Deadpool 2

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Wisecracking mercenary Deadpool battles the evil and powerful Cable and other bad guys to save a boy’s life.

Credits: TheMovieDb.
Deadpool 2
Overview:
Wisecracking mercenary Deadpool battles the evil and powerful Cable and other bad guys to save a boy’s life.
Cast:

Wade Wilson / Deadpool / Juggernaut (voice): Ryan Reynolds
Cable: Josh Brolin
Vanessa: Morena Baccarin
Firefist: Julian Dennison
Domino: Zazie Beetz
Weasel: T.J. Miller
Blind Al: Leslie Uggams
Dopinder: Karan Soni
Negasonic Teenage Warhead: Brianna Hildebrand
Black Tom: Jack Kesy
Headmaster: Eddie Marsan
Yukio: Shioli Kutsuna
Colossus (voice): Stefan Kapičić
Buck: Randal Reeder
Head Orderly Frye: Nikolai Witschl
Sergei Valishnikov: Thayr Harris
Peter: Rob Delaney
Shatterstar: Lewis Tan
Zeitgeist: Bill Skarsgård
Bedlam: Terry Crews
Vanisher: Brad Pitt
Hong Kong Boss: Paul Wu
Sluggo: Robert Maillet
Luke – Redneck #1: Alan Tudyk
Redneck #2: Matt Damon
Swat Captain (School): Michasha Armstrong
Bus Driver: Joe Doserro
Cable’s Wife: Hayley Sales
Cable’s Daughter: Islie Hirvonen
Tree Trimmer #1: Jagua Arneja
Tree Trimmer #2: Gerry South
Prison Guard: Mike Dopud
Cereal Kid: Luke Roessler
Neighbor #1: Andy Canete
Neighbor #2: Tanis Dolman
Neighbor #3: Eleanor Walker
Branding Boy: Hunter Dillon
Older Firefist: Sala Baker
News Reporter (Irene): Sonia Sunger
News Cameraman: Paul Wernick
News Helicopter Pilot: Rhett Reese
Chinook Pilot: Abiola Uthman
Black Tom Gang Member: Tony Bailey
Priest: David Cook
Park Bench Couple: Alex Kliner
Park Bench Couple: Elaine Kliner
Ground Chuck Mutant: David Leitch
Zoo Kid: Valencia Budijanto
Bystander: Stefania Indelicato
Strip Club Dancer: Myfanwy Williams
Strip Club Dancer: Sam Armstrong
Strip Club Dancer: Alison Pickford
Strip Club Baddie: Danny Ocean
Strip Club Baddie: Paul Lazenby
Strip Club Baddie: Noah Beggs
Strip Club Baddie: Andrei Kovski
Vocalist on ‘Tomorrow’ (voice): Alicia Morton
On-Set Colossus (uncredited): Andre Tricoteux
Child Protection Worker (uncredited): Lisa Bunting
Waving Prisoner (uncredited): Miles Ellis
Prison Guard 96S (uncredited): Lars Grant
DMC Guard (uncredited): Sam Hargrave
Beast (uncredited): Nicholas Hoult
Business Passerby (uncredited): Simon MacIntyre
Charles Xavier (uncredited): James McAvoy
Quicksilver (uncredited): Evan Peters
Cyclops (uncredited): Tye Sheridan
Storm (uncredited): Alexandra Shipp
Nightcrawler (uncredited): Kodi Smit-McPhee
Thug (uncredited): Scott Vickaryous
Mutant Prisoner (uncredited): Dan Zachary

Crew:

