Logan

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In the near future, a weary Logan cares for an ailing Professor X in a hideout on the Mexican border. But Logan’s attempts to hide from the world and his legacy are upended when a young mutant arrives, pursued by dark forces.

Credits: TheMovieDb.
Logan
Overview:
In the near future, a weary Logan cares for an ailing Professor X in a hideout on the Mexican border. But Logan’s attempts to hide from the world and his legacy are upended when a young mutant arrives, pursued by dark forces.
Cast:

Logan / Wolverine / X-24: Hugh Jackman
Laura Kinney / X-23: Dafne Keen
Charles Xavier / Professor X: Patrick Stewart
Gabriela: Elizabeth Rodriguez
Pierce: Boyd Holbrook
Caliban: Stephen Merchant
Dr. Zander Rice: Richard E. Grant
Macon: Stephen Dunlevy
Will Munson: Eriq La Salle
Kathryn Munson: Elise Neal
Nate Munson: Quincy Fouse
Federale Commander: Al Coronel
Federale Lieutenant: Frank Gallegos
Federale: Anthony Escobar
Rey: Reynaldo Gallegos
Mohawk: Krzysztof Soszynski
Bone Breaker: Daniel Bernhardt
Pretty Boy: Ryan Sturz
Reaver: Jef Groff
Reaver: Brandon Melendy
Reaver: Oren Hawxhurst
Reaver: Jeremy Fitzgerald
Reaver: Chris Palermo
Reaver: Paul Andrew O’Connor
Reaver: Clinton Roberts
Reaver: Rocky Abou-Sakher
Reaver: Keith Jardine
Reaver: Jean Claude Leuyer
Reaver: Andrew Arrabito
Reaver: Sebastian James
Reaver: Aaron Matthews
Reaver: Garrett Hammond
Reaver: Matt McClain
Motel Manager: Maureen Brennan
Rictor: Jason Genao
Rebecca: Hannah Westerfield
Bobby: Bryant Tardy
Charlotte: Ashlyn Casalegno
Delilah: Alison Fernandez
Lizard Boy: Parker Lovein
Mexican Staff Member: Jimmy Gonzales
Convenience Store Clerk: Dave Davis
Jackson: Lennie Loftin
Bartender: Mark Ashworth
Old Doctor: James Handy
Prom Teen #1: Bryce Romero
Prom Teen #2: Phi Vu
Prom Teen #3: Chester Rushing
Prom Teen #4: David Simpson
Bridesmaid: Lauren Gros
Pastor: John Raymond
Mourning Widow: Vanessa Cloke
Maria: Doris Morgado
Infirmary Nurse: Katie Anne Mitchell
Car Dealer: Lara Grice
Major: James Moses Black
Banger: Ned Yousef
Banger: Michael Lehr
Banger: Baxter Humby
Banger: Bryan Sloyer
Banger: Daniel Hernández
Federale: John Bernecker
Federale: Evan Dane Taylor
Federale: Joe Nin Williams
Federale: Toby Holguin
Federale: Robert Wu
Federale: Anthony N.
Federale: Victor Winters-Junco
Federale: Eyad Elbitar
Federale: Craig Henningsen
Valet: Han Soto
Pine Cone Girl: Rissa Rose Kilar
Jonah: Salef Celiz
Mutant Child: Aidan Kennedy
Mutant Child: Nayah Murphy
Mutant Child: Chase Cubia
Mutant Child: Emma Teo
Mutant Child: Vincenzo Lucatorto
Mutant Child: Noell Jellison
Mutant Child: Haley Glass
Mutant Child: Ella Rowbotham
Mutant Child: Hudson Wright
Mutant Child: Sebeon Jackson
Glowing Eyes Boy: Kelton DuMont
Jackson’s Henchman: Damon Carney
Screaming Casino Woman: Cynthia Woods
Bumpy Skinned Kid: Mali O’Connor
Rhodes: David Kallaway
Border Guard: Robert Vargas
Helicopter Pilot: David Paris
Special Forces (uncredited): Gonzalo Robles
Reaver (uncredited): Tim Connolly
Bridesmaid (uncredited): Mary Peyton Stewart
Casino Patron (uncredited): Julia Holt
Special Forces Solider (uncredited): Paul Adkins
FBI Agent (uncredited): Michael Love Toliver

