Five Nights at Freddy’s

Recently fired and desperate for work, a troubled young man named Mike agrees to take a position as a night security guard at an abandoned theme restaurant: Freddy Fazbear’s Pizzeria. But he soon discovers that nothing at Freddy’s is what it seems.

Credits: TheMovieDb.
Five Nights at Freddy’s
Overview:
Recently fired and desperate for work, a troubled young man named Mike agrees to take a position as a night security guard at an abandoned theme restaurant: Freddy Fazbear’s Pizzeria. But he soon discovers that nothing at Freddy’s is what it seems.
Cast:

• Mike: Josh Hutcherson
• Abby: Piper Rubio
• Vanessa: Elizabeth Lail
• Steve Raglan: Matthew Lillard
• Aunt Jane: Mary Stuart Masterson
• Max: Kat Conner Sterling
• Jeff: David Lind
• Hank: Christian Stokes
• Carl: Joseph Poliquin
• Ghost Kid (Blonde Boy): Grant Feely
• Ghost Kid (With Hook): Asher Colton Spence
• Ghost Kid (With Bunny Ears): David Huston Doty
• Ghost Kid (With Hat): Liam Hendrix
• Ghost Kid (Blue-Eyed Girl): Jophielle Love
• Dr. Lillian: Tadasay Young
• Doug: Michael P. Sullivan
• Young Mike: Wyatt Parker
• Garrett: Lucas Grant
• Mike’s Mom: Jessica Blackmore
• Mike’s Dad: Garrett Hines
• Freddy’s Security Guard: Ryan Reinike
• Jeremiah: Theodus Crane
• Cindy: Julia Belanova
• Ice Cream Lady: Lisa Mackel Smith
• Afraid Young Boy: Xander Mateo
• Sparky’s Diner Waiter: Matthew Patrick
• Kim: Bailey Winston
• Pharmacist: Gralen Bryant Banks
• Cabbie: Cory Kenshin
• Social Worker: Victoria Patenaude
• Foxy (voice) (uncredited): Kellen Goff

Crew:

