Interstellar

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The adventures of a group of explorers who make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage.

Credits: TheMovieDb.

The adventures of a group of explorers who make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage.
Cast:

Cooper: Matthew McConaughey
Brand: Anne Hathaway
Professor Brand: Michael Caine
Murph: Jessica Chastain
Tom: Casey Affleck
Doyle: Wes Bentley
Getty: Topher Grace
Murph (10 Yrs.): Mackenzie Foy
Murph (older): Ellen Burstyn
Donald: John Lithgow
TARS (voice): Bill Irwin
Romilly: David Gyasi
Tom (15 Yrs.): Timothée Chalamet
Mann: Matt Damon
CASE (voice): Josh Stewart
Lois: Leah Cairns
Coop: Liam Dickinson
Boots: Francis X. McCarthy
Williams: William Devane
Smith: Andrew Borba
Administrator: Elyes Gabel
School Principal: David Oyelowo
Ms. Hanley: Collette Wolfe
Doctor: Jeff Hephner
Crew Chief: Russ Fega
Nurse Practitioner: Lena Georgas
Nurse: Brooke Smith
Girl on Truck: Flora Nolan
Boy on Truck: Griffen Fraser
Scientist (uncredited): Kristian Van der Heyden
NASA Employee (uncredited): William Patrick Brown
NASA Scientist (uncredited): Benjamin Hardy
Astronaut (uncredited): Joseph Oliveira
Construction Boss (uncredited): Alexander Michael Helisek
Popcorn Seller (uncredited): Ryan Irving

Crew:

