The Nun II

In 1956 France, a priest is violently murdered, and Sister Irene begins to investigate. She once again comes face-to-face with a powerful evil.

Credits: TheMovieDb.
The Nun II
Overview:
In 1956 France, a priest is violently murdered, and Sister Irene begins to investigate. She once again comes face-to-face with a powerful evil.
Cast:

• Sister Irene: Taissa Farmiga
• Maurice Theriault: Jonas Bloquet
• Sister Debra: Storm Reid
• Kate: Anna Popplewell
• The Demon Nun / Valak: Bonnie Aarons
• Sophie: Katelyn Rose Downey
• Madame Laurent: Suzanne Bertish
• Simone: Léontine d’Oncieu
• Céleste: Anouk Darwin Homewood
• Father Ridley: Peter Hudson
• Sister Amara: Tamar Baruch
• Sister Chloe: Natalia Safran
• Jacques: Maxime Elias-Menet
• Father Noiret: Pascal Aubert
• Sister Astrid: Alexandra Gentil
• Double Demon Nun: Florence Mestais
• Double Demon Nun: Margaux Borel
• Sister Maria: Viviana Moin
• Sister Pia: Renata Palminiello
• Abbess: Fulvia Patrizia Olivieri
• Julie: Camille Amiel
• Aurélie: Margot Morris
• Cedric the Altar Boy: Gaël Raës
• Emily: Sarah Pachoud
• Sister Concetta: Lieve Carchon
• Cardinal Conroy: David Horovitch
• Deacon Scott: Paul Spera
• Irene’s Mother / St. Lucy: Kate Colebrook
• Young Irene: Margot Bernazzi
• Hotel Clerk: Grégory Di Meglio
• Ethan Rome: Delcho Koprivshki
• Doctor: Philippe Josserand
• Demon Goat: Aaron-Jon North
• Demonic Voice (voice): Andrew Morgado
• Ed Warren: Patrick Wilson
• Lorraine Warren: Vera Farmiga

Crew:

• Director: Michael Chaves
• Characters: James Wan
• Producer: Peter Safran
• Sound Re-Recording Mixer: John Marquis
• Sound Effects Editor: Zach Pino
• Sound Designer: Jason W. Jennings
• Executive Producer: Michael Clear
• Story: Akela Cooper
• Casting Assistant: Lainey Lipson
• Executive Producer: Richard Brener
• Executive Producer: Dave Neustadter
• Director of Photography: Tristan Nyby
• Screenplay: Ian B. Goldberg
• Screenplay: Richard Naing
• Characters: Gary Dauberman
• Executive Producer: Victoria Palmeri
• Casting: Anne Fremiot
• Casting: Rose Wicksteed
• Production Design: Stéphane Cressend
• Supervising Art Director: Alexis McKenzie Main
• Art Direction: Dominique Moisan
• Set Dresser: Mathias Canard
• Set Decoration: Emmanuel Delis
• Costume Design: Agnès Beziers
• Hairstylist: Tavares Audrey
• Hairstylist: Véronique Boslé
• Key Makeup Artist: Suzel Jouguet
• Key Hair Stylist: Kay Philips
• Hairstylist: Audrey Tavares
• Hairstylist: Corinne Texier
• Production Assistant: Félix Armand
• Assistant Production Coordinator: Nicolas Avrand
• Production Secretary: Xio Farias
• Unit Production Manager: Arnaud Kaiser
• Second Assistant Director: Frederic Dagmey
• Second Second Assistant Director: Jérémy Debord
• Third Assistant Director: Manon Grach
• Third Assistant Director: Tanya Larcinese
• Second Unit Director: Guilhem Malgoire
• Set Production Assistant: Frechon Marine
• Second Assistant Director: Melvin Nkosi
• Set Production Assistant: Jérémie Stachow
• First Assistant Director: Dylan Talleux
• Assistant Art Director: Chouchane Bakirel
• Construction Buyer: Roberto DiCamillo
• Art Department Coordinator: Sue Elliott
• Set Decoration Buyer: Clémence Hamel
• Carpenter: Yannick Heuveline
• Standby Property Master: Alexis Imbert
• Graphic Designer: Clément Jolivet
• Carpenter: Clément Langelin
• Painter: Thomas Laporte
• Concept Artist: Mark Schons
• Assistant Art Director: Simon Witte
• Sound Assistant: Lou Jullien
• Sound Mixer: Erwan Kerzanet
• Boom Operator: Marco Peron
• Special Effects Supervisor: Jean-Christophe Magnaud
• Visual Effects Production Manager: Wesley Barker
• Stunt Double: Dimitri Besicovitch
• Stunts: Benjamin Colussi
• Stunts: Andy Deschamps
• Stunt Coordinator: Sébastien Fouassier
• Video Assist Operator: Josue Daniel Acuña
• Rigging Gaffer: Nicolas Amedeo
• First Assistant “A” Camera: Sepehr Azadi
• Key Grip: Sylvain Bardoux
• Video Assist Operator: Tau Barut
• Gaffer: Michel Bouquerel
• Second Unit First Assistant Director: Sarah Boutin
• Grip: Brayan Cadoret
• First Assistant Camera: Antoine Charveriat
• Second Assistant “B” Camera: Margaux Escourolle
• Second Unit Director of Photography: Hugues Espinasse
• Grip: Jean-Charles Etien
• First Assistant “B” Camera: Andres Gomez Orellana
• Additional Second Assistant Camera: Florine Jacquemot
• Camera Trainee: Kevin Kaiser
• Dolly Grip: Eric Larsen
• Steadicam Operator: Matthieu Lornat
• Digital Imaging Technician: Baptiste Marnière
• Grip: Strasser Matteo
• Best Boy Grip: Guillaume Mondin
• “B” Camera Operator: Alexandre Monteau
• Grip: Matteo Nira Mancini
• Second Assistant Camera: Sarah Okendo
• Electrician: Mathieu Poudevigne
• Steadicam Operator: Rémi Quilichini
• Electrician: Yohann Ramsawmy
• Second Assistant “A” Camera: Pauline Rey
• Electrician: Benjamin Rigot
• Electrician: Julien Rizzo
• Data Management Technician: Quentin Roddier
• Electrician: Pietro Rosso
• Electrician: Dweezil Rotily
• Best Boy Grip: Laurent Schepman
• Electrician: Bastien Semeriva
• Key Grip: Michel Strasser
• Digital Imaging Technician: Jérôme Tanguy
• Grip: Laurent Usse
• Best Boy Electric: Clément Valette
• Casting Associate: Aurélie Avram
• Casting Coordinator: Etienne Beck
• Casting Associate: Sophie Kingston-Smith
• Extras Casting Assistant: Peggy Quetglas
• Assistant Costume Designer: Michèle Pezzin
• Assistant Editor: Darren Hallihan
• Dailies Manager: Jackie Mata
• Dailies Operator: Frank Quatrone
• Assistant Location Manager: Philip Thomas
• Assistant Location Manager: Axel Sorensen
• Assistant Script: Serop Cheikhoyan
• Script Supervisor: Stephanie Le Jamtel
• Driver: Laura Gaubert
• Executive Producer’s Assistant: Danielle Bozzone
• Executive Producer: Judson Scott
• Executive Producer: Michael Polaire
• Editor: Gregory Plotkin
• Visual Effects Producer: Sophie Leclerc
• Original Music Composer: Marco Beltrami

