Three years after Jurassic World was destroyed, Isla Nublar now sits abandoned. When the island’s dormant volcano begins roaring to life, Owen and Claire mount a campaign to rescue the remaining dinosaurs from this extinction-level event.
Credits: TheMovieDb.
Jurassic World: Fallen Kingdom
Overview:
Three years after Jurassic World was destroyed, Isla Nublar now sits abandoned. When the island’s dormant volcano begins roaring to life, Owen and Claire mount a campaign to rescue the remaining dinosaurs from this extinction-level event.
Cast:
- Owen Grady: Chris Pratt
- Claire Dearing: Bryce Dallas Howard
- Eli Mills: Rafe Spall
- Franklin Webb: Justice Smith
- Zia Rodriguez: Daniella Pineda
- Benjamin Lockwood: James Cromwell
- Mr. Eversoll: Toby Jones
- Ken Wheatley: Ted Levine
- Ian Malcolm: Jeff Goldblum
- Dr. Wu: BD Wong
- Iris: Geraldine Chaplin
- Maisie Lockwood: Isabella Sermon
- Tech Merc: Robert Emms
- Senator Sherwood: Peter Jason
- Sub Pilot: Kevin Layne
- Tech Operator: John Schwab
- Helicopter Pilot: Sam Redford
- Lead Mercenary: Charlie Rawes
- Prop Plane Pilot: Patrick Crowley
- Russian Mob Guy: Alex Dower
- Russian Bidder Girlfriend: Honey Holmes
- Russian Bidder: Neil Bishop
- BBC News Anchor: Philippa Thomas
- Brutish Mercenary: Ronan Summers
- Committee Chairman: Cory Peterson
- Hero Tracker: Jeremy Gilbert
- Crewman: Victor Gardener
- Another Bidder: Daryl Kwan
- Helicopter Merc: Eric Kofi Abrefa
- Helicopter Merc: Ben Peel
- Helicopter Merc: Mark Griffin
- Bearded Merc: Paul Sockett
- Mercenary in Tunnel: Doug Robson
- Mill’s Man: Gil Kolirin
- Surfer: Nathan Florence
- Surfer: Bryan Phillips
- Jungle Merc: Mitchell L. Johnson
- InGen Contractor (uncredited): Michael Papajohn
- Russian Bodyguard (uncredited): Daniel Stisen
Crew:
- Stunts: Mike Ryan
- VFX Artist: Jared Hasselbach
- Executive Producer: Colin Trevorrow
- Writer: Derek Connolly
- Storyboard Artist: David Lowery
- Director: J. A. Bayona
- Visual Effects: Phil Tippett
- Pre-Visualization Supervisor: Martin Bell
- Characters: Michael Crichton
- Original Music Composer: Michael Giacchino
- Producer: Thomas Hayslip
- Executive Producer: Thomas Tull
- Producer: Belén Atienza
- Producer: Patrick Crowley
- Costume Design: Sammy Sheldon
- Production Design: Andy Nicholson
- Editor: Bernat Vilaplana
- Producer: Frank Marshall
- Director of Photography: Óscar Faura
- Executive Producer: Steven Spielberg
- Assistant Art Director: Thomas Goodwin
- Camera Operator: Matthew Poynter
- Art Direction: Matt Wynne
- Art Direction: Renate Nicolaisen
- Hairstylist: Mahealani Diego
- Supervising Art Director: Andrew Max Cahn
- Best Boy Electric: Gregory Doi
- Art Direction: Marco Anton Restivo
- Art Direction: Anthony Caron-Delion
- Art Direction: Guy Bradley
- Property Master: Gary Tuers
- Camera Operator: Richard Roles
- Gaffer: Lee Walters
- Set Dresser: Derrick Kaupiko
- Aerial Director of Photography: Jeremy Braben
- Best Boy Electric: Chris Weigand
- Set Dresser: Hale Mawae
- Key Grip: Jerry C. Deats
- Hair Supervisor: Sarah Grispo