Crew:

Storyboard Artist: Jesse Michael Owen
Storyboard Artist: Gabriel Hardman
Storyboard Artist: John Coven
Storyboard Artist: Benton Jew
Thanks: Alexander Mackendrick
Thanks: Roy Thomas
Thanks: Chris Claremont
Thanks: Siddhartha Mukherjee
Thanks: Len Wein
Thanks: Marc Silvestri
Thanks: John Byrne
Thanks: Marjorie Liu
Thanks: John Romita Sr.
Thanks: Craig Kyle
Rigging Grip: Jean-Paul Bernard
Stunts: Jessica Williams
Stunts: Ashley Nicole Hudson
Executive Producer: Stan Lee
Producer: Lauren Shuler Donner
Stunts: Clay Cullen
Visual Effects: Michael Furniss
Executive Producer: James Mangold
Fight Choreographer: Steven John Brown
Stunts: Anthony N.
Stunt Coordinator: Kurt D. Lott
Director of Photography: John Mathieson
Editor: Michael McCusker
Producer: Simon Kinberg
Set Decoration: Peter Lando
Costume Design: Daniel Orlandi
Supervising Art Director: Chris Farmer
Co-Producer: Kurt Williams
Executive Producer: Joseph M. Caracciolo Jr.
Production Design: François Audouy
Screenplay: Michael Green
Screenplay: Scott Frank
Location Scout: Rowan Stanland
Stunts: Rocky Abou-Sakher
Location Manager: Sean J. Donnelly
Stunts: Andy Abele
Casting: Sarah Katzman
Set Designer: Nicole Reed LeFevre
Translator: Andrés Moret Urdampilleta
Location Scout: Rebecca Puck Stair
Production Supervisor: Jessica Derhammer
Stunt Coordinator: Gary Hymes
Driver: Gary L. Horton
Stunts: Gene Hartline
Producer: Hutch Parker
First Assistant Director: Josh McLaglen
Casting: Lisa Beach
Construction Coordinator: Steven DeSantis
Script Supervisor: Sheila Waldron
Steadicam Operator: David Luckenbach
Art Direction: Jordan Ferrer
Ager/Dyer: Mark D. Spain
Script Coordinator: Aaron Wiener
Key Grip: Jimi Ryan
Casting Associate: Francesca Bradley
Assistant Costume Designer: Mary Iannelli
Gaffer: Jaim O’Neil
Sound Re-Recording Mixer: Paul Massey
Hairstylist: Chase Heard
Set Costumer: Annette Farnsworth
Rigging Gaffer: Ferdinand Duplantier Jr.
Visual Effects Supervisor: Anthony Smith
Second Unit Director of Photography: Lukasz Jogalla
Key Grip: Walter ‘Bud’ Scott
Rigging Grip: Max Patrucco
Boom Operator: Brian Maratea
Property Master: J.P. Jones
Visual Effects Coordinator: Chelsea Mirus
Sound Designer: Hamilton Sterling
Makeup Artist: Bailey Domke
Visual Effects Supervisor: Chas Jarrett
Epk Camera Operator: Michael Fitzgerald
3D Modeller: Preethi Venkateswaran
Visual Effects Producer: Allan Magled
Aerial Coordinator: Cory Fleming
Visual Effects Coordinator: Teresa Berus
Visual Effects Supervisor: Berj Bannayan
Casting Associate: Brittany A. Jones
Seamstress: Giselle Spence
Still Photographer: Ben Rothstein
Art Direction: Luke Freeborn
VFX Supervisor: Jeffrey Kalmus