Executive Producer: Kelly McCormick
Executive Producer: Jonathon Komack Martin
Editor: Michael McCusker
Executive Producer: Ethan Smith
Utility Stunts: Joe Ross
Thanks: Cynthia Pett-Dante
Thanks: James Mangold
Thanks: Joe Kelly
Executive Producer: Paul Wernick
Thanks: Louise Simonson
Thanks: Fabian Nicieza
Executive Producer: Rhett Reese
Producer: Ryan Reynolds
Thanks: Hugh Jackman
Comic Book: Rob Liefeld
Thanks: Ed McGuinness
Thanks: George Dewey
First Assistant Hairstylist: Lilia Afsahi
First Assistant Hairstylist: Marie Clancy
Makeup Designer: Andy Clement
First Assistant Makeup Artist: Davina Faye
Assistant Makeup Artist: Sven Granlund
First Assistant Hairstylist: Lynnea Board
First Assistant Makeup Artist: Darah Wyant
Makeup Artist: Mike Smithson
Makeup Designer: Bill Corso
Key Makeup Artist: Pepe Mora
ADR Mixer: Jerrell Suelto
Special Effects Makeup Artist: Felix Fox
ADR Supervisor: Paul Timothy Carden
Foley Artist: John T. Cucci
Second Unit Director: Darrin Prescott
Third Assistant Director: Regan Kosior
Key Makeup Artist: Akihito Ikeda
ADR Supervisor: Gina Mueller
Foley Artist: Dan O’Connell
Second Assistant Director: Matthew D. Smith
ADR Recordist: Aidan Dykes
Sound Mixer: Scott Jason Farr
Key Makeup Artist: Richard Alonzo
Special Effects Makeup Artist: Holland Miller
Special Effects Makeup Artist: Mike Fields
Third Assistant Director: Amanda Petura
Sound Designer: Martyn Zub
Second Unit First Assistant Director: Jayson Merrill
Special Effects Makeup Artist: Rebeccah Delchambre
ADR Mixer: David Betancourt
ADR Mixer: Jon Vogl
Special Effects Makeup Artist: Cayley Giene
Second Assistant Director: Scott Kukurudz
First Assistant Sound Editor: Smokey Cloud
Foley Editor: Matthew Harrison
Second Assistant Director: Robert S. Weber
Second Assistant Director: Brad Medhurst
Foley Editor: Mark Pappas
Stunt Coordinator: Jonathan Eusebio
Foley Mixer: Jack Cucci
Sound Mixer: Ian Tarasoff
Animation Supervisor: Alex Poei
Animation Supervisor: Bernd Angerer
Animation Supervisor: Eric Bates
CG Artist: Hideki Okano
Compositing Lead: Tiago Santos
Rotoscoping Artist: Ashutosh Surawshi
VFX Lighting Artist: Jamshid Sadat
Rotoscoping Artist: Simon J. Taua’i
Visual Effects Producer: Kelly McCarthy
Compositing Supervisor: Ryan Leonard
Digital Effects Supervisor: Sean Schur
Compositing Lead: Kunal Chindarkar
Senior Animator: Matthew Hackett
VFX Editor: Jonathan D. Martin
VFX Artist: Irshad Patel
Visual Effects Coordinator: Mohamed Aït Ouyahia
Visual Effects Coordinator: Tabitha Woodman
Visual Effects Production Manager: Rachel Hannah Cohen
CG Artist: Yuliia Kondratova
Compositing Lead: Miguel Diaz Cachero
VFX Artist: Rusty Ippolito
Visual Effects Production Manager: Monifa Andrew
Visual Effects Technical Director: Jordan Cario
Modeling: Nilesh Pobatti
VFX Artist: Shiv Kumar Vishwakarma
Visual Effects Coordinator: Hakyung Chang
Visual Effects Coordinator: Julia Llanos
Digital Effects Supervisor: Chris McLaughlin
VFX Lighting Artist: Helga Victoria
Visual Effects Coordinator: Emily C. Moye
Visual Effects Producer: Nelson Dsouza
Production Manager: Sainath Shinde
Production Supervisor: Vickie M. Hsieh
Compositing Supervisor: Florian Schroeder
VFX Lighting Artist: Subhash Dalke
VFX Lighting Artist: Sean Dsouza
Matte Painter: Daniel St-Amant
Rotoscoping Artist: Sagar Khorasia
Rotoscoping Artist: Ratnesh Patel
Rotoscoping Artist: Jesse Forsey
VFX Editor: Brock Shekelton
Visual Effects Producer: Matthew Dravitzki
Visual Effects Technical Director: Murali Krishna Chintapalli
Animation Supervisor: Eric Guaglione
VFX Lighting Artist: Marcello P. Carvalho
VFX Lighting Artist: Jose L. De Juan
Visual Effects Producer: Adam Pere
Visual Effects Technical Director: Tangi Vaillant
Compositing Supervisor: Leslie Chung
Compositing Lead: Victor Norberg
VFX Lighting Artist: Khushroo Surveyor
Rotoscoping Artist: Sebinsaji
VFX Artist: Nikki Snider
VFX Artist: Jean Bennamias
Visual Effects Supervisor: Gong Myung Lee
Production Manager: Ashish Kukian
Animation Supervisor: Nadav Ehrlich
CG Supervisor: Ivan Andres Guerrero
Compositing Supervisor: Andrew Brooks
