Johannesburg Onlooker: Kabelo Thai
Johannesburg Onlooker: Lele Ledwaba
Johannesburg Onlooker: Mandla Gaduka
Johannesburg Onlooker: Harriet Manamela
Johannesburg Onlooker: Beulah Hashe
Johannesburg Onlooker: Musca Kumalo
Johannesburg Onlooker: Mathapelo September
Johannesburg Elevator Passenger: Antony Acheampong
Johannesburg Elevator Passenger: Chioma Anyanwu
Cooper Barton: Ben Sakamoto
Lila Barton: Imogen Poynton
Lila Barton: Isabella Poynton
World Hub Tech: Ingvild Deila
Korean Train Passenger: Sunny Yeo
Korean Train Passenger: Namju Go
Korean Train Passenger: Mina Kweon
Korean Train Passenger: Earl T. Kim
Korean Train Passenger: Arthur Lee
Sokovian Family: Verity Hewlett
Sokovian Family: Michael Matovski
Sokovian Family: Alma Noce
Sokovian Family: Riccardo Richetta
Sokovian Woman: Constanza Ruff
Tub Family Child: Monty Mclaren-Clark
Sokovian Driver: Julia Krynke
Sokovian SUV Driver: Tony Christian
Sokovian SUV Passenger: Ian Kay
Sokovian Police Captain: Barry Aird
Specialist Cameron Klein: Aaron Himelstein
Friday (voice): Kerry Condon
Nathaniel Pietro Barton: Jaiden Stafford
Thanos (uncredited): Josh Brolin
Youth (uncredited): Robert J. Fraser
Hulk (voice) (uncredited): Lou Ferrigno
Sokovian Boy (uncredited): Zakk Pierce

Crew:

Thanks: Hayao Miyazaki
Executive Producer: Jeremy Latcham
Producer: Kevin Feige
Director: Joss Whedon
Comic Book: Stan Lee
Location Manager: Hwang Seon-kwon
Stunt Double: Zarene Dallas
Visual Effects Assistant Editor: Tom Hannibal
Stunts: Matt Crook
Characters: Jack Kirby
Characters: Jim Starlin
Stand In: Lucy Scarfe
Characters: Joe Simon
Thanks: David Maisel
Executive Producer: Alan Fine
Executive Producer: Jon Favreau
Executive Producer: Louis D’Esposito
Visual Effects: Hiroshi Mori
Director of Photography: Ben Davis
Stunts: Lucy Allen
Editor: Jeffrey Ford
Casting: Sarah Halley Finn
Editor: Lisa Lassek
Casting: Reg Poerscout-Edgerton
Compositors: Chris O’Connell
Compositors: Brian N. Bentley
Animation: Anthony Rizzo
Visual Effects: Leonard F.W. Green
Stunt Coordinator: Greg Powell
Executive Producer: Victoria Alonso
Co-Producer: Mitchell Bell
Production Design: Charles Wood
Executive Producer: Patricia Whitcher
Original Music Composer: Brian Tyler
Associate Producer: Daniel S. Kaminsky
Original Music Composer: Danny Elfman
Sound Re-Recording Mixer: Lora Hirschberg
Animation Supervisor: Marc Chu
Animation Supervisor: Nadav Ehrlich
Costume Supervisor: Stefano De Nardis
Camera Operator: Ki S. Hwang
Sound Effects Editor: David Chrastka
Camera Operator: Mark Moriarty
Supervising Sound Editor: Frank E. Eulner
Animation Supervisor: Stephen Enticott
Steadicam Operator: BJ McDonnell
Camera Operator: Mannie Ferreira
Camera Operator: Clive Jackson
Sound Designer: David Acord
Camera Operator: Sam Renton
Art Direction: Matthew Robinson
Art Direction: Thomas Brown
Art Direction: Mike Stallion
Costume Design: Alexandra Byrne
Sound Re-Recording Mixer: Gary Summers
Set Decoration: Chris ‘Flimsy’ Howes
Camera Operator: Derek Walker
Special Effects Coordinator: Ben Vokes
Still Photographer: Lee Jae-hyeok
Set Decoration: Richard Roberts
Steadicam Operator: Julian Morson
Underwater Camera: Mike Valentine
Art Direction: Domenico Sica
Costume Supervisor: Dan Grace
Camera Operator: Stefan Stankowski
Art Direction: Phil Sims
Set Decoration: Sheona Mitchley
Art Direction: Jordan Crockett
Art Direction: Mark Swain
Supervising Sound Editor: Christopher Boyes
Still Photographer: Jay Maidment
Supervising Art Director: Ray Chan
Sound Engineer: Eun Hee-soo
Stunts: Neil Fingleton
Line Producer: Nicholas Simon
Assistant Director: Matthew Sharp
Stunts: Kim Tae-kang
Executive Visual Effects Producer: Jeanie King
First Assistant Director: Jamie Christopher
Stunt Double: Heidi Moneymaker
Additional Soundtrack: Arvo Pärt
Draughtsman: Alex Bowens
Additional Photography: Tim McDaniel
Stunts: Kimberly Shannon Murphy
Second Unit Director: John Mahaffie
ADR Supervisor: Katy Wood
Dialogue Editor: Marshall Winn
Dialogue Editor: Matthew Hartman
Production Sound Mixer: Peter Lindsay
Script Supervisor: Paula Casarin
Boom Operator: Kate Morath
Casting Associate: Lillie Jeffrey
Foley Editor: Dee Selby
Casting Associate: Tamara Hunter
Foley Editor: Jim Likowski
Second Unit Director of Photography: John Gamble
Casting Associate: Jason B. Stamey
Visual Effects Supervisor: Philippe Rebours
Music Arranger: John Carey
Stunt Driver: Chris Palermo
Stunts: Jo McLaren
VFX Artist: John Walker
Digital Compositor: Paul Norris
Stunts: Renae Moneymaker
Visual Effects Production Manager: Bryan Searing
Stunts: Tom Aitken
Stunts: Erol Mehmet
Conceptual Illustrator: Andy Park
Line Producer: Lee Ji-seung
Assistant Art Director: Gary Jopling
Digital Compositor: Byron Tofas
Stunts: Park Ji-sun
Executive Producer: Angela Phillips
Post Production Coordinator: Adam Cole
Assistant Camera: Teo Lee
Additional Photography: Michael Swan
Assistant Camera: Jacob Lee Dean
Additional Photography: Jay Hunter
Assistant Camera: Derek Ueckermann
Best Boy Electric: Leonardo Beltrame
Aerial Camera: Richard Roles
Aerial Director of Photography: Jeremy Braben
Assistant Camera: Houston Hadden
Electrician: Marco Raimondi
Drone Pilot: Peter Ayriss
Electrician: Kieran Dawson
Dolly Grip: Dave Armstrong
First Assistant “C” Camera: Emiliano Topai
Key Grip: John Flemming
Libra Head Technician: Gareth Viner
Epk Camera Operator: Sean Ricigliano
Libra Head Technician: Joe Buxton
Lighting Technician: Terry Robb
Second Assistant “B” Camera: James Perry
Dolly Grip: Jack Flemming
Electrician: Mike Farr
Gaffer: Stefano Marino
Lighting Technician: Jack Powell
Electrician: Paul Kelly
Electrician: Graham Driscoll
Electrician: Christopher H. Sipes
Libra Head Technician: David Tulett
Digital Imaging Technician: Tom Gough
Digital Imaging Technician: Quentin Brown
Libra Head Technician: Ian Speed
Lighting Technician: Andrew Purdy
Lighting Technician: Mike King
Epk Director: Jung Woo Park
First Assistant “B” Camera: Lewis Hume
Gaffer: David Smith
Lighting Technician: Jack Ridout
Second Assistant “C” Camera: Will Morris
First Assistant “A” Camera: David Cozens
First Assistant “C” Camera: Max Glickman
Lighting Technician: Jamie Garside
Digital Imaging Technician: Peter Welch
Electrician: Gary Nagle
Libra Head Technician: Mario Spanna
Lighting Technician: Joe Hissey
Second Assistant “C” Camera: David Pearce
First Assistant “A” Camera: Simon Hume
Libra Head Technician: Rob Portus
Second Assistant “A” Camera: Ryan Taggart
Digital Imaging Technician: Ariana Bonavia
Key Grip: Claudio Del Gobbo
Rigging Gaffer: Warren Evans
Second Assistant “A” Camera: Dan Gamble
Best Boy Grip: Zahir Karriem