- Still Photographer: Jonathan Prime
- Supervising Art Director: Jason Knox-Johnston
- Hairstylist: Mary L. Mastro
- Camera Operator: Pete Cavaciuti
- Dolly Grip: Richard T. Hoover
- Lighting Technician: William Self
- Set Dresser: Richard Ruhe
- Lighting Technician: Stephen Bacquet
- Casting Associate: Judith Sunga
- Aerial Camera Technician: Peter Graf
- Key Grip: Alex Mott
- Set Designer: Stella Vaccaro
- Set Dresser: Julie DeRose
- Set Dresser: Craig K. Lewis
- Assistant Art Director: Matt Sims
- Lighting Technician: Jamie Bruce
- Set Dresser: Justin Powers
- Hairstylist: Charlotte Rogers
- Art Department Coordinator: Andrea Carter
- Property Master: Graeme Purdy
- Assistant Art Director: Anna Bregman
- Lead Animator: Ted Lister
- Dolly Grip: Alex Coverley
- Still Photographer: Giles Keyte
- Construction Coordinator: Robert A. Blackburn
- Dolly Grip: Eric Ward
- Key Grip: Jimi Ryan
- Lighting Technician: Joe Hissey
- Set Dresser: Tom Curtis
- Assistant Art Director: Laura Miller
- Set Decoration: Tina Jones
- Art Department Coordinator: Tabitha Quitman
- Assistant Art Director: Michael Gowen
- Drone Operator: Peter Ayriss
- Gaffer: Joshua Davis
- Unit Publicist: Katherine McCormack
- Aerial Coordinator: Mike Woodley
- Rigging Gaffer: Edward J. Cox
- Steadicam Operator: Maceo Bishop
- Set Dresser: Johanne Mitchell
- Casting Associate: Martin Ware
- Armorer: Christopher Atherton
- Marine Coordinator: Daren Bailey
- Script Supervisor: Rebecca Sheridan
- Script Supervisor: Erin Mast
- Marine Coordinator: Daniel F. Malone
- Script Supervisor: Jo Beckett
- Set Dresser: Christopher J. Wood
- ADR Voice Casting: Holly Dorff
- Rigging Gaffer: Steve Kitchen
- Casting Associate: Karen Woods
- Script Supervisor: Claire Chang
- Sound Designer: Oriol Tarragó
- Animatronics Designer: Peter Hawkins
- Animation Supervisor: Stephen Aplin
- Animatronics Designer: Nick Martin
- Set Costumer: Cesha Ventre
- Sound Re-Recording Mixer: Christopher Boyes
- Animatronics Designer: Giles Hannagan
- Visual Effects Coordinator: Lisa Wakeley
- Costume Coordinator: Robin Jiro Hall
- Costume Supervisor: Nicole Young
- Foley Editor: Dmitri Makarov
- Sound Effects Editor: Benjamin A. Burtt
- Sound Recordist: Raemond Cook
- Special Effects Supervisor: Michael Meinardus
- Visual Effects Supervisor: David Vickery
- Animatronics Designer: Andy Colquhoun
- Animation Director: Jance Rubinchik
- Visual Effects Producer: Daniel Barrow
- Digital Intermediate: Stefan Sonnenfeld
- Sound Re-Recording Mixer: Tom Myers
- Sound Designer: Al Nelson
- VFX Editor: Magdalena Turnier
- VFX Supervisor: Oliver Cubbage
- Visual Effects Supervisor: Dave Morley
- Set Costumer: Erika K. Aresta
- First Assistant Editor: Tom Davis
- Creature Technical Director: Cantatore Vittorio
- Creature Technical Director: Nora Wixom
- Lead Animator: Tom St. Amand
- Visual Effects Coordinator: Lane Howard
- Visual Effects Coordinator: Hannah Johnson
- Pyrotechnician: Skylar Gorrell
- 2D Supervisor: Giorgio Pitino
- Visual Effects Producer: Kathryn Horton
- Assistant Costume Designer: Poli Kyriacou
