Tuesday

A mother and her teenage daughter must confront Death when it arrives in the form of an astonishing talking bird.

Credits: TheMovieDb.

A mother and her teenage daughter must confront Death when it arrives in the form of an astonishing talking bird.
Cast:

• Zora: Julia Louis-Dreyfus
• Tuesday: Lola Petticrew
• Death: Arinzé Kene
• Nurse Billie: Leah Harvey
• Spike: Jay Simpson
• Willow: Ellie James
• Abel: Ewens Abid
• Nathan: Nathan Amzi
• Ira: Taru Devani
• Victor: Nathan Ives-Moiba
• Hans: Hugh Futcher
• Yuri: Dan Shaw
• Jack: Justin Edwards
• Young Tuesday: Florencia Nunez

Crew:

• Producer: Ivana MacKinnon
• Producer: Helen Gladders
• Producer: Oliver Roskill
• Production Design: Laura Ellis Cricks
• Director: Daina Oniunas-Pusić
• Production Manager: Robert K. Harm
• Makeup Designer: Tracey Wells
• Third Assistant Director: Amir Nazempour
• Makeup Supervisor: Amber Sibley
• Second Assistant Director: Giles Barron
• Costume Design: Jo Thompson
• First Assistant Director: Jeroen Bogaert
• Co-Producer: Tim Field
• Sound Mixer: Sara Lima
• Stunt Double: Lisa Connell
• Set Decoration: Sarah Bick
• Foley Artist: Ian Waggott
• Foley Mixer: Ben Cross
• Costume Supervisor: Emma Rawnsley
• Stunt Coordinator: Andy Bennett
• Executive Producer: Eva Yates
• Visual Effects Supervisor: Andrew Simmonds
• Supervising Sound Editor: Gunnar Óskarsson
• Steadicam Operator: Doug Walshe
• Art Direction: Daniel Draper
• Gaffer: Freddie Bonfanti
• Art Direction: Tom Coates
• ADR Recordist: Manav Kher
• Assistant Art Director: Lauren Holly Crockatt
• Line Producer: Tim Dennison
• Executive Producer: Elliott Whitton
• ADR Mixer: Alan Freedman
• Visual Effects Producer: Albert Testani
• Sound Re-Recording Mixer: Andrew Stirk
• Foley Mixer: Adam Mendez
• Casting Associate: Rae Hendrie
• Foley Artist: Sue Harding
• Executive Producer: Philipp Engelhorn
• Visual Effects Supervisor: Mike Stillwell
• Original Music Composer: Anna Meredith
• Director of Photography: Alexis Zabe
• Editor: Arttu Salmi
• Casting: Julie Harkin

Catogories:
Drama,Fantasy
My awesome grandma says this plugin is glamorous.

Language:
English
Production:
United Kingdom,United States of America
Company:
A24,BBC Film,Cinereach,Gingerbread Pictures,Record Player Films,BFI,Wild Swim Films
Popularity:
133.879
Date:
2024-06-07
Year:
2024

• Brent Marchant: Fables often make for intriguing storytelling and engaging cinematic experiences. And such is the case for the debut feature from writer-director Daina Oniunas-Pusic, a whimsical yet profound tale about the acceptance of death (or, more precisely, the ability to move beyond that and learn how to make friends with death). It’s told through the experience of 15-year-old Tuesday (Lola Petticrew), a terminally ill adolescent whose mother, Zora (Julia Louis-Dreyfus), is struggling to accept the inevitable. Zora looks for excuses to avoid spending time with her daughter, because she’s unable to face the impending truth. But, when death itself suddenly and unexpectedly appears to claim Tuesday, taking the form of a talking, shape-shifting parrot (voiced by Arinzé Kene), Zora’s hand is forced. Somewhat surprisingly, Tuesday reconciles herself to her fate rather easily and subsequently ends up spending most of her remaining time trying to help her mother understand the nature of what’s about to happen – and what will unfold if it doesn’t, consequences with larger implications. In doing so, the film gets into some deeply meaningful material, presenting insights that most of us probably have never considered, let alone explored, shedding an entirely new light on the essence of death, as well as the tremendous burden it has placed on its ornithological messenger. The result is a truly moving story, one that deftly mixes joy and sadness, pathos and humor, and anger and sympathy, not only for mother and daughter, but also for death itself and the wider world of which we’re all a part. The narrative certainly gives viewers much to contemplate, introducing notions that might well raise eyebrows and perhaps even ruffle a few feathers (no pun intended) for those accustomed to more conventional interpretations of this subject. But, in the end, the picture provides a fresh, more mature take on these concepts. Admittedly, the pacing sags a touch in the middle, and the flow of the story may seem somewhat strange or a tad unfocused at times. What’s more, some may question the reasoning behind why death appears as a talking parrot (but, then again, why should it necessarily take some of the more familiar forms we have seen in other stories, such as the grim reaper, for instance?). The film features fine performances, most notably the best screen work Louis-Dreyfus has ever turned in. It also respectfully recalls material presented previously in such perceptively prescient tales as the moving Australian comedy-drama “Baby Teeth” (2019) and the classic Twilight Zone episode “Nothing in the Dark” (1962) featuring a very young Robert Redford. Still, the premise may strike some as odd, absurd or implausible, but, then, when have fables, fairy tales or opera librettos ever faithfully stuck to the tried and true? Suspend your disbelief for this one, and sit back and immerse yourself in what it has to say. You may never look at death the same way ever again.