Electrician: James Clemo
Epk Camera Operator: Pier Laurenza
Russian Arm Operator: Larry Hurt
Hairstylist: Pablo Cabello
Key Makeup Artist: Raine Edwards
Makeup & Hair: Moira Thomson
Makeup Artist: Giorgiana Gregorini
Key Costumer: Maurizio Torti
Hairstylist: Anna De Santis
Makeup & Hair: Joceline Andrews
Makeup & Hair: Deborah Taylor
Hairstylist: Gabriele Gregorini
Hairstylist: Madlen Mierzwiak
Hairstylist: Italo Di Pinto
Hairstylist: Alberta Giuliani
Hairstylist: Goffredo Calisse
Makeup Artist: Renato Francola
Hair Designer: Christine Beveridge
Hairstylist: Samankta Mura
Makeup Artist: Giovanna Iacoponi
Hairstylist: Massimo Allinoro
Hairstylist: Paola Genovese
Hairstylist: Francesca Iamundo
Makeup & Hair: Renata Gilbert
Makeup Artist: Elenia Contu
Key Set Costumer: Ashleigh Lennox
Hairstylist: Claudia Bianchi
Hairstylist: Michela Cingolani
Hairstylist: Loulia Sheppard
Makeup Artist: Ilenia Corini
Hairstylist: Massimiliano Gelo
Hairstylist: Stefano Nigro
Makeup Artist: Federica Emidi
Hairstylist: Claudia Catini
Hairstylist: Antonio Esposito
Assistant Costume Designer: Richard Sale
Costume Assistant: Heidi McQueen-Prentice
Costume Coordinator: Kate Chadderton
Costume Illustrator: Darrell Warner
Wardrobe Supervisor: Zureta Schulz
First Assistant Director: Terry Madden
Second Assistant Director: Stewart Hamilton
Colorist: Jeff Olm
Hairstylist: Giorgio Gregorini
Hairstylist: Gaetano Panico
Hairstylist: Zoe Tahir
Makeup Artist: Rossella Gregorio
Makeup Artist: Melissa Mazzocco
Makeup Artist: Federica Bastreghi
Prosthetic Supervisor: Nik Williams
Wigmaker: Alex Rouse
Hair Designer: Jeremy Woodhead
Hairstylist: Aniello Piscopo
Makeup Artist: Federico Carretti
Makeup Artist: Sara Franchina
Makeup Artist: Coralie Gaspard
Assistant Hairstylist: Laura Lilley
Hairstylist: Simona Giovinazzo
Makeup Artist: Stacy Wodu
Makeup Artist: Allan A. Apone
Prosthetic Makeup Artist: Adrian Rigby
Costume Assistant: Claudio Manzi
Costumer: Frieda Basso Boccabella
Costumer: Askia Won-Ling Jacob
Key Set Costumer: Tom Hornsby
Hairstylist: Anna Cristofaro
Hairstylist: Anna Righetti
Makeup & Hair: Celina Dalnim Yun
Hair Designer: Luca Vannella
Key Hair Stylist: Jung-Min Yoon
Makeup & Hair: Nicola Matthews
Makeup & Hair: Paula Price
Assistant Costume Designer: Laura Smith
Costume Assistant: Sekina Baker
Costumer: Peter White
Hairstylist: Michela Maucione
Makeup & Hair: Flora Moody
Makeup & Hair: Sara Osborn
Makeup & Hair: Ji Young Seo
Makeup Artist: Kat Ali
Assistant Costume Designer: Eilish Zebrasky
Digital Intermediate: Laura Holeman
First Assistant Editor: Emma McCleave
Costumer: Zanele Mhlanga
Set Costumer: Katie Sheehy
Stereoscopic Editor: Emily Mason
Makeup Artist: Barbara Pellegrini
Set Costumer: Kate Walling
First Assistant Director: Simon Downes
Stereoscopic Editor: Priyal Mahadik
Makeup Artist: Pasquale Valentini
Makeup Artist: Diego Presopino
Seamstress: Elizabeth Farrer
Stereoscopic Editor: Smeet Vedant
Set Costumer: Peter Edmonds
Set Costumer: Lucy Brookes
Colorist: Jacqui Loran
Textile Artist: Greer Whitewick
Prosthetic Makeup Artist: Robb Crafer
Costumer: Simone Carlo Toniato Toso
Stereoscopic Editor: Abhijeet Yerunkar
Makeup Artist: Claudia Tozzi
Makeup Artist: Sulet Meintjes
Costume Assistant: Terry Archer
Costume Assistant: Alex Grace
Costume Assistant: Emma Harding
Costume Assistant: Emily Lancaster
Textile Artist: Ivan Vasilev
First Assistant Director: Luca Lachin
First Assistant Editor: Tommy Aagaard
Stereoscopic Editor: Vaibhav Marathe
Textile Artist: Jay Barry Matthews
Second Assistant Director: Kenneth Malicdem
Associate Editor: Matthew Schmidt
Makeup Artist: Rosabella Russo
Costume Assistant: Sarah Dutton
Set Costumer: Dan Blacklock
Textile Artist: Liv Murton
Assistant Editor: Dooyoung Cho
Digital Intermediate: Bob Schneider
Stereoscopic Editor: Dhirendra Chhatpar
Makeup Artist: Federico Laurenti
Makeup Artist: Mariano Parisi
Makeup Artist: John Blake
Makeup Artist: Vincenzo Mastrantonio
Assistant Costume Designer: Sarah Young
Costumer: Elena Pascaniuc
Key Costumer: Nicholas Roche-Gordon
Colorist: Vanessa Taylor
Art Department Assistant: Jessica Goodall
Art Department Assistant: Claire Shakespeare
Assistant Art Director: Oliver Carroll
Assistant Art Director: Matt Wynne
Conceptual Illustrator: Philippe Gaulier
Assistant Art Director: Patrick O’Connor
Art Department Coordinator: Kim Breece
Construction Buyer: Tracy Low
Art Department Assistant: Alison Clements
Art Department Coordinator: Boitumelo Poen
Assistant Art Director: Andrea Borland
Assistant Art Director: Jongwoo Kim
Assistant Art Director: Mily Moreno
Conceptual Illustrator: Rodney Fuentebella
Art Department Coordinator: Fliss Jaine
Assistant Art Director: Rocco Ceraolo
Assistant Art Director: Oliver Goodier
Assistant Art Director: Jim Barr
Art Department Coordinator: Louisa Rawlins
Conceptual Illustrator: Paul Chandler
Art Department Assistant: Sophia Male
Assistant Art Director: Rhys Ifan
Construction Manager: John Bohan
Greensman: Ian Whiteford
Painter: Sandro Ercolini
Painter: Christopher Gardner
Leadman: Massimo Papini
Props: Jamie Seymour
Props: Michael Parkin
Construction Coordinator: Maria Constantinides
Greensman: Max Brennan
Prop Maker: Sophie Allen
Painter: Thomas Kingsley
Property Master: Barry Gibbs
Props: Will Botton
Props: Josh Burns
Props: Scott A. Riley
Painter: Veronica Gambacurta
Prop Maker: Jeremy King
Props: Steven Thompson