• Production Supervisor: Brian S. Johnston
• Makeup Department Head: Ashley Levy
• Screenplay: Scott Cawthon
• Executive Producer: Christopher H. Warner
• Executive Producer: Marc Mostman
• Set Dresser: Gregory T. Geniusz
• Set Designer: Alexander Klein
• Second Second Assistant Director: Danny Gonzalez
• Prop Maker: Brad Quintana
• Art Department Coordinator: Jessica Lee
• Sound Designer: P.K. Hooker
• Sound Effects Editor: Jessey Drake
• ADR Mixer: Jamison Rabbe
• Set Decorating Coordinator: Brad Miller
• Boom Operator: Ryan Farris
• Graphic Designer: Alexa Holland
• Visual Effects Production Manager: Corey Farrell
• Special Effects Supervisor: Matt Kutcher
• Special Effects Coordinator: Donnie Dean
• Compositor: Chris Van Noy-March
• First Assistant Sound Editor: Smokey Cloud
• Production Sound Mixer: Chris Welcker
• CG Artist: Jasper Goodrich
• Compositing Supervisor: Rick van de Schootbrugge
• Set Dresser: Eric Ringbloom
• Assistant Set Decoration: Li Yaffe
• Compositor: Paul Wicke
• Dolly Grip: Ted Gregg
• Lighting Programmer: Darcy Lynne Jamison
• Digital Imaging Technician: Paul Rahfield
• Dolly Grip: Gerald Autin
• ADR & Dubbing: Susan Boyajian
• Casting Associate: Matthew Nelson
• Camera Loader: Neera Chatrath
• Casting Associate: Amelia Chen Miley
• Costume Supervisor: Emma Villere
• Casting Assistant: Hilary Matkovich
• Grip: Brian Nault
• Casting Assistant: Adam Stephenson
• Key Costumer: Lori Castano
• Costume Coordinator: Paris Cocke
• Assistant Costume Designer: Lindsey Waltonbaugh
• Color Assistant: Jason Maydick
• Gaffer: Allen Parks
• Electrician: Joshua Walker
• Rigging Grip: Scott Calcagno
• Post Production Assistant: Tyler Ferguson
• Assistant Editor: Lara Karamardian
• First Assistant Editor: Andre Monaco
• Location Coordinator: Stacey Gaw
• Script Supervisor: David Bush
• Picture Car Coordinator: Michael Schlumbrecht
• Music Supervisor: Andrea von Foerster
• Music Supervisor: Aminé Ramer
• Scoring Mixer: Jonathan Wales
• Assistant Production Coordinator: Lucia Bellanger
• Editor: Andrew Wesman
• Executive Producer: Ryan Turek
• Screenstory: Chris Lee Hill
• Screenstory: Tyler MacIntyre
• Editor: William Paley
• Musician: Andrew Grush
• Musician: Taylor Stewart
• Co-Producer: Jennifer Scudder Trent
• Second Assistant Director: David Fischer
• Electrician: Quincy Cichosz
• Rigging Grip: Donald T. Roth
• Special Effects Technician: Santanna Dean
• Truck Costumer: Marie Boensch
• Stunts: Karine Mauffrey
• Electrician: Steffan Pitzel
• Stunts: Jamie Marie Dunn
• Production Coordinator: Dylan Gravley
• Stunts: Joe Dryden
• Best Boy Electric: Nick Kramer
• Rigging Grip: Gino Paul Holmes, Sr.
• Costumer: Heidi Bannon
• Key Makeup Artist: Suzy Beique
• Assistant Location Manager: John Johnston
• Stunts: Sierra Hawkins
• Key Hair Stylist: Carl G. Variste
• Assistant Location Manager: Andrea Babineau
• Travel Coordinator: Erin Murphy
• Stunts: Taryn Terrell
• Utility Sound: Emily Poulliard
• Rigging Gaffer: Russell Beard
• Stunts: Matt Cipro
• Stunts: Michael W. Hoban
• Stunts: Gwendolyn Lastrapes
• Generator Operator: James Williams
• Utility Stunts: Chris Bryant
• Location Assistant: Corey Ellow Sr.
• Location Assistant: Todd Muse
• Stunts: Michael Gaines
• Utility Stunts: Jeff Brockton
• Key Grip: Nick Leon
• Property Master: Michael S. Martin
• Location Manager: Ashley Bunge
• Rigging Grip: Jody D. Honold, Jr.
• Payroll Accountant: Melissa Perret
• Stunt Coordinator: Andy Dylan
• Utility Stunts: Chris Monberg
• Seamstress: Ryn Wilson
• Assistant Location Manager: Justin Etienne
• Production Assistant: Simone Amos
• Leadman: Pat A. O’Connor
• Set Dresser: Caleb Rimmer
• Charge Scenic Artist: Cecile Aymami
• Scenic Artist: Brad Benischeck
• Production Office Assistant: Harrison Costello
• Studio Teacher: Nick Delgado
• Set Dresser: Remy Laan
• Painter: Greg White
• Construction Foreman: Keith Aymami
• Construction Buyer: Nick Martemucci
• Scenic Artist: Tony Sider
• Scenic Artist: Cecil Bowers
• Additional Second Assistant Director: Mary Anne Olinsky
• Actor’s Assistant: Brittany Guillot
• Set Dresser: Jen Brunjes
• Production Assistant: Brady Lewis
• Assistant Accountant: ThuyVi Nguyen
• Scenic Artist: Alexander ‘Sasha’ Stolin
• Production Assistant: Bryce Toups
• Set Decoration Buyer: Madi Turin
• Scenic Artist: Pavel Pesta
• Art Department Production Assistant: Rebecca McGirney
• Set Dresser: Teddy Hennessey
• Production Office Assistant: Danielle Broussard
• Construction Coordinator: Steve Martemucci
• Painter: Kirk Bordelon
• Production Assistant: Miles Gullett
• Executive Producer’s Assistant: Jeremy Marshall
• Painter: Melanie Burck
• Scenic Artist: Joaquin Sanchez
• ADR Mixer: Michael Rivera
• ADR & Dubbing: Alana Webster
• ADR & Dubbing: Ben Pronsky
• VFX Editor: Drew Sacks
• Dialogue Editor: Sang Kim
• ADR & Dubbing: Wolfie Trausch
• ADR & Dubbing: Olivia van Doornewaard
• ADR & Dubbing: Amari Grace
• ADR & Dubbing: Peyton Goodrum
• ADR & Dubbing: Jakari Fraser
• ADR & Dubbing: Juan Pope
• Finishing Producer: Vanessa Galvez
• ADR & Dubbing: Esme Ellis
• ADR & Dubbing: Chrystee Pharris
• ADR Mixer: Mehrnaz Mohabati
• ADR & Dubbing: Amad Jackson
• Music Editor: Brett Pierce
• ADR & Dubbing: Elizabeth Bartley
• ADR & Dubbing: Jackie Cowgill
• ADR & Dubbing: Scott Whyte
• ADR & Dubbing: Thomas Debone
• Other: Celeste Chada
• ADR & Dubbing: Kendrick White
• Sound Mix Technician: Max Serwitz
• Colorist: Mitch Paulson
• On Set Dresser: Joie Todd Kerns
• Production Office Assistant: Maverick Schmit
• Second Assistant Accountant: Cynthia Nguyen
• Key Production Assistant: Sam Nation
• Production Accountant: Todd Crockett
• Production Assistant: Kandace Braud
• Scenic Artist: Wendy Guerrera
• Additional Music: Lily Marlovits
• Sound Recordist: Dragisa Stojanov
• Music: Saun Santipreecha
• Musician: Stewart Cole
• ADR Mixer: Aidan Dykes
• CG Artist: James Bleakley
• Conductor: Joaquim Badia
• Musician: Devon Taylor
• Music: Ilija Grkocski
• Extras Casting: Toni Avalos
• Local Casting: Elizabeth Coulon
• Extras Casting: Celena Rose
• Post Production Supervisor: Anthony Brandonisio
• Sound Re-Recording Mixer: Jason Gaya
• Visual Effects Coordinator: Natasha Tscharanyan
• Assistant Editor: Andrea McLaughlin
• Additional Photography: Austin Alward
• Set Designer: Jessica Johnston
• Visual Effects Supervisor: Jonathan Dearing
• Assistant Property Master: Ashley Clements
• Sound Effects Editor: Andrew Twite
• Foley Mixer: Rustam Himadiiev
• Set Designer: Jonathan House
• First Assistant “A” Camera: Zachary Blosser
• Visual Effects Supervisor: Melissa Brockman
• Foley Artist: Bogdan Zavarzin
• CG Supervisor: Qazi Hamza Javed
• Assistant Editor: Melanie Kuan
• Second Assistant “A” Camera: Chad Taylor
• Thanks: Gregory Plotkin
• Grip: Ronnie Renshaw
• VFX Supervisor: Jeffrey Kalmus
• Animatronics Supervisor: John Criswell
• Conceptual Design: Landon Lott
• Best Boy Grip: Richard Elias
• Sound Re-Recording Mixer: Joel Dougherty
• Sound Effects Editor: Ryan A. Sullivan
• ADR Editor: Paul Timothy Carden
• Visual Effects Producer: Emily Fay Higgins
• “A” Camera Operator: Chris Flurry
• Grip: Andy O’Brien
• Second Assistant “B” Camera: Jack Khorram
• Grip: Mark Koziorowski
• First Assistant “B” Camera: Bryce Marshall
• Screenplay: Emma Tammi
• Executive Producer: Russell Binder
• Producer: Jason Blum
• Visual Effects Producer: Bryan Binder
• Executive Producer: Beatriz Sequeira
• Art Direction: Mark A. Terry
• Production Design: Marc Fisichella
• Utility Stunts: Eric Stratemeier
• Stunts: Sean Paul Braud
• First Assistant Director: Woodrow Travers
• Casting: Sarah Domeier Lindo
• Costume Design: Natalie O’Brien
• Casting: Terri Taylor
• Director of Photography: Lyn Moncrief
• Set Decoration: Claire Sanchez
• Hair Department Head: Amy Wood
• Screenplay: Seth Cuddeback
• Still Photographer: Patti Perret