Catogories:
Horror
I adore addons, because they are nice.

Confess your sins.
Language:
Español,Français,English,Italiano,Português
Production:
United States of America
Company:
New Line Cinema,Atomic Monster,The Safran Company
Popularity:
121.387
Date:
2023-09-06
Year:
2023

• s.rinky: Despite having such a strong central character on its poster with a great back story, ‘The Nun 2’ spends more time on the pauses and long dialogue scenes than on the scares. ‘Nun the less’, watch it if you are invested in the ‘Conjuring’ universe.
• CinemaSerf: Five years on from her first outing, Taissa Farmiga dons her holy robes to return as the nun who is a dab hand at facing down satanic apparitions. It’s France in the 1950s and a priest is seized in his own church and brutally killed. Not by a person though – and that’s where “Sister Irene” comes in. Fairly quickly her investigations take her to a girl’s school where a previous tragedy has left a room completely sealed off and that’s where she senses the source of this evil may be lurking. Can she figure out who this demon is and thwart it’s ambitions – ambitions that really centre on the absorption of her own, true, spirit? Well, what do you think? We have a bit of eye candy from Jonas Bloquet’s handyman “Maurice” but that’s countered by far too many children – so often the death knell in horror films with their screeching, squealing and toxic effect on the jeopardy of any story – if only they would actually just do as they were told! To be fair, though, they are not the only thing that drags this down. It’s all so very verbal, procedural and predictable. Even the visual effects are a direct descendent of the first film with a denouement that cannot be a shock to anyone. I know it’s hard to reinvent the wheel in this genre, but films like this really offer very little by way of creative innovation, acting/writing skills or even providing the merest hint of scariness. Adequate for Halloween television, but no more I’d say.
• JPV852: I guess a plus on this sequel is it is better than the first one. Not that says much as I didn’t really care for it, as it was a sludge to sit through, especially the finale. Here, honestly I couldn’t really understand what the heck was going on but I suppose some of the direction was interesting and it didn’t feel like it dragged on. That said, it is empty on any emotional elements.

  The only reason I even like “The Conjuring Universe” is because of Patrick Wilson and Vera Farmiga, even the mediocre “The Devil Made Me Do It” was watchable because of them, all of these other entries have been mostly duds. **2.5/5**

• Manuel São Bento: MORE SPOILER-FREE MINI-REVIEWS @ https://www.msbreviews.com/movie-reviews/mini-reviews-2023-edition

  THE NUN II surpasses its predecessor with commendable acting, improved practical effects, and impressive imagery, making it a surprisingly decent horror blockbuster. Michael Chaves effectively utilizes his budget, showcasing well-directed, suspenseful sequences.

  However, it stumbles in the second act with a loss of momentum and still overuses generic jumpscares that often fall flat. The unnecessary complexity introduced in the story, including weird flashbacks and character intricacies, leads to a somewhat messy third act narratively.

  Despite these issues, this sequel represents a positive step forward for the franchise, although I doubt it will ever go back to the peak of the first two The Conjuring films.”

  Rating: B-