Deadpool & Wolverine

A listless Wade Wilson toils away in civilian life with his days as the morally flexible mercenary, Deadpool, behind him. But when his homeworld faces an existential threat, Wade must reluctantly suit-up again with an even more reluctant Wolverine.

Credits: TheMovieDb.
Deadpool & Wolverine
Overview:
A listless Wade Wilson toils away in civilian life with his days as the morally flexible mercenary, Deadpool, behind him. But when his homeworld faces an existential threat, Wade must reluctantly suit-up again with an even more reluctant Wolverine.
Cast:

• Wade Wilson / Deadpool / Nicepool: Ryan Reynolds
• Logan / Wolverine: Hugh Jackman
• Cassandra Nova: Emma Corrin
• Mr. Paradox: Matthew Macfadyen
• Laura / X-23: Dafne Keen
• Happy Hogan: Jon Favreau
• Vanessa: Morena Baccarin
• Peter: Rob Delaney
• Blind Al: Leslie Uggams
• Elektra: Jennifer Garner
• Blade: Wesley Snipes
• Gambit: Channing Tatum
• Johnny Storm: Chris Evans
• The Cavillrine: Henry Cavill
• B-15: Wunmi Mosaku
• Pyro: Aaron Stanford
• Sabretooth: Tyler Mane
• Dopinder: Karan Soni
• Negasonic Teenage Warhead: Brianna Hildebrand
• Yukio: Shioli Kutsuna
• Colossus (voice): Stefan Kapičić
• Buck: Randal Reeder
• Shatterstar: Lewis Tan
• Dancepool: Nick Pauley
• Mrs. Chipman: Sonita Henry
• Mr. Chipman: Ryan McKen
• Elliot Chipman: Nanak Phlora
• Kevin Chipman: Aydin Ahmed
• Minuteman Leader: Leemore Marrett Jr.
• TVA Tech: James Dryden
• Bar Patron: Ollie Palmer
• Seedy Bartender: Greg Hemphill
• Juggernaut: Aaron W Reed
• Blob: Mike Waters
• TVA Soldier: Rob McElhenney
• Screaming Mutant (voice): James Reynolds
• Outpost Tech: Ed Kear
• TVA Office Agent: Paul G. Raymond
• Ladypool (voice): Blake Lively
• Kidpool (voice): Inez Reynolds
• Headpool (voice): Nathan Fillion
• Cowboypool (voice): Matthew McConaughey
• Babypool (voice): OIin Reynolds
• Welshpool: Paul Mullin
• Canadapool: Alex Kyshkovych
• Thor Odinson (archive footage) (uncredited): Chris Hemsworth
• Russian (uncredited): Billy Clements
• Toad (uncredited): Daniel Medina Ramos
• Lady Deathstrike (uncredited): Jade Lye
• Quill (uncredited): Nilly Cetin
• Azazel (uncredited): Eduardo Gago Muñoz
• Callisto (uncredited): Chloe Kibble
• Bullseye (uncredited): Curtis Rowland Small
• Psylocke (uncredited): Ayesha Hussain
• Arclight (uncredited): Jessica Walker
• Haroldpool (uncredited): Harry Holland
• Zenpool (uncredited): Kevin Fortin

Crew:

• Writer: Shawn Levy
• Executive Producer: Rhett Reese
• Executive Producer: Paul Wernick
• Set Decoration: Naomi Moore
• Music Supervisor: Dave Jordan
• Editor: Shane Reid
• Executive Producer: Louis D’Esposito
• Writer: Ryan Reynolds
• Producer: Lauren Shuler Donner
• Executive Producer: Wendy Jacobson
• Unit Production Manager: Mary McLaglen
• First Assistant Director: Josh McLaglen
• Executive Producer: George Dewey
• Executive Producer: Simon Kinberg
• Executive Producer: Jonathon Komack Martin
• Visual Effects Supervisor: Swen Gillberg
• Editor: Dean Zimmerman
• Second Unit Director: George Cottle
• Art Direction: Alex Bowens
• Hair Designer: Claire Pritchard
• Makeup Designer: Bill Corso
• Hairstylist: Sean Flanigan
• Visual Effects Art Director: Martin Bell
• Writer: Zeb Wells
• Sound Designer: Samson Neslund
• Casting: Sarah Halley Finn
• Director of Photography: George Richmond
• Production Design: Ray Chan
• Costume Design: Graham Churchyard
• Supervising Sound Editor: Ryan Cole
• Stunt Coordinator: Colin Follenweider
• Stunts: Marvin Berrembou
• Stunt Driver: Tom Buckley
• Stunts: Adrian Derrick-Palmer
• Stunts: Josh Dyer
• Storyboard Artist: William Groebe
• Costume Design: Mayes C. Rubeo
• Sound Designer: Eric A. Norris
• Storyboard Artist: Jeremy Simser
• Stunts: Mark Strange
• Stunt Double: Daniel Stevens
• Stunts: Ailís Smith
• Stunts: Lauriane Rouault
• Stunts: Shane Roberts
• Stunts: Oleg Podobin
• Stunts: Bogdan Kumšackij
• Stunts: Ayesha Hussain
• Stunts: Jessica Hooker
• ADR Mixer: Doc Kane
• Stunts: Tony Christian
• Stunts: Daniel Medina Ramos
• Characters: Len Wein
• Characters: John Romita Sr.
• Characters: Herb Trimpe
• Characters: Roy Thomas
• Key Makeup Artist: Geoff Redknap
• Fight Choreographer: Alex Kyshkovych
• Stunts: Christina Petrou
• Stunts: Erol Ismail
• Stunts: James Cox
• Stunts: Jonny James
• Stunts: Jade Lye
• Stunts: Billy Clements
• In Memory Of: Henry Delaney
• Stunts: Eduardo Gago Muñoz
• Stunts: Chloe Kibble
• Stunts: Curtis Rowland Small
• Stunts: Jessica Walker
• Sound Re-Recording Mixer: Lora Hirschberg
• Original Music Composer: Rob Simonsen
• Co-Producer: Mitchell Bell
• Visual Effects Producer: Lisa Marra
• Characters: Fabian Nicieza
• Characters: Rob Liefeld
• Stunts: Kevin Fortin
• Stunts: Cali Nelle
• Stunts: Hung Dante
• Producer: Kevin Feige
• Co-Producer: Janine Modder
• Second Assistant Director: Simeon Jones
• Visual Development: Andy Park
• Additional Visual Effects: Charlie Lehmer
• Sound Re-Recording Mixer: Craig Henighan
• Stunts: Zac Henry
• Stunts: Paul Harford
• Stunts: Ronan Kearns
• Stunts: Rebecca Robb
• Stunt Double: Shauna Duggins
• Stunts: Andy Lister
• Stunts: Vanessa Rael
• Stunts: Rico Burgos
• Stunts: Jackson Spidell
• Stunts: Rick English
• Stunts: Jonny English
• Stunts: Annabel Wood
• Stunts: Anna Stephenson
• Stunts: Oliver Gough
• Stunts: Nadia Hansell
• Stunts: Maureen Lavoyer
• Stunts: Julia Shunevitsch
• Stunts: Imogen Leaver
• Stunts: Joel Adrian
• Stunts: James Harris
• Stunts: Joe Kennard
• Stunts: Miles Ley
• Stunts: Nilly Cetin
• Stunts: David MacDonald
• Stunts: Tilly Powell
• Stunts: Kobe Appiah
• Stunts: Georgia Shaw
• Stunts: Ben Wright
• Stunts: Dave Grant
• Stunts: Theo Morton
• Stunts: Anton Simpson-Tidy
• Stunts: James Stewart
• Stunts: Christiaan Bettridge
• Stunts: Matthew Bell
• Stunts: Tom Cotton
• Stunts: Joe Paxton
• Stunts: Haruka Oshima
• Stunts: Lukaz Leong
• Stunts: George Smith
• Stunts: Craig Canning
• Stunts: Kian Lloyd
• Stunts: Oliver Ward
• Stunts: Alice Rosano
• Stunts: Izzy Aduhene
• Stunts: Troy Kenchington
• Stunts: Luke Scott
• Stunts: Kim McGarrity
• Stunts: Isky Fay
• Stunts: Doren John Farmer
• Stunts: Mathew Fraser-Dawson
• Stunts: Karanja Yorke
• Stunts: Kai Martin
• Stunts: C.C. Smiff
• Stunts: Calvin Warrington-Heasman
• Stunts: Tsvetan Paunov
• Stunts: Shane Steyn
• Stunts: Dom Dumaresq
• Stunts: Kyle Freemantle
• Stunts: Clayton Grover
• Stunts: Kit Burden
• Stunts: Kerry Pallott
• Stunts: Chris Pollard
• Stunts: Mauro Calo
• Stunts: Greg Powell
• Stunts: Anthony Scrimshire
• Stunts: Martin Wilde
• Stunts: Matt Sherren
• Stunts: Yasmin Chadwick
• Supervising Art Director: Tim Blake