Catogories:
Horror,Mystery
This is another magnificent plugin.

Can you survive five nights?
Language:
English
Production:
United States of America
Company:
Blumhouse Productions,Scott Cawthon Productions
Popularity:
99.698
Date:
2023-10-25
Year:
2023

• bradley: FNAF was great, Kinda wish it had blood, Every kill was offscreen or really dark and you cant really see the kill.
• MustachedMovieMan: I don’t really get what all the negative reviews are about.
  It’s not the best movie ever or that I’ve seen this year, but I still had a good time watching it. The story was interesting, it had some scary parts, some humorous parts, lots of tension, was well-acted, well-shot, and the effects (both practical and CGI) were well-done. Also, the production design and creature design was great.

  A movie doesn’t have to be restricted to either being “the best” or “horrible.” The theater I saw it in was packed, the audience was responsive and seemed to be loving it, and I myself enjoyed it.

  I didn’t really play the games, but I was definitely engaged in the lore of some of the MatPat Game Theory videos I saw. And I could tell from audience reactions that there were some cool things in the movie if you knew the games. That’s not a negative, to be clear. It’s always really cool when filmmakers put things in movies that true fans would catch and geek-out about.

  As far as being a viewer who didn’t really play the games, I enjoyed the movie. And while I think knowing the games/lore would have definitely enhanced my enjoyment and enthusiasm, I wouldn’t say it lacks as a movie or that the games are “required viewing” for those who haven’t played them. Everything’s explained pretty well.