- Digital Intermediate: Shaun Richards
- Sound Effects Editor: Christopher Barnett
- Sound Designer: Gary Rydstrom
- ADR Editor: Rachael Tate
- Foley Editor: Chris Manning
- Creature Technical Director: Fabio Siino
- Visual Effects Art Director: Jama Jurabaev
- VFX Production Coordinator: Keith Anthony-Brown
- VFX Supervisor: Alex Wang
- Foley: Luke Dunn Gielmuda
- Sound Effects Editor: Scott Guitteau
- Sound Re-Recording Mixer: Pete Horner
- Supervising Sound Editor: Gwendolyn Yates Whittle
- 3D Generalist: Sergio Garcia Poderoso
- Animation Director: Glen McIntosh
- Visual Effects Editor: Zack Mazerolle
- Key Costumer: Jimmy Jay
- 3D Generalist: Tom Cowlishaw
- Visual Effects Coordinator: Amandine Gutierrez
- Visual Effects Editor: Sam Paul Toms
- Visual Effects Supervisor: Adam Rowland
- Digital Intermediate: Lawrence Hook
- Dialogue Editor: Michael Silvers
- Dialogue Editor: James Spencer
- Foley: Dennie Thorpe
- Animatronics Designer: Alan Murphy
- Special Effects Coordinator: Adam Heinis
- Assistant Costume Designer: Sophie Canale
- Wardrobe Supervisor: Tom Hornsby
- Assistant Editor: Carlo Milillo
- Creature Technical Director: Andre Metello
- Lead Animator: Marc Calvelo
- Visual Effects Supervisor: Nicholas Hurst
- Dialogue Editor: Cheryl Nardi
- Foley: Jana Vance
- Sound Effects Editor: Martí Albert
- VFX Supervisor: James D. Fleming
- VFX Supervisor: Alex Wuttke
- Visual Effects Coordinator: Lilles Whitby
- Visual Effects Producer: Josh Sykes
- Assistant Editor: Luke Clare
- Visual Effects Coordinator: Lila Sara Tahri
- Visual Effects Editor: Tom Balogh
- Costume Supervisor: Linda Matthews
- Assistant Editor: Jeremy Richardson
- Pre-Visualization Supervisor: Pawl Fulker
- Visual Effects Editor: Mark S. Wright
- Dialogue Editor: Will Ralston
- Stunts: Joe Watts
- Casting: Nina Gold
- Makeup Artist: Laine Rykes
- Makeup Artist: Vivian Baker
- Assistant Makeup Artist: Rachel Lennon
- Key Hair Stylist: Siân Miller
- Hair Supervisor: Karen Cohen
- Assistant Production Coordinator: Tom Ormerod
- Hair Department Head: Peter Tothpal
- Dialect Coach: Kamil Lemieszewski
- Assistant Accountant: Linda Griffis
- Hairstylist: Emma Flowers
- Assistant Accountant: Karen Margaux Walker
- Hairstylist: Nicky Knowles
- Hairstylist: Helen Barrett
- Makeup Artist: Chantal Boom’la
- Assistant Accountant: Laura Anderson
- Chaperone: Emma Sermon
- Hair Department Head: Frances Hannon
- Assistant Accountant: Emma Harman
- Hairstylist: Cheryl Mitchell
- Hairstylist: Sarah Hamilton
- Hairstylist: Zoey Stones
- Assistant Production Coordinator: Trang Dang
- Assistant Accountant: Charles Larcombe
- Assistant Production Coordinator: Leah Kaina
- First Assistant Accountant: El West
- Production Assistant: Natalie Cordray
- Second Assistant Accountant: Lisa Kisner
- Set Production Assistant: Samuel Vargas
- Makeup Department Head: Sally Sutton
- Pilot: Giles Dumper
- Assistant Accountant: Owen Keys
- Dialect Coach: Sarah Shepherd
- First Assistant Accountant: David Blank
- Payroll Accountant: Michael Neal
- Set Medic: Liz Toys