Casting Associate: Beth Lipari
Gaffer: Andy Ryan
Dolly Grip: Joe Cassano
Rigging Grip: Charley Gilleran
Visual Effects Supervisor: Keith Sellers
Ager/Dyer: Melissa Binder
Key Costumer: Stuart Gordon Tribble
Special Effects Supervisor: Garry Elmendorf
Hair Department Head: Gloria Pasqua Casny
Art Direction: Scott Plauche
ADR Editor: Laura Graham
Makeup Artist: Adam Walls
Digital Intermediate: Skip Kimball
Art Department Coordinator: Cindy M. Ichikawa
Costume Supervisor: Elaine Ramires
Key Costumer: Nora Phillips Pedersen
Wigmaker: Khanh Trance
First Assistant Editor: Daniel M. Nussbaum
Makeup Artist: Rob Hinderstein
Makeup Artist: Karri Farris
Makeup Artist: Sara Roybal
Makeup Artist: Karen Romero
Animation: Andrew McCartney
Visual Effects Supervisor: Doug Spilatro
Casting Associate: Amelia Chen Miley
Ager/Dyer: Benj Gibicsar
Makeup Artist: Remi Savva
Visual Effects Coordinator: Laura Dochtermann
Rigging Grip: Rob Skuse
Makeup Artist: Brian Penikas
Makeup Artist: Courtney Lether
Makeup Designer: Joel Harlow
Digital Intermediate: Marisa Clayton
Stunts: Thekla Hutyrova
Set Dresser: Robert J. Moore Jr.
Special Effects: Matthew James Kutcher
Camera Operator: Joseph V. Cicio
Grip: Ted Gregg
Animation: Nicolas Torres
Production Accountant: Sherry Kecskes
Production Coordinator: Bryan Schnitzer
Set Dresser: Jonathan Lheureux
Assistant Production Coordinator: Dustin DellaVecchia
Unit Production Manager: Dana Robin
Special Effects: Molly Federline
Set Decorating Coordinator: Aimee Huber
Grip: Dan Wyssmann
Editor: Dirk Westervelt
Set Designer: Brian A. Waits
Grip: Nathan Fung
Grip: Michael Feduccia
Special Effects Coordinator: Brittany Dewees
Grip: Ryan Chamberlain
Casting: Barbie Block
Post Production Consulting: Anthony Dixon
Location Scout: Clark Deal
Camera Operator: Michael Applebaum
Key Grip: Brady McElroy
Casting: Priscilla John
Digital Intermediate: Carrie Oliver
Post Production Assistant: Tessa Rubin
Location Scout: Cristal Jones
Location Scout: Ron Uribe
Additional Music: Marcus Trumpp
Casting Assistant: Rosemary Finney
Digital Effects Producer: McKay Johnson
Location Scout: Matthew McLellan
Orchestrator: Dana Niu
Grip: Kevin Luster
Grip: Joe Sökmen
Assistant Editor: Zach Marshall
Assistant Editor: Matt Landsman
First Assistant Camera: Larry Nielsen
Local Casting: Elizabeth Coulon
Casting Assistant: Rebecca Llorella
Casting Assistant: Adam Stephenson
Orchestrator: Pete Anthony
Assistant Production Coordinator: Trang Dang
Musician: Wade Culbreath
Orchestrator: Mark Graham
Production Coordinator: Kerri Smeltzer
Production Accountant: Nicole Flowers
Art Department Assistant: Marian Gay
Boom Operator: Steven Willer
Supervising Dialogue Editor: Teri E. Dorman
