The Lord of the Rings: The Fellowship of the Ring

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Young hobbit Frodo Baggins, after inheriting a mysterious ring from his uncle Bilbo, must leave his home in order to keep it from falling into the hands of its evil creator. Along the way, a fellowship is formed to protect the ringbearer and make sure that the ring arrives at its final destination: Mt. Doom, the only place where it can be destroyed.

Credits: TheMovieDb.

Frodo: Elijah Wood
Gandalf: Ian McKellen
Aragorn: Viggo Mortensen
Sam: Sean Astin
Bilbo: Ian Holm
Arwen: Liv Tyler
Saruman: Christopher Lee
Boromir: Sean Bean
Pippin: Billy Boyd
Merry: Dominic Monaghan
Gimli: John Rhys-Davies
Legolas: Orlando Bloom
Galadriel: Cate Blanchett
Elrond: Hugo Weaving
Gollum: Andy Serkis
Celeborn: Marton Csokas
Haldir: Craig Parker
Lurtz: Lawrence Makoare
Witch-King: Brent McIntyre
Sauron: Sala Baker
Elendil: Peter McKenzie
Gil-Galad: Mark Ferguson
Isildur: Harry Sinclair
Everard Proudfoot: Noel Appleby
Mrs. Proudfoot: Megan Edwards
Rosie Cotton: Sarah McLeod
Barliman Butterbur: David Weatherley
Bounder: Ian Mune
Gondorian Archivist: Michael Elsworth
Farmer Maggot: Cameron Rhodes
Gate Keeper: Martyn Sanderson
Cute Hobbit Child: Billy Jackson
Cute Hobbit Child: Katie Jackson
The Ring (voice): Alan Howard
Hero Orc / Goblin / Uruk-hai / Ringwraith: Victoria Beynon-Cole
Hero Orc / Goblin / Uruk-hai / Ringwraith: Lee Hartley
Hero Orc / Goblin / Uruk-hai / Ringwraith: Sam La Hood
Hero Orc / Goblin / Uruk-hai / Ringwraith: Chris Streeter
Hero Orc / Goblin / Uruk-hai / Ringwraith: Phil Grieve
Hero Orc / Goblin / Uruk-hai / Ringwraith: Jonathan Jordan
Hero Orc / Goblin / Uruk-hai / Ringwraith: Semi Kuresa
Hero Orc / Goblin / Uruk-hai / Ringwraith: Clinton Ulyatt
Hero Orc / Goblin / Uruk-hai / Ringwraith: Paul Bryson
Hero Orc / Goblin / Uruk-hai / Ringwraith: Lance Fabian Kemp
Hero Orc / Goblin / Uruk-hai / Ringwraith: Jono Manks
Hero Orc / Goblin / Uruk-hai / Ringwraith: Ben Price
Albert Dreary / Painting of Bungo Baggins (uncredited): Peter Jackson
Breelander (uncredited): Chris Ryan
Figwit (uncredited): Bret McKenzie
Hobbit (uncredited): Betty Adams
Hobbit (uncredited): Timothy Bartlett
Hobbit (uncredited): Bob Blackwell
Hobbit (uncredited): David Houma
Hobbit (uncredited): Jo Surgison
Hobbit Band Member (uncredited): Liz Merton
Kissing Hobbit (uncredited): Zo Hartley
Party Hobbit (uncredited): Norman Cates
Party Hobbit (uncredited): Jeff Kingsford-Brown
Village Female Hobbit (uncredited): Marta Martí