Producer: Lynda Obst
Director: Christopher Nolan
Director of Photography: Hoyte van Hoytema
Original Music Composer: Hans Zimmer
Editor: Lee Smith
Production Design: Nathan Crowley
Costume Design: Mary Zophres
Producer: Emma Thomas
Casting: John Papsidera
Art Direction: Kendelle Elliott
Art Direction: Eggert Ketilsson
Art Direction: David F. Klassen
Art Direction: Gary Kosko
Art Direction: Josh Lusby
Set Designer: Eric Sundahl
Set Decoration: Gary Fettis
Hairstylist: Patricia DeHaney
Hairstylist: Jose Zamora
Makeup Department Head: Luisa Abel
Makeup Artist: Jay Wejebe
Production Manager: Casey Grant
Production Supervisor: Michelle Brattson
Art Department Coordinator: Jenne Lee
Costume Supervisor: Lynda Foote
Costume Supervisor: Heather Moore
Camera Operator: P. Scott Sakamoto
Helicopter Camera: Hans Bjerno
Still Photographer: Melinda Sue Gordon
Camera Technician: Dane Bjerno
Executive Producer: Jordan Goldberg
Executive Producer: Jake Myers
Executive Producer: Kip Thorne
Executive Producer: Thomas Tull
Writer: Jonathan Nolan
Art Department Coordinator: Joel Tobman
Assistant Art Director: Lauren Abiouness
Assistant Art Director: Travis Witkowski
Construction Coordinator: Craig Henderson
Construction Coordinator: Brian Walker
Greensman: Nathan Davey
Greensman: Steven Hanks
Greensman: Christopher Morente
Greensman: Darryl Stogre
Leadman: Mark Weissenfluh
Set Designer: Ernie Avila
Set Designer: Andrew Birdzell
Set Designer: Martha Johnston
Set Designer: Noelle King
Set Designer: Paul Sonski
Set Designer: Sally Thornton
Set Designer: Robert Woodruff
Sculptor: Dan Engle
Sculptor: Todd Rex
Sculptor: Cuitlahuac Morales Velazquez
Foley: Alyson Dee Moore
Foley: John Roesch
Sound Effects Editor: Ken J. Johnson
Sound Effects Editor: Michael W. Mitchell
Sound Effects Editor: Jeff Sawyer
Sound Re-Recording Mixer: Gregg Landaker
Sound Re-Recording Mixer: Gary Rizzo
First Assistant Sound Editor: Andrew Bock
First Assistant Sound Editor: Linda Yeaney
Supervising Sound Editor: Richard King
Special Effects Coordinator: James Paradis
CG Supervisor: Dan Neal
CG Supervisor: Eugénie von Tunzelmann
Sequence Supervisor: Fabio Zangla
Sequence Supervisor: Seth Dubieniec
Animation: Evan Clover
Animation: Trystan James
Animation: Andrew McEvoy
Visual Effects Editor: Tom Barrett
Animation: Lai Lok Chau
Animation: Dorian Knapp
Animation: Gábor Kiss
Visual Effects Editor: Crystal Hadcroft
Visual Effects Editor: Steve Miller
Visual Effects Producer: Ann Podlozny
Line Producer: Graeme Puttock
Line Producer: Jenny Basen
Line Producer: Harrison Goldstein
Visual Effects Supervisor: Andrew Lockley
Stunt Coordinator: George Cottle
Gaffer: Harold Skinner
Gaffer: Martin Keough
Rigging Gaffer: Sean Oxenbury
Set Costumer: Mark Avery
Set Costumer: Leigh Bell
Set Costumer: Tom Cummins
Set Costumer: Sahar Halabi
Set Costumer: Kelly Porter
First Assistant Editor: Eric A. Lewy
Music Editor: Alex Gibson
Music Editor: Ryan Rubin
Transportation Coordinator: Denny Caira
Location Manager: Bruce L. Brownstein
Location Manager: Mandi Dillin
Dialect Coach: Rick Lipton
Executive In Charge Of Production: Mark Scoon
Casting Associate: Deanna Brigidi
Production Office Assistant: Frank Reina
Camera Loader: Adriene Wyse
Assistant Editor: Donald Likovich
Casting: Dixie Webster
Set Decoration: Paul Healy
Supervising Art Director: Dean Wolcott
Orchestrator: Andrew Kinney
Orchestrator: Bruce Fowler
Post Production Supervisor: David E. Hall
Color Timer: Mato
Orchestrator: Kevin Kaska
Set Production Assistant: Mousy McCallum
Dialogue Editor: R.J. Kizer
Dialogue Editor: Hugo Weng
Property Master: Ritchie Kremer
Visual Effects Assistant Editor: Scott Wesley Ross
Coordinating Producer: Jill Christensen
Coordinating Producer: Kim Goddard-Rains
Coordinating Producer: Inga Bjork Solnes
Supervising Producer: Debbie Schwab
Art Direction: Agata Maliauka
Set Decoration: Helen Kozora
Stunts: Kevin Abercrombie
Stunts: Dan Brown
Stunt Coordinator: Laura Lee Connery
Stunts: Steve DeCastro
Stunts: Ed Duran
Stunts: Mark Fichera
Stunts: Marie Fink
Stunts: Greg Harris
Stunts: Terry Jackson
Stunts: Jess King
Stunts: Michael Li
Stunts: Sean Morrissey
Stunts: Mark Norby
Stunts: Diz Sharpe
Stunts: Aaron Toney
Stunts: Frank Torres
Stunts: Alicia Vela-Bailey
Special Effects Supervisor: Scott R. Fisher
Thanks: Michael Benton Adler
Thanks: Ken Burns
Thanks: Dayton Duncan
Thanks: Albert Nolasco
Thanks: Kzar Torres
Additional Production Assistant: Allissoon Lockhart
Additional Second Assistant Director: Dillon Neaman
Costumer: Kimberly Lennox
Art Department Coordinator: Emily Kwong
Assistant Accountant: Anthea Strangis
Assistant Accountant: Jill Hahn
Assistant Accountant: Linda Griffis
Assistant Accountant: Edward V. Pannozzo
Assistant Accountant: Lisa Kisner
Assistant Accountant: Pamela DesVigne
Assistant Accountant: Brenda McClellan
Assistant Accountant: Stefani Rockwell
Assistant Accountant: Vicki Platero
Assistant Camera: Brian Mussetter
Assistant Editor: Jackson Yu
Assistant Editor: Paula Suhy
Assistant Editor: William Fletcher
Assistant Location Manager: Justin Harrold
Assistant Location Manager: Lori Russell
Assistant Location Manager: Michael Glaser
Assistant Location Manager: Jorge Luis Alvarezzo
Assistant Location Manager: Silja Hauksdуttir
Assistant Production Coordinator: Marjorie Rudick
Assistant Property Master: Curtis Corbitt
Assistant Property Master: Kelly Wills
Assistant Property Master: Olafur Jуnasson
Executive Producer’s Assistant: Evan Godfrey
Associate Editor: John Lee
Best Boy Grip: Shannon Deats
Camera Production Assistant: Kelly Mitchell
Carpenter: John Thellend
Catering: Keith Church
Catering: Erlingur Orn Karlsson
Catering: Gudmundur Kokkur
Concept Artist: Nathaniel West
Concept Artist: Steve Burg
Construction Foreman: Darrel D. Bricker
Construction Foreman: Dawna Hammond
Construction Foreman: Charlie Campbell
Construction Foreman: Jim Bruder
Costumer: Jody Schoffner
Costumer: Laura Wong
Costumer: Lauren Pratto
Costumer: Leticia Sandoval
Costumer: Maureen O’Heron
Costumer: Sophia Coronado
Costumer: Maria K.M. Sundeen
Craft Service: Laura Bagano
Dolly Grip: Avar Johannsson
Dolly Grip: Peter Clemence
Dolly Grip: Ryan Monro
Dolly Grip: Tim Milligan
Dolly Grip: George Santo Pietro
Driver: Cammie Caira
Driver: Kevin Caira
Driver: Richard Maginnis
Driver: Bruce Toy
Driver: C.J. Hannis
Electrician: Andrew Thom
Electrician: Jerardo Gomez
Electrician: Paul Postal
Electrician: Steven D. Castaneda
Electrician: Thorir G. Agustsson
Epk Camera Operator: Sean Ricigliano
Loader: Jonathan Clark
First Assistant Accountant: Jan Gillan
First Assistant Accountant: Nolan B. Medrano
First Assistant Accountant: Jennifer Omoth
First Assistant Accountant: Lena Schmigalla
First Assistant “A” Camera: Gregory Irwin
First Assistant “B” Camera: Philip Shanahan
First Assistant Camera: Doug Lavender
First Assistant Director: Nilo Otero
First Assistant Editor: Laura Rindner
Graphic Designer: Phillis Lehmer
Grip: Brandon Flohr
Grip: Chris Cotterman
Grip: Don Telles
Grip: Donald Jones
Grip: Erica Thurlow
Grip: Erik F. Hill
Grip: Hallgrimur Oddsson
Grip: James Viera
Grip: Jeffrey A. Johnson
Grip: Justin Moran-Duquette
Grip: Nick Liampetchakul
Grip: Robert Ikeda
Grip: Sean Frohardt
Grip: Wilson Weaver
Grip: Alex Kuchera
Grip: Helgi G. Thoroddsen
Hairstylist: Deborah Kliewer
Pilot: Craig Hosking
Pilot: David Paris
Key Costumer: Linda Benavente-Notaro
Key Costumer: Robin Borman-Wizan
Key Costumer: Stacia Lang
Key Grip: Atli Thor
Key Grip: Herb Ault
Key Grip: John Kuchera
Key Hair Stylist: John Isaacs
Key Rigging Grip: Oscar Gomez
Lead Painter: Mike Larrabee
Lead Painter: Raff Sarabia
Lighting Technician: Amelia Doescher
Lighting Technician: Egill Antonsson
Lighting Technician: Francis Padilla
Lighting Technician: Ingvar Stefánsson
Lighting Technician: Joshua Whitford
Lighting Technician: Landin Walsh
Lighting Technician: Stefan Wilking
Lighting Technician: Vincent Varga
Lighting Technician: Dustin Gardner
Line Producer: Árni Björn Helgason
Location Manager: Keomanee Vilaythong
Location Manager: Fridrik Ásmundsson
Makeup Artist: Tammy Fox
Makeup Artist: Kentaro Yano
Makeup Artist: Pearl Louie
Modeling: Adam Mull
Modeling: Gregory Jein
Modeling: Adam Gelbart
Negative Cutter: Andrea Ficele
Negative Cutter: Jim Hall
Negative Cutter: Mo Henry
Negative Cutter: Todd Baillere