Digital Effects Supervisor: Ben Cowell-Thomas
VFX Lighting Artist: Tim Palgut
Modeling: Manmath Matondkar
Visual Effects Coordinator: Bastien Rivas
Compositing Supervisor: Stephen James
Compositing Lead: Gregory Chalenko
VFX Editor: Dhuha Isa
VFX Artist: Melvin Polayah
VFX Artist: David Ertsinian
Visual Effects Coordinator: Zach Groves
Visual Effects Coordinator: Andrew Van Midde
Visual Effects Producer: Chris Anderson
Visual Effects Producer: Martin Wiseman
Visual Effects Technical Director: Harsh Mistry
Production Manager: Prashant Sharan
Visual Effects Coordinator: Anne-Marie Ouellet
CG Supervisor: Benjamín Magaña
Compositing Supervisor: Shivesh Gehlot
Modeling: Menard Jordane
Senior Animator: Shajo John
VFX Artist: Yogendra Bundela
Visual Effects Production Manager: Jatin Bhavsar
Visual Effects Production Manager: Arwen Munro
Layout Supervisor: Kristin Pratt
VFX Lighting Artist: Gaeun Lee
Matte Painter: Laura Macfadyen
Matte Painter: Rodgers Paul
VFX Editor: Matt Blouin
Visual Effects Coordinator: Tesa Kubicek
Visual Effects Production Assistant: Bryant Mudd
Compositing Supervisor: Dan Breckwoldt
Matte Painter: Morgan Lang
VFX Artist: Pharoah Barrett
VFX Artist: Prerana Jaiswal
Visual Effects Coordinator: Nick Ghizas
Compositing Supervisor: Romain Rico
VFX Lighting Artist: Paul Wojdylo
Senior Animator: Goran Ognjanovic
Visual Effects Coordinator: Bradley D. Jordan
Visual Effects Technical Director: Amir Manavi
Graphic Designer: Melina Humphries
Art Department Assistant: Uzair Merchant
Art Department Coordinator: Katharina Nimmervoll
Construction Foreman: Chad Calder
Rigging Grip: Brian Bjerkness
Second Assistant “A” Camera: Amie Gibbins
Concept Artist: Marc Bitz
Art Department Assistant: Kayla Meadows
Assistant Property Master: Clayton Flagg
Concept Artist: Christopher Lee Zammit
Conceptual Design: Jadrien Cousens
Property Master: Jerry Staar
Set Dresser: Darian Deering
Construction Foreman: David R. Murray
Set Decoration Buyer: Jocelyne Lous
Storyboard Artist: William Groebe
Gaffer: Yves Bernadet
Grip: Lawrence Ogden
Concept Artist: Wolfgang Metschan
Concept Artist: Kelton Cram
Concept Artist: Fred Palacio
Best Boy Grip: Leon Serginson
First Assistant “B” Camera: Joshua Kjorven
Props: Fiorino Corsi
Props: Jake Warren
Set Dresser: Robert Murphy
Electrician: Geoff Knight
Grip: Sam Stoessiger
Concept Artist: Eduardo Pena
Graphic Designer: Sasha Odesse
Storyboard Artist: Jeremy Simser
Camera Trainee: Tatiana Hopcraft
Grip: Colin Robson
Concept Artist: Christopher Brändström
Conceptual Illustrator: Ray Lai
Construction Buyer: Natalie Michalchyshyn
Storyboard Artist: Marcus Endean
Grip: Virgile Dean
Drone Pilot: Patrick Weir
Lighting Technician: Chris Unsworth
Rigging Grip: Andrew Kearney
Head of Story: Doug Lefler
Set Decoration Buyer: Ester Bovard
Set Decorating Coordinator: Sophie Graham
Assistant Camera: Obedi Daniel
Rigging Grip: Alex Reno
Assistant Property Master: Aaron Alexander
Concept Artist: Marcos Weiss
Storyboard Artist: Andrew Garcia-Price
Props: Heather Murray
Aerial Camera Technician: Dane Bjerno
Camera Trainee: Jared Nickel
Digital Imaging Technician: Mitch Bax
Dolly Grip: Darin Wong
Grip: Marco Correia
Props: Sanford Worth
Set Decoration Buyer: Amber Boorman
Set Designer: Cristian Arizaga
First Assistant “A” Camera: Jimmy E. Jensen
Grip: Adrian Wilcocks
Libra Head Technician: Cary Cooper
Lighting Technician: Cat Kitellis
Second Assistant “B” Camera: Mighty Dan Robinson
Digital Imaging Technician: Simon Jori
First Assistant “A” Camera: Aaron Haesler
First Assistant Camera: Justin Bergler
Second Assistant “A” Camera: Spencer Ennis
Dolly Grip: Björn Hermannes
Rigging Grip: Daniel Pierce
Lighting Technician: Phillip Chadwick
Set Decoration Buyer: Jennifer Abrams
Set Decoration Buyer: Eliza Hooker
Grip: Keyon Slowly
Rigging Grip: Jason Misewich
Digital Intermediate Colorist: Skip Kimball
Editorial Production Assistant: A.R. Björklund
Second Assistant Camera: Borislav Penchev
Lighting Technician: Maria Aceves Varela
Lighting Technician: William Cash
Colorist: John St. Laurent
Colorist: Sam Gilling
Editorial Production Assistant: Cole Doran