Cute Hobbit Child (uncredited): Riley Brophy
Cute Hobbit Child (uncredited): Phoebe Gittins
Cute Hobbit Child (uncredited): Taea Hartwell
Witch-King (uncredited): Shane Rangi
Ringwraith (uncredited): Jed Brophy
Burning Ringwraith (uncredited): Paul Shapcott
Ring King of Men (uncredited): Alan Lee
Ring King of Men (uncredited): Larry Rew
Ring Dwarf-Lord (uncredited): Gino Acevedo
Ring Dwarf-Lord (uncredited): Xander Forterie
Ring Dwarf-Lord (uncredited): Richard Maybery
Rivendell Elf (uncredited): Sabine Crossen
Rivendell Elf (uncredited): Gareth Jensen
Last Alliance Elf / Rivendell Elf (uncredited): Ben Britton
Last Alliance Elf / Rivendell Elf (uncredited): Kester Fordham
Last Alliance Elf (uncredited): Jarl Benzon
Last Alliance Elf / Council Elf (uncredited): Sam Kelly
Council Elf (uncredited): Matt Appleton
Council Elf (uncredited): Blair Morton
Council Man (uncredited): Ray Henwood
Council Man / Orc (uncredited): Ralph Johnson
Council Elf / Lothlorien Elf (uncredited): Jonathan Harding
Lothlorien Elf (uncredited): Jørn Benzon
Lothlorien Elf / Goblin / Uruk-hai (uncredited): Ben Fransham
Gondorian Citizen (uncredited): Tim Kano
Arms of Gollum (uncredited): Sacha Lee
Hand of Gollum (uncredited): Thomas Robins
Cave Troll (uncredited): Randall William Cook
Goblin (uncredited): Rachel Clentworth
Goblin (uncredited): Lani Jackson
Goblin (uncredited): Sharon Maxwell
Goblin (uncredited): David J. Muzzerall
Goblin / Orc / Uruk-hai (uncredited): Winham Hammond
Goblin / Orc / Uruk-hai (uncredited): Mana Hira Davis
Isengard Orc Blacksmith (uncredited): Warren Green
Isengard Orc Blacksmith (uncredited): Stu Johnson
Isengard Orc Blacksmith (uncredited): Peter Lyon
Khai (uncredited): Peter Daube
Refugee / Orc (uncredited): Samuel E. Shore
Orc (uncredited): Rodney Bane
Orc / Uruk-hai (uncredited): Siaosi Fonua
Isengard Orc / Last Alliance Soldier / Morgul Orc / Uruk-hai (uncredited): Ken Stratton
Uruk-hai at Amon Hen (uncredited): Lynden Berrymen
Uruk-hai (uncredited): Ryan Carey
Uruk-hai (uncredited): Tack Daniel
Uruk-hai (uncredited): Shane Dawson
Uruk-hai (uncredited): Branko Dordevich
Uruk-Hai (uncredited): Greg Lane
Uruk-hai (uncredited): Tim McLachlan
Uruk-hai (uncredited): Dean Morganty
Uruk-hai (uncredited): Greg Morrison
Uruk-hai (uncredited): Andrew Munro
Uruk-hai (uncredited): Grant Roa
Uruk-hai (uncredited): Vincent Roxburgh
Uruk-hai (uncredited): Mike Stearne
Uruk-hai (uncredited): Andrew Stehlin
Uruk-hai (uncredited): Tim Wong
Orc / Uruk-hai (uncredited): Daniel Andrews