• Art Direction: Liam Georgensen
• Art Direction: Chris ‘Flimsy’ Howes
• Art Direction: Victoria Allwood
• Art Direction: Katie Money
• Art Direction: Amber King
• Art Direction: Emily Norris
• Assistant Art Director: Guy Isherwood
• Assistant Art Director: Milly Hanson
• Assistant Art Director: Regina Lujan
• Assistant Art Director: Rebecca Dorrian
• Assistant Art Director: Grace-Anna Hay
• Draughtsman: Christine Ivall
• Standby Art Director: Abigael Snape
• Art Department Coordinator: Georgia Walker
• Researcher: Gina De Ferrer
• Senior Modeller: Kathryn Prince
• Modeling: Emily Bates
• Art Department Assistant: Athena Papworth
• Art Department Assistant: Megan Nightingale
• Draughtsman: Amy Eloise Herring
• Draughtsman: Lilya McGinley
• Draughtsman: Lizzie Osborne
• Draughtsman: Gavin Dean
• Draughtsman: Grieg Cockburn
• Draughtsman: Michael Croghan
• Draughtsman: Victoria Johnson
• Draughtsman: Philip Donaldson
• Concept Artist: Tim Hill
• Concept Artist: Ivan Weightman
• Concept Artist: Christian Kesler
• Visual Development: Ryan Meinerding
• Visual Development: Kelly R. Burroughs
• Visual Development: Naomi Baker
• Visual Development: Wesley Burt
• Visual Development: Rodney Fuentebella
• Visual Development: Ji Hye Lee
• Visual Development: Phil Saunders
• Visual Development: Jana Schirmer
• Visual Development: Constantine Sekeris
• Visual Development: John Staub
• Visual Development: Jackson Sze
• Steadicam Operator: Chris Bain
• First Assistant “A” Camera: David Cozens
• Second Assistant “A” Camera: Chloe Harwood
• First Assistant “B” Camera: Chris McAleese
• Second Assistant “B” Camera: Cai Stephens
• Camera Trainee: Princess Jiboye
• Camera Trainee: Harry Mayes
• Camera Loader: Cas Broad
• Camera Loader: Calem Trevor
• Digital Imaging Technician: Mardon de Carvalho
• Data Management Technician: Alexander Jariwala-Waldemar
• Drone Pilot: Dani Rose
• Drone Operator: Steve Lintern
• Post Production Supervisor: Jordan Ballard
• Associate Editor: Jennifer Stellema
• Assistant Editor: Matt Simpson
• Music Editor: Daniel DiPrima
• Music Editor: Scott Ross
• Post Production Coordinator: Kayley Kemp
• Editorial Production Assistant: Luke Scheuermann
• Post Production Supervisor: Rebecca Adams
• Post Production Coordinator: Ben Seward
• First Assistant Editor: Elise Anderson
• Editorial Production Assistant: Finley King
• Visual Effects Coordinator: Christine Lawless
• Visual Effects Coordinator: William Townsend
• Visual Effects Coordinator: Jesse Cheng
• Visual Effects Coordinator: Andie Leeds
• Storyboard Artist: Darrin Denlinger
• Visual Effects Compositor: Lindsey Fry
• Visual Effects Compositor: Roxy Zuckerman
• Visual Effects Compositor: Greg VanZyl
• Visual Effects Compositor: Carey Villegas
• Visual Effects Production Assistant: Allie Daniliuk
• Visual Effects Editor: Dominick Rolandelli
• Visual Effects Editor: Kosta Saric
• Visual Effects Editor: Tyler Whitman
• Visual Effects Editor: Andrea Maxwell
• Visual Effects Editor: Michael T. Marlett
• Visual Effects Production Assistant: Carlos Escobosa
• Visual Effects Production Assistant: Steven Enis
• Visual Effects Production Assistant: Talia Caouki
• Visual Effects Production Assistant: S. Michaela McCool
• Visual Effects Production Assistant: Lou Heritage
• Visual Effects Production Assistant: Eric Stewart
• Stereoscopic Supervisor: Emma Webb
• Stereoscopic Editor: Wayan Blue Palmieri
• Production Coordinator: Emma Boulton
• Assistant Production Coordinator: Rich Sansom
• Travel Coordinator: Lauren Alexander
• Production Secretary: Olivia Hamilton-Blake
• Production Office Assistant: Tom Sansom
• Script Supervisor: Ana Oparnica Sebal
• Script Coordinator: Zoé Denis
• Special Effects Supervisor: Dominic Tuohy
• Special Effects Technician: Mike Durkan
• Special Effects Technician: Stu Prior
• Special Effects Technician: Anton Prickett
• Special Effects Technician: Jonathan Bickerdike
• Special Effects Technician: Oliver Gee
• Special Effects Technician: Richard Van Den Bergh
• Special Effects Technician: David Keen
• Special Effects Technician: Neil Damman
• Special Effects Technician: Andy Bunce
• Special Effects Technician: Phil Ashton