On Set Dresser: Tom Callinicos
On Set Dresser: Steven Kajorinne
Painter: Jeremy Turley
Painter: Chauntel Swann
Post Production Assistant: Bobbie Shay
Post Production Assistant: Jeremy Gladen
Post Production Assistant: Katrina Carrasco
Production Accountant: Christian Feldhaus
Production Accountant: Gene Strange
Production Assistant: Alex Solano
Production Assistant: Brandon Stewart
Production Assistant: Chris Raby
Production Assistant: Emily Hoang
Production Assistant: Ron Landry
Production Assistant: Ashley MacMillan
Production Assistant: Mark Laws
Production Assistant: Sarah Jane Trohimchuck
Production Assistant: Stephen Kievit
Production Assistant: Zach Clossin
Production Assistant: Finnur Karlsson
Production Assistant: Metusalem Bjornsson
Production Assistant: Heidrun T. Haralsdottir
Production Assistant: Sigridur Sigga Marrow
Production Controller: Helen Medrano
Production Coordinator: Karla Torres
Prop Maker: Sonny Nguyen
Property Master: Ken Wills
Props: Brent Heyning
Rigging Gaffer: John R. Manocchia
Rigging Grip: Bernie Hagadorn
Rigging Grip: Chris Duffy
Rigging Grip: Don Domino
Rigging Grip: Hugh McCallum
Rigging Grip: Jeff Therieau
Rigging Grip: Jose F. Barrios
Rigging Grip: Matt Almas
Sculptor: Craig Abele
Sculptor: Duncan Crawford
Second Assistant Accountant: Richard S. Wilson
Second Assistant “A” Camera: Tulio Duenas
Second Assistant “B” Camera: Dan Schroer
Second Assistant Director: Brandon Lambdin
Second Assistant Director: Gary Hawes
Second Second Assistant Director: Gregory J. Pawlik Jr.
Second Second Assistant Director: Valgeir Gunnlaugsson
Security Coordinator: Edwin Amell
Set Costumer: Mary Hyde-Kerr
Set Dresser: Jack Crowells
Set Medic: Mark Blaydes
Set Medic: Kevin A. Canamar
Set Production Assistant: George Williams III
Set Production Assistant: Gianna Isabella
Set Production Assistant: Hrefna Hagalin
Set Production Assistant: Jana Maria Gudmundsdottir
Set Production Assistant: K. Hennessy
Set Production Assistant: Mitchell Kelly
Set Production Assistant: Lindsey Fredieu
Set Production Assistant: Olivia McCallum
Set Production Assistant: Spencer Taylor
Set Production Assistant: Thorunn Gudlaugsdottir
Set Production Assistant: Scott Corban Sikma
Special Effects: Amanda Paller
Special Effects: Dom Smart
Special Effects: Don Dolan
Special Effects: Gary Paller
Special Effects: Rodney Dolan
Special Effects: Todd Bilawchuk
Special Effects: Jeffrey Butterworth
Special Effects: Stewart DePass
Special Effects Assistant: Matthew J. Downey
Special Effects Technician: Arthur Clever
Special Effects Technician: Darren McCormick
Special Effects Technician: Francis J. Ayre Jr.
Special Effects Technician: Jуn Andri Guрmundsson
Special Effects Technician: Mark Stanton
Special Effects Technician: Michael Rifkin
Special Effects Technician: Neil Garland
Special Effects Technician: Robin Reilly
Special Effects Technician: Ronald Epstein
Special Effects Technician: Ryan Arndt
Special Effects Technician: Scott Roark
Special Effects Technician: Terry Hambleton
Special Effects Technician: David Jonasson
Special Effects Technician: Robert L. Slater
Standby Painter: David B. Clark
Still Photographer: Michelle Faye Fraser
Technical Advisor: Marsha Ivins
Third Assistant Director: Jason Z. Kemp
Third Assistant Director: Megan Shank
Transportation Captain: Steinarr Logi Nesheim
Transportation Captain: Tyler Miller
Transportation Captain: Robert J. Morton
Transportation Coordinator: Clyde R. Maliauka
Transportation Coordinator: Grant McPhee
Unit Production Manager: Birna Paulina Einarsdóttir
Unit Production Manager: Daniel M. Stillman
Video Assist Operator: Alex M. Cacciarelli
Video Assist Operator: Mike Pickel
Video Assist Operator: Matt Hillyer
Additional Music: James Carlson
Conductor: Gavin Greenaway
Conductor: Richard Harvey
Music Consultant: Czarina Russell
Score Engineer: Christian Wenger
Musician: Mark Berrow
Musician: Rachel Bolt
Musician: Nicholas Bucknall
Musician: Benedict Cruft
Musician: Boguslav Kostecki
Musician: Anna Noakes
Musician: Andrew Pask
Musician: Frank Ricotti
Musician: Mary Scully
Musician: Yasmeen Al-Mazeedi
Musician: Wood Andy
Musician: Steve Mair
Musician: Roger Sayer
Musician: David Arch
Musician: Chas Smith
Musician: Tom Pigott-Smith
Musician: Ann Marie Simpson
Orchestrator: Carl Rydlund
Scoring Mixer: Geoff Foster
Scoring Mixer: Alan Meyerson
Score Engineer: Chuck Choi
Music Score Producer: Chris Craker
Score Engineer: Leland Cox
Score Engineer: Jacqueline Friedberg
Score Engineer: Stephanie McNally
Additional Sound Re-Recording Mixer: Michael Babcock
ADR Mixer: Thomas J. O’Connell
Boom Operator: Michael Primmer
Boom Operator: Murray Forward
Animation Supervisor: David Lowry
Color Assistant: Benjamin Charles
Color Assistant: Sam Horgan
Color Assistant: Scott R. Anderson
Colorist: Colin P. Brown
Compositing Supervisor: Julia Reinhard
Compositor: Camille Paleni
Compositor: Jon Chesson
Compositor: Kalle Peterson
Compositor: Thomas Banner
Data Wrangler: Joe Wehmeyer
Digital Color Timer: Garry Maddison
Digital Compositor: Alessandro Zanforlin
Digital Compositor: Claudio Bassi
Digital Compositor: Frank Petit
Digital Compositor: Jaume Creus
Digital Compositor: Jim O’Hagan
Digital Compositor: Jonathan Bot
Digital Compositor: Laide Agunbiade
Digital Compositor: Luis Tinoco
Digital Compositor: Nic Hodgkinson
Digital Compositor: Olivier Ryard
Digital Compositor: Sebastian Schütt
Digital Compositor: Sinisa Radosavljevic
Digital Compositor: Thomas R. Steiner
Digital Compositor: Thomas Salama
Digital Compositor: Tom Whittington
Digital Compositor: Travis Porter
Digital Compositor: Samual Dawes
Digital Effects Supervisor: Jeffrey Jasper
Compositing Lead: Blake Winder
Matchmove Supervisor: Chris Cooper
Matchmove Supervisor: Simon Pynn
Matte Painter: Bret Lu
Matte Painter: Sullivan Richard
Pre-Visualization Supervisor: Faraz Hameed
Production Coordinator: Katie Linahon
Visual Effects Coordinator: Leah Sargent
Rotoscoping Artist: Aaron Noordally
Rotoscoping Artist: Abhishek Chaturvedi
Rotoscoping Artist: Andrea Chua
Rotoscoping Artist: Jerrod Tan
Rotoscoping Artist: Kew Lin
Rotoscoping Artist: Kross Wong
Rotoscoping Artist: Mary Mullan
Rotoscoping Artist: Matt Cameron
Rotoscoping Artist: Michael Jeff Baldemoro
Rotoscoping Artist: Muhammad Hidayat Bin Isnin
Rotoscoping Artist: Nicolas Millot
Rotoscoping Artist: Riccardo Mascia
Rotoscoping Artist: Ruiting Wang
Rotoscoping Artist: Sammy Wu
Rotoscoping Artist: Sim Chuan Xiong
Rotoscoping Artist: Wayne Chan
Senior Modeller: Brandon Seifert
Senior Modeller: Chris Hawthorne
VFX Artist: Adam Broderick
VFX Artist: Carl Fairweather
VFX Artist: David Schott
VFX Artist: Eliot Speed
VFX Artist: Jon Capleton
VFX Artist: Kenzo Tee
VFX Artist: Leigh Russell
VFX Artist: Pete Polyakov
VFX Artist: Robin Aristorenas
Visual Effects: Joe DeWalt Brown
Visual Effects: Joseph A. Zaki
Visual Effects: Will Lucas
Visual Effects Camera: Jim Thibo
Visual Effects Coordinator: Gretel Ng
Visual Effects Coordinator: Katie Stetson
Visual Effects Coordinator: Kirsty Davies
Visual Effects Coordinator: Linda Barsotti
Visual Effects Coordinator: Mariluz Noto
Visual Effects Coordinator: Maximillian McNair MacEwan
Visual Effects Coordinator: Monica Østbø Østgård
Visual Effects Coordinator: Monifa Andrew
Visual Effects Coordinator: Sze Jia Eng
Visual Effects Coordinator: Timothy Trimmings
Visual Effects Coordinator: Tyler Ott
VFX Director of Photography: Mark H. Weingartner
VFX Director of Photography: Tim Angulo
Visual Effects Editor: Simon J. Williams
Executive Visual Effects Producer: Anne Putnam Kolbe
Executive Visual Effects Producer: Kimberly Nelson LoCascio
Visual Effects Producer: David Sanger
Visual Effects Producer: Kevin Elam
Visual Effects Production Assistant: Tien Nguyen
Visual Effects Production Manager: Allison Gardner
Visual Effects Technical Director: Daniel Maund
Visual Effects Technical Director: David Moraton
Visual Effects Technical Director: Junaid Syed
Visual Effects Technical Director: Lee Tibbetts
Visual Effects Technical Director: Thomas J. Burton
Visual Effects Technical Director: Tosin Akinwoye
Visual Effects Supervisor: Ian Hunter
Visual Effects Supervisor: Paul J. Franklin
Sound Mixer: Mark Weingarten
Post Production Coordinator: Adam Cole
Rigging Grip: Jonathan Gomez
Production Assistant: Tighe Gill