Crew:

Screenplay: Peter Jackson
Producer: Barrie M. Osborne
Executive Producer: Bob Weinstein
Executive Producer: Harvey Weinstein
Executive Producer: Mark Ordesky
Executive Producer: Michael Lynne
Novel: J.R.R. Tolkien
Producer: Fran Walsh
Screenplay: Philippa Boyens
Original Music Composer: Howard Shore
Director of Photography: Andrew Lesnie
Production Design: Grant Major
Editor: John Gilbert
Art Direction: Joe Bleakley
Art Direction: Philip Ivey
Art Direction: Rob Outterside
Art Direction: Mark Robins
Costume Design: Ngila Dickson
Makeup Supervisor: Richard Taylor
Casting: Victoria Burrows
Casting: John Hubbard
Casting: Liz Mullane
Casting: Amy Hubbard
Casting: Ann Robinson
Stunt Coordinator: Greg Powell
Co-Producer: Rick Porras
3D Supervisor: Guy Williams
Stunts: Casey O’Neill
Supervising Editor: Jamie Selkirk
Associate Producer: Ellen Somers
Stunt Coordinator: George Marshall Ruge
Stunt Coordinator: Daniel W. Barringer
Special Effects Coordinator: Steve Ingram
Assistant Sound Editor: Peter Mills
Foley Recording Engineer: Martin Oswin
Foley Artist: Phil Heywood
Foley Artist: Simon Hewitt
Visual Effects Supervisor: Chris Godfrey
Visual Effects Supervisor: Michael Lloyd
Stunts: Jacob Tomuri
Visual Effects Designer: Christian Rivers
Compositing Lead: Alex Lemke
Second Unit Director: John Mahaffie
Second Unit Director: Geoff Murphy
Sound Recordist: Malcolm Cromie
Sound Recordist: Ken Saville
Production Sound Mixer: Hammond Peek
Dialogue Editor: Chris Todd
Dialogue Editor: Jason Canovas
Supervising Sound Editor: Ethan Van der Ryn
Supervising Sound Editor: Mike Hopkins
Sound Re-Recording Mixer: Michael Semanick
Sound Re-Recording Mixer: Gethin Creagh
Sound Re-Recording Mixer: Christopher Boyes
Additional Sound Re-Recording Mixer: Michael Hedges
Sound Effects Editor: Craig Tomlinson
Sound Effects Editor: Tim Nielsen
Sound Effects Editor: John McKay
Sound Effects Editor: Brent Burge
Still Photographer: Pierre Vinet
Script Supervisor: Dianne Moffatt
Script Supervisor: Oksana Sokol
Script Supervisor: Pat Robins
First Assistant Director: Carolynne Cunningham
First Assistant Editor: Peter Skarratt
Music Editor: Nancy Allen
Music Editor: Suzana Peric
Supervising Art Director: Dan Hennah
Stunts: Sala Baker
Stunts: Brett Beattie
Stunts: Jeff Barber
Stunts: Augie Davis
Stunts: Trevor Bau
Stunts: Justin B. Carter
Stunts: Rodney Cook
Stunt Double: Praphaphorn ‘Fon’ Chansantor
Stunts: Steve Drage
Stunts: Morgan Evans
Stunts: Mana Hira Davis
Stunts: Branko Dordevich
Stunts: Winham Hammond
Stunts: Lani Jackson
Stunt Double: Bhoja ‘BK’ Kannada
Stunts: Tim McLachlan
Stunts: David J. Muzzerall
Stunts: Barrie Rice
Stunts: Steve Reinsfield
Stunts: Vincent Roxburgh
Stunt Double: Kiran Shah
Stunts: Allan Smith
Stunt Double: Andrew Stehlin
Stunts: Chhote Ustad
Stunts: Tim Wong
Stunts: Robert Young
Assistant Art Director: Jules Cook
Visual Effects Supervisor: Jim Rygiel
Hair Designer: Peter Swords King
Prop Maker: Tim Abbot
Assistant Art Director: Jacqui Allen
Art Department Production Assistant: Ruben Allen
Set Dresser: Judy Alley
Prop Maker: Ben Beemsterboer
Prop Maker: Kevin Bradshaw
Conceptual Design: Alan Lee
Art Department Coordinator: Roxane Gajadhar
Art Department Manager: Chris Hennah
Assistant Art Director: Ross McGarva
Art Department Production Assistant: Danielle Osborne
Art Department Coordinator: Brigitte Yorke
Second Assistant Director: Marc Ashton
Assistant Dialogue Editor: Martin Kwok
Assistant Sound Editor: Chris Ward
Assistant Sound Editor: Katy Wood
Visual Effects Production Assistant: Mary Connolly
Compositor: Aaron Barclay
Visual Effects Coordinator: Aaron Cowan
Visual Effects Art Director: Paul Lasaine
Visual Effects Coordinator: Sarah McLauchlan
Makeup Artist: Margaret Aston
Makeup Artist: Rick Findlater
Key Makeup Artist: José Luis Pérez
Stunts: Daniel Andrews
Conceptual Design: John Howe
Sound Designer: David Farmer
Makeup Artist: Kerryn Flewell-Smith
Makeup Artist: Mark Kinaston-Smith
Makeup Artist: Bronwyn Knott
Makeup Artist: Davina Lamont
Makeup Artist: Vivienne MacGillicuddy
Makeup Designer: Peter Owen
Makeup Artist: Janine Schneider
Makeup Artist: Lenore Stewart
Makeup Artist: Tera Treanor
Makeup Artist: Nancy Hennah
Makeup Artist: Noreen Wilkie
Makeup Artist: Jeremy Woodhead
Makeup Artist: Catherine Maguire
Makeup Artist: Emma Moncrieff
Makeup Artist: Allie Rutherford
Makeup Artist: Tanya Travis
Makeup Artist: Linda Wall
Makeup Artist: Laurelle Ziento
Visual Effects Producer: Kelly L’Estrange
Visual Effects Producer: Charlie McClellan
Visual Effects Producer: Eileen Moran
Visual Effects Supervisor: Steen Bech
Visual Effects Supervisor: Geoff Dixon
Visual Effects Supervisor: Mark Owen Forker
Visual Effects Supervisor: Dean Lyon
Producer: Tim Sanders
Executive Producer: Robert Shaye
Animation Supervisor: Randall William Cook
Visual Effects: Mark Stetson
Sculptor: Jamie Beswarick
Sculptor: Daniel Falconer
Digital Effects Supervisor: Kelly Port