- First Assistant Accountant: Marielena Alfonseca
- Assistant Accountant: Sarah Minchin
- Assistant Accountant: Satu Sharp
- Chaperone: Olivia de Laune
- Production Secretary: Robbie Torbuck
- First Assistant Accountant: Nolan B. Medrano
- Payroll Accountant: Karen Bicknell
- Production Assistant: Miranda McClellan
- Production Coordinator: Simon Mills
- Production Coordinator: Miranda Marks
- Production Secretary: Danielle Rogers
- Production Assistant: Rhianna Shaheen
- Production Controller: Helen Medrano
- Production Coordinator: Tom Carson
- First Assistant Accountant: Josh Nixon
- Payroll Accountant: David Danisovszky
- Production Assistant: Beau Harrington
- Production Assistant: Corey Knef
- Production Assistant: Matthew Mulligan
- Title Designer: Matt Curtis
- Travel Coordinator: Grant Grabowski
- Health and Safety: Barry May-Leybourne
- Production Coordinator: David Halagarda
- Second Assistant Accountant: Sharon M. Segal
- Set Production Assistant: Ian Petriello Eisenberg
- Travel Coordinator: Luke Paul Martin
- First Assistant Accountant: Rebecca Feldman
- Payroll Accountant: Alex Kerr
- Production Assistant: Zack Dougan
- Production Assistant: Simone Khoury
- Production Assistant: Simon Lam
- Production Assistant: Ariana Miyake
- Set Production Assistant: Dais Kasagawa
- Health and Safety: Steve Abrey
- Production Assistant: Malia Hulleman
- Production Assistant: Ryland Young
- Second Assistant Accountant: Philipp Besa
- Second Assistant Accountant: Katherine Silva
- Security: Alam Ahmadi
- Post Production Accountant: Yasmine Jade
- Production Assistant: Matthew Ellis
- Security: Cody Lassiter
- Supervising Armorer: Tim Lewis
- Health and Safety: Mark Rowan
- Production Secretary: Lauren James
- Security: Jason Devil
- Production Sound Mixer: John Casali
- Stunt Coordinator: Rob Inch
- Stunt Double: Rachelle Beinart
- Stunts: Keith Adams
- Stunt Double: Sarah Lochlan
- Stunts: Theo Kypri
- Stunts: Rick English
- Stunts: Jason A. Triplett
- Graphic Designer: Michael Eaton
- Stunts: Mark Slaughter
- Stunts: Nicolas Wang
- Stunts: Laurent Plancel
- Stunts: Ramon Álvarez
- Stunt Double: Lewis Young
- Stunts: Tom Rodgers
- Stunts: Brian Nickels
- Stunts: Richard Wheeldon
- Stunts: Liong Tiang
- Stunts: Ray Nicholas
- Stunt Double: Ben Wright
- Stunts: Charlotte Williams
- Stunts: Jim Wilkey
- Stunts: Peter White
- Stunts: Andrej Riabokon
- Stunts: Kasim Saul
- Stunts: Daniel Naprous
- Stunts: Matthew Stirling
- Stunts: William Willoughby
- Stunts: Aden Stay
- Stunt Double: Florian Robin
- Stunts: Giedrius Nagys
- Stunts: James Stewart
- Stunts: Ian Songhurst
- Stunts: Jason Patterson
- Stunts: Radoslav Parvanov
- Stunts: James O’Daly
- Stunt Coordinator: C.C. Smiff
- Stunts: Rush Randle
- Stunts: Zach Roberts
- Stunts: Gary Price
- Stunts: Ryan Moniz
- Stunts: Belinda McGinley
- Stunts: Tony Lazzara
- Stunt Double: Tony McFarr
- Stunts: Gary Hoptrough
- Stunts: Oliver Gough
- Stunts: Racer Moody
- Stunts: Lawrence Hansen
- Stunts: David Forman
- Stunts: John Macdonald
- Stunts: Lukaz Leong
- Stunts: Bogdan Kumšackij
