Damsel

A young woman’s marriage to a charming prince turns into a fierce fight for survival when she’s offered up as a sacrifice to a fire-breathing dragon.

Credits: TheMovieDb.
Damsel
Overview:
A young woman’s marriage to a charming prince turns into a fierce fight for survival when she’s offered up as a sacrifice to a fire-breathing dragon.
Cast:

• Elodie: Millie Bobby Brown
• Lord Bayford: Ray Winstone
• Lady Bayford: Angela Bassett
• Floria: Brooke Carter
• Prince Henry: Nick Robinson
• Queen Isabelle: Robin Wright
• King Roderick: Milo Twomey
• Princess Victoria: Nicole Joseph
• Chamberlain: Patrice Naiambana
• Knight: Ulli Ackermann
• Knight: Mens-Sana Tamakloe
• Local Guide: Ezra Faroque Khan
• Prince Henry’s Bride: Tasha Lim
• Princess: Brogan McFarlane
• Princess: Sonya Nisa
• Princess: Esther Odumade
• Princess: Margarita Ren
• Princess: Eloise Shephard Taylor
• Princess: Sofia Shallai
• King: Matt Slack
• Red Priestess: Manon Stieglitz
• Bishop: Antonio Craveiro
• Dragon (voice): Shohreh Aghdashloo
• Knight (uncredited): Sam Sharma

Crew:

• Screenplay: Dan Mazeau
• Producer: Chris Castaldi
• Co-Producer: Emily Wolfe
• Executive Producer: Sue Baden-Powell
• Director of Photography: Larry Fong
• Visual Effects Editor: Tom Hannibal
• Executive Producer: Robert Brown
• Casting: Fiona Weir
• Hair Designer: Lynda Armstrong
• “B” Camera Operator: Hannah Jell
• Aerial Director of Photography: John Marzano
• Casting: Jo Monteiro
• Supervising Art Director: Jason Knox-Johnston
• Production Design: Patrick Tatopoulos
• Stunt Coordinator: Mark Henson
• Original Music Composer: David Fleming
• Stunts: Tomás Paredes
• Hair Designer: Pippa Woods
• Second Unit Director of Photography: Steven Hall
• Stunts: Pablo Casillas
• Stunts: Harvey Taylor
• Stunts: Mike Snow
• Stunt Double: Shane Steyn
• Costume Designer: Amanda Monk
• Stunt Double: Emma Britton
• Stunts: Mehrzad Asgi-Kermani
• Stunts: Xavier Lake
• Gaffer: Paulo Jorge Alves
• First Assistant Director: Phil Booth
• Stunt Double: Lavinia Dorobantu
• Stunts: Phil Campbell
• Stunts: Ben Essex
• Stunts: Miguel Ángel Luque
• Additional Photography: Alex Bailey
• Set Decoration: Dominic Capon
• Second Assistant Director: Margarida Meneses
• “A” Camera Operator: Iain Mackay
• Art Direction: Marco Anton Restivo
• Stunt Double: Kytková Tomsíková Miroslava
• Stunts: Josh Dyer
• Stunts: Catherine Peck
• Gaffer: Shawn White
• Stunts: Zoe Purdy
• Stunts: Ludwig von Berliner
• Music Producer: Hans Zimmer
• Editor: John Gilbert
• Assistant Art Director: Paul Savulescu
• Sound Re-Recording Mixer: Andrew Caller
• Hairstylist: Eduardo Estevam
• Costume Supervisor: Cédric Andries
• Hairstylist: Celeste Ferreira
• Supervising Sound Editor: Ben Barker
• Assistant Art Director: Jan Gronczewski
• Makeup Artist: D’Andre Michael
• Set Designer: Anshuman Prasad
• Casting Associate: Olissa Rogers
• Foley Mixer: Glen Gathard
• First Assistant Editor: Martin Corbett
• Makeup Artist: Carla D’Oliveira
• Makeup & Hair: Poppy Clouter
• Assistant Art Director: Dominique Law
• ADR Mixer: Juan Martin Del Campo
• Sound Mixer: Will Whale
• Sound Mixer: Roberto Alonso
• Hairstylist: Natália Bogalho
• Hairstylist: Heide Hawthorne
• Foley Artist: Rebecca Heathcote
• Sound Re-Recording Mixer: Mike Dowson
• Supervising Sound Editor: Glenn Freemantle
• Foley Editor: Paolo Pavesi
• Makeup Artist: Sara Menitra
• Second Unit Director of Photography: Peter Field
• Producer: Joe Roth
• Executive Producer: Zack Roth
• Producer: Jeff Kirschenbaum
• Director: Juan Carlos Fresnadillo
• Executive Producer: Millie Bobby Brown
• Production Assistant: João Teixeira

Catogories:
Fantasy,Action,Adventure
These items are glamorous!

