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A New York stockbroker refuses to cooperate in a large securities fraud case involving corruption on Wall Street, corporate banking world and mob infiltration. Based on Jordan Belfort’s autobiography.

Credits: TheMovieDb.
The Wolf of Wall Street
Overview:
A New York stockbroker refuses to cooperate in a large securities fraud case involving corruption on Wall Street, corporate banking world and mob infiltration. Based on Jordan Belfort’s autobiography.
Cast:

Jordan Belfort: Leonardo DiCaprio
Donnie Azoff: Jonah Hill
Naomi Lapaglia: Margot Robbie
Mark Hanna: Matthew McConaughey
Agent Patrick Denham: Kyle Chandler
Max Belfort: Rob Reiner
Brad: Jon Bernthal
Manny Riskin: Jon Favreau
Jean Jacques Saurel: Jean Dujardin
Aunt Emma: Joanna Lumley
Teresa Petrillo: Cristin Milioti
Leah Belfort: Christine Ebersole
Captain Ted Beecham: Shea Whigham
Chantalle: Katarina Čas
Nicky Koskoff (“Rugrat”): P.J. Byrne
Chester Ming: Kenneth Choi
Robbie Feinberg (“Pinhead”): Brian Sacca
Alden Kupferberg (“Sea Otter”): Henry Zebrowski
Toby Welch: Ethan Suplee
Peter DeBlasio: Barry Rothbart
Steve Madden: Jake Hoffman
Hildy Azoff: Mackenzie Meehan
Bo Dietl: Bo Dietl
Nicholas the Butler: Jon Spinogatti
Janet (Jordan’s Assistant): Aya Cash
Kalil: Rizwan Manji
Kimmie Belzer: Stephanie Kurtzuba
Lucas Solomon: J.C. MacKenzie
Rochelle Applebaum: Ashlie Atkinson
Stratton Broker in a Bowtie: Thomas Middleditch
Jerry Fogel: Stephen Kunken
Stratton Oakmont Commercial (voice): Edward Herrmann
Auckland Straight Line Host: Jordan Belfort
Agent Hughes: Ted Griffin
Honorary Samantha Stogel: Fran Lebowitz
Nolan Drager (Jordan’s Lawyer): Robert Clohessy
Danielle Harrison: Natasha Newman-Thomas
Aliyah Farran (Forbes Reporter): Sandra Nelson
Violet (Housekeeper): Johnnie Mae
Venice (Dominatrix): Christina Jeffs
Swiss Flight Attendant #1: Sabina Maschi
Swiss Flight Attendant #2: Zana Markelson
Waitress: Welker White
Zip (Lude Buying Teenager #1): Danny Flaherty
Pam: Carla Corvo
Ben Jenner: Dustin Kerns
Sales Assistant #1 (in Men’s Room): Ashley Blankenship
Heidi: Madison McKinley
Nicole: Dierdre Reimold
Helicopter Pilot: Kerry Malloy
Swiss Banker: Frank van Putten
Blair Hollingsworth: Aaron Lazar
SEC Attorney #1: Steve Routman
SEC Attorney #2: Steve Witting
SEC Attorney #3: Charley Morgan
Barry Kleinman: Michael Nathanson
Bottoms Up Hooker: Natalie Bensel
Blue Chip Hooker / Sales Assistant #2: Tess Olivia
Nasdaq Hooker: Jaclyn Keys
Pink Sheet Hooker: Krista Ashworth
Straight Line Testimonial #1: Kathleen Fellegara
Straight Line Testimonial #2: John Bernard Martin
Straight Line Testimonial #3: Jamel Daniels
Rothschild Broker #1: Dan Bittner
Rothschild Broker #2: John Behlmann
Rothschild Broker #3: Ward Horton
Rothschild Broker #4: Bret Shuford
Rothschild Broker #5: Paul Monte Jr.
Rothschild Broker #6: Ellen Sexton
Rothschild Broker #7: Brian Tweedy
Rothschild Broker #8: J.T. O’Connor
Investor’s Center Broker #1: Steven Boyer
Investor’s Center Broker #2: Danny A. Abeckaser
Investor’s Center Broker #3: Tracy Friedman
Stratton Broker #1: Matthew Rauch
Stratton Broker #2: Michael Izquierdo
Stratton Broker #3: Donnie Keshawarz
Stratton Broker #4: Johnathan Tchaikovsky
Stratton Broker #5: Aaron Glaser
Stratton Broker #6: Ben Rameaka
Stratton Broker #7: Ben Loving
Young Broker: Brian Charles Johnson
Another Broker: Sebastian Tillinger
Party Broker #1: Chris Riggi
Party Broker #2: Dan Hunter
Donnie’s Assistant: Meghan Rafferty
Maitre d’ Hector: José Ramón Rosario
Broker in Men’s Room: Davram Stiefler
Honorary Raymond Samitz: Dan Daily