  As far as the horror aspect goes, it is PG-13; I saw some reviews complaining about the lack of gore… It’s PG-13. C’mon guys.
  But, that being said, I thought they still did a good job with the horror elements that were present.

  I also really liked the trio of main characters. I thought Josh Hutcherson, Piper Rubio, and Elizabeth Lail all did a good job.
  Also, I’m glad Josh Hutcherson is back. I hope he’ll continue to be in more movies.

• CinemaSerf: Didn’t Josh Hutcherson used to be famous? Well here he is reduced to the role of the struggling brother of “Abby” (Piper Rubio). Their aunt (Mary Stuart Masterson) is determined that this hapless bag of bones isn’t fit to look after the young girl – after he takes out a visiting father in the fountain of a shopping mall and gets fired; so “Mike” has to get another job! Opportunities are thin on the ground, but there is a vacancy doing the security night shift and an old, derelict, pizza parlour. How hard can it be? Well a meeting with the enigmatic police officer “Vanessa” (Elizabeth Lail) should have rung alarm bells, and when he has to take “Abby” there for one overnight shift – well it’s soon clear that this place has secrets to keep and that it knows how to manipulate the hopes and fears of “Mike” and his sister. Can they stay sane and focussed long enough to survive this maze of malevolent mechanical bunnies? I’m afraid the presence of Matthew Lillard never helps a film, and here is no different – this is just a rather nonsensical attempt at a spooky mystery that certainly has nothing to make you jump. Rubio is actually quite decent, but there’s isn’t enough else happening to compensate for the very slow build up, surfeit of dialogue and frankly rather silly underlying premiss. I suppose as Halloween gets bigger and bigger, we are going to get more and more of these mediocre offerings – but despite it’s more prominent cast, this just belongs on the Horror channel at 2am.
• biancarockr: Good for scaring little kids.
• LegendGamerXZ: I’ve been waiting for this movie for 8.5 years and they delivered. This movie had everything I asked for the only issues I have with this film is that they should make it more scary, I am only giving it a 5 star is because I am bias and loved this franchise ever since I was a kid! I wished this movie had a little bit more blood!
• LegendGamerXZ: I loved the FNAF Movie, I’ve been waiting for this movie for 8 years and they delivered on my expectations on a Five Nights At Freddy’s Movie! My only gripe on this film just wishing it had more blood
• cooldude1983: as a person who never played any fnaf games a really enjoyed this movie the acting was great the robots looked amazing but the story wasn’t scary but I will say it was dark.
• tmdb47940942: I have been a fan of the Five Nights at Freddy’s franchise for 9 years, and I can say that this was a good adaptation for the video game. I give it 3.5 stars or 7/10 because I have watched many interviews with Emma Tammi and some YouTubers were able to release BTS footage a week or so early. Those interviews and BTS videos really helped me understand the love and care Blumhouse, Scott Cawthon Productions, and Jim Henson’s put into the world that they all knew so many loved. But I wouldn’t go any higher than 3.5 or 7/10 because there were not that many jump scares or good scares. It got me a few times, but not as many as I wished for. and they didn’t show much of William or the Spring Bonnie suit. William Afton is the villain of this franchise. In every universe FNaF has, there is a William, and he kills, and I feel like they swung and missed the ball with William a little. If they are able to make a second film, I hope they explore William more. This is a fun watch, good for fans of the franchise, and a good beginner movie for people who get too scared watching horror movies.
• ViolettSmith: Five Nights at Freddy’s is a fun bad film. I personally loved it. I’ve waited years for it to hit the big screen, and I can’t believe the day came. To get this out of the way, Jim Henson’s company did a fantastic job bringing the animatronic horrors to life. All the animatronic suits look phenomenal; it looks like they ripped them straight from the game. The Easter egg characters also looked really good. Jim Henson’s done an awesome job! The actors for the film were great as well: Josh Hutcherson, Elizabeth Lail, and Matthew Lillard. All great actors that fit their roles perfectly. I am a little sad that Matthew Lillard’s role, William Afton, didn’t have that much screen time. For being the main villain of the whole film, he only had a big twist at the end. Speaking of the big twist, Matthew Lillard played William Afton perfectly; I can’t imagine someone else playing the role. He tuned into who William Afton was so well. The line “I always come back” didn’t really fit; at that moment, how does he know he will come back? The lack of scares in the film and the fact that Mr. Cupcake gets the most kills in the whole film are insane to me. FNaF is a jumpscare game, and this film focused more on the human story, which is fine; I would’ve liked more than a few jumpscares. I also don’t care for the animatronics being all friendly; their kids are trapped in robots. Unless those kids were born killing, I can’t see how people can be mad at the animatronics for being friendly.