Online Editor: Nathan Hurlburt
Location Manager: Ann Goobie
Casting Assistant: Rebecca Davidson
Casting Assistant: Lory Shaye
Location Production Assistant: Bret Jolliffe
Digital Imaging Technician: Ryan McGregor
Lighting Technician: Todd Martin
Second Assistant Camera: Frankie Sharpe
Dailies Operator: Chris Van Duyn
Digital Intermediate Editor: Tashi Trieu
Location Production Assistant: Boris Detvaj
Assistant Editor: Rob Grant
First Assistant Editor: Tyler Ruocco
Grip: Denis Marcotte
Assistant Editor: Adam Michna
Rigging Grip: Ken Gurney
First Assistant Camera: Scott Antifave
Extras Casting Assistant: Natalie Sutcliffe
Extras Casting: Andrea Brown
Location Production Assistant: Geshe Mancini
Stunt Driver: Janene Carleton
Costume Design: Bart Mueller
Costume Design: Kurt Swanson
Stunt Double: Andre Tricoteux
Stunts: Daniel Hargrave
VFX Artist: Christoph Westphal
Post Production Coordinator: Matthew Wells
Stunts: Clint Carleton
Stunts: Lauro David Chartrand-DelValle
Stunts: Nesta Chapman
Stunts: Breanna Watkins
Producer: Simon Kinberg
Executive Producer: Stan Lee
Director: David Leitch
Stunts: Jason Calder
Stunts: Mig Buenacruz
Stunts: Tony Bailey
Stunts: Ed Anders
Stunts: Fraser Aitcheson
Stunts: Megan Hui
Stunts: Don Lew
Stunts: Marcus Aurelio
Stunts: Eric Brown
Stunt Driver: Krista Bell
Stunts: Alex Chiang
Stunts: Pete Antico
Stunts: Matt Berberi
Stunt Driver: Garvin Cross
Stunts: Raymond Chan
Stunts: Rob ‘Sluggo’ Boyce
Stunts: Fraser Corbett
Stunts: Robert Zen Humpage
Stunts: Maya Macatumpag
Stunts: Jean Frenette
Stunts: John Stoneham Jr.
Stunts: Emerson Wong
Stunt Double: Lloyd Cunningham
Stunts: Keanu Lam
Stunts: Tony Lazzara
Stunt Double: Alex Kyshkovych
Stunt Double: Tom McComas
Stunts: Lars Grant
Stunt Double: Joel McGowan
Stunt Double: Louise Hradsky
Stunts: Paul Lazenby
Stunt Double: Atlin Mitchell
Fight Choreographer: Nuo Sun
Stunts: Andrei Kovski
Stunts: Nick Longhurst
Stunts: Kyle Mclean
Stunts: Shawn Robidoux
Stunts: Darryl Scheelar
Stunt Driver: Kimani Ray Smith
Stunt Double: Leif Havdale
Stunts: Brad Kelly
Stunts: Matt Reimer
Stunts: Greg Rementer
Stunts: Carl Fortin
Stunt Double: Tammy Nera
Stunt Driver: Zandara Kennedy
Stunts: Larry Lam
Stunts: Jaeson Lee
Stunts: Adrian Persad
Stunts: Sharlene Royer
Stunts: Hugo Steele
Stunts: Dimitry Tsoy
Stunts: Mathew Yanagiya
Utility Stunts: Thayr Harris
Stunts: Brian Ho
Stunts: Sean Kohnke
Stunt Double: Irma Leong
Stunt Driver: Marshall Virtue
Stunts: Dan Redford
Stunt Driver: Jeff Sanca
Stunts: Clay Virtue
Stunt Driver: Brennan Walstrom
Stunts: Darryl Quon
Stunts: Angela Uyeda
Additional Photography: Ronald Hersey
Stunt Driver: Kye Walstrom
Utility Stunts: Shahaub Roudbari
Stunt Driver: Mark Aaron Wagner
Lighting Technician: Yared Gebrekidan
Additional Photography: Shaun Stander
Stunt Driver: Owen Walstrom
Stunts: Cale Schultz
Utility Stunts: Taylor Tai
Stunts: Lateef Crowder
Stunt Coordinator: Wayne Dalglish
Stunts: Jimmy Chhiu
Stunts: Steven John Brown
Producer: Lauren Shuler Donner
Stunts: Thekla Hutyra
Stunts: Tim Garris
Stunts: Amy Johnston
Stunts: Roel Failma
Stunts: Bryce Branagan
Stunts: Eric Linden
Executive Producer: Aditya Sood
Stunt Coordinator: Jayson Dumenigo
Stunts: Micah Karns
Stunt Coordinator: Philip J. Silvera
Stunts: Thekla Hutyrova
Stunts: Chad Stahelski
Stunts: Daniel Bernhardt
Director of Photography: Jonathan Sela
Stunt Coordinator: Scott J. Ateah
Stunts: Cassandra Ebner
Set Decoration: Sandy Walker
Supervising Art Director: Dan Hermansen
Set Designer: Houman Eshraghi
Art Direction: Peter Ochotta
Boom Operator: Allister Mann
Art Direction: Roger Fires
Set Dresser: Kevin Kasper
Boom Operator: Donald D. Brown
Supervising Dialogue Editor: Sean Massey
Editor: Elísabet Ronaldsdóttir
Boom Operator: Allen Yang
Sound Re-Recording Mixer: Paul Massey
Production Design: David Scheunemann
Tattoo Designer: Lee Gren
Casting: Mary Vernieu
Construction Coordinator: Glenn Woodruff
Tattoo Designer: Howard Lau
Casting: Marisol Roncali
Assistant Art Director: Kris Bergthorson
Property Master: Dan Sissons
Set Designer: Beatrix Schalk
Set Dresser: Katharina Brand