Catogories:
Adventure,Fantasy,Action
This is one elegant module!!

One ring to rule them all.
Language:
English
Production:
New Zealand,United States of America
Company:
New Line Cinema,WingNut Films,The Saul Zaentz Company
Popularity:
165.664
Date:
2001-12-18
Year:
2001

NeoBrowser: Brooking no argument, history should quickly regard Peter Jackson’s The Fellowship Of The Ring as the first instalment of the best fantasy epic in motion picture history. This statement is worthy of investigation for several reasons.
Fellowship is indeed merely an opening salvo, and even after three hours in the dark you will likely exit the cinema ravenous with anticipation for the further two parts of the trilogy. Fellowship is also unabashedly rooted in the fantasy genre. Not to be confused with the techno-cool of good science fiction, nor even the cutesy charm of family fare like Harry Potter, the territory of Tolkien is clearly marked by goo and goblins and gobbledegook. Persons with an aversion to lines such as, “To the bridge of Khazad-dûm!” are as well to stay within the Shire-like comforts of home (their loss).

With those caveats in place, it bears repeating: fantasy does not come finer. There are electrifying moments — notably the computer-assisted swooping camera through Isengard as it transforms into a factory for evil — when Jackson’s flight of fancy approaches the sublime as the romantic poets would understand it: inspiring awe.

Leaving aside the thorny issue of Tolkien die-hards and their inevitable gripes — “What no Tom Bombadil?” — Jackson’s screenplay (written in collaboration with Fran Walsh and Phillipa Boyens) is both bolder and more judicious than Steven Kloves’ surprisingly timid retread of Harry Potter. In particular, rescuing the romance of Arwen and Aragorn from the footnotes and the elevation of Saruman to all-action bad guy actually has a corrective influence on Tolkien’s often oblique and female-sparse source material.

There are problems, though. The three-hour running time is high on incident and low on discernible form. After successive detours to Elf habitats Rivendell (the watery home of Elrond) and Lothlórien (the forest home of the Lady Galadriel), the uninitiated might well ask why these crazy Elf kids can’t just live together and spare us all this attenuated dramatic structure.

More importantly, the action clearly climaxes in the desperate flight from the Mines Of Moria, where the largely seamless SFX is showcased in the best possible light — total darkness — but the narrative demands a different, downbeat ending. Indeed, but for some fine emotional playing from Bean, Mortensen, Astin and Wood, the final fight might feel like a particularly brutal game of paintball in Bluebell Wood. But then, the real battles are yet to come…

Verdict – Putting formula blockbusters to shame, Fellowship is impeccably cast and constructed with both care and passion: this is a labour of love that never feels laboured. Emotional range and character depth ultimately take us beyond genre limitations, and it deserves to play as wide as a certain Mr. Potter.