Swiss Customs Officer #1: Ben Van Bergen
Swiss Customs Officer #2: Matte Osian
Cop #1: Michael Devine
Cop #2: Jason Furlani
Police Officer #1: Scott Nicholson
Police Officer #2: Jeremy Bobb
Brookville Police Officer #1: Dean Auer
Brookville Police Officer #2: Tom Greer
Wedding Singer #1: Sharon Jones
Wedding Singer #2: Starr Duncan-Lowe
Wedding Singer #3: Saundra Williams
Cristy: Emily Tremaine
Hostess on The Naomi: Zineb Oukach
Wendy: Loretta O. Booz
Skylar Belfort (14 Months Old): Shea Coleman
Skylar Belfort (4 Years Old): Giselle Eisenberg
Lude Buying Teenager #2: Deema Aitken
Job Applicant #1: Ashley Springer
Job Applicant #2: Justin Anthony Long
Job Applicant #3: Gregory Perri
Wedding Minister: Viki Boyle
Rocco #1: Chris Caldovino
Rocco #2: Marcos A. Gonzalez
Break Dancing Broker #1: Chris Matesevac
Break Dancing Broker #2: Justin Yllanes
Abby: Rémy Bennett
FBI Agent #1: Catherine Curtin
FBI Agent #2: Paul Urcioli
FBI Agent #3: Jamie O’Connell
Prison Guard: Michael O’Hara
Inmate Playing Tennis #1: Lawrence Lau
Inmate Playing Tennis #2: Michael Bryan French
Sales Assistant #3: Adria Baratta
Rao’s Patron #1: Armen Garo
Rao’s Patron #2: Garry Pastore
Rao’s Patron #3: Louis Vanaria
Extra Broker #1: Lawrence Smith
Extra Broker #2: Hardy Winburn
Stripper on Yacht: Allyson Carr
Audience Member #1: Peter Youngblood Hills
Audience Member #2: Daniel Hepner
Audience Member #3: Brendan Griffin
Audience Member #4: Derek Milman
Audience Member #5: Victor Verhaeghe
Audience Member #6: Jared Houseman
Dwayne (uncredited): Spike Jonze
John (voice) (uncredited): Martin Scorsese
Wedding Guest (uncredited): Fileena Bahris
Wedding Guest (uncredited): Silvia Kal
Wedding Guest (uncredited): Kamron Leal
Kacandes Diner Man (uncredited): Tommy Bayiokos
Italian Coastguard (uncredited): Gianni Biasetti Jr.
Broker (uncredited): Rick Bolander
Broker (uncredited): Spenser Granese
Stratton Broker (uncredited): Julian Brand
Stratton Broker (uncredited): Kenneth Carrella
Stratton Broker (uncredited): Austin Farwell
Stratton Broker (uncredited): Zach Miko
Stratton Broker (uncredited): Tyler Evan Rowe
Stratton Broker (uncredited): Stefano Villabona
Upper Eastside Pedestrian (uncredited): Gregory Brown
Wolfpack #4 (uncredited): Tucker Bryan
Wolfpack #1 (uncredited): Michael Jefferson
Young Stratton Inc. Broker (uncredited): Bryan Burton
Broker Applicant (uncredited): Mike Catapano
Audience Member (uncredited): Steven Conroy
Pool Party Guest (uncredited): Kelsey Deanne
Nicky Koskoff’s Escort (uncredited): Maria Di Angelis
Swiss Airline Passenger (uncredited): London Hall
Rao’s Pedestrian (uncredited): Rosemary Howard
Kimmie Belzer’s Desk Mate (uncredited): Chris Kerson
Singer (uncredited): Natasha Kojic
Brantley (uncredited): Ben Leasure
Marina Sightseer (uncredited): Paul Jude Letersky
Irritated Plane Passinger (uncredited): Will MacAdam
Party Goer (uncredited): Jeff Moffitt
Miami Busboy (uncredited): Chris Nunez
Masseuse to Donnie Azoff (uncredited): Seregon O’Dassey
Court Room Attendant (uncredited): Joseph Oliveira
Seminar Guest (uncredited): Michael Power
Stripper (uncredited): Nicole Rutigliano
Convention Attendee (uncredited): Sibyl Santiago
Kent – Broker (uncredited): Vitaliy Shtabnoy
Call Girl (uncredited): Madeleine Wade
Stock Broker (uncredited): Blago Simon
1st Class Swiss Airline Passenger (uncredited): Paul Thornton
Banker (uncredited): David Wenzel
Rudy (uncredited): Joe Zaso
Strip Girl (uncredited): Claudette Lalí
Conference Attendee (uncredited): Francis Brooke
Azoff’s Bullseye (uncredited): Martin Klebba
Stock Broker (uncredited): Michael Dubuc
Waiter (uncredited): Geoffrey J.D. Payne