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Mankind was born on Earth. It was never meant to die here.
Language:
English
Production:
United Kingdom,United States of America
Company:
Legendary Pictures,Syncopy,Lynda Obst Productions
Popularity:
260.105
Date:
2014-11-05
Year:
2014

Reno: Well, one off from two of this year’s most expected movies alongside ‘The Battle of Five Armies’. Like all the Chris Nolan fans, I was equally excited to see the movie on the opening day opening show. But I slightly disappointed that it was not a digital 3D film. I agree, this science-fiction was more dramatized than usual space travel stories does with an adventure-thriller. Almost a 3 hour long stretch movie did not waste much time to take us to the core of the story. Get prepared for this extremely rare voyage into the space with a logical explanation for everything you see on the screen. Well done research for the most matured and intelligent writing. All the credit must go to Nolan brothers. A good sign from Jonathan Nolan, who can make big in the entertainment industry in a future like his brother.
As we know many had liked ‘Inception’, to me that was a simple multi-layered action movie, that’s all. But the same stuffs that used in this film makes sense. In fact, you have to have a little knowledge over how the universe works, so then it will be easy to catch the scene and situations while watching the movie. Totally like a documentary style concept, but with the additional stuffs like characters and its emotions add flavor that gives a movie look. An educational movie, though it also can work for those who wants just entertainment. Only the slow movie pace would test their patience.