Makeup Department Head: Monica Huppert
Set Designer: Peter Rzazewski
Editor: Craig Alpert
Set Designer: Jennifer Yee
Rigging Grip: Scott Kozak
Camera Operator: Sasha Proctor
Key Grip: Mark Hyde
Dolly Grip: Nicholas Dent
Lighting Technician: Andrew Wunder
Visual Effects Coordinator: Kotamraju Karthik
Visual Effects Producer: Anton Agerbo
Assistant Costume Designer: Monique McRae
Camera Operator: Tommy Douglas
Camera Operator: Brad McGregor
Key Grip: Kevin Black
Rigging Grip: Rod Haney
Motion Capture Artist: Daniel Kwon
Still Photographer: Joseph Lederer
Aerial Director of Photography: Hans Bjerno
Creature Technical Director: Eric Moliner
Gaffer: Andrew W. Davidson
Lighting Technician: Jason Tidsbury
Lighting Technician: Clyde Harrelson
Rigging Gaffer: Keith Woods
Still Photographer: David Dolsen
Underwater Director of Photography: Ian Seabrook
Lighting Technician: Christopher Hingston
Rigging Grip: Herb DeWaal
Creature Technical Director: Mischa Kolbe
Modeling: James Galen Clark
Second Unit Director of Photography: Patrick Loungway
Lighting Technician: Rob Brady
Creature Technical Director: Fazil Ahmed
Visual Effects Supervisor: Michael Brazelton
Casting: Corinne Clark
Creature Technical Director: Avijit Das
Matchmove Supervisor: Amit Narwani
Visual Effects Coordinator: Connor Smith
Armorer: Rob Fournier
Unit Publicist: Lorraine Jamison
Lead Animator: Sianoosh Nasiriziba
Visual Effects Producer: Thomas Elder-Groebe
Visual Effects Supervisor: Daniel Macarin
Costume Supervisor: Janice MacIsaac
Modeling: K.G. Ginu
Visual Effects Coordinator: Lesly Cazares
Assistant Costume Designer: Beverlee June Fix
Armorer: Ric Walkington
Visual Effects Producer: Sabrina Gagnon
Casting: Jennifer Page
Casting Consultant: Yumi Takada
Choreographer: Paul Becker
Visual Effects Coordinator: Sammy Shikaze
Casting Consultant: Ko Iwagami
Pre-Visualization Supervisor: Steve Yamamoto
Set Costumer: Carolyn Bentley
Visual Effects Supervisor: Dan Glass
Visual Effects Technical Director: Damiano Moltisanti
Costume Coordinator: Lana S. Krause
Set Costumer: Nicola Ryall
Armorer: Jeremy Muir
VFX Editor: Barnes Wheeler
Visual Effects Supervisor: Sean Konrad
Creature Technical Director: Yogesh Bhavsar
Casting Associate: Raylin Sabo
Visual Effects Coordinator: Rasghania Bharat
Set Costumer: Farrahlyn Owen
ADR Voice Casting: Johnny Gidcomb
Lead Animator: Andrew Park
Set Costumer: Cat Mudryk
Script Supervisor: Ana Oparnica Sebal
Casting Associate: Riva Cahn Thompson
Camera Operator: Łukasz Bielan
Lighting Technician: T. Michael Morris
Lighting Technician: Tess Bukowsky
Pre-Visualization Supervisor: C. Michael Neely
Visual Effects Technical Director: Thomas Dotheij
Visual Effects Technical Director: Phoenix Woung-Bi Lee
Assistant Costume Designer: Gwendolyn Stukely
Stunts: Sala Baker
Editor: Dirk Westervelt
Original Music Composer: Tyler Bates
Stunt Driver: Joe Doserro
Hair Department Head: Anne Carroll
Special Effects Makeup Artist: Geoff Redknap
Concept Artist: Stian Dahlslett
Special Effects Makeup Artist: Katie Goett
Special Effects Makeup Artist: Bronwyne Sloley
Special Effects Makeup Artist: Harlow MacFarlane
Prop Designer: Daniel Columbie
Hairstylist: Richard Kohlen
Painter: Niki Charalambopoulos
Painter: Jason Claridge
First Assistant Director: Paul Barry
Sound Designer: Chuck Michael
Sound Recordist: Tim Gomillion
Dialogue Editor: Ronald Eng
Sound Effects Editor: David Grimaldi
Sound Mixer: Mark Noda
Rigging Grip: Matt Bonin
Foley Supervisor: John Morris
Special Effects Supervisor: Mike Vézina
Supervising Sound Editor: Mark P. Stoeckinger
First Assistant Editor: Jim Carretta
Music Supervisor: John Houlihan
Carpenter: Joel Hansen
First Assistant Editor: Daniel M. Nussbaum
Concept Artist: Aaron McBride
Music Editor: Ted Caplan
Orchestrator: Drew Krassowski
Stunt Double: Joi Harris
Storyboard Artist: Todd Harris
First Assistant Editor: Matt Absher
Concept Artist: Benjamin Last
Concept Artist: Kouji Tajima
Lead Set Dresser: Paul Jenkinson
Stunt Double: Jackson Spidell
Stunts: Natasha Denis
Costume Illustrator: Jerad Marantz
Stunts: Becky Ferguson