Crew:

Producer: Martin Scorsese
Costume Design: Sandy Powell
Producer: Riza Aziz
Art Direction: Chris Shriver
Producer: Joey McFarland
Editor: Thelma Schoonmaker
Producer: Emma Tillinger Koskoff
Producer: Leonardo DiCaprio
Director of Photography: Rodrigo Prieto
Casting: Ellen Lewis
Screenplay: Terence Winter
Prosthetics: Gary Archer
Production Design: Bob Shaw
Second Assistant Director: Francisco Ortiz
Book: Jordan Belfort
Music Supervisor: Randall Poster
Set Dresser: Damon Hahn
Set Dresser: Patrice Canfield Longo
Set Dresser: Brian Jones
Co-Producer: Ted Griffin
Unit Production Manager: Richard Baratta
Executive Producer: Georgia Kacandes
Executive Producer: Danny Dimbort
Executive Producer: Irwin Winkler
Executive Producer: Alexandra Milchan
Associate Producer: Marianne Bower
First Assistant Director: Adam Somner
Hairstylist: Kathryn Blondell
Executive Producer: Rick Yorn
Makeup Department Head: Bridget O’Neill
Hair Department Head: Michael Kriston
Set Decoration: Ellen Christiansen
Hairstylist: Valerie Velez
Makeup Artist: Sian Grigg
Makeup Artist: Mary Anne Spano
Makeup Artist: Francesca Buccellato
Construction Coordinator: Raymond M. Samitz
Prosthetic Supervisor: Chris Kelly
Wigmaker: Amanda Miller
Hairstylist: Susan Schectar
Hairstylist: Joseph Whitmeyer
Post Production Supervisor: Kelley Cribben
Scenic Artist: Chris Bertholf
Scenic Artist: Colin Brantley
Assistant Art Director: Jonathan Arkin
Greensman: Amy Safhay
Makeup Department Head: Mindy Hall
Makeup Artist: Jill Astmann
Hairstylist: R. Cory McCutcheon
Production Supervisor: John DeSimone
Assistant Art Director: John Pollard
Hairstylist: Jovan Vitagliano
Leadman: Philip Canfield
Scenic Artist: Claire Bretschneider
Assistant Art Director: W. Steven Graham
Art Department Coordinator: Sha-Sha Shiau
Greensman: Sam Rosedietcher
Production Manager: Francesco Marras
Assistant Art Director: David Meyer
Art Department Coordinator: Alyssa Motschwiller
Boom Operator: Frank Graziadei
Special Effects: Chuck Khoury
Sound Effects Editor: Eugene Gearty
Foley: Marko Costanzo
Special Effects: Richard Stutsman
Boom Operator: Bret Scheinfeld
Additional Editing: Ruth Hernandez
Boom Operator: Carmine Picarello
Foley: George A. Lara
Special Effects: Joe Montenegro
Boom Operator: Dan Wesson
Special Effects Supervisor: Drew Jiritano
ADR & Dubbing: Greg Steele
Sound Re-Recording Mixer: Tom Fleischman
Special Effects: R. Bruce Steinheimer
First Assistant Sound Editor: Chris Fielder
ADR & Dubbing: David Boulton
Visual Effects Producer: Charlene Eberle Douglas
Visual Effects Supervisor: Joe Farrell
Visual Effects Producer: Richard Friedlander
Visual Effects Producer: Glenn Allen
Visual Effects Supervisor: Paul Graff
Visual Effects Supervisor: Eran Dinur
CG Supervisor: Lukas Lepicovsky
Visual Effects: Luca Gabriele Rossetti
Compositors: Dave Levine
Visual Effects Editor: Matt Garner
Compositors: Jeremiah Sweeney
VFX Supervisor: Edson Williams
Compositors: Brian Battles
Visual Effects Supervisor: Mark Owen Forker
Second Unit Director of Photography: Robert Legato
Visual Effects Editor: Christian Madera
Stunts: Scott Burik
Animation Supervisor: Bernd Angerer
Compositors: Carl Stern
Visual Effects Supervisor: Craig Barron
Visual Effects: Justin Ferk
Visual Effects Producer: Mark Russell
Visual Effects: Jason Kolowski
Visual Effects Producer: Max Leonard
Compositors: Brian Sales
Stunt Coordinator: G. A. Aguilar