This is not a fairytale.
Language:
English
Production:
Spain,United States of America
Company:
PCMA Productions,Roth-Kirschenbaum Films,Palma Pictures
Popularity:
119.159
Date:
2024-03-07
Year:
2024

• thorian93: Today I enjoyed: Damsel.

  Damsel is a Netflix Original, that was released just a few days ago. Starring a strong cast with Millie Bobby Brown, Robin Wright, Angela Bassett and the voice of Shohreh Aghdashloo it follows the odyssey of Elodie. I am not going to spoil the plot for you, but I bet you can foresee most developments, dear reader.

  Overall I have mixed feelings. The story is nothing new, most elements are well known for this kind of movie. Some decisions of characters (including the dragon) feel dumb, and sometimes our main character gets very lucky, so the rest of the plot can happen. The CGI ranges from poor to pretty good, poor more in the begging, with huge landscapes and castles, but later, when the dragon makes an appearance, it looks pretty decent. But I was watching on a rather small screen and Netflix is punishing me with mediocre quality for some time now. So take my visual rating with a grain of salt. Now one thing I will say about the dragon: It has an interesting spin to it. For one thing, half of the time, we do not really see it and only hear Shohreh Aghdashloo’s deep, rasping voice, bringing it to life. And when we actually see the dragon, it has a slight horror touch if you will. It looks like a hybrid between your average majestic and broadly loved dragon and something more dark and slimy. A muskrat comes to mind. I liked that (sort of).

  One remark towards the title: While it is obviously a play the well known ‘Damsel in distress’ and obviously Elodie fights instead of needing to be rescued, she screams a lot and actually seems in distress half of the film. Until she suddenly becomes the hero and single-handedly fights the dragon. It is a bit much and hard to believe.

  This is in all honesty an average movie. It is neither terrible nor great. If you are in the mood for some imagery, gold and jewels, dragons, princesses, and a few swords, then go for it. There are worse ways to spend roughly 109 minutes. But there are also better ways.

  _Originally posted on my blog: https://robingierse.de/blog/tie-damsel._

• Sejian: Damsel suffers from the same issues that plague movies of this kind, and no, I’m not talking about the “woke agenda” or “muh diversity”. I’m talking about bad writing. Too much reverse “show, don’t tell” and too many contrived scenes and one-liners.

  The CGI is good, the costumes and set designs are good, the overall plot is good, but the writing falters often.

  I get that this is a PG-13 movie but teenage viewers aren’t this dumb. Give them better writing. Maybe if we treat the younger generation like they have some intelligence, they’ll start acting like it.

  The end result is a movie that wastes its star power and the effort of all involved.

  VAGUE SPOILERS AHEAD:

  1. I get they were trying to do foreshadowing with the opening scene, but it ruined the “reveal”. The birds were a nice thrilling scene that fell flat by us already being shown the antagonist.
  2. The “V” hallucination was just too silly. Elodie should have found the _evidance_ and had her own organic “Tis a lie!” reaction.
  3. It would have been nice to see Elodie wield a sword at some point before they left their kingdom, even if it was just her toting one in her introduction scene “for wolves” or some excuse. Take some hints from Brave (2012)’s Merida in the future for crying out loud.
  4. Sister’s reaction to stepmother’s concern felt forced.
  5. Stepmother’s cut should have been a stab and she should have been in worse shape when she found Elodie. That scene also needed some work to make it less unbelievable. Like perhaps have Elodie make it back to the ship and find stepmother badly injured. Time skips are a thing that happens, y’know?
  6. Father’s reasons could have been better written. Easily they could’ve had palace guards shadow him to imply he’d been threatened and then redone his rescue attempt. Why? Because he is never shown to be callous to the needs or feelings of his daughters. Their family being threatened would’ve made more sense than “well I thought the sacrifice was worth it for the good of ‘OUR’ people”. Why they had him say “my” is anyone’s guess.
  7. Less stoic one-liners and less stoic “No! <*thrusts sword into ground*>” moments. We’ve seen it numerous times and it’s just utterly boring and contrived at this point.

• Manuel São Bento: FULL SPOILER-FREE REVIEW @ https://talkingfilms.net/damsel-review-a-generic-yet-immersive-fantasy-flick/

  “Damsel attempts to deliver a tale of empowerment and adventure within the rich fantasy genre but finds itself entangled in the ropes of predictability and missed opportunities for deeper narrative innovation.

  Despite its shortcomings, the film shines through its technical prowess, from visually stunning effects to immersive world-building, and is anchored by Millie Bobby Brown’s compelling lead performance.

  While it may not redefine its genre or leave an indelible mark on the history of cinema, it’s a pleasant home viewing with moments of genuine charm and resilience.”