It all begins like Shyamalan’s ‘Signs’ movie with a family living surrounded by corn field. Then switches to ‘The Astronaut Farmer’ and going through ‘Gravity’, finally meets the ‘Inception’. It was just a reference to call the movie setting that brings constant change for every half an hour. Like the opening scene and the end scene had over a 100 years difference.

As I earlier said it was the story of a family alongside the future of humankind and decoding universal mysteries through travelling in space and time. This movie would a reasonable for those who thought ‘2001: A Space Odyssey’ is a boring piece, Cleverly written cinematic piece especially for science geeks. I don’t know how perfect the movie to the actual present astrophysics, but will justify for the common people’s capacity of understanding with an encourageable amount of commercial elements in it to entertain as well.

The first three quarters of the movie was well made. It puts me in a unblinkable position like a story was narrated by Brian Cox in a television series. Like I said, lots of astrophysics involved in it, but strangely human emotions were also exhibited equally that I never expected one from Nolan film. It was not an ordinary sentiment, but was strong enough to make a man cry for happy and sad situations in the movie. I liked science and emotion coming together. In fact, it saved the movie, otherwise it would have been a science documentary straight from NASA production through Nolan direction.

There are many surprise elements in the movie and of course there is a twist at the end. We can call it a series of twists like the layers. Compared to last quarter of the movie to the rest, it completely detaches which opens broadly to the different directions. And that happens so fast rushing towards the other end. Which give an impression of the movie ‘Inception’. In a perfect way to say the first 75% was ‘The Tree of Life’ and the remains are ‘Inception’.

‘‘This world’s a treasure,
but it’s been telling us to leave for a while now.’’

All the actors were so good. Matthew McConaughey steals the show as he dominates the majority of the screen space in the story presentation. There’s no ruling out the fine performance executions from Anne Hathaway and the young star from the Twilight movie, Mackenzie Foy. The remaining cast was having less scope which were like the guest appearances that was widened a little broader, but was perfectly fitted for the story. Especially Matt Damon’s was the crucial one.

Remember the movie ‘Contact’, a lovely movie, which was ruined by its fictional ending. Something like that happened in this film as well. The story was initiated with a realistic approach with actual scientific contents as per the present understanding about the universe. But the end was let me down with the layered contents that kind of impossible to agree with it. As a cinematic theme it worked, yeah, a good solution for this wonderfully written story. We know that the time can’t run backwards, so that’s the trouble.

Anyway, this movie defines in a new way, I mean scientifically the existence of ghost. It was not a horror movie, but I liked supernatural force that merged with this science fiction theme. That explains and gives vast ideas to expand our physics beyond something and somewhere yet to reach. Hats off to the director, because he was not thinking of making money here. His idea was to implement what the humans are understood so far about the cosmos. And he very nicely transformed those into the silver screen with the blend of human emotions. In my opinion, this will replace ‘2001: A Space Odyssey’ for sometime till another one make this way.

I could have not asked a better space travel drama than this, especially when I heard Nolan doing a science-fiction I believed he gonna rock it. He was so true to the science and the human feelings in this film. If you had seen enough movies before like this one, you can recall your memories like the Tom Hanks parts from ‘Cloud Atlas’. But still independently stands strong and falls in a never seen before category.

‘‘Maybe we’ve spent too long
trying to figure all this out with theory.’’

The end scene leaves a hint of a possible sequel. I would be happy if that happen in a near future, but definitely that would be a completely different cinema as per how this one ended. I know his fans want that to happen and so am I.

The visuals were not that great, but simply very good. To see those in digital 3D would have given us a different experience, sadly Nolan was not in favor of that technology. Hoping this movie would get as many as the Oscars nod. Especially not getting into the best motion picture shortlist would be a shame. Like I said I’m no one fan, I just love watching everyone’s every movie. I would have went to see it again if it was converted into digital 3D, since I’m modern tech geek when it comes to the films.