• Special Effects Technician: Steve Pippet
• Special Effects Technician: Dean Ford
• Special Effects Technician: Ben Lovett
• Special Effects Technician: Jason Thorne
• Special Effects Technician: Tom Aldridge
• Special Effects Technician: Kingsley Lewis
• Special Effects Technician: Henry Noakes
• Special Effects Technician: Enes Custic
• Special Effects Technician: Doug Bishop
• Property Master: Mitch Niclas
• Assistant Property Master: Colin Ellis
• Armorer: Matt Fyson
• Armorer: Stephen Churchett
• Armorer: Mike Buchan
• Set Dresser: Jamie Walton
• Set Dresser: Nicholas Cummins
• Set Dresser: Tom Whitby
• Set Dresser: Brian Nobbs
• Set Dresser: Harison Ahern Farebrother
• Set Dresser: Denis Hopperton
• Set Dresser: Alan Arnold
• Set Dresser: Jake Askey
• Set Dresser: Glenn Simmons
• Set Dresser: Jay Watson
• Set Dresser: Richard Leonard
• Set Dresser: Sam Herschell
• Set Dresser: John Botton
• Set Dresser: John Hadley
• Set Dresser: Will Botton
• Set Dresser: Jack Rollinson
• Set Dresser: Joey Hodges
• Set Dresser: Charlie Cain
• Set Dresser: Ross Manuk
• Set Dresser: Aaron Keyes
• Set Dresser: Nathan Payne
• Set Dresser: Katy Chrysafi
• Set Dresser: Joe Block
• Senior Modeller: Jack Hewett
• Senior Modeller: John Weller
• Senior Modeller: Mark Norfolk
• Senior Modeller: Rebecca Timons
• Senior Modeller: Edmund Dimbleby
• Senior Modeller: Martin Campell
• Assistant Set Decoration: Jess Esmond
• Assistant Set Decoration: Katie Walker
• Petty Cash Buyer: Ellen Farrell
• Set Decorating Coordinator: Charlotte Frampton
• Greensman: Terry Lambert
• Draughtsman: Alan Tongs
• Sound Mixer: Colin Nicolson
• Second Assistant Sound: Amelia Haynes
• Video Assist Operator: John Bowman
• Gaffer: Wayne Shields
• Best Boy Electric: Raz Khamehseifi
• Standby Rigger: Kevin Daly
• Rigging Gaffer: Mike King
• Key Grip: Steve Ellingworth
• Best Boy Grip: Peter Hayley-Barker
• Standby Carpenter: Paul Jones
• Standby Carpenter: Peter Harris
• Standby Rigger: Jack Connolly
• Standby Rigger: Gary Thom
• Location Manager: Deborah Nutt
• Location Manager: James Buxton
• Location Manager: Matt Craufurd
• Assistant Location Manager: Jennie Hall
• Assistant Location Manager: Rob Gooding
• Assistant Location Manager: Toby Blyther
• Assistant Location Manager: Hannah M.G. Cole
• Location Scout: Daniel Connolly
• Location Scout: Amie Tridgell
• Unit Manager: Charlie Simpson
• Assistant Unit Manager: Suzi Webster Ball
• Location Assistant: Jaimie Barnett
• Location Assistant: Jacob Crow
• Location Assistant: Michael Desimone
• Location Assistant: Molly Simmons
• Assistant Costume Designer: Lucy Bowring
• Assistant Costume Designer: Carla Monvid-Jenkinson
• Costume Supervisor: Edward T. Hanley
• Costume Supervisor: Birgitta Fredlund
• Wardrobe Supervisor: David Otzen
• Costume Coordinator: Lily Bevan
• Costume Illustrator: David Masson San Gabriel
• Costume Illustrator: Sophie Fretwell
• Makeup Supervisor: Paula Price
• Prosthetic Makeup Artist: Robb Crafer
• Hairdresser: Amy Carter Mason
• Hairdresser: Michael Lumsden
• Hairdresser: Lauren Clark
• Hairstylist: Anne Carroll
• Makeup Artist: Cyndi Reece-Thorne
• Makeup Artist: Whitney James
• Hairstylist: Kristin Wahl
• Makeup Artist: Jay Wejebe
• Hairstylist: Jacqueline Rathore
• Makeup Artist: Ailbhe Lemass
• Prosthetic Makeup Artist: Jon Moore
• Prosthetic Makeup Artist: Dominique Butler
• Prosthetic Makeup Artist: Rebecca Henson
• Prosthetic Makeup Artist: Jennifer Hymus
• Prosthetic Makeup Artist: Stuart Richards
• Prosthetic Makeup Artist: Victoria Holt
• Casting: Lucy Bevan
• Casting: Emily Brockmann
• Casting Associate: Jacqueline Gallagher
• Casting Associate: Jordyn Gregory
• Executive Assistant: Adylene Villanueva
• Casting Associate: Katie Brydon
• Unit Publicist: Stacy Mann
• BTS Photographer: Simon Firsht
• Still Photographer: Jay Maidment
• Dialect Coach: Jess Platt
• Dialect Coach: Naomi Joy Todd
• Dialect Coach: Amy Chaffee
• Dialect Coach: Sonja Field
• Executive Assistant: Melissa Scicluna
• Executive Assistant: Sophia Travalgia
• Construction Manager: Steve Bohan
• Construction Coordinator: Debbie Morgan
• Construction Buyer: Nicola Jones
• Supervising Carpenter: John O’Connor
