Hocus Pocus

After 300 years of slumber, three sister witches are accidentally resurrected in Salem on Halloween night, and it is up to three kids and their newfound feline friend to put an end to the witches’ reign of terror once and for all.

Credits: TheMovieDb.
Hocus Pocus
Overview:
After 300 years of slumber, three sister witches are accidentally resurrected in Salem on Halloween night, and it is up to three kids and their newfound feline friend to put an end to the witches’ reign of terror once and for all.
Cast:

• Winifred Sanderson: Bette Midler
• Sarah Sanderson: Sarah Jessica Parker
• Mary Sanderson: Kathy Najimy
• Max Dennison: Omri Katz
• Dani Dennison: Thora Birch
• Allison: Vinessa Shaw
• Jay: Tobias Jelinek
• Ernie / ‘Ice’: Larry Bagby
• Billy Butcherson: Doug Jones
• Emily: Amanda Shepherd
• Jenny Dennison: Stephanie Faracy
• Dave Dennison: Charles Rocket
• Headless Billy Butcherson: Karyn Malchus
• Thackery: Sean Murray
• Elijah: Steve Voboril
• Thackery’s Father: Norbert Weisser
• Miss Olin: Kathleen Freeman
• Fireman #1: D.A. Pauley
• Fireman #2: Ezra Sutton
• Bus Driver: Don Yesso
• Cop: Michael McGrady
• Cop’s Girlfriend: Leigh Hamilton
• Little Girl ‘Neat Broom’: Devon Reeves
• Singer: Joseph Malone
• Little Angel: Jordan Redmond
• Lobster Man: Frank Del Boccio
• Boy in Class: Jeff Neubauer
• Calamity Jane: Teda Bracci
• Dancer: Peggy Holmes
• Thackery Binx (voice): Jason Marsden
• Devil (Husband) (uncredited): Garry Marshall
• The Master’s Wife (uncredited): Penny Marshall

Crew:

• Art Direction: Nancy Patton
• Original Music Composer: John Debney
• Screenplay: Neil Cuthbert
• Director: Kenny Ortega
• Editor: Peter E. Berger
• Director of Photography: Hiro Narita
• Producer: David Kirschner
• Co-Executive Producer: Mick Garris
• Producer: Steven Haft
• Executive Producer: Ralph Winter
• Costume Supervisor: Pamela Wise
• Second Assistant Director: Bettiann Fishman
• Set Costumer: Patricia Bercsi
• Set Decoration: Rosemary Brandenburg
• Leadman: Chris L. Spellman
• On Set Dresser: James P. Meehan
• Grip: Gregory Romero
• Sound Mixer: C. Darin Knight
• Animation Supervisor: Michael Lessa
• Best Boy Electric: Michael Everett
• Unit Production Manager: Whitney Green
• Visual Effects Producer: Carolyn Soper
• Visual Effects Coordinator: Denise Davis
• Dolly Grip: Jeff Case
• Key Grip: Ben Beaird
• Special Effects Coordinator: Terry D. Frazee
• Script Supervisor: Pamela Alch
• First Assistant Director: Ellen H. Schwartz
• Boom Operator: Charles J. Bond
• VFX Editor: Juliette Yager
• Chief Lighting Technician: Raman Rao
• Property Master: Russell Bobbitt
• Special Effects: Donald T. Black
• Special Effects: Louis R. Cooper
• Sound Re-Recording Mixer: David J. Hudson
• Assistant Sound Editor: Maggie Ostroff
• Special Effects: Donald Frazee
• Casting Assistant: Mary Hidalgo
• Set Designer: Martha Johnston
• Unit Publicist: Deborah Wuliger
• Still Photographer: Andrew Cooper
• Sound Re-Recording Mixer: Terry Porter
• Sound Re-Recording Mixer: Mel Metcalfe
• Sound Editor: F. Hudson Miller
• Scoring Mixer: John Richards
• Supervising ADR Editor: Denise Horta
• Foley Editor: Matthew Harrison
• Location Manager: Deborah Laub
• Payroll Accountant: Jeanie Daniels
• Pilot: Michael Peavey
• Special Effects: Logan Frazee
• Music Editor: Nancy Fogarty
• Transportation Captain: Peter R. Chittell
• Visual Effects Supervisor: Michael Pangrazio
• Assistant Editor: John Haggar
• ADR Mixer: Doc Kane
• Production Coordinator: Kathleen M. Courtney
• Supervising Sound Editor: George Watters II
• Assistant Sound Editor: Marva Fucci
• Set Designer: Brad Ricker
• Sound Editor: Howell Gibbens
• Sound Editor: R.J. Palmer
• Foley Editor: Jim Likowski
• Transportation Coordinator: Bob Hendrix
• Foley Mixer: David Gertz
• Sound Editor: Suhail Kafity
• Supervising ADR Editor: Denise Whiting
• Special Sound Effects: John P. Fasal
• Construction Coordinator: Cal DiValerio
• Title Designer: David Oliver Pfeil
• Color Timer: Dale E. Grahn
• Assistant Editor: John Coniglio
• Visual Effects Supervisor: Craig Barron
• Camera Operator: Kristin R. Glover
• Assistant Editor: Jonathan Cates
• Negative Cutter: Theresa Repola Mohammed
• Stunts: Jennifer Watson-Johnston
• Stunts: Jimmy N. Roberts
• Stunts: Laura Dash
• Stunts: Eddy Donno
• Stunts: Annie Ellis
• Stunts: Karen Getz
• Stunt Coordinator: Glenn R. Wilder
• Stunt Double: Christian J. Fletcher
• Hairstylist: Hazel Catmull
• Casting: Barbara Cohen
• Makeup Artist: John M. Elliott Jr.
• Key Hair Stylist: Carol Meikle
• Hairstylist: Alicia M. Tripi
• Hairstylist: Richard Sarre
• Production Design: William Sandell
• Makeup Artist: Lee Harman
• Casting: Mary Gail Artz
• Costume Design: Mary E. Vogt
• Makeup Artist: Cheri Minns
• Associate Producer: Jay Heit
• Makeup Artist: Steve LaPorte
• Co-Producer: Bonnie Bruckheimer
• Makeup Artist: Kevin Haney
• Set Dresser: Ray Fisher