It will become a talk of the week, perhaps month all over the world, so don’t leave behind when your friends talk about it. What I gonna say is it is a must see asap if you are a movie fanatic like me otherwise Nolan movies does not need anyone’s recommendation because his movies usually sell itself like the hot samosa.
decovision: People seem to think that if you enjoy a Christopher Nolan movie, you are a fanboy and the film couldn’t really be that good. That is not true. He has never made a bad movie, Insomnia is probably his worst and it is still an excellent movie.
Interstellar is up there in his top 3, with The Dark Knight being number 1 and Inception in number 2. I don’t think he will ever make a better movie than The Dark Knight, it is without a doubt a masterpiece of cinema in my opinion. It can be enjoyed on so many levels.
I remember seeing Interstellar in the movie theater and being on the edge of my seat the whole time. It was breathtaking but the end left me confused so i walked out disappointed.
Since then i have watched it many times but it only took a second viewing to realize what a great ending it is and here is why. How many people discuss the end, was the wormhole open or closed for him to make it to Brand, what happens next, is there a sequel. I discuss this with people who hate the movie and the debate will still last a good 30 minutes if not more without getting heated. It is a wonderful story told through the eyes of a genius film maker who deserves more than he receives, an oscar would be nice start.
I read hat his next movie is to be released in July 2017, I can’t wait to find out everything about it like i have since he began.
If you’re unsure about Christopher Nolan, watch his career from the beginning starting with Doodlebug.
Andres Gomez: Another grandiloquent movie from Christoper Nolan.
The cast is good, and McConaughey performs a role made for himself. The photography is very nice but the movie commits all the same mistakes than previous Nolan’s movies. I think mistakes but it may be that they are the points Nolan fans enjoy the most …

* The story makes you believe it is a realy deeply thought plot but, in the end, it has so basic mistakes and stupidities that make it nonsensical.
* There is a general ambience of every moment being epic; deep, solemn and smart dialogues but, at some point our highly trained engineer and pilot behaves really stupidly.
* To keep the mentioned constant feeling of being in an epic moment, Nolan uses a thumping and insistent soundtrack. As it is not a moment, but a 3h movie, it is really tiresome.

All in all, the movie is OK but you can only think this is a great movie if you are a real Nolan fan.
Asadullah Khan: “Man kind was born on earth, it was never meant to die here.”
IT has been two days since I watched it and I still can’t get it out of my head. I can safely say that it has been a long LONG time since a movie had this much effect on me after watching it. And the only thing I can think of now is to somehow Re-Watch it again.

This movie was surprisingly different from Christopher Nolan’s recent works because they had been great cinematic entertainment pieces catered to a wider audience with a blockbuster approach, this certainly didn’t felt like that and hence the polarizing response it got. It is an ambitious project that is not meant to merely entertain, walk into it knowing that. I’ll say this though, If it works for you, you’ll be in heaven.

The premise of the movie is that Earth is no longer capable of supporting humans on it, we must find a new home to avoid extinction. This scenario is told from a very personal perspective and not from a Global scale like some sort of apocalyptic catastrophe disaster film. At the core of the movie is the Father-Daughter relationship. The movie takes its sweet time to develop it too.

Mathew McConaughey, not surprisingly, gives an amazing performance as the main lead. He really carries the film, some scenes were very emotional due to his great performance. The rest of the cast does a great job as well, especially the Daughter played by Meckenzie Foy. The One character that I never expected to be great was the robot TARS. He also acted as the source of the humor in the movie, well executed, timely and grounded.

Interstellar tackles a lot of themes, Survival, Humankind, Love, Time etc, out of which ‘Time’ had the biggest impact on me. With relativity being a big part in the film, the whole sequence about it just struck me very deeply and I found new respect for Time. I’m actually at a loss of words to describe it. Also, there is a lot science in it so it can be confusing for many and in Nolan’s tradition, it also has twists and mind numbing ending, where the more you think about it, the more numbing it gets.

The visuals of this movie are breathtaking. Great cinematography and CGI. The depiction of wormholes and blackholes and other space entities were the best I have ever seen. They just suck you into the movie. Along with that, you get to listen to one of Hans Zimmer’s best scores. The score not only felt personal, going perfectly with the movie, but also different from his recent works. There were times where combination of epic photography and soundtrack made the scenes timeless, like I was completely sucked into it and didn’t had a clue about my surroundings. I didn’t want those scenes to end.

Alas, the movie was not perfect. My biggest gripe with it is that the pacing and editing was off at times. Some scenes dragged on while others were cut far shorter. The beautiful views of space could have definitely benefited from a few seconds longer onscreen time. Also, I wished there was more space exploration in it.

With all the remakes, rehashes, reboots and sequels we are getting in these times, it is great to see original gems like these. This movie is definitely one of this year’s best, one of Nolan’s best work and one of the best movie I have seen in recent years.

9.5/10
shaunfrombklyn: This was my most anticipated film of 2014, and I was not disappointed.
The story was slightly difficult to follow on the first watch, but that was to be expected in a film dealing with complicated fields such as astrophysics and time dilation. Many didn’t find its overall message – that love is the most powerful force in the universe which transcends space and time – to be very appealing, but I thought it was an interesting take on special relativity and how two people can be bound by a common feeling, even when they’re in different parts of the universe at different times. I also thought the acting was believable, for the most part, and I didn’t think anyone was miscast. I enjoyed the surprise appearance from a certain famous actor about halfway through.

But what really blew me away were the visuals and the soundtrack. I believe it was Quentin Tarantino who once said movies and music go hand in hand; that a moving image complimented by the right piece of music can create art. Well, the visuals in this film, which took my breath away, and the score, which perfectly captured the ‘feel’ of the cosmos and all its wonder, proved him right. I think this was Hans Zimmer’s best work yet, and although I’m not Christopher Nolan’s biggest fan, I will continue to follow his work if he can pull off more movies like this.

My only regret was not seeing this film in IMAX.

10/10
Per Gunnar Jonsson: That this movie, at the time of writing this, holds an 8.8 rating at IMDb is simply beyond my understanding. Needless to say I did not really like this movie. The story is not very good, the science is ludicrous and the visuals not all that impressive. Maybe the latter would be better in a big theater (I watched this on my home cinema system which has a relatively large screen by European standards) but I am not really sure about that either.
Be warned that the rest of this review might contain a spoiler or two.