Sculptor: Francis Poirier
Painter: Ryan McPhail
Props: Gavin Grant
Painter: Viviana Lo Russo
Props: Nathan Payne
Painter: Robert J. Dugdale
Sculptor: Gavin Fulcher
Props: Sophie Tarver
Props: Andrew Ainscow
Props: Rachel Minchin
Props: Carl Peters
Painter: Geoff Romero
Props: Kate Murray
Set Dresser: Raul Contreras
Set Dresser: Dan Riches
Standby Art Director: Oli van der Vijver
Standby Painter: Keith Connolly
Storyboard Artist: Bryan Andrews
Set Dresser: Federico Vianelli
Set Dresser: Paul Dennis
Standby Painter: Ian Zawadzki
Storyboard Artist: Darrin Denlinger
Storyboard Artist: Jane Wu
Swing: Terry Royce
Swing: Luciano Formigoni
Storyboard Assistant: Dan Andrews
Animation Supervisor: Raphael A. Pimentel
Animation Supervisor: Simone Kraus Townsend
2D Supervisor: Giuliano Dionisio Vigano
CG Artist: Bernhard Esperester
CG Artist: Nando Stille
CG Artist: Matt Anderson
2D Supervisor: Alexandre Cancado
CG Artist: David Schulz
2D Sequence Supervisor: David Rouxel
3D Artist: Adedunmola Olanrewaju
CG Artist: Nik Kacevski
3D Generalist: Guillermo Soria
CG Artist: Frederic Fourier
Animation Supervisor: Erik De Boer
CG Artist: Daniel Trbovic
CG Artist: Jon Ossitt
CG Artist: Alexander Schumann
3D Artist: Philip Trieu
Compositing Supervisor: Edson Williams
Creature Technical Director: Tanner Scott
Creature Technical Director: Jessica Amber Hurst
Creature Technical Director: Nick van Diem
CG Artist: Matthias Winkler
Compositing Supervisor: Karim Sahai
Creature Technical Director: K. Kothandaraman
Digital Effects Supervisor: Amy Shepard
Compositing Supervisor: Stephen Lawes
Compositing Supervisor: Mark Bakowski
Compositing Supervisor: Jean Lapointe
CG Artist: Pascal Xander
Compositing Supervisor: David Jeffrey Phillips
Compositing Supervisor: Paolo Acri
Compositing Supervisor: Theodor Groeneboom
Compositing Supervisor: Arek Komorowski
Compositing Supervisor: Jonathan Weber
Creature Technical Director: Jeremiah Grant
Lead Animator: Robyn Luckham
Lighting Artist: William Harley
Lighting Artist: Andy Potter
Creature Technical Director: Waikit Wan
Lead Animator: Michael Lum
Matchmove Supervisor: Souvik Mitra
Compositing Supervisor: Ranjit Gosavi
Layout Supervisor: John M. Levin
Modelling Supervisor: Michael Miller
Layout Supervisor: Douglas L. Moore
Lead Animator: Arslan Elver
Lighting Artist: Joerg Unterberg
Matchmove Supervisor: Simon Pynn
Lead Animator: Daniel Mizuguchi
Lighting Artist: Cory Bedwell
Lighting Artist: David Godwin
Matchmove Supervisor: Michael Karp
Compositing Supervisor: Jon Alexander
Compositing Supervisor: Troy Moore
Lead Animator: Mathieu Dimuro
Compositing Supervisor: Jonathan Cheetham
Compositing Supervisor: Dominik Zimmerle
Creature Technical Director: Natapon Huangsakuncharoen
Layout Supervisor: Christopher Sweet
Lighting Artist: Nathan Englbrecht
Matchmove Supervisor: Matthew Salisbury
Modelling Supervisor: Lersak Bunupuradah
Modelling Supervisor: Tristan Connors
Senior Animator: Jeff Vacanti
Stereoscopic Supervisor: Prateek Kaushal
Stereoscopic Supervisor: Evan Jacobs
Visual Effects Coordinator: Ilona Blyth
Senior Animator: Chris Lentz
Senior Animator: Sidney Kombo
Sequence Supervisor: Tom L. Hutchinson
Stereoscopic Editor: Gina Zappala
Stereoscopic Supervisor: Barry O’Brien
Stereoscopic Coordinator: Tanissa Potrovitza Schoen
Senior Generalist: Rob Meyers
VFX Artist: Filippo Giansante
Senior Animator: Brad Willis
Sequence Supervisor: Brad Floyd
Stereoscopic Coordinator: Siddharth Natarajan
Senior Modeller: Jason Edwards
Senior Modeller: Robin Konieczny
Visual Effects Coordinator: Julie Brown
Sequence Lead: John Seru
Stereoscopic Coordinator: Sarah Coppin
Sequence Lead: Brian Delmonico
Stereoscopic Editor: Stephanie Ross
Stereoscopic Editor: Lewis Menga
Senior Animator: Mike Mulock
Sequence Supervisor: Brendan Seals
Stereoscopic Supervisor: Sherin Varghese
Stereoscopic Technical Director: Farzad ‘Fuzz’ Namdjoo
Senior Animator: Christian Liliedahl
Visual Effects Compositor: Rosemary Chester
Visual Effects Coordinator: Janis Robertson
Visual Effects Coordinator: Sze Jia Eng
Visual Effects Coordinator: Joseph Payo
Visual Effects Coordinator: Lexie Busby
Visual Effects Coordinator: Mark Divekar
Visual Effects Coordinator: Bryant Fox
Visual Effects Coordinator: Genevieve Claire
Visual Effects Coordinator: Safiya Mason
Visual Effects Coordinator: Julie Osborn
Visual Effects Coordinator: Victoria Tracconi
Visual Effects Coordinator: Brendan Byrd
Visual Effects Coordinator: Craig Skerry
Visual Effects Coordinator: Anna-Lena Carl
Visual Effects Coordinator: Arushi Govil
Visual Effects Coordinator: Devika Kawle
Visual Effects Coordinator: Alejandra Viejo Lopez De Roda
Visual Effects Coordinator: Kelly Chow
Visual Effects Coordinator: Ale Melendez
Visual Effects Coordinator: Max Rees
Visual Effects Coordinator: Ashley Manning
Visual Effects Coordinator: Eric Wahlstrom
Visual Effects Coordinator: Jennifer Mizener
Visual Effects Coordinator: Tiffany Griffin
Visual Effects Coordinator: Nicole Maria Nonis
Visual Effects Coordinator: Mat Thompson
Visual Effects Coordinator: Mare McIntosh
Visual Effects Coordinator: Helena Saa
Visual Effects Coordinator: Lauren Fong
Visual Effects Coordinator: Jayce Attewell
Visual Effects Coordinator: Melanie Marlar
Visual Effects Coordinator: Toby White
Visual Effects Coordinator: Mara Fröhlich
Visual Effects Coordinator: Becky Pownall