Additional Photography: Phedon Papamichael
Additional Editing: John Berri
Conceptual Design: Christian Cordella
Lighting Technician: Jonathan Terpstra
Location Scout: Marie-Jeanne Orona
Scoring Mixer: Tyson Lozensky
Additional Music: Brandon Roberts
Animal Wrangler: Cris Rankin
Score Engineer: Jeff Gartenbaum
Location Scout: Ryan Schaetzle
Conceptual Design: Keith Christensen
Musician: Andrew Synowiec
Scoring Mixer: John Kurlander
First Assistant Camera: Christopher Norris
First Assistant Camera: Basil Smith
Assistant Art Director: Matthew Gatlin
Set Designer: Jessica Stumpf
Special Effects: Scott Dwyer
Special Effects: Stephen Meagher
Animation: Jessica Zanetti
Casting Associate: Karlee Fomalont
Location Scout: Deborah Wakshull
Location Manager: Aurora Ann Quiñones
Production Coordinator: Lori Berlanga
Orchestrator: Rossano Galante
Casting: Sally Stiner
Second Assistant Director: Michael Musteric
Set Designer: Walter Schneider
Special Effects: Erdwin J. Clausen Jr.
Grip: Michael Koepke
Grip: Gael Whettnall
Animation: Duck Lee
Musician: Matt Chamberlain
ADR Voice Casting: Johnny Gidcomb
Animal Coordinator: Sid Yost
Set Medic: Jennifer Brown
Set Medic: John Lavis
Set Decoration: Bradford Johnson
Set Dresser: Alejandra Tovar
Special Effects: Skylar Gorrell
Casting Assistant: Andreya Lynham
Music Supervisor: Ted Caplan
Lighting Technician: Jordan Whaley
Dialect Coach: Jess Platt
Assistant Property Master: Patrick Russo
Stunts: Kurt Bryant
Stunt Double: Vanessa Motta
Stunts: Efka Kvaraciejus
Location Assistant: Tyler Hohmann
Grip: Nathan Hughes
Original Music Composer: Marco Beltrami
Visual Effects: Duy Pham
Stunts: Daniel Hargrave
Hairstylist: Natalie Shea Rose
ADR Voice Casting: Julianne Gabert
ADR Recordist: Christine Sirois
Second Assistant Camera: Jeffrey Lamm
ADR Recordist: Tyler Heath
ADR Mixer: Jon Vogl
ADR Recordist: Aidan Dykes
Foley Artist: John T. Cucci
Sound Re-Recording Mixer: David Giammarco
ADR Engineer: Arif Chagla
Stunt Coordinator: Garrett Warren
Foley Mixer: Roberto Dominguez Alegria
Dialogue Editor: Jim Brookshire
ADR Recordist: Tristan Rose
Additional Sound Re-Recording Mixer: Craig Henighan
Foley Artist: Dan O’Connell
Foley Editor: Matthew Harrison
Foley Mixer: James Ashwill
ADR Mixer: David Betancourt
ADR Engineer: Derek Casari
Production Sound Mixer: Paul Ledford
Thanks: Dave Cockrum
Music Arranger: Tom Brown
Construction Foreman: Jeremy Johnson
Stunts: Matt J. Thompson
Visual Effects: Brian Adler
Stunts: Christopher Heskey
Costume Assistant: Grant McCord
VFX Artist: Adrien Flanquart
Animation: Paul Zeke
Animation: Shaila Tobin
“B” Camera Operator: Michael Burgess
Stunts: Jalil Jay Lynch