Catogories:
Fantasy,Comedy,Family
This is one glamorous module!!

It’s just a bunch of Hocus Pocus.
Language:
English,Français
Production:
United States of America
Company:
Walt Disney Pictures,Touchwood Pacific Partners 1
Popularity:
182.16
Date:
1993-07-16
Year:
1993

• BadChristian: I imagine most of the love for Hocus Pocus comes from people who re-watch it with nostalgia goggles. Even as a child of the 90’s I had never seen Hocus Pocus and knew little of it, so I had no prior attachments to this film. If you have seen any of the Disney Channels terrible made for TV movies, Hocus Pocus is like a particularly bad one with some questionable language and sexual innuendo. The acting is really bad from the entire cast, which is a little surprising considering the witches (who I had always assumed you the heroes of the story, but are clearly not) are two D-List actresses (Bette Midler and Kathy Najimy) and a C-lister (Sarah Jessica Parker) who aren’t exactly known for their acting abilities, but are actual professional actresses. The CG effects are bad, even considering this is a 1993 movie and the practical effects aren’t even an honest effort. All of this could be forgiven if it was part of a fun, campy family movie, but Hocus Pocus can’t even pull that off. The plot is lame and full of inconsistencies and just unreasonably unrealistic moments. The witches have been “dead” for 300 years, but will be brought back if a virgin lights the black flame candle. In 1990 a high school boy says multiple times publicly that he is a virgin. Let me just say that again, they think a high school boy would go around announcing himself to be a virgin repeatedly to his peers. This is a public high school in Massachusetts in the 90’s, not a Mormon town or a private Catholic school. When the witches return, they have been gone for 300 years and don’t even know what the paved road is, thinking it to be a river or what a bus is; they have no knowledge of any of the advances since the 1600’s. Having established this, one of the witches flies up to the side of a car on their broom and asks him for his license and registration. So, they don’t understand asphalt, but they know motorist jokes? The movie is littered with inconsistencies and a wild lack of understanding of how teenagers and children think and act. Even the three witches can’t maintain a consistent character. Bette Midler is supposed to be the smart older sister, but she acts the most irrationally and whines like a child. Sarah Jessica Parker is a horny dumb blonde and Kathy Najimy is a mentally challenged woman who barks an talks out of the side of her mouth, but they are always the ones to reason and plan. Najimy is the worst, with her constantly swinging from offensively stupid the brains of the operation. This was an actual movie released in theaters. Had it been a cheap Disney Channel original, it would still be terrible, but excusable. As a real theatrical film, Hocus Pocus is embarrassing. Unless you grew up with this film, I can’t imagine you getting much out of this. It’s fairly unoffensive children’s drivel, with some questionable language if that’s all you need, but it’s not a good film. It wasn’t fun or interesting and it was probably best left in ’93.
• r96sk: Good.

  ‘Hocus Pocus’ is a fairly amusing film about witches from the Salem trials era, not that it hasn’t any real connection to those events. It’s very much a fun fantasy film, which looks pretty neat by the way.