  Rating: B-

• EarthAndGravity: I totally DISAGREE with the first review by thorian93. Yes, it is a simple storyline. Typical if you must say but it is a story that is NOT complicated and hard to understand. The story is not tangled that you need to connect the dots from past, future and the now kind of movie. It’s simple but super. CGI is amazing especially the dragon. Eat your heart out thorian93! This is by far the best movie that I’ve watched this month of March.
• nicoleamaree: **Movie Review: Damsel (2024)**

  **Plot Overview:**
  “Damsel” is a fantasy film that subverts the classic ‘damsel in distress’ trope. Set in a medieval world, it follows Elodie, played by Millie Bobby Brown, who is tricked into a marriage with a prince only to find out she’s to be sacrificed to a dragon as part of a centuries-old pact. The film takes a turn from fairy tale to survival as Elodie uses her wit and resources to escape her fate.

  **Themes:**
  The film explores themes of self-reliance, empowerment, and the subversion of traditional gender roles. It challenges the narrative of the passive female character, presenting a heroine who is capable and resourceful.

  **Character Development:**
  Elodie’s character arc is central to the film’s impact. She evolves from a young woman resigned to her fate to a fierce survivor, fighting not just for herself but for the future of her people. The supporting characters, including the prince and the queen, add depth to the story, each revealing their own motives and complexities.

  **Director’s Style:**
  Juan Carlos Fresnadillo directs with a clear vision, blending action with fantasy elements. His use of contrasting settings – from the snowy village to the opulent royal court – adds to the film’s visual appeal.

  **Performances:**
  Millie Bobby Brown delivers a strong performance, capturing Elodie’s transformation convincingly. The supporting cast, including Ray Winstone and Robin Wright, provide solid performances, though Angela Bassett’s talent is noted as underused.

  **Technical Aspects:**
  The film boasts impressive production design and costumes, creating a visually stunning medieval world. However, some reviews criticize the CGI as cheap-looking and the action sequences as repetitive.

  **Strengths and Weaknesses:**
  Strengths include the film’s strong lead performance, innovative plot, and beautiful set pieces. Weaknesses lie in the script and some performances that fail to engage, along with technical aspects that could have been executed better.

  **Recommendation:**
  “Damsel” is a film that offers a fresh take on the fantasy genre. While it has its flaws, the film’s strengths make it worth watching for those interested in a modern twist on classic fairy tales.

  In conclusion, “Damsel” is a bold attempt to redefine a genre steeped in tradition. It’s a film that will resonate with audiences looking for strong female leads and a story that champions individual agency over destiny. Despite its shortcomings, “Damsel” is a commendable addition to the fantasy genre and is recommended for its unique perspective and engaging storyline.

• r96sk: A disappointment.

  ‘Damsel’ has the right ingredients but unfortunately fails to deliver. Millie Bobby Brown leads the cast in alright fashion, her performance in the lead role is serviceable. She is probably the only positive that I hold for this 2024 film sadly.

  My main negative is the special effects, which are quite distracting throughout – barely any of it comes across as convincing. The dragon looks OK, but the way it moved sometimes didn’t seem right. Speaking of that creature, Shohreh Aghdashloo is a neat piece of casting on paper, though her voice was not the most fitting in actuality. The lighting also felt odd.

  On the cast, away from Brown, Robin Wright is very meh in her role, while Angela Bassett feels extremely wasted. There is, at least, a nice end credits song from the ace Lykke Li, “Ring of Fire” is admittedly incomparable to “No Rest for the Wicked” but it is pretty good all the same!

• tippfehlr: Overall this film was just meh.
  The cgi was good, but the writing pretty much ruined this film for me, it was just so boring and so predictable.
  The dialogue felt very scripted and just did not convince, As others have pointed out as well, [SPOILER] our damsel runs around screaming for the first part of the film and then suddenly turns into a warrior.

  Watch this if you don’t care about the dialogue or story and want a dragon, good cgi and pretty landscapes I guess.

• MovieGuys: Moronic, misandry, mind numbing. The three M’s of awfulness that is Damsel.

  No amount of quality acting, can save this Damsel in distress.

• Per Gunnar Jonsson: Although far from a masterpiece this is a simple, straightforward and entertaining fantasy movie.

  The story is predictable to say the least but I do not really care. I rather have a good, solid but predictable story than one filled with the usual illogical twists that the Hollywood hacks are so good at coming up with.

  Fantasy is about magic, fantastic creatures and thus about special effects. This movie is pretty solid in that area. The special effects are overall good, not fantastic but good. Occasionally the dragon fire looked a wee bit wonky but overall they were fine.

  The movie moves at a decent pace. Not too fast and not too slow. The story and the past is revealed at a rate and in a way that makes things fit together nicely.

  The main protagonist is quite right as well. The right amount of panic and cluelessness at the start which gradually turns into a capable and unafraid heroin seeking revenge.

  It is also a story with a happy ending which I like. Well not for the evil queen of course but you cannot please everyone.

  So, this was a pleasant surprise from Netflix. Their production has been a bit uneven to say the least but I guess the agenda pushers did not get their grubby hands on this one.