Catogories:
Action,Drama,Science Fiction
My beautiful grandma says this plugin is glamorous.

His time has come.
Language:
English,Español
Production:
United States of America
Company:
Hutch Parker Entertainment,The Donners’ Company,Genre Films,20th Century Fox,Marvel Entertainment,TSG Entertainment
Popularity:
91.864
Date:
2017-02-28
Year:
2017

anythingbutfifi: **LOGAN REVIEW: THE WOLVERINE GETS A SUPER SEND-OFF**
“Owing to its agitated hero’s misfortunes through the ages, this is a film that’s acutely aware of the dangers of emotional exploitation, and it spares its audience a similar fate. With Logan, Mangold and co-writer Scott Frank tell the definitive story of the Wolverine, in an involving and deeply satisfying series finale. It shows the fate of mutants when age starts to weary them, with stakes that feel real, and empathy that’s earned.”

READ THE FULL REVIEW AT SBS MOVIES: http://www.sbs.com.au/movies/review/logan-review-wolverine-gets-super-send
Movie Queen41: There may be some fine performances in this movie, but I honestly think the critics overrated this latest entry in the X-Men saga. The performances of Wolverine and Prof. X by Hugh Jackman and Patrick Stewart are extraordinary. They create a believable and loving father-son bond between their characters, with Logan caring for the ninety year old leader of the X-Men after a horrible event occurs at the Xavier school the year before. Stephen Merchant takes over the role of Caliban from Tómas Lemarquis, who played the character in X-Men Apocalypse, and transforms him into an ally to Logan and Charlies. Merchant is quite good in the role. But what really dragged down the movie is its nihilism. The other X-Men are completely missing from the film and mutants have been wiped out almost completely. A sense of doom and hopelessness looms over the film. This movie completely upends the warm and hopeful epilogue of Days of Future Past, where the X-Men were restored to life and glory and mutants weren’t extinct after all. Death seems to stalk Logan and Charles wherever they go. There is also a conspicuous lack of significant female characters in this movie, too. The only female of note is Laura/ X-23, and she spends most of the film mute. There is also a complete lack of any strong or memorable villains. No one ever reaches the level of greatness like other X-Men villains such as Magneto or William Stryker. So, despite some good performances, this film is a bit overrated and also a little too bleak and depressing for my taste.
tmdb16528852: One of the best and most mature Marvel movies to date.
The first half of this movie is a huge delight and a huge thrill. Hugh Jackman and Patrick Stewart are so entertaining to watch as characters they’ve known for 17 years. They’ve taken their characters a step further here in a script that allows them to explore themselves emotionally more than ever before. This movie is strictly part-drama. Yes, that’s right. Finally, a Marvel superhero movie you can confidently stamp the drama genre tag on.

The effects, stunts and gore are really quite shocking. You can really feel the weight of each character’s immense power, and more importantly, the struggles that come along with them. This further fleshes out each character.

The movie starts to lose the enjoyability of its ensemble halfway through, and what happens after is what you might expect from a typical X-Men film. Action, sci-fi and more action/sci-fi. The villains are as interesting as they can be I suppose. They lack much development but are there to fuel the real story. Anyway, I can’t say much else without spoiling the plot. I’ll just say that I wish the movie would have taken a different direction.
Gimly: If you don’t like superhero movies, this is the superhero movie for you. And if you do like superhero movies? Watch _Logan_ anyway. It’s bloody brilliant.
_Final rating:★★★★ – An all round good movie with a little something extra._
buzybug: **** This review may contain spoilers ****
We finally get the Wolverine we have been asking for, for the past 15 years and it’s his last time. Well, I guess he couldn’t have ended it in any better way as a last farewell to the fans and his signature role. Not only that but it looks like this one blows all the other superhero movies out of the water.
Reno: **A farewell and a welcome!**
A perfect farewell to the only mutant who had solo films in ‘X-Men’ franchise. I never understood ‘X-Men’, I thought it was the worst superhero film series I’ve ever seen. But ‘Wolverine’ was the only reason I watched them all and particular, Hugh Jackman. There won’t be Logan now onwards, though a set of new generation welcomed in this film, while saying goodbye to the old guys. So now what happens in the future of this franchise is a very suspense. Yet Logan had been the precious gem in the crown of ‘X-Men’, that mean it won’t be the same anymore.

After many years passed in the future, the last survivours of mutants hiding their identity and living among the humans. Logan and two others were attacked by the armed men when he decided to help a child mutant. Running away from them and looking for a place where they can be safe prioritised in the narration. More dramatised film in the franchise, but there are enough actions those who desire for that.

It’s an emotional time for the hardcore fans of Logan/Hugh Jachman. One final great performance by him and the little kid was also good. A well shot film, with minimum graphics and more realistic stunt sequences. Well, not all were real, too strong fights, too bloody, despite having a child actor in it. Yeah, it is a good film, I liked it, but not a masterpiece as you might have heard of. But anyway, it is a must see for the ‘Wolverine’ fans.