- Stunts: Danko Jordanov
- Stunts: Gene Hartline
- Stunts: Regis Harrington
- Stunt Double: John Francis Ginella
- Stunts: Lee Millham
- Stunts: Jess Lundgren
- Stunt Driver: Lee Mayo
- Stunts: Joe Kennard
- Stunts: Don Malone
- Stunts: Jack Jagodka
- Stunts: Evangelos Grecos
- Stunts: Josie Forman
- Stunts: Chris Morrison
- Stunts: Kim McGarrity
- Stunts: Chris Manger
- Stunts: Nito Larioza
- Utility Stunts: Charles Haugk
- Stunts: Brian L. Keaulana
- Stunts: David R. Grant
- Stunts: Noah Johnson
- Stunts: Danny Kim
- Stunts: Jonny James
- Stunts: Bradley Farmer
- Stunts: Theo Morton
- Stunts: Fizz Hood
- Stunts: Richard Hansen
- Stunts: Brent Fletcher
- Stunts: Paul Howell
- Stunts: Carly Michaels
- Stunts: Jessica Hooker
- Stunts: Erik Fenske
- Stunts: Peter Miles
- Stunts: Rob Hunt
- Stunts: Josh Dyer
- Stunt Driver: Dickey Beer
- Stunts: Tony Christian
- Stunts: Liam Coote
- Stunt Driver: Craig H. Davidson
- Stunt Coordinator: Stuart Clark
- Stunts: Tom Cox
- Stunts: Marvin Campbell
- Stunt Double: James Cox
- Stunts: Chris De Clerk
- Stunts: James Bomalick
- Stunts: Danny Euston
- Stunt Coordinator: Nicole Chapman
- Stunts: Dean Bailey
- Stunts: Terry Ahue
- Stunts: Terry Cade
- Stunts: Daryl Andrews
- Stunts: Rob Cooper
- Stunt Driver: Alexander Cruickshanks
- Stunt Double: Bonnie Campanella
- Stunts: Tom Cotton
- Stunts: Katy Bullock
Catogories:
Action,Adventure,Science Fiction,Thriller
My sister says this plugin is fancy!!
The park is gone.
Language:
English,Pусский
Production:
United States of America
Company:
Amblin Entertainment,Universal Pictures
Popularity:
86.027
Date:
2018-06-06
Year:
2018
- tmdb15214618: I felt embarrassed to be watching this. It’s an embarrassing fever dream. I abandoned it halfway through its runtime.
- Wuchak: More dinosaurs, Opie’s hot daughter, Dracula’s castle and Indiana Jones
“Jurassic World: Fallen Kingdom” (2018) revolves around Claire (Bryce Dallas Howard) and Owen (Chris Pratt) leading a team back to Isla Nublar to save several species of dinosaurs after an active volcano threatens all life there. The plan is to relocate the dinosaurs to a new island sanctuary, but that’s not the way it works out.
My title blurb pretty much says it all for this fifth film in the franchise. I mention Indiana Jones because the movie has a “Raiders of the Lost Ark” (1981) vibe more so than the other movies. The reference to Dracula’s castle is due to the fact that the entire second half takes place at a cool, gothic chateau in Northern California and there’s a scene with a genetically-enhanced raptor acting like Dracula.
Curvy Bryce is just stunning throughout and easily blows away any other woman in the series. Meanwhile Pratt seriously upped his game as leading action hero (I wasn’t overly impressed with him in the previous film, although I didn’t dislike him either). At the end of the day I’d have to rank this installment as my favorite, followed by the original 1993 movie and 2015’s “Jurassic World.”
The film runs 2 hours, 8 minutes and was shot in Hawaii and England/Scotland.