  Bette Midler (Winifred), Kathy Najimy (Mary) and Sarah Jessica Parker (Sarah) play three witch sisters. They are main reason why the film is as enjoyable as it is, all are entertaining but Midler is definitely the pick of the bunch. The trio of younger actors in Omri Katz (Max), Thora Birch (Dani) and Vinessa Shaw (Allison) are OK, nothing special but passable.

  I didn’t fully connect or like the plot itself, but it’s one that suits everything else on screen well so it kinda works to be honest. All in all, for me, this is a solid, mid-range production from Disney.

• Kamurai: Bad watch, probably won’t watch again, and can’t recommend.

  Sometimes it is fun to get in the way back machine to visit “classic” movies, but they don’t always hold up. And in some cases, like this, it is a wonder they EVER worked at all. Especially that it is a 1993 Disney movie and focuses on sex, plus a lot of witch lore being based on women being sexual in a time where it was so inappropriate they would be burnt at the stake. I digress.

  While the Sanderson sisters are a compelling premise, if sloppy, and an interesting metaphor for the desires of power, hunger, and sex, it goes to an almost cartoonish levels of ridiculous for next to no reasoning.

  All the non witch cast do a fine job, and I especially liked Thora Birch’s performance, I can see why she took off so well. As for the witch cast, I have no doubt they did was in the script very well, but the script is overly ridiculous, and even just trying to relax there are jokes that make no sense and just aren’t all that funny.

  Ultimately it comes down to being a Halloween themed sub-par Babysitter’s Club, or your choice of child adventure groups.

• Peter McGinn: This is an odd family movie, as I saw it called. There seemed to be a few incidents around death that might be to mature for younger kids, but a lot of the story and action seemed too simplistic for older kids.

  There is a lot of shrieking in lieu of acting, no real character development, and how many times to we need to hear the same lines and actions from the three witches?

  We decided to watch this as a preview to watching the 2022’s sequel, but alas we aren’t motivated to do so after swing the original.

• CinemaSerf: What ever happened to Omri Katz? Here he is the young “Max” who moves with his sister “Dani” (Thora Birch) to the small, history-laden, town of Salem where he soon gets the hots for “Allison” (Vinessa Shaw). Out on a Halloween trick ‘r treat session with his sister, they arrive at the her rather posh home where they discuss the famous “Sanderson” witches who were famously hanged there three hundred years earlier. It seems that their house was converted into a museum, so all three head to this dilapidated home where “Max” does the unthinkable – he light the wrong candle and whoosh – back come these three wicked harridans. Led by “Winifred” (Bette Midler) these women must use a secret potion to rob all the children of their youth so they can use it themselves and attain eternal beauty. Fortunately, our intrepid (and increasingly loved-up) trio have one ally from the days gone by in the form of the cat – formerly “Thackery” who was punished by these self same witches centuries ago. Can their combined efforts thwart the witches’ dastardly plan? It’s great fun, this – with Ms. Midler on good form supported handsomely by Sarah Jessica Parker and a slightly under-used Kathy Najimy. It’s got one enjoyable set-piece musical number – “I Put a Spell on You”, of course, too. The visual effects are more Hammer than ILM, but that all just adds to the quirky, almost pantomime, entertainment value as the story heads to it’s amusing denouement in the graveyard. Thirty years on, it’s still a characterful and enjoyable family adventure that had me wracking my brains for where I had seen “Thackery” (Sean Murray) before…
• GenerationofSwine: The colors, right? Was the the draw in for you too, because this movie popped. Outside of Dick Tracy I don’t think I’ve seen color used to well in a film, both for entertainment and for pure wow.

  It popped… and, yeah, there was a story here too.

  This was the 90s, it was that time where they could make a children’s movie that was still a little dark, a children’s movie that was still entertaining for adults to watch. In other words, they made a FAMILY movie, and that hasn’t been done lately has it?

  You can watch it as an adult and love it because it has a real plot, it has jokes that are above the low brow children’s fair, and jokes that cater to them as well. It takes an effort to be appealing to ALL age groups.

  And, as I said, it has a plot that you can follow, which again is new for the modern family film which are more or less a series of scenes loosely linked together.

  It’s entertaining, it was entertaining when I was 13 and my little sister was 7, it was entertaining for my parents that took us, and it’s still entertaining. Only now that I’m 40, I’m old enough to look at it and appreciate the color… because man does it pop.

• Andre Gonzales: One of my favorite movies of all time again. Love this movie! I love movies that have a storyline that’s not common in a lot of movies. Thus is also really hilarious.