_7/10_
Per Gunnar Jonsson: I believe that I am about to disagree with quite a few people now. You see, I did not like this movie.
Not that this came as much of a surprise to me. What I got was pretty much what I expected. From a technical point of view the movie is quite well done. Hugh Jackman and Patrick Stewart are doing good jobs as always. The action scenes are good. The cinematography is not at all bad. If you are into tragic drama and do not mind the super hero twist of the movie then this is a movie for you. The technical qualities is why this movie gets any stars at all from me. If I would judge it by story only then it would have gotten zero, null, nada, nicths, rien, ingenting.

For me it was depressing, boring and not at all fun to watch. The only reason I watched it is because I, as a X-Men fan, simply had to watch it as well as having it in my collection but I would have been happier it this movie had never been made.

Wolverine is more or less an unpleasant drinking bum clad in filthy ragged clothes. Professor X is half insane and apparently dangerous to himself and the people around him. We get absolutely no explanation as to how this sad state of affairs.

The entire movie is dark in spirit with the X-Men all but died out and Wolverine and Professor X just waiting to die. Then in comes this female child who later turns out to be a female version of Wolverine. She pretty much lacks any form of charisma and she and Wolverine spends almost the entire time in a state of conflict, much due to Wolverine who seems to think everyone should go fuck themselves so that he can continue to self destruct.

The bad guys are the usual evil corporation doing experiments on X-Men, genetics etc. Supposedly they were behind the almost extermination of X-Men but of course they keep their own little army of “enhanced” humans that doggedly harasses Wolverine & Co. There are some nice action sequences but there is really no good overall boss. No one with enough Charisma to take the role of the main adversary unless you count X-24 who only took part in a few parts of the movie.

By the way, why the fuck do Wolverine, Laura as well as X-24 have to grunt like horny monkeys when they fight?

The story is rather predictable with no major surprises, little depth and low on logic. A typical Hollywood drama. Not really anything to write home about.

The movie is just so depressing from start to finish. As a last farewell to Wolverine and Professor X it is almost insulting. I know a lot of people seem to like it but I cannot understand why. At least not if you are a X-Men fan.
John Chard: The Last Cut Is The Deepest!
Did we need another X-Men movie? In fact did we need another Wolverine movie? Well the result is there for all to see, with Logan not only showing itself to be undoubtedly the best Wolverine venture by far, but arguably the best X-Men picture as well. If, as expected (and surely to god it’s hoped so), this is the last we see of the grumpy metal clawed superhero, then what a fitting and triumphant bow out it is.

James Mangold, the director, has managed to create an adult superhero movie without it really being a superhero pic, for he has created a film noir Western that happens to be about a superhero. Mangold’s love of noir and Westerns bursts from the screen, which for those who follow those wonderful stands of cinema, will come as no surprise having seen with notice his Copland and 3:10 To Yuma redux. There’s a perpetual grimness to the narrative that belies the quite often stunning surrounding locales, heavy themes such as men out of time – with destinies written (cue a deft comic book movie within a comic book chunk of metaphysics) – surrogates, mental illness, human ignorance, and on it goes, the narrative strong on intelligence as much as it is in wrought emotion. Western fans will also be buoyed by the part that the 1953 classic Western Shane has to play in things, considerably so as its importance narratively, orally and visually is mightily strong.

Logan’s Run!

Ah yes, well being “adult” is all well and good, but is Logan thrilling? Do we get pumped up Wolverine action, blood brains, splatter and mucho muscle flexing and pained roars of anger? Oh yes! Action from the off is never far away, and wonderfully staged and choreographed it is. Lots of memorable set-pieces, while also some cleverly constructed sequences such as Xavier’s mind seizures hold court and enthral. Yet the kicker with all that is we are clued in to the emotional baggage that the side-burn sporting protag carries with him. With each fight we sense the bigger picture, even as we watch in awe the emergence of Laura (ironic film noir name right there as it happens) – and her part in this very “human” story – the thrills and spills are propelled by a meaningful but battered heart.