Catogories:
Action,Comedy,Adventure
This is one huge constituent!!

Prepare for the Second Coming.
Language:
广州话 / 廣州話,English,Pусский,Español
Production:
United States of America
Company:
Maximum Effort,Genre Films,20th Century Fox,Marvel Entertainment
Popularity:
192.702
Date:
2018-05-10
Year:
2018

garethmb: The Mercenary with a mouth is back with the eagerly awaited arrival of “Deadpool 2”. The films sees the generally well-meaning but highly dysfunctional Deadpool (Ryan Reynolds), back to taking out bad guys as a contract player but also managing his relationship with Vanessa (Morena Baccarin). When an unexpected event sends his life into a freefall, Deadpool tries to find a new purpose with the help of his X-Men associates from the last film who attempt to recruit him into their organization.
His first mission is to defuse an angry and destructive young mutant named Russell (Julian Dennison), which takes an unexpected turn and lands them both in serious trouble.

One would think that would be enough to cause some major life changes for Deadpool but thanks to the arrival of Cable (Josh Brolin), a cyborg soldier from the future; things are about to get much more complicated and intense.
Undaunted, Deadpool opts to form his own league of heroes and aside from Domino (Zazie Beetz); they seem to be as unlucky or dysfunctional as their leader which makes for some very hysterical consequences.