Stunts: Roy T. Anderson
Stunts: Bobby Beckles
Stunts: Geoffrey Dowell
Stunts: Kevin Rogers
Stunts: Jared Burke
Stunt Coordinator: Blaise Corrigan
Stunts: Mike Burke
Stunts: Balint Pinczehelyi
Stunts: Aja Frary
Stunts: Declan Mulvey
Stunts: Dean Neistat
Stunts: Victor Paguia
Stunts: Trampas Thompson
Stunts: Aaron Vexler
Stunts: Ian Mclaughlin
Stunts: Christopher Place
Stunts: Owen Holland
Stunts: Corey Pierno
Stunts: Stephen A. Pope
Stunts: Jeremy Sample
Stunts: George B. Colucci Jr.
Stunts: Neimah Djourabchi
Stunts: Shane Geraghty
Stunts: Chris Barnes
Stunts: Martin Klebba
Stunts: Stephen W. Schriver
Stunts: Gary Tacon
Stunts: Shawnna Thibodeau
Stunts: Ned Corrigan
Stunts: Chris Cenatiempo
Stunts: Samantha MacIvor
Stunts: Mark Fichera
Stunts: Jeffrey Lee Gibson
Stunts: Dina L. Margolin
Stunts: Jon Trosky
Stunts: Peter Epstein
Stunts: Trevor Habberstad
Stunts: Nicole Callender
Stunts: William Cote
Stunts: Caroline Vexler
Utility Stunts: Monty L. Simons
Stunts: Drew Leary
Stunts: David Hugghins
Stunts: Josh Lakatos
Rigging Gaffer: Richie Ford
First Assistant Camera: Bobby Mancuso
First Assistant Camera: Stephen Ciffone
Electrician: Edward Cohen
Rigging Grip: John Nasta
Rigging Grip: William D. Moran
Still Photographer: Mary Cybulski
First Assistant Camera: Zoran Veselic
Grip: Joey Evora
Camera Operator: Maceo Bishop
Rigging Grip: Kevin Flynn
Grip: Steve Sterling
Electrician: Kevin Karpinski
Grip: Adam Barbay
Grip: Tom Prate
Grip: Chad Lear Plunkett
Casting Associate: Matthew Maisto
Grip: Shaun Lowry
Grip: Joe Sarao
Casting Associate: Allison Hall
Lighting Technician: Harry Pray IV
Grip: Michael J. Prate
Electrician: Brett Heicher
Electrician: Jason Montague
Grip: Zachary Poots
Casting Associate: Meghan Rafferty
Set Costumer: Wade Sullivan
Assistant Costume Designer: Christopher Peterson
Costume Supervisor: David Davenport
Executive Music Producer: Robbie Robertson
Set Costumer: Allison Pokladowski
Set Costumer: Nina Cinelli
Set Costumer: Monica Russell
Digital Intermediate: Élodie Ichter
Digital Intermediate: Yvan Lucas
Digital Intermediate: Matt Breitenbach
Digital Intermediate: Philippe Majdalani
Music Editor: Jennifer Dunnington
Transportation Captain: Michael Hyde
Thanks: Petrea Burchard
Thanks: Peter Pappas
Picture Car Coordinator: Ian Clarke
Thanks: Michael Storm Raven
Driver: Charles Heidet
Thanks: Gina Telaroli
Thanks: Michael Bloomberg
Set Medic: Kathleen Fellegara
Set Medic: Rich Fellegara
Unit Publicist: Larry Kaplan
Set Production Assistant: Arusha Baker
Dialect Coach: Tim Monich
Location Scout: Philip Lobban
Location Manager: Nils Widboom
Set Production Assistant: Nick Mann
Dialect Coach: Tanya Blumstein
Stand In: Jay Ferraro
Script Supervisor: Holly Unterberger
Security: Mark Behar
Location Scout: Nick Carr
Location Scout: Jeffrey A. Brown
Set Costumer: Cookie Lopez
Stunts: Asa Liebmann
Special Effects: Andrew Mortelliti
Stunts: Gwyneth E. Larsen
Dialogue Editor: Philip Stockton
Foley Editor: Kam Chan
Music Coordinator: Meghan Currier
Supervising ADR Editor: Marissa Littlefield
Property Master: Robert Griffon Jr.
ADR Editor: Deborah Wallach
Foley Editor: Heather Gross
Foley Editor: Jamie Baker
Foley Editor: Frank Kern
Dialogue Editor: Branka Mrkic
Production Sound Mixer: James Sabat
Stunts: Don Hewitt Sr.
Stunt Double: Gianni Biasetti Sr.
Thanks: Jho Low
Visual Effects Producer: Rachel Berry
Choreographer: Michael Arnold