• Supervising Carpenter: Graham Cole
• Supervising Carpenter: Mike Green
• Supervising Carpenter: Adam Shepherdly
• Supervising Carpenter: Mark Kenny
• Chef: Attila Szabo
• Chef: Peter Locke
• Chef: Chris Jackson
• Chef: Nicky Teale
• Security Coordinator: Dean Tindall
• Health and Safety: Henry Faulkner
• Health and Safety: Craig Taylor
• Health and Safety: Aaron Stormont
• Health and Safety: Richard Baker
• Health and Safety: Verónica Moya
• Transportation Captain: Dean Thomas
• Transportation Coordinator: Jade Saunders
• Second Unit Director of Photography: Tim Wooster
• Production Manager: Russell Lodge
• Second Unit First Assistant Director: Stewart Hamilton
• Story Manager: Andrew Reiber
• Thanks: Chuck Austen
• Thanks: Kyle Baker
• Thanks: Philip Bond
• Thanks: John Buscema
• Thanks: Sal Buscema
• Thanks: John Byrne
• Thanks: Greg Capullo
• Thanks: Stefano Caselli
• Thanks: Chris Claremont
• Thanks: Dave Cockrum
• Thanks: Tomm Coker
• Thanks: Gene Colan
• Thanks: Alan Davis
• Thanks: Bong Dazo
• Thanks: Steve Dillon
• Thanks: Gerry Duggan
• Thanks: Garth Ennis
• Thanks: Al Ewing
• Thanks: Victor Gischler
• Thanks: Mark Gruenwald
• Thanks: Mike Gustovich
• Thanks: Mike Hawthrone
• Thanks: Joe Kelly
• Thanks: Scott Koblish
• Thanks: Scott Kolins
• Thanks: Adam Kubert
• Thanks: Craig Kyle
• Thanks: Jim Lee
• Thanks: Stan Lee
• Thanks: Larry Lieber
• Thanks: Jean-Marc Lofficier
• Thanks: Randy Lofficier
• Thanks: Bill Mantlo
• Thanks: Ed McGuinness
• Thanks: Steve McNiven
• Thanks: Paco Medina
• Thanks: Mark Millar
• Thanks: Peter Milligan
• Thanks: Stuart Moore
• Thanks: Grant Morrison
• Thanks: Sean Phillips
• Thanks: Whilce Portacio
• Thanks: Brian Posehn
• Thanks: Joe Quinones
• Thanks: Frank Quitely
• Thanks: Paul Ryan
• Thanks: Marc Silvestri
• Thanks: Walt Simonson
• Thanks: Dan Slott
• Thanks: Dann Thomas
• Thanks: Alex Toth
• Thanks: Fred Van Lente
• Thanks: Kev Walker
• Thanks: Daniel Way
• Thanks: Marv Wolfman
• Thanks: Christopher L. Yost
• Characters: Joe Simon
• Characters: Jack Kirby
• Characters: Frank Miller
• VFX Supervisor: Vincent Papaix
• Visual Effects Producer: Josiane Fradette
• Animation Supervisor: Alex Poei
• CG Supervisor: Anthony Zwartouw
• Compositing Supervisor: Donny Rausch
• Compositing Supervisor: Ziad Shureih
• VFX Editor: Zack Mazerolle
• VFX Editor: Rowen Rinaldi
• Executive Visual Effects Producer: Jeanie King
• VFX Supervisor: Matthew Twyford
• VFX Supervisor: Arek Komorowski
• VFX Supervisor: Robert Allman
• VFX Supervisor: Joao Sita
• CG Supervisor: Taylor Lenton
• CG Supervisor: Simone Vassallo
• CG Supervisor: James Stuart
• CG Supervisor: Jordan Walsh
• CG Supervisor: Prashant Nair
• Compositing Supervisor: Adrian Sutherland
• Compositing Supervisor: Neil Griffiths
• Compositing Supervisor: Todd Liddiard
• Animation Supervisor: Jye Skinn
• Executive Visual Effects Producer: Sabrina Gagnon
• Visual Effects Producer: Mark Webb
• Visual Effects Producer: Vivasean Venkat
• Visual Effects Producer: Julian Dimsey
• VFX Supervisor: Daniel Macarin
• Compositing Supervisor: Alexander Berson
• Visual Effects Producer: James Worley
• Executive Visual Effects Producer: David Conley
• Compositing Supervisor: Michael Crane
• Visual Effects Production Manager: Kristina Lee
• VFX Supervisor: Lawson Deming
• Visual Effects Producer: Gretchen Bangs
• CG Supervisor: Hannes Poser
• Executive Visual Effects Producer: Cory Jamieson
• VFX Supervisor: Xu Li
• VFX Supervisor: Jared Sandrew
• 2D Supervisor: Sun Xiaodan
• Executive Visual Effects Producer: Will Anderson
• Visual Effects Producer: Jack Dorst
• VFX Supervisor: Edson Williams
• VFX Supervisor: Jamie Macdougall
• Executive Visual Effects Producer: Ian Cope
• Visual Effects Producer: Natalie Dury
• Compositing Supervisor: Darwin Go
• VFX Supervisor: Tony Lupoi
• Visual Effects Producer: Donna Cullen
• Visual Effects Coordinator: Jake Saar
• Visual Effects Coordinator: Madeleine McKee
• Sound Effects Editor: J.R. Grubbs
• Sound Effects Editor: Lee Gilmore
• Dialogue Editor: Emma Present
• First Assistant Sound Editor: Melissa Lytle
• Foley Artist: Steve Baine
• Foley Recordist: Peter Persaud
• Additional Sound Re-Recording Mixer: Brandon Proctor