What follows is an action and laugh-laden adventure which brings even more of what made the first film such a success to the audience as the film takes the bawdy action of the first and ups the ante thanks in large part to an expanded budget and cast.
My biggest concern for the film was that with an expanded budget there would be too many characters and an attempt to do far too much with the film. That did play out at times in the beginning as for me, the first film worked so well as they had to let the characters rather than the action and effects carry it and the rapid-fire arrival of so many jokes and creative profanity made repeat viewing of the film necessary to catch everything.

This time out we get elaborate action and chase sequences as well as a much larger cast. At times it seemed as if this would possibly overshadow the characters and story but Reynolds and Director David Leith never let it cross that line.
They also go back to the core elements in the final third of the film which really allows the film to fully connect with the tone of the original film and brings the film home to a satisfying conclusion. What really sold the film for me was the brilliant and very inspired extended scene during the credits which allows Deadpool to “fix” various issues which perfectly captures the irreverent character and the best aspects of the series where the cast is willing to make fun of themselves as well as the larger universe in which their characters exist.

I cannot wait to see what comes next as “DeadPool 2” is another fun outing for the character and something very different from most comic based movies.

4 stars out of 5
TobyBenson: An utterly hilarious movie, with hundreds of pop culture references. A movie that doesn’t take itself seriously, creating a silly, yet sensible dynamic. A must watch!
tmdb76295109: All in all, I prefer a Marvel movie that doesn’t take itself seriously, but the nonstop unseriousness of Deadpool 2 can wear you down, too.
Mark Rushow: Terminator + Adam Sandler = Deadpool 2. Anyone else notice that? Even Deadpool calls Cable Jon Connor but the whole movie is structured like a Terminator movie. Cable is like a combination of Jon Connor and a Terminator. All the comedy is styled just like an Adam Sandler movie. And that is it. Works pretty good oddly. It is the Terminator movie that never was. Though the director of the first Deadpool wasn’t directing this movie he is actually directing the next Terminator film.
Gimly: Takes some pretty hardcore departures from the first movie in terms of characters, but _Deadpool 2_ is still funny as Hell (maybe not quite as funny as it thinks but still, very very humorous) and Ryan Reynolds once again absolutely nails the titular role. I never loved either of these movies as much as it seems people did by and large, but I do **like** them, and that’s not nothin’.
_Final rating:★★★ – I liked it. Would personally recommend you give it a go._
Per Gunnar Jonsson: I have to say that I quite enjoyed this movie. Was there a lot of juvenile jokes? Oh yes. Was the characters sometimes over the top and silly? Yes again. Was the script and story anything to write home about? Of course not! Was there a lot of gratuitous violence? Hell yes! But then, this was pretty much what could be expected. Anyone offended or surprised by this should not really have picked this movie in the first place.
Despite the fairly juvenile jokes, the sometime illogical script and the way over the top chop-chop-and-chop-some-more violence I had great fun watching this movie. I really enjoyed the action sequences a’la Kill Bill, the special effects and yes, the jokes. Most of the time at least)