The movie starts of with the usual “I told you so” wet dream of the green fanatics on a dying Earth so it is off to a depressing start right away. That is an overused concept today as far as I am concerned. Then they pour it on with a school official claiming that he Apollo missions and moon landings never happened. What the f…? If they wanted to depress the audience right from the start they succeeded, at least with this audience.

The story proceeds with our heroes finding these gravity waves in the sand and by a huge stretch of imagination decrypts them to mean coordinates which leads them to the secret NASA base. Once there Cooper is told that he is their best choice of pilot for a “save the human race” mission through a wormhole. Yeah, right! This guy was former NASA. His whereabouts could hardly been unknown to them. If he was their best choice why would they entrust a mission to save the human race to someone else until he stumbled onto their door? Typical Hollywood nonsense!

The movie is full of this kind of rubbish. Romilly wastes 23 years of his life doing pretty much nothing except deciding not to go into the sleep capsule. The supposedly highly trained and vetted professor that they do find turns out to be a psychopath as well as and idiot almost blowing up the ship when trying to proceed with a docking that all the systems tells him have not succeeded. Then they proceed to dock with the main ship and stop its spin as well as bring it out of orbit around a planet with the shuttles engines. That is one hell of a powerful shuttle not to mention the strength of the docking mechanism! This just goes on. When someone is not doing something illogical or stupid (or both) they sit around talking, philosophizing and dragging the movie forward at snails pace. 169 minutes is way too much for this movie.

The movie ends up in one big time travel mess (okay they do not travel in time, just sends messages through time but still…) during a bunch of psychedelic scenes while traveling through the back hole. Science? Not so much. And what about this totally ludicrous massively illogical and inefficient robot design?

The one good thing I can say about this movie is that the performance of most of the actors, especially Matthew McConaughey, are quite good. For the rest, not my cup of tea.
akashmahajan: Again hit produced by christopher nolan after batman.
Storyline is great and also the science theory is perfectly showcased.
sybddlatfu: This might contain spoilers!
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Interstellar is my favorite movie. I’m really into space and everything about it, so this movie was my cup of tea.
The soundtrack is the best of the movie. It points out flow of time, which is the most discussed issue in the movie. Special effects are breathtaking. Even with some small mistakes, it is pretty accurate and expectable. There is some visually pleasing cinematography too, including Saturn, the curvature of spacetime or majestic black hole, which is really satisfying. Some scenes are loud and thrilling, but some moments are so quiet, that you actually think, you are in space!
The movie is long but gripping. The plot, although it’s complicated, is told easily and understandably. But the end of the movie is difficult to understand, since it contains time loop and time travel at the same time, but if you listen carefully, you will get it. I watched the movie 7 times and I still enjoy it!
Matthew Brady: “Do not go gentle into that good night; Old age should burn and rave at close of day. Rage, rage against the dying of the light”.
The story is about a team of explorers undertakes the most important mission in human history; traveling beyond this galaxy to discover whether mankind has a future among the stars.

Christopher Nolan once said that 2001: A Space Odyssey was his all time favorite film and how he wanted to do a small tribute to he’s next film. And then comes a movie called “Interstellar” that will put a smile on Kubrick face if he was alive today, because Interstellar is one of the best movie of 2014 and the best movie experience I’ve had at the cinema.

I saw this movie in IMAX and all through out this film I felt like I was in space floating around with Mconaughey and Anne Hathaway. I had that feeling that I was going deep into space just like are main character’s, going deep into space just like the viewing auditions and me.

The visual effect’s in this movie are some of the most stunning, beautiful and Jaw dropping effect’s I’ve seen since 2001: A Space Odyssey. The performances were brilliant, The cinematography was breathtaking and hard to look away. The directing by Christopher Nolan and let me get this out there, this man is a true director; he knows cinema and knows how to interested people into seeing he’s films and I’m still shocked that he hasn’t won an Oscar yet.

Now most people or critics have said that last third of this movie ruined the movie for them, but I actually like the ending to the movie. It’s new for Nolan because he always ends on a deep and cold note, but this movie didn’t and I didn’t mind it.

My only nick pick with the movie is some of the character’s in this movie wasn’t all that interesting. Matthew McConaughey, Anne Hathaway and Jessica Chastain are the only character’s that to me were interesting and I cared for them, but the rest of the character’s I didn’t really care for.

Overall Interstellar is a mind-blowing movie with fantastic visual’s, interesting story line and the movie will keep you interested till the end.
Peter McGinn: I will not add another in depth review to the several I see here on this movie. Nor will I try to evaluate the accuracy of the science behind the plot. Apparently a physicist was involved who had veto power if the script wandered out of the realm of what is at least theoretically true or possible.
But I have never let inaccuracies get in the way of enjoying science fiction movies anyway, as long as the movie is entertaining and otherwise doesn’t insult my intelligence. In the movie Monsters, for example, I read that giant the aliens looking like octopuses could not have walked upright. Fair enough, but it is entertainment, not a documentary.

So the human story of Interstellar held my attention in spite of the length of the film, and despite the elaborate special effects, that story drove the movie and my appreciation of it. I have always liked good time travel movies as well, and theories of space and time come into play in Interstellar as well.