5/5

– Colin Kennedy, Empire Magazine
gdeveloper: An epic movie if I ever saw one. Captivating and just plain fun to watch. This movie is, indeed, art.
Wuchak: Tolkien’s adventure/fantasy LOOKS and SOUNDS fabulous, but is not without flaws.
RELEASED 2001 and directed by Peter Jackson, “The Lord of the Rings: The Fellowship of the Ring” adapts the first part of JRR Tolkien’s popular fantasy trilogy about adventures on Middle-Earth. The story starts in the homeland of the Hobbits (innocent, diminutive humanoids) where Frodo (Elijah Wood) is instructed by the noble wizard Gandalf (Ian McKellen) to quickly leave the Shire with the powerful One Ring in his possession. Gandalf and Frodo are later accompanied by seven others, the titular ‘Fellowship of the Ring,’ to take the ring to the only place it can be destroyed, the fires of Mount Doom in Mordor.

The rest of the main cast include Sean Astin (Sam), Viggo Mortensen (Aragorn), Sean Bean (Boromir), Christopher Lee (Saruman), Orlando Bloom (Legolas), John Rhys-Davies (Gimli) and Hugo Weaving (Elrond).

This three-hour fantasy features a diverse cast of colorful characters, quaint beings and settings, moments of genuine wonder, dark ee-vil creatures, high adventure, thrilling brutal action, a superb score, magnificent locations (forests, mountains, rivers, etc.), and wondrous CGI sets. The film LOOKS and SOUNDS so great that it’d be sinful to give it a lower rating.

There are problems, however, at least for those who aren’t uber-fans of Tolkien. For one, the opening is hindered by prologue that is overlong and convoluted, not to mention unnecessary. The bulk of it could’ve been conveyed later via flashback, which they do a little bit anyway. Secondly, the story takes forever to build any drive. Thirdly, except for maybe Frodo and Gandalf, the characters are shallow and I didn’t care much what happened to them. Fourthly, main protagonists getting seriously wounded and everyone else expressing their melodramatic concern gets redundant.

Fifthly, there are only two females in the main cast (Liv Tyler as Arwen, a half-Elf princess, and Cate Blanchett as Galadriel, a royal Elf); unfortunately, their parts aren’t much more than glorified cameos. “Mythica: A Quest for Heroes” (2014) cost LESS THAN $100,000 to make, which is a mere fraction of the $93 million it cost to make this blockbuster and the filmmakers knew enough to include a couple of prominent babes as key protagonists in the story.

Despite these negatives, “The Fellowship of the Ring” is the best of the trilogy and is a must for fantasy/adventure aficionados, especially Tolkien fans.

THE MOVIE RUNS 2 hours 58 minutes and was shot in New Zealand.

GRADE: B/B- (6.5/10)
LadyGreenEyes: Overall, I give this four stars. Not five, because some of the changes really bug me, as a long-time Tolkien fan, but a solid four.
The casting, to start, was brilliant. Sean Astin was the absolute perfect choice for Sam, and did a remarkable job bringing that character to life for us. He really WAS Sam, in this role, in a very deep way. I always liked his acting, but here, he showed how talented he actually is. Just amazing. Elijah Wood gives a great performance of Frodo, and those expressive eyes of his really add a lot of depth to the emotions the character goes through, which are such an important part of the story. Billy Boyd and Dominic Monaghan both did great work, for our other two main hobbits. Their smiles, their singing; just every aspect of these characters was so real. Viggo Mortensen, of course, was excellent. He’s always good, and though I never would have pictures him as Aragorn, he delivered everything we could hope for. Great choice for that role! John Rhys-Davies, as expected, gave us the Gimli we wanted. Phenomenal actor, and I can’t imagine anyone doing that role better. Orlando Bloom plays a convincing Legolas, and handles the nuances of being an elf quite well. Sean Bean as Boromir was outstanding, bringing the strength of that character to life, and making us love him. Then we have Ian McKellen, as Gandalf. I could never have chosen someone for that role, but the casting folks hit a home run with this one. Everything about his character was just right. Literally everything. I can’t read the books without seeing these people in these roles now. The rest of the cast ws good as well.