Catogories:

These modules are elegant.

Come together.
Language:
English
Production:
United States of America
Company:
Marvel Studios,Maximum Effort,21 Laps Entertainment,20th Century Studios,Kevin Feige Productions,TSG Entertainment
Popularity:
1490.952
Date:
2024-07-24
Year:
2024

• shammahrashad: Theres not much of a plot and the villains weren’t that great. It was a good laugh though and amazing cameos and fight scenes.
• r96sk: Its story may not be the strongest, but the comedy makes ‘Deadpool & Wolverine’ an excellent watch!

  There are some top notch gags in there, particularly to do with the recent offscreen changes for Wade Wilson’s alter ego. As you’d expect with Ryan Reynolds in this role, the jokes are plentiful and there is barely any time to react to one before another appears. That can sometimes not work as well as intended, e.g. ‘Deadpool 2’, but here the humour is executed perfectly.

  Reynolds himself is quality, it is a quintessential Ryan Reynolds as Deadpool performance. It’s real neat to see Hugh Jackman back as Wolverine, he does play second fiddle to the other titular character but still more than holds his own, as you’d expect. Emma Corrin, meanwhile, enters the MCU with a great showing.

  As noted at the top, I do think the plot couldn’t been superior – but not in a negative way. What is portrayed is still entertaining to watch, it’s just not necessarily on the same level as the comedic elements. A fun watch, all the same. Do I like it more than the 2016 original? I think so, would only be minorly so though.

• Chris Sawin: _Deadpool & Wolverine_ is the best the MCU has been since Guardians of the Galaxy Vol. 3. It’s two hours of comic book-driven fan service and delivers entertaining surprises, nostalgic throwbacks, memorable action sequences, and worthwhile performances.

  **Full review:** https://bit.ly/WadeLogan

• Brent Marchant: In moviemaking, sadly, there can be a problem with going to the well too many times, and this latest installment in one of filmdom’s better cinematic franchises verges on proving just that. This offering’s predecessors (2016, 2018) significantly distinguished themselves from the kind of fare typically found in the superhero genre with their outrageously bawdy humor, hilarious sight gags and relentlessly maverick attitude. This time out, however, director Shawn Levy’s latest effort is a decidedly hit or miss affair, with an often-incoherent script that feels like it was cobbled together from a collection of leftover parts, some of which work and some of which don’t. I suppose that’s not entirely surprising from a screenplay that was penned by four different writers, making me wonder how much consensus was in place in compiling the finished product. Moreover, this film appears to be intended to fold the Deadpool franchise into the X-Men franchise, an intriguing idea that, regrettably, is handled rather clumsily (as has often been the case with many other recent fusion offerings in the Marvel Universe). And, if all that weren’t bad enough, this release gives short shrift to the colorful cast of supporting players that made the Deadpool films so funny, original and enjoyable, relegating them to little more than cameos in favor of walk-ons by a host of other MCU characters (some of them remarkably obscure, I might add) in an attempt to help cement the franchise cross-pollination going on here. It makes for awkward storytelling at times, especially for viewers who might not be familiar with these lesser-known figures, some of which are drawn from Marvel source material unrelated to its big screen offerings. To the picture’s credit, it features yet another stellar turn by Ryan Reynolds as the off-color protagonist, as well as its share of hilarious bits (without a doubt the franchise’s historically strongest suit), including a number of unabashed, razor-sharp asides referencing off-screen developments related to the studios that produced these films and the actors who have appeared in them. These strengths notwithstanding, however, this is a production that has sadly watered down the elements that best made this franchise work in favor of an overarching programming agenda that simply doesn’t serve this film or the series particularly well. The creators would have served themselves and viewers better by sticking with what works and the basics of good storytelling than trying to force an issue for the sake of future productions that may or may not work over the long term. This has been a noticeable downfall in the quality of many of the most recent Marvel Universe releases, and I’d truly hate to see this franchise befall a similar fate.
• Sean: Such a fun watch, maybe one of the best experiences I’ve had in a theater. I couldn’t have asked for a better ending to 24 year old franchise.
• CinemaSerf: Well the “Deadpool” concept is now well and truly immersed in the Marvel multi-verse and I really did fear for good old “Dead”. More of the same? Well, no actually. Ryan Reynolds has reverted more to the occasionally quite vulgar humour of the first film (2016) and allowed this trequel to focus more on the personality of this irreverent, immortal, superhero as he tries to resurrect the recently departed “Wolverine/Logan” (Hugh Jackman) so he can save his timeline from erasure. To do that, and thwart the comically menacing “Paradox” (Matthew Macfadyen), he has to face down “Cassandra Nova” (Emma Corrin) – who happens to be the long estranged twin sister of “Xavier” who presides over the void. That’s a “Mad Max” style desert style territory where all the undesirables have been put by “Paradox” and his organisation over the years. Initially, there’s no love lost between our two heroes. The cocky man in red lycra does not impress his new, booze-soaked and guilt-ridden buddy, but quickly they manage to align their priorities and then – well yes, you can guess the rest. Indeed, there’s nothing remotely unpredictable about any of this, but what it does do is shout loudly and proudly that it knows it. It’s not trying to reinvent the wheel, it’s succeeding in pointing out that all of these multi-verse films that simply adjust the space/time continuum to provide a new setting for the same old stories ad characters has to stop before we (the audience) bore further of their repetitive combat cycles and nondescript plot lines. Maybe Reynolds does over-egg the smuttiness a little but there are still plenty of wry comments about the industry, product placement and the plethora of films (and actors) that have preceded it delivering same old same old. It’s not forgotten to entertain us too – there are loads of action scenes and there’s an amiable chemistry between two actors who are clearly on the same, suitably sarcastic, page throughout a two hours that also features a some fun cameos from the likes of Messrs. Evans, Snipes, Cavill, Favreau and Tatum to keep it moving along with an effervescence of spirit. It’s a big screen essential, there’s a lot of effort gone into the production that won’t work so well on the telly, and I enjoyed it.
• TheSceneSnobs: Deadpool and Wolverine is a movie that I truly believe the Marvel Cinematic Universe (MCU) has needed for a while. After years of lackluster installments, this film is a breath of fresh air. Ryan Reynolds, Hugh Jackman, and director Shawn Levy approached this project with care and a deep understanding of what fans want. The film feels like it was crafted by fans for fans, particularly those who have been frustrated by the recent phases of the MCU.