GRADE: A-/B+
- Per Gunnar Jonsson: As a kid dinosaurs was one of my great interests. Thus I was so thrilled by the first Jurassic Park movie, which I thought then, and still think today, is a great movie. Sadly the following movies have been a mixed bag to say the least.
This movie falls in the “that was disappointing” category I am afraid. It is obviously that however wrote the story was a lazy bugger that simply rehashed old bits and standard Hollywood cheap concepts and then added some frustrating preaching to it.
The two scenes, one at the beginning and one in the end, where Ian Malcolm (Jeff Goldblum) was just sitting and ranting on and on was enough by itself to drag down the movie a star or two. We get it, however wrote that crap do not like gene science. Then go and write a piece in a science journal or something. Oh wait, it would not have been excepted since there was no science in it, just ranting mixed up with poorly hidden religious beliefs. So instead you had to go and ruin a movie which was meant to simply entertain.
The we have the rest of the story. The best, or should I say the kindest, word for describing it would be “predictable”. How many times are we going to do the big company captures animals for profit story? At least try to put some intelligence in the plot if you have to rehash it over and over again. It has even been done before in the same franchise for Christ sake!
I would lie if I did not say that I found, at least, some entertainment watching the movie though. But pretty much all of it came from watching the scenery and the special effects. They at least were pretty good. But then I do like big monsters stomping around wreaking havoc and eating people, especially when it is the bad guys.
There were some parts that was rather funny. I think Christ Pratt, and most of the other actors as well for that matter, did a fairly good job out of the lousy script. The idea of using a Stygimoloch to break free was quite cool and the havoc he wreaked somewhat funny. The part where Wheatley stop in the middle of all the chaos to extract a tooth as a bloody trophy was just silly though.
The end scenes was just frustrating. However wrote that ought to be shot. A few dinosaurs escape and then the conclusion is that humanity have to live side by side with dinosaurs from then one. What a load of rubbish!
Sadly, despite the genre being a favorite of mine and the special effects being pretty good, this film did not make it for me due to the unintelligent and lazy script.
- Gimly: A strong, **strong** opening that it never recovers* from.
(*”never recovers from” here meaning “never stops dissapointing afterwards”.)
_Final rating:★★½ – Had a lot that appealed to me, didn’t quite work as a whole._
- John Chard: Cover Version 2
It was 1993 when Jurassic Park was unleashed upon the film loving public, spawning a blockbuster franchise and pop culture thunders in the process. Sadly we now find ourselves suffering cover versions of what was once a great and thought provoking premise with high octane thrills into the bargain.
I guess once they started personalising the Velociraptors, making one of them a friend of man, it was the beginning of the end. But we accepted it – sort of – jumping into 2015’s Jurassic World with carefree abandon. More dino carnage we wanted, a bright cast fronted by the ever likable Chris Pratt and Bryce Howard drew us in, but it was merely ok, a franchise entry that was just a quick fix but nothing more. But of course box office talks and the franchise lumbers on to Jurassic World: Fallen Kingdom…
Plot returns to Isla Nublar which along with all the dinosaur inhabitants is about to be vanished from the planet by the mother of all volcanoes. Cue mankind jostling over whether to save a species that was once extinct whilst others have nefarious motives for financial gain.
Off we go then, stock characters that are over familiar are performed by different actors but go through motions we have witnessed before, whilst the writing strains for a sort of human empathy factor that never hits the mark. There is nothing remotely fresh (well Howard has at least changed her footwear to something more credible) or exciting on offer here, it’s a tired cash cow that’s in dire need of extinction itself.
Naturally another instalment will come along, and naturally it will make money, with myself and the other millions of Jurassic zombies filing in to view what we hope will be a return to the heady days back in 1993. But it’s most likely a forlorn hope, so maybe, just maybe, it should be enough now, enough? 5/10
- Sheldon Nylander: Brain hurt. Me no likey. Err…umm…ahem.