Then we have the setting. New Zealand has to have some of the most utterly gorgeous scenery on the planet. Seeing it in these movies was great, and convincingly Middle Earth, and seeing more since, in other videos, just WOW! Thanks, to the people of New Zealand, for allowing this to be filmed there!

The sets were just fantastic. Everything looked as good as I’d always hoped it would look, with all the charm, mystery, and wonder Tolkien fan could hope for. From Bag end to Rivendell to the vastness of
Middle Earth, everything we saw was just right.

The only issues I had were some of the changes. Yes, I know things don’t always work in movies as they do in books, but when whole sections are just omitted, that bothers me. It’s not like the movies weren’t long already! That omitted section, with which Tolkien fans will be quite familiar, was a very important part of the plot! I also didn’t care for some of the other changes, and the way Arwen was used, the scene at the river being one example.

All in all, though, this was a well done movie, and even though some things bug me, this film, and the rest of the series, will be viewed many times. Classics, worth collecting and treasuring.
JPV852: Lost count how many times I’ve seen the “The Fellowship of the Ring” but still fantastic after all these years, epic on every level and just all around entertaining, the 3.5 running time just flies by. Will be watching “The Two Towers” either tonight or tomorrow followed by “The Return of the King”. **4.75/5**
Peter McGinn: Well, I wouldn’t read this review if you are a true fan of fantasy adventure epics, because I am not. Don’t get me wrong, I like this movie and have watched it a few times over the years, but I have watched (or read, for that matter) very little else in the fantasy genre. I didn’t get too far into the Game of Thrones as the violent rapes got old for me fast.
So I watched this first entry of the Lord of the Rings trilogy as just a viewer, not a fan, and I liked it just fine. The complex plot held together well and the scenery was gorgeous. There was violence, but not gore, and for those who don’t like war movies, there wasn’t as much of it here as there is in the other two films of the trilogy.

I gather the elfin roles for women were enlarged and brought to the fore, and why not; women were mostly good for setting mead and large pieces of rare meat down on tables in front of their warrior men.

I must confess, I found it jarring that the warriors like Strider were so invincible, walking into a horde of sixty orcs and scattering them like toy soldiers with his sword. I know they are epic heroes, but if I’m an orc, I stand back and throw something or whatever, but it is similar to the old legends with semi-gods like Achilles, back when Hector was a pup.

I am not going to compare the film to the book — I read it decades ago when I was in high school. It is worth watching and though real fans will take this with a large grain of salt, I think it is possibly the definitive adaptation of the book. (I need to watch the other two entries in the series before I say the same about those.) if you are among the 12% percent of movie goers who haven’t seen it, give it a try.
r96sk: Magnificent! A great start to the franchise.
‘The Lord of the Rings’ is yet another film series that I am incredibly late to viewing, at least I’ve finally got around to it… albeit almost twenty years on from this film’s release.

‘The Lord of the Rings: The Fellowship of the Ring’ is delightful. I never know what to expect from a film that goes on for nearly three hours, the pacing has to be near perfection for it to work – and boy does it here. The run time flew by, which is always a terrific sign.

I love a load of things about this, the one that actually sticks out most is the outstanding score. Music can play a huge part in how much I enjoy a film, so I’m delighted to say that the score is here is fantastic. That is by no means the only positive, obviously.

The cast are excellent. Elijah Wood gives a strong performance in the lead role. I’ve seen Wood in others things down the years and have actually found him a bit hit-and-miss, but here he is very good. Elsewhere, I really enjoyed watching Viggo Mortensen’s character.