Visual Effects Coordinator: Mohak Sharma
Visual Effects Coordinator: James Yeoman
Visual Effects Coordinator: Fraehan Pagdiwalla
Visual Effects Coordinator: Jeff Winkle
Visual Effects Coordinator: Shayna Banaag
Visual Effects Coordinator: Tu Nhi Lam
Visual Effects Coordinator: Liz Mann
Visual Effects Coordinator: Nikola D. Nikolov
Visual Effects Coordinator: Timothy Trimmings
Visual Effects Coordinator: Carine Ong
Visual Effects Coordinator: Ashwin Raju
Visual Effects Coordinator: Samantha Dark
Visual Effects Coordinator: Lesly Cazares
Visual Effects Coordinator: Leanna Kruse
Visual Effects Coordinator: David Masure-Bosco
Visual Effects Producer: Bojana Solomonova Vishemirski
Visual Effects Producer: Marie Rheinschild-Jordan
Visual Effects Editor: Jason Solberg
Visual Effects Editor: Steve McLeod
Visual Effects Editor: Michael Harden
Visual Effects Editor: Maura Hogan
Visual Effects Producer: Hal Couzens
Visual Effects Editor: Sam Lane
Visual Effects Editor: Francisco Ramirez
Visual Effects Editor: Tristan Fisher
Visual Effects Editor: Robert Drwila
Visual Effects Producer: Ryan Stafford
Visual Effects Producer: Sarah Swick
Visual Effects Producer: Allison Paul
Visual Effects Producer: Canda Kincses
Visual Effects Editor: Joel Thompson
Visual Effects Editor: Cameron Sharp
Visual Effects Editor: Arvind Chaurasiya
Visual Effects Editor: Abraham Thomas
Visual Effects Producer: Andy Taylor
Visual Effects Editor: George McCarthy
Visual Effects Producer: Lily Shapiro
Visual Effects Producer: Jason Sanford
Visual Effects Producer: Chris Anderson
Visual Effects Producer: Kerstin Kensy
Visual Effects Producer: Abbigail Keller
Visual Effects Producer: Daniel Matley
Visual Effects Producer: Michael Perdew
Visual Effects Producer: Michelle Machado
Visual Effects Producer: Georgie Uppington
Visual Effects Producer: Jason Bath
Visual Effects Producer: Steve Griffith
Visual Effects Editor: Andrew Poole
Visual Effects Editor: Abhishek Chauhan
Visual Effects Producer: Ron Ames
Visual Effects Producer: Dusan Strugar
Visual Effects Producer: Nina Fallon
Visual Effects Editor: Omkar Iyer
Visual Effects Producer: Natasha Anne Francis
Visual Effects Producer: Jennifer Silver
Visual Effects Producer: Allan Magled
Visual Effects Supervisor: Nigel Denton-Howes
Visual Effects Production Manager: Simone Fischer
Visual Effects Producer: Franzisca Puppe
Visual Effects Production Manager: Kim Jin-hee
Visual Effects Supervisor: Ben Snow
Visual Effects Supervisor: Katherine Renee Jones
Visual Effects Technical Director: Andrew Cadey
Visual Effects Technical Director: Aleksandar Chalyovski
Visual Effects Production Manager: TJ Falls
Visual Effects Supervisor: Immanuel Morris
Visual Effects Supervisor: Robert Duncan
Visual Effects Production Manager: Lee Briggs
Visual Effects Supervisor: Alessandro Cioffi
Visual Effects Supervisor: Michael Mulholland
Visual Effects Supervisor: Dan Seddon
Visual Effects Production Manager: Sinje Gebauer
Visual Effects Production Manager: Natalie Lovatt
Visual Effects Supervisor: Aleksandar Vishemirski
Visual Effects Supervisor: Geoffrey Baumann
Visual Effects Supervisor: Paul Butterworth
Visual Effects Supervisor: Chris LeDoux
Visual Effects Supervisor: Olivier Dumont
Visual Effects Producer: Lauren Weidel
Visual Effects Production Manager: Pauline Burns
Visual Effects Supervisor: Tim LeDoux
Visual Effects Supervisor: Keith Sellers
Visual Effects Supervisor: Christopher Townsend
Visual Effects Supervisor: Simon Carr
Visual Effects Supervisor: Alan Torres
Visual Effects Supervisor: Marco Raposo de Barbosa
Visual Effects Supervisor: Olcun Tan
Visual Effects Supervisor: Rocco Passionino
Armorer: Gary Alan Hawker
Visual Effects Supervisor: Jamie Hallett
Visual Effects Production Manager: Mark Webb
Visual Effects Supervisor: Trent Claus
Armorer: Liam McCartney
Visual Effects Supervisor: Ken McGaugh
Visual Effects Supervisor: Markus Degen
Visual Effects Production Manager: Rupert Smith
Visual Effects Supervisor: Chad Wiebe
Visual Effects Supervisor: Florian Gellinger
Visual Effects Technical Director: Paul Lemeshko
Production Coordinator: Norma Marie Mascia
Production Manager: Sanchari Chowdhury-Kesler
Production Accountant: Lylie Almeida
Dialect Coach: Sarah Shepherd
Choreographer: Francesca Jaynes
Production Manager: Kate Hazell
Production Manager: Ashish Kukian
Production Manager: Kelly McCarthy
Production Supervisor: Donovan Roberts-Baxter
Supervising Armorer: Jon Baker
Production Accountant: Jay Rosenwink
Production Coordinator: Pamela Joyce
Production Accountant: Maria Fiorito
Production Accountant: Christian Hainmüller
Production Coordinator: Hannah Collett
Epk Producer: Victor Chon
Production Coordinator: Chanida ‘Chompoo’ Yasiri
Production Supervisor: Tariq Anam Khan
Production Coordinator: Chris Hamilton
Production Coordinator: Apurva Sharma
Production Coordinator: Lebo “Boo” Motjuoadi
Production Supervisor: Hannah Godwin
Production Secretary: Craig Jamieson
Production Secretary: Ash Harris
Production Accountant: Alida Rubens
Production Manager: Chidchanok Plodripu
Production Coordinator: Bettina Lyster
Production Manager: Erik Paoletti
Production Secretary: Alex Barrett
Script Supervisor: Cathy Doubleday
Script Supervisor: Navarutt Roongaroon
Script Supervisor: Lori Grabowski
Script Supervisor: Xenia Taylor
Script Supervisor: Lizzie Pritchard
Software Engineer: Lisa Curtis Saunders