  Reynolds and Levy brought on a team of writers with a strong background in comedy and storytelling. This decision pays off, as the film’s humor and narrative are both sharp and engaging. For example, the meta vibe of Deadpool, familiar from the previous two films, is ramped up significantly. The movie spares no one, making jokes about everything from Hugh Jackman’s recent divorce to Ryan Reynolds’ career. However, it’s the MCU that receives the most pointed and critical jokes, which will resonate with long-time fans.

  The chemistry between Reynolds and Jackman is electric, bringing new life to both characters. Their dynamic is both hilarious and heartfelt, making for a compelling narrative. For instance, scenes where Deadpool and Wolverine banter while taking down enemies are filled with wit and energy, showcasing their unique bond. This camaraderie extends to the film’s supporting cast, with well-timed cameos and clever nods to previous Marvel movies.

  The film’s self-awareness and willingness to poke fun at its own franchise are refreshing. This level of meta-commentary sets the film apart from typical superhero fare.

  Despite its comedic approach, the film doesn’t skimp on emotional depth. The storyline is carried by genuine heart, particularly in how it addresses themes of redemption and friendship. The climax is especially impactful, ranking among the greats in the franchise.

  This isn’t just a good sequel; it’s a game-changer for the MCU. The film successfully integrates Deadpool into the broader Marvel Cinematic Universe while maintaining his unique tone and style. It sets the stage for future installments, promising exciting developments ahead. The way the film navigates these transitions feels seamless, ensuring that Deadpool’s irreverent humor doesn’t clash with the MCU’s established tone.

  Overall, Deadpool and Wolverine is a standout entry in the MCU, offering a perfect blend of humor, action, and heart. Ryan Reynolds and Hugh Jackman deliver top-notch performances, supported by a smart script and deft direction from Shawn Levy. This film not only redeems past missteps in the franchise but also paves the way for a promising future. It’s a must-watch for any Marvel fan, filled with laughter, thrills, and touching moments that elevate it above many of its predecessors.

• GenerationofSwine: It feels a bit rushed… but then it was rushed. It feels a bit neutered, but it’s now Disney and they did muzzle it.

  The thing is though… it’s not woke, which is why you have articles criticizing it for “Not Being Gay Enough” and in 2024, that very literally translates to: “They focused on a story and characters rather than a political agenda and we’re mad about it.” Which, in turn, translates to “Actually entertaining.”

  It’s amazing how articles complaining about a movie not being Gay enough can guarantee you that the movie is going to be good.

  Only…. it’s meh. I mean, when you compare it to most of the movies this year it’s pretty epic. When you compare it to most of the post 2016 movies this is one of the greatest things ever made… but when you compare it to the other Deadpool movies it’s rushed.

  But… who cares, it literally doesn’t have a point other than entertaining you, and that is really all that matters and all that I ask for.

  Is it a cash grab? Yes, and I will GLADLY give them my money for another movie that just wants to entertain. And if they make another movie that wants to entertain and not push an agenda, I will gladly give them MORE of my money… because at the end of the day, entertainment has been in a decade long drought brought to you by political lecturing and nerd domains have been intentionally attacking fans rather than making movies, like this, that make fans want to give them their money.

  So when a movie like this comes along, it is a wonderful thing.

• JPV852: Satisfying and 100% fan-service. Hugh Jackman still is awesome as Wolverine and gives it his all, along with Ryan Reynolds, both showing passion for the characters. That said, much like Deadpool 2, I’m not sure if I have much desire to revisit anytime soon. **3.5/5**
• Pringo: I just watched Deadpool & Wolverine, and wow, it was an absolute blast! Ryan Reynolds and Hugh Jackman have incredible chemistry that makes the whole movie work. Deadpool’s irreverent humor and Wolverine’s gruff seriousness balance each other perfectly. The film is packed with hilarious jokes, epic action sequences, and so many Easter eggs that comic book fans will be thrilled.