Tech credits are superb. Acting honours go to Jackman, who after giving 17 years of his life to the character, gives it his all and this multi faceted performance, in a perfect world, deserves Oscar recognition. Patrick Stewart, also, is immense, playing the nonagenarian Charles Xavier with such class, gracefulness and storming emotion that one can only admire. Film debutante Dafne Keen as Laura is utterly engrossing, quite a debut indeed, whilst Stephen Merchant as albino mutant tracker Caliban is effective to the point we hanker for more. Although the villains fronted by Boyd Holbrook (rote henchman leader) and Richard E. Grant (smarmy scientist git) just about pass muster, there’s nothing to damage the piece. Cinematography (John Mathieson) is “A” grade, the filters set on neo-noir, with the splendid film noir black and white version a fillip for the heart of noir lovers. All that is left is for the sound mix to boom and the director to steer with heart, brain and soul, without doubt both come up trumps.

One of 2017s best films, a genre splicer that ticks all the boxes of great film making. 10/10
CinemaSerf: All but exhausted after years of fighting and hiding, “Logan” (Hugh Jackman) just wants a peaceful life. Aside from the occasional trip to Mexico to help the sun-shy “Caliban” (Stephen Merchant) with his medication, it’s all pretty routine and low-key. That is, until “Laura” (Dafne Keen) pays him visit – and she has a mutation just like his. Who is she? Of course, she doesn’t come alone. “Pierce” (Boyd Holbrook) has been charged by scientist “Rice” (Richard E. Grant) to track her down and capture her. It now falls to our eponymous hero to fend them off and get her to safety. What follows now are several highly polished, but frankly repetitive, escapades as their enemies close in. Sure, the effects are great and the production quality is top drawer, but the flaw with someone who has (albeit limited, by this stage) self healing powers is that the same, or slightly tweaked, scenarios happening over and over again start to get a bit dull after a while. Jackman looks as tired with the role as his character is with the relentlessness of his existence and though quite easy on the eye, Holbrook isn’t up to much (I kept thinking he was Charlie Hunnam). I was never the biggest fan of this franchise once they split it out to follow “Wolverine”. Jackman is an hugely charismatic actor but his character isn’t remotely sophisticated and though there is some humour to be found, for the most part I found this an action-packed but pretty long and unremarkable piece of cinema.
The Movie Mob: **Logan tones down the effects and scale to focus on the emotion and pain of its characters, making it one of the best films in the X-Men saga.**
James Mangold strikes again! Logan is considered by many to be one of the greatest superhero films ever made. While I don’t feel as strongly as many about this film, its quality is undeniable. Jackman and Stewart’s performances were the best of the franchise. The story adapts the Old Man Logan comic to depict an aged weary Wolverine that is more jaded and bitter than ever. This new world where the X-Men have all perished or disappeared is more dangerous than ever for mutants. But Logan’s heart is slowly restored by a young girl on the run that seems destined to follow in his footsteps unless he finds a way to give her a new future and hope. Mangold’s vision and directing fill the film with emotion and pain. Logan’s suffering and hopelessness are tangible and felt in every moment of the film. While I missed the vibe and characters of the other X-Men movie, Logan was an excellent film that gave a meaningful conclusion to Wolverine’s long and heartbreaking journey.
BroSpanky: The best movie I have ever seen
tmdb51616167: “Logan” served as a poignant and fitting conclusion to the Marvel version of Wolverine and the X-Men. The movie delved into deeper and darker themes, aligning with the intended premise of the film. While I miss the excitement of the X-Men from my childhood, this movie provided a sense of closure that was necessary to bring the chapter to a satisfying end.
Unlike other X-Men movies that failed to evoke excitement, “Logan” managed to offer a sense of peace and finality. It successfully wrapped up the storylines and character arcs, providing a conclusive end to the X-Men saga. Overall, the film took the necessary steps to accomplish its goal of closing the chapter of the X-Men universe, delivering a grand and conclusive finale.

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