Oh, and I say it is entertainment rather than a documentary, but it is not light entertainment. If you want to give this movie a fair chance, give it your full attention. It is not Mars Attacks, where you can watch it while distracted by life and still pick up on plot details.
kheirnandez: I’ve got to say I have been wanting to watch this film for a while now and well it’s 2021 and it’s a Saturday morning and damn, safe to say this is one of the best films I have ever watched in my life. loved everything about It. The creativity and intelligence put into this film is just mind-blowing considering the fact it is a 2014 film. This clearly shows that mankind will one day achieve the most unexpected and unthought discoveries.
Love and respect to the director Christopher Nolan you are a legend.
lowkimhoe: It opens my mind after I watched this movie. I have watched it twice to figure out everything on the movie. Basically, this is the movie talking about earth is not a good place to stay anymore. People have to go to space to find another homeland. It reminds me that we will be like them if we didn’t care much on environment
CinemaSerf: As humanity faces an existential crisis, farmer “Cooper” (Matthew McConaughey) and his family are fighting a losing battle against an environment determined to destroy what is left of their corn crop. Mystery arrives after a sand storm leaves some magnetic clues to a secret location inhabited by NASA scientists led by “Brand” (Sir Michael Caine) who manage to convince former pilot “Coop” to join a mission to go into space and, using a recently detected wormhole that he believes may have been deliberately sent to help mankind rescue itself, set off to find another home for us all. Leaving a seriously narked daughter behind, he accepts the mission and together with the daughter of “Brand” (Anne Hathaway) their perilous trek begins. This is a more solid sci-fi adventure from Christopher Nolan. Though it features doses of his usual time bending scenarios, for the most part it is an exciting action film with mishaps a-plenty as their mission sees danger at just about every junction. There is a decent chemistry between Hathaway and McConaughey allowing the characters to develop with some depth that helps to draw us into to their efforts. The visual effects are superb, it has TARS – a rather clunkily designed robot that proves a whizz when running and rescuing, and the ending has something of the Escher drawing to it. The narrative can be thought provoking offering quite an interesting series of choices, especially when Matt Damon (“Mann”) joins the story and begins to challenge their approach to just what “humanity” might actually be! A host of celebrated co-stars prop it up well. John Lithgow is effective as the patriarch of the family and Casey Affleck and Wes Bentley help diffuse the intensity of the principal relationship as the space-bound menace gradually accumulates. It’s all but three hours long, and there is no denying that it hits a barren spell at times during the middle hour, but for my money this is a Nolan film that does not over-complicate itself and is as good a science fiction thriller as I’ve seen in many a year.
tropicalicecedar: This mind-bending sci-fi masterpiece took me on an unforgettable journey through space and time. From its breathtaking visuals to the captivating performances, the film had me hooked from start to finish. I couldn’t help but be inspired by its thought-provoking themes about love, sacrifice, and the boundless nature of human exploration. “Interstellar” truly left me in awe and is an absolute must-watch for any movie enthusiast.
r96sk: What a cracker!
So glad to finally tick ‘Interstellar’ off my theoretical list, took me far too long to get around to it but boy am I glad I finally have done – sensational film! The most obvious sign of that being the case is how the ~2hr30min run time goes by in an absolute flash… *insert joke about it like being aboard Endurance here*

I’m obviously not able to add anything new to what many, many others have already said gushingly about this 2014 flick, so I can only say I’m sure I agree with the vast majority of whatever praise this has received. As one would expect from Christopher Nolan & Co., it’s incredibly well made, sounds amazing and looks out-of-this-world (ha!) stunning.

Matthew McConaughey puts in an incredible performance as lead, most notably nailing all of the emotion-filled scenes – not that I care about these things personally, but I’m shocked to see the lack of high accolades that came his way from this… he merited more! Aside from him, there are very good showings from the likes of Jessica Chastain, Mackenzie Foy and Anne Hathaway.

I will note one ‘but’, mind. I didn’t love the bits at the end involving the dimensional tesseract, don’t get me wrong at all it’s still superb viewing… just a noticeable drop from all that preceeds it, which honestly simply says more about how outstanding everything else prior is really. I thought similarly about (the equally magnificent) ‘Everything Everywhere All at Once‘, for example. In short: just a nit-pick, tbh.

All in all, phenomenal!
madriyanto: Christopher Nolan’s “Interstellar” (2014) isn’t just a science fiction film; it’s a cinematic experience that transcends genre boundaries. It’s a breathtaking exploration of humanity’s yearning for survival, the profound power of love, and the awe-inspiring mysteries of the universe.
The film’s greatest strength lies in its seamless blend of a deeply personal story with cutting-edge scientific concepts. We follow Joseph Cooper (Matthew McConaughey), a former pilot turned farmer, who is chosen to lead a mission to find a new home for humanity. The film doesn’t shy away from complex scientific ideas like wormholes, black holes, and the theory of relativity, but it presents them in a way that is both accessible and captivating. The scene where Cooper encounters his aged daughter while he himself remains relatively young is a poignant example of how the film masterfully intertwines science and emotion, leaving viewers pondering the nature of time and the enduring power of familial bonds.

“Interstellar” is not for the casual viewer. It demands attention, patience, and a willingness to engage with complex ideas. The film’s pacing is deliberate, its visuals are stunningly immersive, and its themes are profound. It’s a film that rewards repeated viewings, as each watch unveils new layers of meaning and scientific detail. The film’s impact is further amplified by Hans Zimmer’s haunting score, which perfectly captures the vastness of space and the weight of humanity’s fate.

Nolan’s direction is masterful, creating a sense of awe and wonder that is both captivating and emotionally resonant. McConaughey delivers a nuanced performance as Cooper, a man grappling with the weight of his mission and the sacrifices he must make. The supporting cast, including Anne Hathaway, Jessica Chastain, and Michael Caine, also deliver compelling performances that further elevate the film’s emotional impact.

“Interstellar” is a film that stays with you long after the credits roll. It’s a testament to the power of human ingenuity, the enduring nature of love, and the endless possibilities that lie beyond our planet. It’s a film that reminds us of our place in the universe, and the profound interconnectedness of all things. For those who appreciate thought-provoking science fiction with a strong emotional core, “Interstellar” is an absolute must-see.

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