This is a movie that really stretches it as far as believability, logic, or even physics.
First, just a quick note: The trailer makes it seem like the movie spends its time on an island about to blow up. Less than half the movie is that. So, if you’re looking for a long drawn out volcanic eruption, look elsewhere.
The heroes are annoying and dumb caricatures, from the techie who’s afraid of everything to the wisecracking animal wrangler (in fairness, this is Chris Pratt’s character from the previous film, but still). The villains are short-sighted, moustache-twirling dolts who never seem to remember to watch behind them, especially in dangerous scenarios. And why was Jeff Goldblum even in this movie? He serves no purpose to the story. None at all. He’s there for them to say, “See! We have someone from the older movies, so it ties together.” That’s literally all he’s there to do for his two minutes of screen time.
It’s the same plot as every other Jurassic Park/World film. Let’s create/genetically engineer dinosaurs. What could possibly go wrong? Even the supposed “plot twist” could be figured out from the very beginning of the film. Basic physics don’t even apply, such as the impossible truck jump at one point. I swear I could feel my brain leaking out of my ears while watching this.
This film honestly makes me somewhat relieved that Colin Trevorrow got removed from Star Wars Episode IX. Unfortunately, the way this movie ends basically guarantees that there’s going to be another one. Although it begs the question about what happened to Jurassic Park III since it ends in a similar way. Is that film even supposed to be canon anymore?
Just don’t bother. Even if you love the dinosaur special effects of previous films, there’s really not much here that you didn’t see before, and some of it is actually pretty bad and unbelievable for a film from 2018. Just don’t bother.
- Tejas Nair: I spent half the time scoffing at the plot Jurassic World 2 was throwing at me, which diluted the fun I was having by looking at the superb CGI, moderate man-dinosaur action, and an overall fine cast performance. It still is a lot worse than Jurassic World (2015), which had a story almost as good as the original, the legendary Jurassic Park (1993) which almost seems impossible to mimic or better today. TN.
- Manuel São Bento: MORE REVIEWS @ https://www.msbreviews.com/
Jurassic World: FallenKingdom still holds the same massive narrative issues.
If not for J. A. Bayona’s incredible direction, this would be at the bottom of my ranking. No impressive visuals can overcome the nonsensical plot, annoying side characters, and that awful auction storyline.
Rating: D+
- Peter McGinn: Well, this is the fourth Jurassic Park movie I have watched over the past month and it feels like my reviews are very similar, something I try to avoid obviously.
So let me get a few similarities out of the way. Once again a child is placed at risk, though these precocious kids always seem adept at outrunning dinosaurs even while under a blind panic, so hats off to them. There are of course bad guys on the dinosaur menu, up to at least three in this Jurassic entry. And as usual a couple of times our heroes are saved from certain death by one predator Dino attacking another at the last second. What are the odds?
But it looks like we are finally moving away from the small island off the coast of Costa Rica, as the island seems to have been destroyed by a volcano eruption that oddly reminded me of the lava damage in Lord of the Rings. Poor dinosaurs. First there was the comet millions of years ago, and now the volcano nearly made the score Universe 2, Dinosaurs 0. But don’t fear, a handful got away and who knows how much DNA?
I am not too impressed by the whole building a super dinosaur thing. Aren’t we reaching a critical mass where they might as well end this franchise and switch to having the monsters be old fashioned alien invaders?
Oh, and Jeff Goldblum is back, though perhaps it was a dry, humorless clone of the original character who was a highlight of previous Jurassic movies, but who sounded like a didactic college professor this time.
But hey, we have seen much worse sequels often, haven’t we? On some surface level, this entry in the franchise was entertaining as always. That seems built into the series’s DNA as well as often accompanying Spielberg’s name in the credits. And it must be frustrating to try and fail to match the magic of the very first film.
- Andre Gonzales: A lot of action in this one. The movie kind of dragged along. Boring at times.