Catogories:
Action,Adventure,Science Fiction
This is another smart component!!

A new age has come.
Language:
English
Production:
United States of America
Company:
Marvel Studios
Popularity:
107.392
Date:
2015-04-22
Year:
2015

Hotsake: There is a lot going on in this movie but it all just seemed kind of pointless and dull to me. Every now and then there would be a good scene or piece of dialogue but for the most part I felt myself getting bored and reaching for my phone to play Cribbage. I guess what I didn’t like most is that it all felt like a big filler episode instead of an action packed character driven story arc.
Andres Gomez: Action, good Fx and a “not-completely-absurd” story. The actors perform well and you can identify them very well with their characters … but it is all old and without imagination.
I suppose nobody was expecting anything else, though …
Per Gunnar Jonsson: This is another one of those movies that you watch primarily for the special effects with you favourite super heroes slugging it out. It is a classical Hollywood product where the story is mostly there just as a vehicle for allowing the special effects team to do their business. As such it is a success.
The movie starts of with a display of action and the afore mentioned special effects with an attack by the Avengers on a bad guy stronghold. Not surprisingly the events sows the seeds for things to come.

The movie starts off with quite an interesting story idea with the activation of Ultron. However, once he materializes as a physical entity, it became a bit of seen that, been there and done that. Ultron just turns into yet another “standard” comic book villain a’ la Megatron running around trying to look intimidating while implementing his diabolical scheme. Okay, there was a bit of originality here and there but with the good start I kind of expected a wee bit more.