  The opening sequence had me hooked right away, with a mix of intense fighting and Deadpool’s signature humor. The constant fourth-wall breaks were spot-on and kept the laughs coming. It’s a fantastic tribute to both characters and their histories, with plenty of nods to past films and comics.

  If you’re a fan of either character, this movie is a must-see. It’s not just a fun ride; it’s a love letter to the fans. The pacing is perfect, and the two hours flew by. Whether you’re a casual viewer or a hardcore fan, Deadpool & Wolverine delivers on all fronts. Don’t miss it!

• DonGable: For devout Marvel fans only.

  Here is a test for franchise films: Remove the IP and characters to see if the story, character development, etc. stands on its own without using the IP as a crutch.
  If you remove the IP in this case, you have absolutely nothing.

  If you’ve seen a lot of previous Marvel films in this universe, you will be treated with an abundance of fan service. Admittedly, I have not watched a lot of these films. I have, however, watched the first two Deadpool entries. I enjoyed them at the time, especially the first one.

  In this third entry, you will find a lot of cameos which are absolutely pointless, except for people to chug memberberries, as they do absolutely nothing with these characters. It doesn’t even properly show the backstory of Wolverine.
  This film is an almost non-stop barrage of bickering and snarky jokes, but it’s never given any time at all to breathe. The few moments where it actually tries to convey emotion, it never truly lands, as all it wants to do is tell jokes. Did I laugh here and there? Sure. But I can count it on one hand.

  The villain and plot quite forgettable, and you never truly feel that something’s at stake, as the threat is mainly conveyed as a progress bar on a screen…

  Even though some people might marvel at Deadpool taking potshots at the MCU, Disney knows exactly what they’re doing, and they will be laughing all the way to the bank. Corporate brand maintenance is all it is.

• aGoryLouie: the definition of fun
• davidrobitaille: I went to see Deadpool & Wolverine last evening and boy did it feel refreshing to see Ryan Reynolds making all of these funny jokes on screen as Deadpool. There were a lot of mentions of Marvel, jokes about production companies & about production crew/cast (extras, etc). As someone who’s passionate about this industry and is very active in the business, this film is a big success in my opinion. I loved that we got to see Jon Favreau as Happy Hogan in the intro of the film, just sad we didn’t get a little Tony Stark (RDJ) appearance, but hey, it’s not his movie after all (RIP Iron Man).
• tmdb51616167: Finally, the moment I have been eagerly waiting for has arrived – the new film featuring Deadpool and Wolverine! I am thrilled to share my thoughts on this without revealing any spoilers, so brace yourself for a fairly tame review to keep the surprise intact for everyone.

  Marvel is back in its element with this movie, as it takes a playful jab at itself. Deadpool boldly declares that the Multiverse is a mess and proposes putting an end to it – a refreshing take on the superhero genre.

  The dance sequence is a hilarious throwback to the 90s, adding a touch of nostalgia and charm to the film. And yes, there is plenty of colorful language, including an abundance of the infamous F word – but then again, what else would you expect from Deadpool?

  Prepare to be amazed by some incredible cameos that will leave you jumping out of your seat with excitement, especially if you have a soft spot for certain characters from the past. This movie is an absolute thrill ride that pays homage to the Fox universe and its beloved characters.

  Without giving too much away, there is a surprising appearance by a fan-favorite character who never made it to the superhero league, and the moment is truly jaw-dropping. The storyline may seem chaotic, but that’s all part of the Deadpool charm.

  While the villain could have been utilized more effectively given their power, the relationship between Deadpool and Wolverine is beautifully portrayed. The film does a commendable job of explaining the backstory and the humor is on point, with Deadpool’s witty jabs and references adding to the entertainment.

  If you’re a fan of Deadpool and his legacy, this movie is a must-watch that will blow your mind. Just be warned, there is a fair amount of profanity, so consider this if you’re planning to bring along younger viewers.

  Overall, this movie was a blast and one of the most enjoyable Marvel experiences in recent memory. From the creative storytelling to the hilarious antics, it’s a wild ride that you won’t want to miss. And don’t forget to stick around for the mid-credits and end-credits scenes for an extra dose of fun and closure to the film. Enjoy the laugh-filled ride!

• albuainain: Not funny as Deadpool 1 & 2, I was expecting something smashing due to the reviews I have read and people hype in social media. The fight scenes saved the movie.
• immortal101: I personally enjoyed it. It was a fresh splash of the recent flops of Marvel movies. The plot was a little disorganized, but overall great film. The nostalgia and love letter to Fox/pre MCU films was a nice touch.
• rvsxwgn64: If you enjoyed any films from the early 2000’s Fox Marvel Universe, you’ll appreciate this film especially. Lots of call backs, and cameo’s mixed with modern day references, and even some references to the actor’s/actresses real lives. The dialogue is heavy with all of it, and it comes rapid fire, so listen close.
  There’s also a sh*t load of profanity and bloody violence, so be aware of that as well. As long as you’re not too squeamish, it should be a great flick.