Everything was so silly and over the top that it actually became funny. Each scene, taken by itself, would probably have been considered silly, or even bad, by me but stringed together in the context of the movie as a whole it just worked. For me at least.

The action sequences, CGI and everything that should be in a superhero movie was, in my mind, quite good. Also, despite not really being anything to write home about the story was quite adequate. Simple, straightforward and a lot better than the crap that a lot of the stuff that social and political correctness preaching writers at Marvel are spewing out these days.

I definitely liked Cable as the hard hitting ass-kicking cyborg. When Domino was first introduced I was not impressed, even though she’s hot. I mean, luck as a superpower? However, when she started to pull all these hilarious stunts with these incredibly unbelievable chains of events I quickly changed my mind. Oh, and I did like Deadpool of course. That goes without saying. If you do not like the main protagonist it is difficult to like the movie itself is it not?

Most of the other characters were between okay and so so. The one character I never really liked was Firefist. He was never funny, just incredibly stupid and childish.

The team of fellow mutant “warriors” that Deadpool pulled together? Well let’s say that I am not that disappointed that they were somewhat “expendable” but it looks like that was the whole point of it. When the first of them whammed into that bus I thought “What the f…?” and then it just continued with one gory event following another. Nice touch with the blue blood by the way. I guess the guy was an alien after all.

To sum it up, a lot of the movie was pretty much what I expected but altogether I think I was positively surprised. Two hours of great fun actually.
GenerationofSwine: Really I felt the jokes landed a heck of a lot more in this one than they did in Deadpool, and for a movie like this it counts for a lot.
It seemed to hit all ends of the political spectrum in the humor, and that too worked, especially as the character is satirical and prone to break the 4th wall…which also applies to our society as a whole. And it worked very well for this film.

The blood, the sex, the vulgarity all actually added to the plot as a whole, it fit like a glove and accented the humor as a whole to make the film darkly funny, especially with a plot that at times was intentionally inane and pointless and, at times, deeper than you’d expect for a self-deprecating super hero film.

It’s worth watching twice at least, even if, the second time around, you see all the best laughs coming.
The Movie Mob: **Deadpool 2 adds awesome new characters and tones down the extreme crudeness to make a sequel that is more enjoyable than the original.**
I’m not much of a Deadpool fan. The humor was much too crude and nonsensical for me to enjoy the first outing, but the sequel toned it down to a PG-13 rating for the sequel, and as a result, I had a much better experience! One of the significant improvements over the first movie was the exciting additions of Cable and Domino to the cast. Josh Brolin was a fantastic choice for Cable, and the design and grittiness of the character were amazing to see on the screen. I also liked the way Deadpool 2 depicted Domino’s powers in a more tangible way than even the comics can show (and Zazie Beats was fantastic in the role too). Even Brad Pitt was fun in his brief role. I love the X-Men, and this movie ventured further into that world than its predecessor. The fun time travel scene of Reynolds correcting all of his career and Deadpool mistakes was comedic gold! Deadpool 2 was a much better outing to me, but that’s probably due to the very same reasons that so many traditional Deadpool fans didn’t like it.
Andre Gonzales: Not as good as the first. Still good though. Also my favorite x-men of all time juggernaut is in this.

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