Having said that, the movie does indeed fulfil its purpose of showing off a bunch of super heroes slugging it out in a flurry of special effects and, although the story idea was perhaps not used as intelligently as I had hoped, it is not bad (for this kind of movie of course) and hangs together pretty okay. Sure, it is somewhat contrived and the means by which Ultron tries to exterminate humanity is overly complicated but it is still a decent story.

Overall the movie was entertaining and provided the necessary special effects and super hero fix for those who are inclined to enjoy those kind of movies. I certainly am and, not surprisingly, the kids liked it as well.
Gimly: **A long form review originally posted in 2015:**
I’ve just returned from two back-to-back viewings of _Avengers: Age of Ultron_, and I do not regret one bit going in for that second helping.

I lost my steam on the _Age of Ultron_ wagon at a very inopportune moment. About three days before it came out. I was so heavily anticipating it for such a long time, that I was actually much more excited to see this movie when it was still two months away than I was waiting in line to get into the cinema it was playing at. The combination of the market-saturation and the fact that the _Ultron _hype-train has been running for literally years, with a first trailer dropping seven months before the damn thing came out, meant I got weary of the thing just a fraction too soon. But I’m a sucker for the MCU, and there was no way I was missing the sequel to my favourite superhero movie of all time.

I won’t harp on too much, because I don’t want to spoil anything (especially given that the movie isn’t even out in most parts of the world), I will put out a spoilertalk on this blog at some point down the line, but for now just let me leave you with a couple of quick thoughts.

_Age of Ultron_ is not the best film of all time. It’s not the best superhero film of all time, it’s not even the best MCU film. Honestly, I personally feel it’s not even the best MCU Phase 2 film. But it is still good. And that’s what’s important here. But what do I mean by that?

Well, for starters, in and of itself, I loved it, a breach past an 80% approval rating from me is no small thing. The things we enjoyed from the first _Avengers_are here. The mesmerising action spectacles of course, but I more mean the character moments we got between the Avengers themselves, that was my favourite part of the first film and we get it here again in spades.

Every new thing Joss has added to the plate works splendidly as well, real Hawkeye story, new heroes, a new villain, an updated world, all of these things are big ticks in lots of boxes.

So if everything from _The Avengers_ works and everything they’ve added works great too, why is _Age of Ultron_ not a perfect film? For spoiler-free purposes I will not go into detail, but that’s okay because the answer is quite simple: Everything in _Age of Ultron_ is great. It’s what’s not in _Age of Ultron_ that’s the problem.