Catogories:
Crime,Drama,Comedy
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Earn. Spend. Party.
Language:
English,Français
Production:
United States of America
Company:
Red Granite Pictures,Appian Way,Sikelia Productions,EMJAG Productions
Popularity:
104.337
Date:
2013-12-25
Year:
2013

Jacob: The Wolf of Wall Street is so addicting to watch, that even with it’s 3 hour long run time, you wont be surprised if you end up watching it four days in a row.
This is Scorsese letting loose and having fun, showing all of the debauchery (and man, is there a lot) in all of it’s glory. There are orgies, sex, nudity, copious amounts of drug use, and it now holds the record for the most use of fuck in any film.
Leonardo DiCaprio gives a towering and hilarious performance as Jordan Belfort. He throws himself into the role with free abandon, while also showing that he’s aces when it comes to comic timing and physical comedy. If he doesn’t win an Oscar this season I’ll be quite upset, though Matt from Dallas Buyers Club rightfully deserves it as well. But this is a 3 hour long film, and Leo is in every single second of every single scene. He’s ferocious, hilarious, out of his mind, and flat out brilliant.
The supporting players are tops as well. I was somewhat baffled when Jonah Hill earned a nominee for Moneyball, but this time around he rightfully deserves this years nominations. With his pearly white teeth, charisma, while also throwing himself into the role with no fear, this is without a doubt his greatest work as an actor to date. The real find, however, is Margot Robbie. Strikingly beautiful, her character could have been one note, but she also hits the ball out of the court. Even Matthew Macconaughey steals the show with only one scene.
Dangerously funny, superbly edited, and with a delicious, irreverent, savage bite. The Wolf of Wall Street is Scorsese at his wildest. And it goes without saying, that this is one of the best films of last year. Just stay away if you are in any way a prude or conservative.
Rated R- Graphic nudity, strong sexual content, drug use throughout, pervasive language, and some violence.
Andres Gomez: An excessive movie in all possible senses with breath taking Margot Robbie and Jonah Hill which is not long in spite of its 3h length but which ends not knowing exactly which is the point of the story.
tmdb39513728: **Voracious Bull**
Every time I try to enjoy a Martin Scorcese movie post-1980 I ask myself what made _Raging Bull_ so great? Did Marty burn out after his Jake LaMotta bio, the same way Coppola did after _Apocalypse Now_? These were risky movies, driven by passion, bordering on madness. Did Marty and Francis lose their natural passion for making films because industry priorities dismissed 70’s-style hyper-realism for sensational summer blockbusters and CGI spectacles? And why is Scorcese considered one of the greatest director when he really only made one truly superb movie?

When I first saw _Raging Bull_ in 1980 I immediately knew I was watching something that transcended the typical cinematic experience. Genius was shimmering out of every perforated frame flickering on the screen. Paul, Marty, Bobby, Mike and Thelma created something that was completely absorbing. The style and substance was perfectly fueled by a flawless emotional narrative. Every element was orchestrated just right. The audience was spellbound. We were watching greatness. A rare and unique organic creation. I’m still waiting for Robert Redford to correct a travesty of justice and hand his Ocscar over to it’s rightful owner. And I’m still waiting for Scorcese to match his own brilliance. But that’s like expecting Tarantino to top _Pulp Fiction_. There’s a better chance Orson Welles rises up from the dead to one up _Citizen Kane_.