Away from those two, there are a whole host of noteworthy cast members. Orlando Bloom, or Will Turner to me, is involved, as are the likes of Ian McKellen and Sean Bean. I also liked Liv Tyler in her role.

The look of the film is spectacular, and has aged extremely well even to this day. Everything from the cinematography to the costumes is brilliant, those two things really make the film come alive – helped by the aforementioned score, of course.

Very eager to check out the sequels, prequels and, eventually, the upcoming television series.
drystyx: This film may be perfect.
Based on the fantasy world written by Tolkien, we see the halfling hobbits, the most unlikely of heroes, a breed of human type beings who indulge in pleasures, games, and fun, and do little evil.
In the same world are more powerful beings, some good, like the elves and wizards, some evil, like the orcs, trolls, and dragons, and some in between, like the dwarves and men.
And one evil super being, Sauron, the second in command to the “devil” of this world called Middle Earth, and that devil called Melkor is now in chains and powerless, so Sauron rules all evil.
That said, we get a very faithful version to the book, only improved. This is the first of three segments called “The Lord of the Rings”. The parts left out are parts best left out. Tom Bombadil, for example, along with his wife, represents a very Hitler like Aryan ideology of supremacy that Tolkien often engaged in.
The film begins with a narrative and action sequence that is awesome, and then goes into the “status quo” setting of the “shire” of hobbits, much like the status quo setting of films like “Women of Dolwyn”.
From there, we get an amazing story of four hobbits who embark on a journey of utmost importance, joined by a wizard, an elf, a dwarf, and two men.
The direction is stunning. The motivation even better explained than in the Tolkien books. This is a masterpiece.
CinemaSerf: So now that the picture houses across the UK are beginning to reopen, this is the third film I’ve settled down to watch in front of a huge big screen – and it’s a belter. You can only wonder at the sheer imagination of JRR Tolkien and of Peter Jackson, Fran Walsh & Philippa Boyens as they adeptly adapt this epic tale of power for a new generation. Certainly, it over-hams the accents – maybe just a few too many “rrrs” in “Arrragorrrrn” but otherwise it’s a feast for senses. When the hairy-footed Hobbit “Bilbo” (Sir Ian Holm) gets to eleventy-one he sets off to write his life-story with the elves. He leaves his possessions – including a mysterious ring – to Frodo (Elijah Wood). When visiting wizard “Gandalf” (Sir Ian McKellen) identifies it as the epitome of wickedness that puts all of their lives are in danger, “Frodo” and his lifelong friend “Sam” (Sean Astin) must flee their bucolic happiness. This first instalment of the trilogy tracks the journey of the hobbits as they meet “Stryder” (Viggo Mortensen) and together try to evade the pursuing wraith attempting to get to “Elrond” the Elvish king in “Rivendell” and decide what is best to do with this evil, seemingly indestructible talisman. Their only solution proves to be returning the ring to the lava-filled cavern of “Mount Doom” where it was forged: only there can it’s corruption be defeated. The brave hobbits, together with two men, an elf and a dwarf set out to accomplish this all but impossible task fighting the weather, evil orcs, malevolent magic and the harsh terrain on their treacherous way. It’s the ultimate fantasy adventure; that sticks to the spirit, if not to every word, of the original work. The effects both in make-up and from the computer are expertly applied creating a real sense of tension and peril that compliments, rather than subsumes, the actual action and beautiful cinematography of the New Zealand scenery through which our intrepid gang must travel. This is probably the weakest of the three episodes as it takes a good hour to get going; but once it does and the “Fellowship” takes firmer form with a superb John Howard-Davies; a handsome Orlando Bloom and even the usually wooden Sean Bean raises his game to give us as a truly cracking, at times quite scary adventure that is magnificently scored by the inspired Howard Shore. This is not really a film that works on the telly – however large the screen may be. To do justice to the creativity of all concerned it just has to be given the respect it deserves and be seen in the cinema. If you get a chance, you should go see it (again!).

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