Joss Whedon said that the film had to be cut by nearly an hour. That way you get more showings in, and that means more money. Now I’m not saying we need every minute of that hour back, but what we ended up being left with, was just enough for _Age of Ultron_ to be the _Thor: The Dark World_ of the _Avengers _franchise (it was a far superior film to _Dark World_, but hear me out). _Age of Ultron_ is little more than a holding pattern. The set-ups for future films take up too much time for the story to bear the weight of some actual story, but everything that occurs in the film itself somehow also has virtually no consequence on world it is a part of. I can’t say it more plainly than that: It’s a holding pattern. It introduces some stuff, but it doesn’t stand alone the first film did. It’s not such a big deal when the solo-movies do that (like the aforementioned _Dark World_) because we have _The Avengers_ films for those to pay off in. But when an _Avengers_ entry is just more of the same, I can’t fully get behind it.

That all said, _Age of Ultron_ is of course a lot of fun. A huge amount of fun, I can’t state that enough. And there’s literally nothing more important something in the entertainment industry can be. These are just the things holding it back from taking it up to the next level (or if I’m being completely honest, even taking it to the level the first film was at).

75%

-_Gimly_
tmdb44006625: The fact that Joss Whedon was able to salvage some sort of coherent film out of all he was forced to cram into a single movie is quite commendable. But the sad fact is that Avengers: Age of Ultron is really just a run of the mill “bad guy wants to destroy the world for reasons” actioner that we’ve seen done better many times before.
Don’t get me wrong. The movie’s fun. The dialogue is frequently clever and humourous. And I really appreciated the quiet bits of storytelling that Whedon was able to sneak in. It’s just that at the end of the day, the villain is weak sauce, there’s way too much set up for other movies, and if I’m criticizing Man of Steel for having excessive destruction, I can’t give Avengers a pass since they needlessly blow up not one, not two, but three cities. Pretty sure many insurance agencies went bankrupt paying out all the victims.
Justin Lopez: Movie was great but felt like there was just too much action and fighting. The creativity of the choreography gets lost in the whirlwind of action and this I noticed most in Captain America’s scenes. He does like a hundred different awesome things with his shield, but you don’t have time to really take it in because you’re already looking at Iron Man blasting 20 Ultron-bots to bits.
LoganWright: This is the movie where Captain America became my favorite Avenger. Sure he doesn’t have monstrous abilities like Iron Man and Hulk, but to be holding his own on the same ground as them is just a testament to how great of a hero he truly is.
BradleyStewart: It has become a well-known fact that coming out with a sequel that’s better than, if not on par with, the first one is an insane task. But kudos to Marvel for staying true to their colors with this sequel.
Jane Hall: I expected more from Quicksilver. He would’ve been a great addition to the Avengers.
JessieCollins: The thing that puzzles me is that in this film, Vision is presented to be a powerful hero, having the mind stone and all. But on the next films, he’s become more of like a side character that just wasn’t relevant anymore except for that little piece of stone on his forehead. Shame.
John Smith: I’m glad to see that they found another role for Hawkeye other than being that one guy who seemed to be trying hard to keep up with the other more powerful heroes on the team. Now he’s more of like the thing that keeps the team together and it suits his character well.
Justin Lopez: Movie was great but felt like there was just too much action and fighting. The creativity of the choreography gets lost in the whirlwind of action and this I noticed most in Captain America’s scenes. He does like a hundred different awesome things with his shield, but you don’t have time to really take it in because you’re already looking at Iron Man blasting 20 Ultron-bots to bits.
1RobertJohnson1: Avengers: Age of Ultron
I liked plenty of the stuff in it but it was pretty much the same as the first movie. Still a good watch though if you’re not looking for anything serious.
MichaelWilliams: The humor in this movie was not as witty as the first one. It felt too childish and cheesy.
WilliamJones: Still good, clean Avengers fun though a bit messier. The first one was still better.
DavidBrown1: With the vast array of heroes and their own personal character stories, you can expect how much of a challenge it is to bring together all these superheroes and have them work on a single mission on a single timeline. It’s not easy, experts.
JosephWilson: I confirmed in this movie that what’s really making these films successful is the chemistry that the actors have. You can really see that everyone’s doing their best.
richardmiller: Strong film from beginning to end. Has just enough humor, angst, and drama to make it a film worthy to be called a sequel.
ThomasMoore: If you’re a fan of action, suspense, and awe worthy moments, then this movie is the right fit for you! Overall outstanding performance by everyone both on and off screen.
JeffreyYoung: Despite the challenge of having to top their first Avengers film, Marvel did beautifully and the result was amazing. I hope to see more films like this in the future.

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