After _Raging Bull_, Scorcese has made a string of pictures ranging from not bad to pretty good. All well-made, thoughtful and meticulously crafted films, but nothing special; certainly nothing profound. Contrary to popular opinion, _Goodfellas_ is not a great movie. I was not swept away by the saga. I was annoyed rather by the fragmented non-stop soundtrack and incessant up-tempo style. Marty wasn’t risking anything anymore. He seemed to be afraid of boring the audience. Perhaps he was trying to revive the 1940’s never-let-up screwball-bouncing farcical Preston Sturges and co. comedies. But this is a mafia film. This should have been right up Marty’s alley. It’s been almost a quarter of a century since De Niro got his face busted in a boxing ring. Since the raw, robust and naive will-power of LaMotta’s youth plunged into the pathetic, brutal, bone-headed stupidity of his later years. Similarly, Scorsese hasn’t registered a knock-out punch since. Would his ensuing movies be considered great if someone else directed them? Would I have liked them all better if Raging Bull had never been made?

_The Wolf of Wall Street_ is another exhausting affair. It tries too hard to excite and entertain us. It’s afraid of slowing down, allowing us to ponder or examine the complexities of excessive greed, shameless wealth and unbridled capitalism. It desperately wants to arouse us. Like a neglected clown at a child’s birthday trying to be loved and taken seriously while draining the life out of the party. Give Leo and Jonah an “A” for effort. They couldn’t have tried harder if they broke out into song and dance every ten minutes. And they convincingly appeared to enjoy themselves freely indulging in coke, ludes and naked women every five minutes. It was nice of Leo to step back while Margot Robbie took her routine and obligatory, supporting-actress hissy fit. And you know a filmmaker has a lot of faith and confidence in his work when a superfluous narration track is added, to plug those terrifying noiseless gaps. Whatever happened to poignant, suspenseful, sure-footed, gripping, emotionally-arresting dramas that take you on a nervy, wild ride to a thoroughly gratifying climax? A truly great director from Kurosowa to, well, Scorcese-(circa 1979) would have plotted the rise and fall of a maniacal protagonist along deeper and more affecting lines even at the risk boring its audience for one minute.
r96sk: I didn’t care for the characters, but I damn did have a great time watching ‘The Wolf of Wall Street’. It’s absolutely nuts, and I mean that in a positive way.
Leonardo DiCaprio simply never puts an acting foot wrong, this is the sixth film I’ve seen of his and I love (fwiw: all 9/10+) them all. Phenomenal actor! He is outstanding here as Jordan Belfort, the guy this film is based upon. As noted, I didn’t really ever care for Jordan but DiCaprio makes it impossible not to enjoy watching events throughout.

Jonah Hill (Donnie) comes in with a very good performance, the type of which I hadn’t previously seen from him; closest being, in terms of quality, ‘Moneyball’. Margot Robbie, meanwhile, isn’t easy to forget as Naomi. Though none of the following standout big, it’s pleasant to see Jon Bernthal, Matthew McConaughey and Jon Favreau, among others, appear.

The almost three hour run time, aside from a couple of moments, goes by fairly quickly. A big reason for that is the sheer bonkers nature of the plot, which goes in so many different directions it’s impressive. It doesn’t, as I’ve already mentioned, breed likeability for the characters but I definitely had a fun time watching it all unfold. I guess it depends on what you, as a viewer, prefer. I got the desired amount of entertainment.
sporkproductions: When I’m Scorsese’s age I just hope to still be able to chew my food and go to the bathroom unassisted. That he can still make some of the most cutting edge, visceral, and enjoyable films out there is stunning.
Is this his best film? No. But, even a mediocre film for him is better than 99% of the movies being made.

The performances are super-fun, the pace is relentless, the visual flare is incredible, and the story is fascinating. Is there a discussion to be had about the immorality being glamorized by this film? Sure. That’s the case for a lot of his films (and a lot of films in general). We could debate his intentions with the outcome and what the film is saying about our society all day but that’s another discussion. Is the film a joy to watch? Yes! It definitely is.
Nathan: An amazing bio pic of Jordan Belfort that has everything you’ll ever want: comedy, drama, romance, heart and the list goes on. This movie was an absolute joy. The acting was superb in this movie all around. Leonardo DiCaprio gives one of his best performances of his career. Jonah Hill and Margo Robbie were fantastic! For a movie that was almost three hours, it flew by and was incredibly engaging. I can not believe it took me this long to see it.
**Score:** _90%_
**Verdict:** _Excellent_

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